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As a native New Yorker with a lifelong curiosity about urban infrastructure, photographer Stanley Greenberg observes characteristics of the city that most people miss. And the more he explores the city, the more he understands it as a huge catalog of features that repeat, vary, morph, and multiply - block by block, neighborhood by neighborhood. Alleys, skybridges,(...)
Codex New York: typologies of the city
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As a native New Yorker with a lifelong curiosity about urban infrastructure, photographer Stanley Greenberg observes characteristics of the city that most people miss. And the more he explores the city, the more he understands it as a huge catalog of features that repeat, vary, morph, and multiply - block by block, neighborhood by neighborhood. Alleys, skybridges, parking sheds, architectural relics, tiny streets, water infrastructure — these and more were captured to create a visual chronicle of the city.
Monographies photo
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Few figures in nineteenth-century photography remain as elusive and intriguing as John Beasley Greene (1832 1856). Over the course of an exceptionally brief career he created a body of photographs that were publicly admired by his peers and continue to capture the imagination of contemporary audiences. Born in France to an American banker, he made his first expedition to(...)
Signs and wonders, the photographs of John Beasley Greene
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Few figures in nineteenth-century photography remain as elusive and intriguing as John Beasley Greene (1832 1856). Over the course of an exceptionally brief career he created a body of photographs that were publicly admired by his peers and continue to capture the imagination of contemporary audiences. Born in France to an American banker, he made his first expedition to Egypt in 1853, where he photographed ancient Egyptian monuments and is thought to be the first archaeologist to use photography. In these photographs, he positioned his horizon lines with precision, at times placing them so low in the frame that the photograph is nearly all blank sky, or so high that the monuments are almost swallowed up by vast seas of sand. Some of his Egyptian landscapes are so visually spare they appear to be of nothing at all.
Monographies photo
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'Intimate Distance' is the first comprehensive monograph charting the career of American photographer Todd Hido. Though he has published many smaller monographs of individual bodies of work, this gathers his most iconic images for the first time and brings a fresh perspective to his oeuvre with the inclusion of many unpublished photographs.
Todd Hido: intimate distance. Twenty-five years of photographs. A chronological album
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'Intimate Distance' is the first comprehensive monograph charting the career of American photographer Todd Hido. Though he has published many smaller monographs of individual bodies of work, this gathers his most iconic images for the first time and brings a fresh perspective to his oeuvre with the inclusion of many unpublished photographs.
Monographies photo
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Created over the course of three years by Australian photographer Tom Blachford, the surreal images function as portals in time, with the homes, cars, and beautiful scenery appearing almost exactly as it all did 60 years ago. The crisp moonlight adds a new dimension to the famous mecca of desert modernism.
Midnight modern: Palm Springs under the full moon
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Created over the course of three years by Australian photographer Tom Blachford, the surreal images function as portals in time, with the homes, cars, and beautiful scenery appearing almost exactly as it all did 60 years ago. The crisp moonlight adds a new dimension to the famous mecca of desert modernism.
Monographies photo
Only bleeding
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Las Vegas. Ville de jeu, de néons, de débauche, d’exagération, d’entertainment. Pourtant, ni casinos, ni palaces, ni machines à sous, ni strip-tease dans le Las Vegas de Frédéric Stucin. En noir et blanc pour aller à l’essentiel et gommer tout malentendu documentaire, au format horizontal pour en accentuer la dimension cinématographique, ces images, réalisées entre 2011(...)
Only bleeding
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Las Vegas. Ville de jeu, de néons, de débauche, d’exagération, d’entertainment. Pourtant, ni casinos, ni palaces, ni machines à sous, ni strip-tease dans le Las Vegas de Frédéric Stucin. En noir et blanc pour aller à l’essentiel et gommer tout malentendu documentaire, au format horizontal pour en accentuer la dimension cinématographique, ces images, réalisées entre 2011 et 2017, n’expliquent rien. Elles sondent l'âme d'une ville somme toute imaginaire, prennent le pouls de son bourdonnement, du mouvement, de l’errance, de la solitude. Elles ressemblent aux souvenirs de jours heureux auxquels celui qui se souvient n’aurait pas participé, qui auraient passé sans lui et dont il ne parviendrait à glaner que débris fatigués. Le livre s’accompagne d’un texte de Marie Ndiaye et Jean-Yves Cendrey.
Monographies photo
Les affluents
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Torrent au printemps et eau calme en été, le ruisseau Gobeil coule dans les profondeurs d’une forêt laurentienne. Depuis ce modeste cours d’eau, Louis Perreault entreprend la poursuite de ses innombrables affluents, sensible aux motifs récurrents qu’il rencontre dans la nature et à leur capacité d’évoquer les expériences qu’il partage avec sa famille. Son regard sur le(...)
Les affluents
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Torrent au printemps et eau calme en été, le ruisseau Gobeil coule dans les profondeurs d’une forêt laurentienne. Depuis ce modeste cours d’eau, Louis Perreault entreprend la poursuite de ses innombrables affluents, sensible aux motifs récurrents qu’il rencontre dans la nature et à leur capacité d’évoquer les expériences qu’il partage avec sa famille. Son regard sur le paysage devient ainsi le reflet de celui qu’il pose sur ses proches.
Monographies photo
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From 1970 Luigi Ghirri roamed around the houses, streets, squares and suburbs in his adoptive town of Modena and built a body of early work which contains within it signposts to many of the directions his practice would subsequently take. He began to map out projects and themes -- some specifically grouped around a subject, others gathered around a more poetic organising(...)
Luigi Ghirri: Colazione sull'Erba
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From 1970 Luigi Ghirri roamed around the houses, streets, squares and suburbs in his adoptive town of Modena and built a body of early work which contains within it signposts to many of the directions his practice would subsequently take. He began to map out projects and themes -- some specifically grouped around a subject, others gathered around a more poetic organising principle. One of the latter was ''Colazione sull'Erba'' (Breakfast on the Grass) in which he bought together photographs made between 1972 and 1974 on the outskirts of Modena. His focus was the juncture of nature and artifice in the man-made environment; the symmetries of cypress trees, well-kept lawns, the personalising touch of plants in pots, palm trees and cacti with their promise of somewhere else.
Monographies photo
Guido Guidi: In Sardegna
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These three volumes encompass the complete evolution of the work of the renowned Italian photographer, Guido Guidi. Made in Sardinia on two trips separated by forty years, the two books not only mark the stylistic development in the work of Guidi but also the historical shifts and changes on the remote island.
Guido Guidi: In Sardegna
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These three volumes encompass the complete evolution of the work of the renowned Italian photographer, Guido Guidi. Made in Sardinia on two trips separated by forty years, the two books not only mark the stylistic development in the work of Guidi but also the historical shifts and changes on the remote island.
Monographies photo
Guillaume Simoneau: Murder
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The genesis of Guillaume Simoneau’s new book, ''Murder,'' is in spring 1982. At around the same time Masahisa Fukase was producing his post-war masterpiece ''Karasu'' (''Ravens''), Simoneau’s family adopted a nest full of baby crows orphaned from a fallen tree. The photographs from this time, taken by Simoneau’s mother, paint an unusual and lyrical vision of childhood.(...)
Guillaume Simoneau: Murder
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The genesis of Guillaume Simoneau’s new book, ''Murder,'' is in spring 1982. At around the same time Masahisa Fukase was producing his post-war masterpiece ''Karasu'' (''Ravens''), Simoneau’s family adopted a nest full of baby crows orphaned from a fallen tree. The photographs from this time, taken by Simoneau’s mother, paint an unusual and lyrical vision of childhood. Nearly forty years later, these moments are memorialised in dialogue with Simoneau’s new works, produced in the spring of 2016 and 2017 in Kanazawa, Japan.
Monographies photo
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The work of the recently deceased Bay-area photographer, Henry Wessel, is renowned for its fragmentary and compelling nature, each image urging imaginative leaps towards the fatalism and moral ambiguity of noir film and fiction. Every Wessel photograph is a gateway to a wild array of extraordinary storylines. This project, 'A Dark Thread', takes this semblance of an(...)
Henry Wessel: A dark thread (français)
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The work of the recently deceased Bay-area photographer, Henry Wessel, is renowned for its fragmentary and compelling nature, each image urging imaginative leaps towards the fatalism and moral ambiguity of noir film and fiction. Every Wessel photograph is a gateway to a wild array of extraordinary storylines. This project, 'A Dark Thread', takes this semblance of an idea further by commissioning over a dozen renowned noir writers to produce a short story in response to one or more of Wessel’s black and white photographs. This first version of the project brings together French translations of stories by Art Taylor, Ivy Pochoda, and Alexander MacLeod, together with the photographs that inspired them. Straddling the space between literary publishing and photobook, this slim volume offers a new and original means of understanding Henry Wessel’s photography and accompanies a retrospective of his work at the Maison de la Photograhie in Paris (June 2019).
Monographies photo