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This book provides the first complete documentation of Benjamin Katz’s Berlin Havelhöhe photographs. Today the Clinic for Anthroposophical Medicine, Berlin Havelhöhe was in 1960 the hospital where Katz stayed while ill with tuberculosis. During the year and a half he was there, Katz produced an extensive collection of photographs, which comprised his beginnings as a(...)
Benjamin Katz: Berlin Havelhöhe 1960
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This book provides the first complete documentation of Benjamin Katz’s Berlin Havelhöhe photographs. Today the Clinic for Anthroposophical Medicine, Berlin Havelhöhe was in 1960 the hospital where Katz stayed while ill with tuberculosis. During the year and a half he was there, Katz produced an extensive collection of photographs, which comprised his beginnings as a photographer and his interest in the photography of the modern age, as well as forms an artistic documentation of the location itself. The hospital in Berlin Havelhöhe took over the building in the 1950s, but it had originally been erected as the National Socialist State Academy for Aviation, training the pilots who attacked Guernica in 1934 as part of the Condor Legion. When it became a hospital, it cared for patients from all walks of society—both Nazis and those they persecuted.
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''Light Scripture'' collects three photo essays by Swiss photographer Andreas Greber. Created over the course of two decades, Greber’s photographs show simple scenes, such as fragments of a wall, translucent portraits, and wooded landscapes. Yet they are enigmatic and unsettling in that, while visible, their subjects escape the determination of shadow and light. For(...)
Andreas Greber: Light scripture: analog reflections in photography
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''Light Scripture'' collects three photo essays by Swiss photographer Andreas Greber. Created over the course of two decades, Greber’s photographs show simple scenes, such as fragments of a wall, translucent portraits, and wooded landscapes. Yet they are enigmatic and unsettling in that, while visible, their subjects escape the determination of shadow and light. For Greber, this is the essence of photography: inscribing with light.
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Dora Maar
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Dora Maar (born Henriette Théodora Markovitch, 1907–1997) was active at the height of Surrealism in France. She was recognized as a key member of the movement and maintained professional relationships with many of its prominent figures, such as André Breton, Brassaï, Henri Cartier-Bresson, and Man Ray. However, her standing as the one-time muse and mistress of Pablo(...)
Dora Maar
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Dora Maar (born Henriette Théodora Markovitch, 1907–1997) was active at the height of Surrealism in France. She was recognized as a key member of the movement and maintained professional relationships with many of its prominent figures, such as André Breton, Brassaï, Henri Cartier-Bresson, and Man Ray. However, her standing as the one-time muse and mistress of Pablo Picasso—his famous “Weeping Woman”— has long eclipsed her creative output and minimized her influence. Illustrated with 240 key works showcasing Maar’s inimitable acumen as a photographer, this book examines the full arc of her career for the very first time. Subjects include her innovative commercial and fashion photography, approach to the nude and eroticism, engagement with political groups, interest in socially concerned photography, affiliation with the Surrealist movement, and hitherto unknown work from her reclusive late career, providing a dynamic and multifaceted examination of an important artist.
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Take an inspiring walk with legendary photographer Daido Moriyama while he explains his groundbreaking approach to street photography. For over half a century, Moriyama has provided a distinct vision of Japan and its people. Here he offers a unique opportunity for fans to learn about his methods, the cameras he uses, and the journeys he takes with a camera.
Daido Moriyama: how I take photographs
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Take an inspiring walk with legendary photographer Daido Moriyama while he explains his groundbreaking approach to street photography. For over half a century, Moriyama has provided a distinct vision of Japan and its people. Here he offers a unique opportunity for fans to learn about his methods, the cameras he uses, and the journeys he takes with a camera.
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Anna Halm Schudel: Blossom
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For more than two decades, Swiss photographer Anna Halm Schudel has focused her eye on flowers, zooming in on calyxes, pistils, and leaf veins to create exuberant feasts of colors. While celebrating the wide variety of shapes and sizes that nature and human cultivation have brought us, Schudel is no less fascinated by the process of decay. As the flowers fade, wilt, and(...)
Anna Halm Schudel: Blossom
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For more than two decades, Swiss photographer Anna Halm Schudel has focused her eye on flowers, zooming in on calyxes, pistils, and leaf veins to create exuberant feasts of colors. While celebrating the wide variety of shapes and sizes that nature and human cultivation have brought us, Schudel is no less fascinated by the process of decay. As the flowers fade, wilt, and wither, she transforms them under water into images of strange, compelling beauty, combining their delicate beauty with a stirring memento mori.
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Born in Hungary in 1928, Gabor Szilasi is one of Quebec's best-known living photographers. Soon after settling in Montreal in 1959, Szilasi began photographing the many art openings that he regularly attended with his wife, artist Doreen Lindsay. Over the next two decades he produced an extensive photographic record of the individuals who comprised Montreal's visual arts(...)
Gabor Szilasi: the art world in Montréal 1960-1980
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Born in Hungary in 1928, Gabor Szilasi is one of Quebec's best-known living photographers. Soon after settling in Montreal in 1959, Szilasi began photographing the many art openings that he regularly attended with his wife, artist Doreen Lindsay. Over the next two decades he produced an extensive photographic record of the individuals who comprised Montreal's visual arts community, a number of whom would shape the history of art in Canada. Expanding on a solo exhibition of Szilasi's photographs that took place at the McCord Museum in 2017, the book features three essays, an interview, and over one hundred images that capture, with characteristic candour, perspicacity, and wit, some of the radical changes that affected Montreal's art world throughout the 1960s and 1970s. Szilasi's significant body of work - totalling approximately 3,600 negatives - provides a rare look at the social lives of Canadian artists during a time of great effervescence and creative possibility.
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Né en 1928 en Hongrie, Gabor Szilasi est l'un des photographes vivants les plus connus du Québec. Peu après s'être établi à Montréal en 1959, Szilasi commence à photographier les nombreux vernissages d'expositions artistiques auxquels il assiste avec sa femme, l'artiste Doreen Lindsay. Pendant plus de deux décennies, il produit de vastes archives photographiques des(...)
Gabor Szilasi : le monde de l'art à Montréal, 1960-1980
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Né en 1928 en Hongrie, Gabor Szilasi est l'un des photographes vivants les plus connus du Québec. Peu après s'être établi à Montréal en 1959, Szilasi commence à photographier les nombreux vernissages d'expositions artistiques auxquels il assiste avec sa femme, l'artiste Doreen Lindsay. Pendant plus de deux décennies, il produit de vastes archives photographiques des personnages constituant la communauté montréalaise des arts visuels, dont un certain nombre va façonner l'histoire de l'art au Canada. Prolongement d'une exposition solo des photographies de Szilasi au Musée McCord en 2017, cet ouvrage renferme trois essais, une entrevue et plus d'une centaine d'images qui saisissent, avec la franchise, la perspicacité et l'esprit caractéristiques du photographe, certains des changements radicaux qu'a connus le monde de l'art à Montréal au cours des années 1960 et 1970. La remarquable collection de travaux de Szilasi – environ 3 600 négatifs en tout – offre un rare aperçu de la vie sociale des artistes canadiens au cours d'une période de grande effervescence et de possibilités de création exceptionnelles.
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Prospecting Ocean
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'Prospecting Oceans' takes as its starting point an exhibition by the photographer and filmmaker Armin Linke, which was commissioned by TBA21–Academy, London, and first shown at the Institute of Marine Science (CNR-ISMAR) in Venice. Linke is concerned with making the invisible visible, and here he unmasks the technologies that enable extractions from the ocean, including(...)
Prospecting Ocean
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'Prospecting Oceans' takes as its starting point an exhibition by the photographer and filmmaker Armin Linke, which was commissioned by TBA21–Academy, London, and first shown at the Institute of Marine Science (CNR-ISMAR) in Venice. Linke is concerned with making the invisible visible, and here he unmasks the technologies that enable extractions from the ocean, including future seabed mining for minerals and sampling of genetic data. But the book extends far beyond Linke's research, presenting the latest research from a variety of fields and employing art as the place where disciplines can converge. Integrating the work of artists with scientific, theoretical, and philosophical analysis, 'Prospecting Ocean' demonstrates that visual culture offers new and urgent perspectives on ecological crises.
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‘Where I Find Myself’ is the first major single book retrospective of one of America’s leading photographers. As the title indicates, it is organized in inverse chronological order and spans the photographer's whole career to date. It covers all of Meyerowitz’s great projects: his work inspired by the artist Morandi, his work on trees, his exclusive coverage of Ground(...)
Joel Meyerowitz: Where I find myself
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‘Where I Find Myself’ is the first major single book retrospective of one of America’s leading photographers. As the title indicates, it is organized in inverse chronological order and spans the photographer's whole career to date. It covers all of Meyerowitz’s great projects: his work inspired by the artist Morandi, his work on trees, his exclusive coverage of Ground Zero, his trips in the footsteps of Robert Frank across the US, his experiments comparing colour and black and white pictures, and of course his iconic street photography work. The text is all by Joel Meyerowitz himself and the book coincides with a major retrospective show in Berlin
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François Halard: Casa Ghirri
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When Francois Halard visits the house and studio of Italian photographer Luigi Ghirri (1943–1992), the images, like an artist's portrait, photograph the corporeality and atmospheres of a poetic work. It's a demonstration of what photography is capable of, producing a radiography of a universe in which the relationships between objects are a perfect synthesis between(...)
François Halard: Casa Ghirri
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When Francois Halard visits the house and studio of Italian photographer Luigi Ghirri (1943–1992), the images, like an artist's portrait, photograph the corporeality and atmospheres of a poetic work. It's a demonstration of what photography is capable of, producing a radiography of a universe in which the relationships between objects are a perfect synthesis between sophisticated beauty and everyday life.
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