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Through the course of the 1970s and 1980s, Luigi Ghirri pursued his extraordinary project, open-ended and mercurial, marked by empathy for the changing everyday spaces of his time. Over the course of his short career, Ghirri would produce a vast body of photographs without parallel in the Europe of his time and numerous writings which would have an indelible impact on the(...)
Luigi Ghirri: the map and the territory
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Through the course of the 1970s and 1980s, Luigi Ghirri pursued his extraordinary project, open-ended and mercurial, marked by empathy for the changing everyday spaces of his time. Over the course of his short career, Ghirri would produce a vast body of photographs without parallel in the Europe of his time and numerous writings which would have an indelible impact on the history of photography. The focus of the project is on Ghirri’s quietly compelling project to create a new kind of geography, located in his fascination with representations of the world, in the form of reproductions, pictures, posters, models and maps.
Monographies photo
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"The Complete Papers" is an extensive volume encompassing all of Thomas Demand’s work over the past 28 years, together with the primary texts written about his practice. The book includes previously unseen early works from 1990, together with reference reproductions on every one of his pieces. A newly commissioned interview with Russell Ferguson, new texts by Jeff Wall(...)
Thomas Demand: the complete papers
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"The Complete Papers" is an extensive volume encompassing all of Thomas Demand’s work over the past 28 years, together with the primary texts written about his practice. The book includes previously unseen early works from 1990, together with reference reproductions on every one of his pieces. A newly commissioned interview with Russell Ferguson, new texts by Jeff Wall and Alexander Kluge, contributions by Parveen Adams, Francesco Bonami, Teju Cole, Beatriz Colomina, Jeffrey Eugenides, Julia Franck, Hal Foster, Rachel Kushner, Ben Lerner, Jacques Rancière, Gary Shteyngart, Neville Wakefield, to name a few, is concluded by a complete exhibition listing and bibliography.
Monographies photo
John Divola: Vandalism
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Between 1974 and 1975, the American photographer John Divola – then in his mid twenties and without a studio of his own – travelled across Los Angeles in search of dilapidated properties in which to make photographs. Armed with a camera, spray paint, string and cardboard, the artist would produce one of his most significant photographic projects entitled Vandalism. In(...)
John Divola: Vandalism
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Between 1974 and 1975, the American photographer John Divola – then in his mid twenties and without a studio of his own – travelled across Los Angeles in search of dilapidated properties in which to make photographs. Armed with a camera, spray paint, string and cardboard, the artist would produce one of his most significant photographic projects entitled Vandalism. In this visceral, black and white series of images Divola vandalised vacant homes with abstract constellations of graffiti-like marks, ritualistic configurations of string hooked to pins, and torn arrangements of card, before cataloguing the results. The project vigorously merged the documentary approach of forensic photography with staged interventions echoing performance, sculpture and installation art.
Monographies photo
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This compendium of images by photographer Guillaume Simoneau is unhinged from the moorings of conventional narrative readings. They speak of travel, pilgrimage, epiphany and discovery with a simple, selfless stoicism. Time of day, experiments out on the water, scientific equipment, all suggest an itinerary at once mysterious and immanent, pungent and rich. A fragmented(...)
Guillaume Simoneau: Experimental lake
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This compendium of images by photographer Guillaume Simoneau is unhinged from the moorings of conventional narrative readings. They speak of travel, pilgrimage, epiphany and discovery with a simple, selfless stoicism. Time of day, experiments out on the water, scientific equipment, all suggest an itinerary at once mysterious and immanent, pungent and rich. A fragmented litany of objectivities forms a cohesive chain of elliptical meanings.
Monographies photo
Waffenruhe
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Schmidt uses atmosphere-laden details with high-contrast black-and-white images of cityscapes, details in nature, and portraits in 'Waffenruhe' to create a subjective, leaden picture of a still-divided city. He no longer deploys the techniques of pure documentation, but brings together surprising combinations of images to express a generation's dystopian sense of life(...)
Waffenruhe
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Schmidt uses atmosphere-laden details with high-contrast black-and-white images of cityscapes, details in nature, and portraits in 'Waffenruhe' to create a subjective, leaden picture of a still-divided city. He no longer deploys the techniques of pure documentation, but brings together surprising combinations of images to express a generation's dystopian sense of life shortly before the fall of the Wall. The first edition, published in 1987 by the Berlin-based Dirk Nishen Verlag quickly sold out and continues to fetch high prices on the antiquarian book market. Thirty years later, 'Waffenruhe' is now being reprinted. This artist's book - often included on lists of the most influential photographic books of all time - is once again being made available.
Monographies photo
Peter Steinhauer: Cocoons
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Since 1993, Peter Steinhauer has documented the many facets of Asian culture, with a keen eye for architecture, urban landscape, and man-made structures and environments. On his first visit to Hong Kong in 1994, arriving at the old Kai Tak International Airport, Steinhauer noticed a very large structure encaged in bamboo and swathed in yellow material standing out beneath(...)
Peter Steinhauer: Cocoons
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Since 1993, Peter Steinhauer has documented the many facets of Asian culture, with a keen eye for architecture, urban landscape, and man-made structures and environments. On his first visit to Hong Kong in 1994, arriving at the old Kai Tak International Airport, Steinhauer noticed a very large structure encaged in bamboo and swathed in yellow material standing out beneath a canopy of clouds, glowing against the monochromatic, urban skyline. Hong Kong is the final stronghold of the bamboo scaffolders who once practiced their trade at construction sites throughout Asia. Reproduced in this book are 100 images that reflect Steinhauer's fascination with these hauntingly beautiful and monumental edifices, their bamboo scaffolding draped in brightly hued material.
Monographies photo
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An extraordinary collection of eighty pictures from the Alinari Archives located in Florence, Italy makes up a never-before-published sequence of images including portraits, landscapes, and rituals providing a rare entry into traditional 19th-century Japan. Felice Beato was one of the first Western photographers to enter Japan when the country first opened its borders(...)
Lost Japan: the photographs of Felice Beato and the school of Yokohama (1860-1890)
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An extraordinary collection of eighty pictures from the Alinari Archives located in Florence, Italy makes up a never-before-published sequence of images including portraits, landscapes, and rituals providing a rare entry into traditional 19th-century Japan. Felice Beato was one of the first Western photographers to enter Japan when the country first opened its borders (1853); he revealed to the Western world a country preserved in time and never seen before. In 1863 he moved to Yokohama and opened a photography school, the School of Yokohama. The photos of the book preserve the original photographic prints, manually colored black-and-white prints, that truly embody the spirit of that period. Images feature fascinating portraits of women in kimonos, geishas, samurai warriors, and interiors of Japanese homes and gardens as well as scenes of everyday life including tea ceremonies or the theater. Each photo is accompanied by text providing historical, anthropological, and artistic context.
Monographies photo
Seth Fluker: broken clouds
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"Broken clouds" is a self-published, limited edition photobook by photographer Seth Fluker. Photographs taken in British Columbia, Ontario, Québec and New Brunswick in 2016.
Seth Fluker: broken clouds
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"Broken clouds" is a self-published, limited edition photobook by photographer Seth Fluker. Photographs taken in British Columbia, Ontario, Québec and New Brunswick in 2016.
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Photographic monograph by Cristian Ordóñez. The pictures of this book were taken between years 2009 and 2017. Eight years in which the artist investigates the connection to place in a close relationship and immersion to the land. People, places and traces discovered in various locations of Chile (where the artist is originally from), Canada (his new home) and the United(...)
Monographies photo
février 2018
A way to disconnect and connect
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Photographic monograph by Cristian Ordóñez. The pictures of this book were taken between years 2009 and 2017. Eight years in which the artist investigates the connection to place in a close relationship and immersion to the land. People, places and traces discovered in various locations of Chile (where the artist is originally from), Canada (his new home) and the United States. Cristian explores his surroundings and boundaries to find details that provide memories to a place that still feels new to him. He often put myself in situations where he wanders alone through unknown places, without any specific plan in mind - exploring, improvising and letting himself drift and flow to record elements that drive his attention, discovering cultures and local information that manifests along the way as evidence, providing a representation of the area and somehow activating memories of other places he has lived in.
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This photo series is Kenji Toma's homage to the botanical illustrations in « Choix Des Plus Belles Fleurs » by Pierre-Joseph Redouté, one of the most well-regarded flower encyclopedias of the nineteenth century. Back when color photography did not exist, these images were illustrated with the purpose of replicating the botanic subject as realistically as possible. Toma is(...)
Kenji Toma: The most beautiful flowers
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This photo series is Kenji Toma's homage to the botanical illustrations in « Choix Des Plus Belles Fleurs » by Pierre-Joseph Redouté, one of the most well-regarded flower encyclopedias of the nineteenth century. Back when color photography did not exist, these images were illustrated with the purpose of replicating the botanic subject as realistically as possible. Toma is interested in doing the exact opposite with the photographic medium which, realistic by nature, can also be used to make a subject look unreal and artificial. The result is a contemporary revival of the concept of the botanical encyclopedia.
Monographies photo