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Wilted Country collects the best of Eberhard’s images in a single volume and complements them with critical essays on the artist’s craft by Anthony Bannon, the director of the George Eastman House International Museum of Photography and Film, and Benedict Wells, a young German novelist.
Roger Eberhard: Wilted country
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Wilted Country collects the best of Eberhard’s images in a single volume and complements them with critical essays on the artist’s craft by Anthony Bannon, the director of the George Eastman House International Museum of Photography and Film, and Benedict Wells, a young German novelist.
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Since March 2000, photographer Joel Sternfeld has been documenting the abandoned elevated railway, the High Line, which runs down the West Side of Manhattan. Sometimes a river of grass, sometimes more like wheat fields of Canada, this unique ruin permits contemplation of nature, and of cityscape. Walking the path of this true time landscape, experiencing the seasons as(...)
Joel Sternfeld : walking the High Line
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Since March 2000, photographer Joel Sternfeld has been documenting the abandoned elevated railway, the High Line, which runs down the West Side of Manhattan. Sometimes a river of grass, sometimes more like wheat fields of Canada, this unique ruin permits contemplation of nature, and of cityscape. Walking the path of this true time landscape, experiencing the seasons as they unfold in a ribbon within the vertical architectural landscape of New York City, Sternfeld has created a suite of images marked by quiet grace and formal rigor. In Walking the High Line, as in all of his work, landscape is read as a social and cultural indicator.
Monographies photo
Robert Frank: Tal uf Tal ab
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Tal Uf Tal Ab is a book of new photographs by Robert Frank. Frank's subjects are his life now, an inquisitive existence shaped by memory: newsstands, streetscapes, portraits of friends and his wife June Leaf, interiors, a self-portrait. This book is the latest phase in Frank's unceasing exploration of photography, and a humble yet important progression in the medium of(...)
Robert Frank: Tal uf Tal ab
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Tal Uf Tal Ab is a book of new photographs by Robert Frank. Frank's subjects are his life now, an inquisitive existence shaped by memory: newsstands, streetscapes, portraits of friends and his wife June Leaf, interiors, a self-portrait. This book is the latest phase in Frank's unceasing exploration of photography, and a humble yet important progression in the medium of the photobook.
Monographies photo
Ernst Haas: color correction
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Ernst Haas is most associated with a vibrant colour photography which, for decades, was much in demand by the illustrated press. This colour work, published in the most influential magazines in Europe and America, also fed a constant stream of books, and these too enjoyed great popularity. But although his colour work earned him fame around the world, in recent decades(...)
Ernst Haas: color correction
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Ernst Haas is most associated with a vibrant colour photography which, for decades, was much in demand by the illustrated press. This colour work, published in the most influential magazines in Europe and America, also fed a constant stream of books, and these too enjoyed great popularity. But although his colour work earned him fame around the world, in recent decades it has often been derided by critics and curators as “overly commercial”, and too easily accessible – or in the language of curators, not sufficiently “serious”. As a result, his reputation has suffered in comparison with a younger generation of colour photographers, notably Eggleston, Shore and Meyerowitz.
Monographies photo
Joann Verburg: Interruptions
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JoAnn Verburg has photographed the narrow streets and passageways of the historic center of Spoleto, Italy, an ancient Umbrian city where she lives part-time. The images depict angled building facades, receding courtyards and transitory corridors that emphasize the subjectivity of perception and observation through calculated shifts in her camera's focus and perspective.(...)
Joann Verburg: Interruptions
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JoAnn Verburg has photographed the narrow streets and passageways of the historic center of Spoleto, Italy, an ancient Umbrian city where she lives part-time. The images depict angled building facades, receding courtyards and transitory corridors that emphasize the subjectivity of perception and observation through calculated shifts in her camera's focus and perspective. In contrast, Verburg's tightly cropped, close-ups of Spoleto's residents are timeless yet grounded compositions. These portraits remain elusive and at the margins of a specific place and time, however, with no immediate reference to their surroundings at-large. When viewed together, the cityscapes become backdrops into which the photographed individuals could wander at any time. Writing about Verburg's work, distinguished art historian Walter Liedtke notes: "Verburg has learned that all observation, including the seemingly most objective, is always subjective, selective, slanted, focused, blurred, disconnected, or somehow interrupted."
Monographies photo
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Harry Callahan(1912-1999) was one of the most respected and influential American photographers of the modern era. He was a master of traditional genres such as portraiture, landscape, architecture and nature studies, but also experimented with new ways of using the medium. He began his career by joining the camera club at Chrysler Motors in 1938. Inspired by Ansel(...)
Harry Callahan: seven collages
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Harry Callahan(1912-1999) was one of the most respected and influential American photographers of the modern era. He was a master of traditional genres such as portraiture, landscape, architecture and nature studies, but also experimented with new ways of using the medium. He began his career by joining the camera club at Chrysler Motors in 1938. Inspired by Ansel Adams, whom he met in 1941, Callahan improved his technique and swiftly developed an artistic voice. In 1946, he was hired by Laszlo Moholy-Nagy to teach photography at the Institute of Design in Chicago. In 1961, he moved to Providence, Rhode Island and taught at the Rhode Island School of Design, retiring in 1977. He established his reputation with black and white materials, but also fully explored color photography, especially from the late 1960s onwards. Callahan's work was widely published and exhibited during his lifetime, and was the subject of a major retrospective at the National Gallery of Art, Washington, DC, in 1996.
Monographies photo
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French artist Sophie Calle from Paris has been selected as the 30th winner of the Hasselblad Foundation International Award in Photography. The Hasselblad Foundation International Award in Photography (since 1980) is recognized as one of the most important prizes in the world today.
Sophie Calle: True stories: Hasselblad Award 2010
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French artist Sophie Calle from Paris has been selected as the 30th winner of the Hasselblad Foundation International Award in Photography. The Hasselblad Foundation International Award in Photography (since 1980) is recognized as one of the most important prizes in the world today.
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Stefan Koppelkamm: Screening
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Taken together, the photographs in this book represent a visual commentary on our present-day lifestyle. All the pictures were taken in the centre of Berlin - but the same scenes can be seen all over the world. The buildings are just as interchangeable as the monumental images of sex and consumerism. Stefan Koppelkamm's photographs are accompanied by selected monologues(...)
Stefan Koppelkamm: Screening
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Taken together, the photographs in this book represent a visual commentary on our present-day lifestyle. All the pictures were taken in the centre of Berlin - but the same scenes can be seen all over the world. The buildings are just as interchangeable as the monumental images of sex and consumerism. Stefan Koppelkamm's photographs are accompanied by selected monologues from Roland Schimmelpfennig's drama Push Up 1-3, which give the ideal inhabitants of this world a voice. These are people who fully subscribe to the images of success and beauty taken from adverts and from the media.
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Ils se nomment Antoine, Lola, Jean, Patrice, Yann, Vanessa, Gwendal, Casti, Joan et Jérémy. Ils et elles sont réunis dans cet ouvrage sous l’œil du photographe Rudy Burbant. Dix victimes de violences policières survenues lors d’opérations de « maintien de l’ordre », dix femmes et hommes qui participaient à des manifestations pour revendiquer de meilleures conditions de(...)
Impact : Dix histoires de violences policières
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Ils se nomment Antoine, Lola, Jean, Patrice, Yann, Vanessa, Gwendal, Casti, Joan et Jérémy. Ils et elles sont réunis dans cet ouvrage sous l’œil du photographe Rudy Burbant. Dix victimes de violences policières survenues lors d’opérations de « maintien de l’ordre », dix femmes et hommes qui participaient à des manifestations pour revendiquer de meilleures conditions de vie et de travail, pour alerter sur le réchauffement climatique ou tout simplement réunis aux abords d’un stade de foot ou pour participer à la fête de la Musique. Voici le récit photographique et les témoignages de vies qui basculent, de combats pour se reconstruire et d’inlassables luttes pour faire reconnaître les préjudices qu’ils ont subis. L’ouvrage présente leurs portraits, et prend le temps de saisir ce qui se joue dans leurs vies, à travers leurs regards qui nous font face, leurs stigmates, puis la découverte de leurs récits.
Monographies photo
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Snezhana von Büdingen-Dyba, photographe germano-russe née en 1983, documente depuis 2017 la vie de Sofie, une jeune femme atteinte de trisomie 21. C’est par une immersion dans le monde de Sofie, par l’observation de ses gestes et de ses réactions face au déroulement de la réalité, qu’ont pu être saisies les scènes ici dépeintes. L’aspect le plus puissant de cette série(...)
Snezhana von Büdingen-Dyba : Meeting Sofie
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Snezhana von Büdingen-Dyba, photographe germano-russe née en 1983, documente depuis 2017 la vie de Sofie, une jeune femme atteinte de trisomie 21. C’est par une immersion dans le monde de Sofie, par l’observation de ses gestes et de ses réactions face au déroulement de la réalité, qu’ont pu être saisies les scènes ici dépeintes. L’aspect le plus puissant de cette série est indéniablement l’universalité de l’histoire qu’elle raconte. // Since 2017, Snezhana von Büdingen-Dyba (born 1983, German/Russian) has been documenting the life of a young woman with down syndrome named Sofie. The scenes in the photos came from immersing herself in Sofie’s world, watching her actions and reactions to things unfold. The most powerful aspect of this series is undoubtedly how universal the story it tells is.
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