Bernard Plossu: Des oiseaux
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En Inde, en Italie, en Andalousie, en Grèce, en France, Plossu dérobe des fragments du monde. Faisant alterner scènes urbaines et paysages majestueux, le photographe pose sur les oiseaux un regard à la fois tendre et curieux que souligne la qualité onirique et « surréelle », comme l'a précisé le critique Francesco Zanot, de ses images. Partout où il promène son appareil,(...)
Bernard Plossu: Des oiseaux
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En Inde, en Italie, en Andalousie, en Grèce, en France, Plossu dérobe des fragments du monde. Faisant alterner scènes urbaines et paysages majestueux, le photographe pose sur les oiseaux un regard à la fois tendre et curieux que souligne la qualité onirique et « surréelle », comme l'a précisé le critique Francesco Zanot, de ses images. Partout où il promène son appareil, Plossu s'impose une seule et même règle : la sobriété, obtenue grâce à un objectif de 50 mm. Les oiseaux de Bernard Plossu nous semblent parfois bien familiers, peuplant cours d'immeubles, toits des campagnes ou fils électriques, d'autres, les ailes déployées, jouent avec les vents ascendants qui sifflent en altitude et attisent la fascination et le désir qu'ont depuis toujours les hommes de voler.
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Yan Wang Preston: Forest
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In China, where new cities are constantly springing up, transplanting nature is big business. In her new photo series Forest, Preston tracks down uprooted trees that have been transferred to concrete deserts, questioning our sense of the meaning of homeland.
juin 2018
Yan Wang Preston: Forest
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In China, where new cities are constantly springing up, transplanting nature is big business. In her new photo series Forest, Preston tracks down uprooted trees that have been transferred to concrete deserts, questioning our sense of the meaning of homeland.
Jimenez: Spomeniks
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Spomeniks literally meaning 'Monuments' in Serbo-Croatian, look like spaceships conspicuously parked up in the middle of nowhere, alien to their surroundings, their bizarre beauty deriving from both their location and imaginative symbolism. Follow in the footsteps of French photographer Jonathan 'Jonk' Jimenez as he tries to track down these super-sized public structures.(...)
Jimenez: Spomeniks
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Spomeniks literally meaning 'Monuments' in Serbo-Croatian, look like spaceships conspicuously parked up in the middle of nowhere, alien to their surroundings, their bizarre beauty deriving from both their location and imaginative symbolism. Follow in the footsteps of French photographer Jonathan 'Jonk' Jimenez as he tries to track down these super-sized public structures. Once numbering in their thousands and attracting hundreds of thousands of visitors every year, in particular “young pioneers” for their communist and patriotic education. Pushing architecture to its limits, Spomeniks are what happens when brutalism, symbolism, space age aesthetics and abstraction meet.
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In a sense
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Une immersion photographique dans les rues de Moscou, Saint-Pétersbourg et Novgorod où l'auteure a séjourné entre 2010 et 2013. Dans l'intention de provoquer un sentiment de déjà vu, l'ouvrage propose un cheminement de lecture singulier qui, à travers un jeu de correspondances, conduit à des rapprochements de lieux, de situations ou de personnages.
In a sense
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Une immersion photographique dans les rues de Moscou, Saint-Pétersbourg et Novgorod où l'auteure a séjourné entre 2010 et 2013. Dans l'intention de provoquer un sentiment de déjà vu, l'ouvrage propose un cheminement de lecture singulier qui, à travers un jeu de correspondances, conduit à des rapprochements de lieux, de situations ou de personnages.
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Guido
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Sixty-eight portraits of Guido Guidi realized col tempo and over the course of multiple encounters by : Mariano Andreani, Nicola Baldazzi, Cesare Ballardini, Olivo Barbieri, Gianantonio Battistella, Emanuele Benini, Enrico Benvenuti, Michele Buda, Giammario Corsi, Jean-Paul Deridder, Alessandra Dragoni, Luca Fiore, Jonathan Frantini, Antonello Frongia, Marcello Galvani,(...)
Monographies photo
décembre 2024
Guido
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Sixty-eight portraits of Guido Guidi realized col tempo and over the course of multiple encounters by : Mariano Andreani, Nicola Baldazzi, Cesare Ballardini, Olivo Barbieri, Gianantonio Battistella, Emanuele Benini, Enrico Benvenuti, Michele Buda, Giammario Corsi, Jean-Paul Deridder, Alessandra Dragoni, Luca Fiore, Jonathan Frantini, Antonello Frongia, Marcello Galvani, Luca Gambi, Francesca Gardini, John Gossage, Stefano Graziani, Anna Guidi, Takashi Homma, Gerry Johansson, Flavio Marchetti, Nicole Marchi, Andrea Savorani Neri, Francesco Neri, Luca Nostri, Francesco Raffaelli, Sabrina Ragucci, Mattia Sangiorgi, Mariano Sartore, Stephen Shore, Mike Slack, Massimo Sordi, Jem Southam, John Spinks, Giovanni Zaffagnini, Antonello Zoffoli.
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The pond at Upton Pyne formed at the site of an eighteenth-century manganese mine. Located on land owned by a local family who were involved in the mining venture, the first excavations began in 1788. It was originally an open-cast mine employing just a few men who worked with ladders, picks, shovels. The quality of the ore in the lode was rich, and once refined it was(...)
Jem Southam: The Pond at Upton Pyne
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The pond at Upton Pyne formed at the site of an eighteenth-century manganese mine. Located on land owned by a local family who were involved in the mining venture, the first excavations began in 1788. It was originally an open-cast mine employing just a few men who worked with ladders, picks, shovels. The quality of the ore in the lode was rich, and once refined it was shipped from Exeter Quay to London and Bristol where it was used predominantly in the production of glass. After a bright start the output of the mine steadily diminished and by 1823 it had ceased production, leaving a large pit, shallow on the east side near the road and becoming deeper towards the west, where it is overhung by a cliff...
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First released in 2015 with a second edition in 2021 and long since out of print, ''Small things in silence'' surveys the 20-year career of one of Japan's most important photographers. Yamamoto's portraits, landscapes and still lifes are made into small, delicate prints, which the photographer frequently overpaints, dyes or steeps in tea. Edited and sequenced by Yamamoto(...)
Masao Yamamoto: Small things in silence. 3rd edition
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First released in 2015 with a second edition in 2021 and long since out of print, ''Small things in silence'' surveys the 20-year career of one of Japan's most important photographers. Yamamoto's portraits, landscapes and still lifes are made into small, delicate prints, which the photographer frequently overpaints, dyes or steeps in tea. Edited and sequenced by Yamamoto himself, this volume includes images from each of the photographer's major projects—Box of Ku, Nakazora, Kawa and Shizuka—as well as installation shots of some of Yamamoto's original photographic installations.
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Based on the photographs and writings of his great-grandfather, photographer and video artist Andréas Lang embarks on a search for traces and research into a lost chapter of German colonial history in Central Africa: a frontier expedition to take possession of the territory of French Congo. His photographs and videos depict places and landscapes in which the phantoms of(...)
Andréas Lang: A Phantom Geography. Cameroon and Congo
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Based on the photographs and writings of his great-grandfather, photographer and video artist Andréas Lang embarks on a search for traces and research into a lost chapter of German colonial history in Central Africa: a frontier expedition to take possession of the territory of French Congo. His photographs and videos depict places and landscapes in which the phantoms of the colonial era are still present, in a state of limbo between reality and fiction, past and present. He contrasts this with previously unpublished historical material that reflects the bleak reality of colonialism.
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Widely regarded as one of the most influential figures in the history of his medium, Robert Frank broke new ground with his candid, poignant images of American life in the mid-20th century. Published on the occasion of the exhibition at Pace in New York, and in celebration of the centennial of Frank’s birth, "Robert Frank: Hope makes visions" presents an in-depth look at(...)
Robert Frank: Hope makes visions
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Widely regarded as one of the most influential figures in the history of his medium, Robert Frank broke new ground with his candid, poignant images of American life in the mid-20th century. Published on the occasion of the exhibition at Pace in New York, and in celebration of the centennial of Frank’s birth, "Robert Frank: Hope makes visions" presents an in-depth look at the photographer and filmmaker’s process across various media. Through a selection of his lesser-known photographs, collages, sketches and maquettes from 1955 to 2016, a new portrait of the artist emerges, one that shows his commitment to growth and experimentation throughout his career. With a new text by Ocean Vuong, author of the award-winning "On Earth we're briefly gorgeous" (2019), this volume is a sensitive homage to a canonical artist.
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In November 2022, the water level of the Great Salt Lake fell to its lowest on record. Diverted water supply from its feeding rivers, pollution from nearby extraction plants and ravaging droughts have brought this landmark to a crisis point. As the lake reached its lowest ebb, photographer Fazal Sheikh (born 1965), together with writer Terry Tempest Williams (born 1955),(...)
Fazal Sheikh: Thirst, Great Salt Lake
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In November 2022, the water level of the Great Salt Lake fell to its lowest on record. Diverted water supply from its feeding rivers, pollution from nearby extraction plants and ravaging droughts have brought this landmark to a crisis point. As the lake reached its lowest ebb, photographer Fazal Sheikh (born 1965), together with writer Terry Tempest Williams (born 1955), walked the shoreline, awed by its epic beauty while recording the destruction of its natural habitats. As Utah native Williams writes in her essay, "Retreat," she is witnessing the death of a lake that has been a constant presence in her life. Meanwhile, Sheikh documents the shrinking salt basin from above, revealing how the lake has been exploited: plundered for its natural salts, dissected by concrete highways, discolored by toxic waste, depleted by evaporation. His images hold a mirror to the lake’s surface, charting its destruction while demanding the viewer’s visceral response.
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