2424 Résultats
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This richly illustrated book focuses on the life and work of British photographer Frederick H. Evans (1853-1943). Initially a bookseller in London, Evans began pursuing photography in the 1880s. His platinum prints of medieval cathedrals in England and France are among the most renowned architectural images in photographic history. He explored these stone monuments with a(...)
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This richly illustrated book focuses on the life and work of British photographer Frederick H. Evans (1853-1943). Initially a bookseller in London, Evans began pursuing photography in the 1880s. His platinum prints of medieval cathedrals in England and France are among the most renowned architectural images in photographic history. He explored these stone monuments with a(...)
Titre:
The photographs of Frederick H. Evans
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This richly illustrated book focuses on the life and work of British photographer Frederick H. Evans (1853-1943). Initially a bookseller in London, Evans began pursuing photography in the 1880s. His platinum prints of medieval cathedrals in England and France are among the most renowned architectural images in photographic history. He explored these stone monuments with a particular interest in spirituality and symbolism. Evans was a member of the Linked Ring, an association of photographers formed in England in 1892 to promote photography as a fine art. Despite Evans's important contribution to the field of photography, this is the first significant publication of his work since 1992.
The photographs of Frederick H. Evans
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This richly illustrated book focuses on the life and work of British photographer Frederick H. Evans (1853-1943). Initially a bookseller in London, Evans began pursuing photography in the 1880s. His platinum prints of medieval cathedrals in England and France are among the most renowned architectural images in photographic history. He explored these stone monuments with a particular interest in spirituality and symbolism. Evans was a member of the Linked Ring, an association of photographers formed in England in 1892 to promote photography as a fine art. Despite Evans's important contribution to the field of photography, this is the first significant publication of his work since 1992.
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livres
livres
Publication:
février 2010
février 2010
Sujet:
Monographies photo
Monographies photo
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Mitch Epstein's latest project tackles one of the most loaded issues on the nation's agenda: what and who powers America? Between 2003 and 2008, prompted by the evacuation of an environmentally contaminated Ohio town, Epstein traveled the United States to document the country's energy "hot spots," where fossil fuel, nuclear, hydroelectric, wind and solar power are(...)
$84.00
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Mitch Epstein's latest project tackles one of the most loaded issues on the nation's agenda: what and who powers America? Between 2003 and 2008, prompted by the evacuation of an environmentally contaminated Ohio town, Epstein traveled the United States to document the country's energy "hot spots," where fossil fuel, nuclear, hydroelectric, wind and solar power are(...)
Titre:
Mitch Epstein: American power
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Mitch Epstein's latest project tackles one of the most loaded issues on the nation's agenda: what and who powers America? Between 2003 and 2008, prompted by the evacuation of an environmentally contaminated Ohio town, Epstein traveled the United States to document the country's energy "hot spots," where fossil fuel, nuclear, hydroelectric, wind and solar power are produced, encountering further contaminations, Homeland Security obstacles, corporate invincibility and the occasional token of hope.
Mitch Epstein: American power
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Mitch Epstein's latest project tackles one of the most loaded issues on the nation's agenda: what and who powers America? Between 2003 and 2008, prompted by the evacuation of an environmentally contaminated Ohio town, Epstein traveled the United States to document the country's energy "hot spots," where fossil fuel, nuclear, hydroelectric, wind and solar power are produced, encountering further contaminations, Homeland Security obstacles, corporate invincibility and the occasional token of hope.
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livres
livres
Publication:
octobre 2009
octobre 2009
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$66.00
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An ironic take on the Case Study House Program--initiated in 1945 by Arts and Architecture magazine in an effort to develop low-priced single-family homes --German photographer Peter Bialobrzeski's Case Study Homes was shot at the Baseco compound, a squatter camp near the Port of Manila, which is home to an estimated 70,000 people. As Bialobrzeski was considering the(...)
$66.00
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An ironic take on the Case Study House Program--initiated in 1945 by Arts and Architecture magazine in an effort to develop low-priced single-family homes --German photographer Peter Bialobrzeski's Case Study Homes was shot at the Baseco compound, a squatter camp near the Port of Manila, which is home to an estimated 70,000 people. As Bialobrzeski was considering the(...)
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Peter Bialobrzeski: case study homes
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An ironic take on the Case Study House Program--initiated in 1945 by Arts and Architecture magazine in an effort to develop low-priced single-family homes --German photographer Peter Bialobrzeski's Case Study Homes was shot at the Baseco compound, a squatter camp near the Port of Manila, which is home to an estimated 70,000 people. As Bialobrzeski was considering the series--startling images of provisional structures fashioned from slats, cardboard, corrugated metal and other cast-off materials and refuse--Lehman Brothers Bank collapsed and the media declared a global economic crisis. These recent events lend resonance to Bialobrzeski's images, which recall the photographs of impoverished rural Americans commissioned by the Farm Security Administration in the 1930s. Conceived as a sketchbook for a larger project, the images evidence the human will to survive and a profound resourcefulness.
Peter Bialobrzeski: case study homes
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An ironic take on the Case Study House Program--initiated in 1945 by Arts and Architecture magazine in an effort to develop low-priced single-family homes --German photographer Peter Bialobrzeski's Case Study Homes was shot at the Baseco compound, a squatter camp near the Port of Manila, which is home to an estimated 70,000 people. As Bialobrzeski was considering the series--startling images of provisional structures fashioned from slats, cardboard, corrugated metal and other cast-off materials and refuse--Lehman Brothers Bank collapsed and the media declared a global economic crisis. These recent events lend resonance to Bialobrzeski's images, which recall the photographs of impoverished rural Americans commissioned by the Farm Security Administration in the 1930s. Conceived as a sketchbook for a larger project, the images evidence the human will to survive and a profound resourcefulness.
Classification:
livres
livres
Publication:
décembre 2009
décembre 2009
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$72.00
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Surfaces and Depths is a representative selection of Thomas Ruff's works, over a period that already spans about 25 years, with projects ranging from portraits and interiors to telescope and space probe pictures and "nightsight" photography. Ruff incorporates an extremely wide range of everyday subjects into his experiments--people, architecture, planets, the(...)
$72.00
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Surfaces and Depths is a representative selection of Thomas Ruff's works, over a period that already spans about 25 years, with projects ranging from portraits and interiors to telescope and space probe pictures and "nightsight" photography. Ruff incorporates an extremely wide range of everyday subjects into his experiments--people, architecture, planets, the(...)
Sujet:
Monographies photo
Monographies photo
Publication:
novembre 2009
novembre 2009
Titre:
Thomas Ruff: surfaces and depths
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$72.00
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Surfaces and Depths is a representative selection of Thomas Ruff's works, over a period that already spans about 25 years, with projects ranging from portraits and interiors to telescope and space probe pictures and "nightsight" photography. Ruff incorporates an extremely wide range of everyday subjects into his experiments--people, architecture, planets, the Internet--and subjects them to all forms of camera technology, so that his work often seems to embody the history of the art as it develops.
Thomas Ruff: surfaces and depths
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Surfaces and Depths is a representative selection of Thomas Ruff's works, over a period that already spans about 25 years, with projects ranging from portraits and interiors to telescope and space probe pictures and "nightsight" photography. Ruff incorporates an extremely wide range of everyday subjects into his experiments--people, architecture, planets, the Internet--and subjects them to all forms of camera technology, so that his work often seems to embody the history of the art as it develops.
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livres
livres
Publication:
novembre 2009
novembre 2009
Sujet:
Monographies photo
Monographies photo
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livres
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German photographer Andreas Gefeller's Supervisions series, begun in 2002, is labor-intensive stuff. He collages literally hundreds of small aerial views of public spaces into a large-scale photograph that, by lacking a central focus, challenges our perception and seemingly oscillates between two- and three-dimensionality.
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German photographer Andreas Gefeller's Supervisions series, begun in 2002, is labor-intensive stuff. He collages literally hundreds of small aerial views of public spaces into a large-scale photograph that, by lacking a central focus, challenges our perception and seemingly oscillates between two- and three-dimensionality.
Titre:
Andreas Gefeller: photographs
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German photographer Andreas Gefeller's Supervisions series, begun in 2002, is labor-intensive stuff. He collages literally hundreds of small aerial views of public spaces into a large-scale photograph that, by lacking a central focus, challenges our perception and seemingly oscillates between two- and three-dimensionality.
Andreas Gefeller: photographs
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German photographer Andreas Gefeller's Supervisions series, begun in 2002, is labor-intensive stuff. He collages literally hundreds of small aerial views of public spaces into a large-scale photograph that, by lacking a central focus, challenges our perception and seemingly oscillates between two- and three-dimensionality.
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livres
livres
Publication:
novembre 2009
novembre 2009
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Native Land : stop eject
Native Land : stop eject
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This book was published on the occasion of the exhibition "Native Land : stop eject" presented at the Fondation Cartier pour l'art contemporain in Paris from November 21, 2008 to March 15, 2009. Chief curator : Hervé Chandès
$72.00
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This book was published on the occasion of the exhibition "Native Land : stop eject" presented at the Fondation Cartier pour l'art contemporain in Paris from November 21, 2008 to March 15, 2009. Chief curator : Hervé Chandès
Titre:
Native Land : stop eject
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This book was published on the occasion of the exhibition "Native Land : stop eject" presented at the Fondation Cartier pour l'art contemporain in Paris from November 21, 2008 to March 15, 2009. Chief curator : Hervé Chandès
Native Land : stop eject
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This book was published on the occasion of the exhibition "Native Land : stop eject" presented at the Fondation Cartier pour l'art contemporain in Paris from November 21, 2008 to March 15, 2009. Chief curator : Hervé Chandès
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livres
livres
Publication:
juillet 2009
juillet 2009
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Animal logic
Animal logic
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Photographer Richard Barnes has spent more than ten years documenting the way we assemble, contain, and catalog the natural world. Barnes's behind-the-scenes photographs are haunting reminders that there is nothing natural about a natural history museum. Barnes's first monograph, collects four related species of his photographic work that touch on themes relevant to(...)
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Photographer Richard Barnes has spent more than ten years documenting the way we assemble, contain, and catalog the natural world. Barnes's behind-the-scenes photographs are haunting reminders that there is nothing natural about a natural history museum. Barnes's first monograph, collects four related species of his photographic work that touch on themes relevant to(...)
Titre:
Animal logic
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Photographer Richard Barnes has spent more than ten years documenting the way we assemble, contain, and catalog the natural world. Barnes's behind-the-scenes photographs are haunting reminders that there is nothing natural about a natural history museum. Barnes's first monograph, collects four related species of his photographic work that touch on themes relevant to science, history, archaeology, and architecture. Through his lens sights and objects normally hidden from public view—half-installed dioramas, partially wrapped specimens, anatomical models, exploded skulls, and taxidermied animals in shipping crates—take on a strange beauty.
Animal logic
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Photographer Richard Barnes has spent more than ten years documenting the way we assemble, contain, and catalog the natural world. Barnes's behind-the-scenes photographs are haunting reminders that there is nothing natural about a natural history museum. Barnes's first monograph, collects four related species of his photographic work that touch on themes relevant to science, history, archaeology, and architecture. Through his lens sights and objects normally hidden from public view—half-installed dioramas, partially wrapped specimens, anatomical models, exploded skulls, and taxidermied animals in shipping crates—take on a strange beauty.
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livres
livres
Publication:
octobre 2009
octobre 2009
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$102.00
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Thomas Demand provokes confrontations between photography's poles of fact and fiction. True-to-size paper models are photographed and then scaled down, while traces of event and person are systematically removed, leaving phantom images of the proposed "crime scene" that seem at once familiar and dreamlike. Demand's 2009 Nationalgalerie (Berlin) exhibition and catalogue(...)
$102.00
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Thomas Demand provokes confrontations between photography's poles of fact and fiction. True-to-size paper models are photographed and then scaled down, while traces of event and person are systematically removed, leaving phantom images of the proposed "crime scene" that seem at once familiar and dreamlike. Demand's 2009 Nationalgalerie (Berlin) exhibition and catalogue(...)
Sujet:
Monographies photo
Monographies photo
Publication:
janvier 2010
janvier 2010
Titre:
Thomas Demand, Nationalgalerie
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Thomas Demand provokes confrontations between photography's poles of fact and fiction. True-to-size paper models are photographed and then scaled down, while traces of event and person are systematically removed, leaving phantom images of the proposed "crime scene" that seem at once familiar and dreamlike. Demand's 2009 Nationalgalerie (Berlin) exhibition and catalogue bring together his work on German history since 1945--a scrutiny of the "Deutschlandbild," the "German image." These reflections, reconstructed in photographs from a variety of scenarios in the postwar period, encourage the viewer to consider the complexity of the photographic document. Demand's representations of the social and historical are introduced not as monoliths but as places of multiple possibility, halls of mirrors in which the viewer is forced to confront--rather than be fed--potential distortions. His concern for the pliability of human memory and the play between the central and peripheral image contributes to the vibrancy of his art. For Demand, the photographer's accomplishment lies in "re-privatisating that which is constructed as a public opinion."
Thomas Demand, Nationalgalerie
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Thomas Demand provokes confrontations between photography's poles of fact and fiction. True-to-size paper models are photographed and then scaled down, while traces of event and person are systematically removed, leaving phantom images of the proposed "crime scene" that seem at once familiar and dreamlike. Demand's 2009 Nationalgalerie (Berlin) exhibition and catalogue bring together his work on German history since 1945--a scrutiny of the "Deutschlandbild," the "German image." These reflections, reconstructed in photographs from a variety of scenarios in the postwar period, encourage the viewer to consider the complexity of the photographic document. Demand's representations of the social and historical are introduced not as monoliths but as places of multiple possibility, halls of mirrors in which the viewer is forced to confront--rather than be fed--potential distortions. His concern for the pliability of human memory and the play between the central and peripheral image contributes to the vibrancy of his art. For Demand, the photographer's accomplishment lies in "re-privatisating that which is constructed as a public opinion."
Classification:
livres
livres
Publication:
janvier 2010
janvier 2010
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
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$54.00
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Résumé:
"Images left behind are in the end stronger than truth and facts. Through Douglas Kirkland's images we can imagine what the famous Coco had been all about before she became the formidable Chanel," muses Karl Lagerfeld in Mademoiselle, a selection of photographs of Chanel taken by Douglas Kirkland in 1962 on assignment in Paris for the American magazine Look. Lagerfeld is(...)
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"Images left behind are in the end stronger than truth and facts. Through Douglas Kirkland's images we can imagine what the famous Coco had been all about before she became the formidable Chanel," muses Karl Lagerfeld in Mademoiselle, a selection of photographs of Chanel taken by Douglas Kirkland in 1962 on assignment in Paris for the American magazine Look. Lagerfeld is(...)
Titre:
Mademoiselle: Coco Chanel/Summer 62
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"Images left behind are in the end stronger than truth and facts. Through Douglas Kirkland's images we can imagine what the famous Coco had been all about before she became the formidable Chanel," muses Karl Lagerfeld in Mademoiselle, a selection of photographs of Chanel taken by Douglas Kirkland in 1962 on assignment in Paris for the American magazine Look. Lagerfeld is the designer currently at the helm of the Parisian fashion house, made iconic by designer Coco Chanel during her long reign, from 1909-1971--and the designer of this handsome edition as well. Through his introduction and captions to these photographs, we understand how important Chanel's image has been to the success of the century-old French couture line.
Mademoiselle: Coco Chanel/Summer 62
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"Images left behind are in the end stronger than truth and facts. Through Douglas Kirkland's images we can imagine what the famous Coco had been all about before she became the formidable Chanel," muses Karl Lagerfeld in Mademoiselle, a selection of photographs of Chanel taken by Douglas Kirkland in 1962 on assignment in Paris for the American magazine Look. Lagerfeld is the designer currently at the helm of the Parisian fashion house, made iconic by designer Coco Chanel during her long reign, from 1909-1971--and the designer of this handsome edition as well. Through his introduction and captions to these photographs, we understand how important Chanel's image has been to the success of the century-old French couture line.
Classification:
livres
livres
Publication:
septembre 2009
septembre 2009
Classification:
livres
livres
Titre:
Joel Sternfeld : iDubai
Joel Sternfeld : iDubai
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Joel Sternfeld is an artist known for work which explores utopic and dystopic possibilities.
$58.00
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Résumé:
Joel Sternfeld is an artist known for work which explores utopic and dystopic possibilities.
Titre:
Joel Sternfeld : iDubai
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$58.00
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Résumé:
Joel Sternfeld is an artist known for work which explores utopic and dystopic possibilities.
Joel Sternfeld : iDubai
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$58.00
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Résumé:
Joel Sternfeld is an artist known for work which explores utopic and dystopic possibilities.
Classification:
livres
livres
Publication:
décembre 2009
décembre 2009
Sujet:
Monographies photo
Monographies photo
