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Frederick Law Olmsted (1822–1903) is considered the father of landscape architecture in the United States for his creation of several renowned urban parks and park systems around the country. Whether in Central Park in New York, the Emerald Necklace in Boston, or the park systems of Chicago, Milwaukee, Buffalo, Rochester, and Louisville—trees are essential elements of all(...)
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août 2022
Stanley Greenberg: Olmsted trees
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Frederick Law Olmsted (1822–1903) is considered the father of landscape architecture in the United States for his creation of several renowned urban parks and park systems around the country. Whether in Central Park in New York, the Emerald Necklace in Boston, or the park systems of Chicago, Milwaukee, Buffalo, Rochester, and Louisville—trees are essential elements of all of Olmsted’s park designs. Through Stanley Greenberg’s stunning series of black and white photographs of the trees that date to the beginnings of these parks, this volume offers an intimate encounter with Olmsted, his motifs, and his heritage. Three essays by renowned experts on history, sociology, and landscape architecture complement the narrative and present an interdisciplinary vision of Olmsted’s achievement.
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This book documents a unique long-term project that Swiss photographers Françoise and Daniel Cartier have been pursuing since 1998. They have put together a vast collection of unfixed photographic papers, glass negatives, and films, mostly dating from 1880 to 1990. Samples of these are mounted and displayed, and, over the course of several exhibitions, exposed to light(...)
Françoise and Daniel Cartier: The Never Taken images, photographic paper archive
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This book documents a unique long-term project that Swiss photographers Françoise and Daniel Cartier have been pursuing since 1998. They have put together a vast collection of unfixed photographic papers, glass negatives, and films, mostly dating from 1880 to 1990. Samples of these are mounted and displayed, and, over the course of several exhibitions, exposed to light causing them to evolve towards color saturation. This publication features the entire test catalog that the Cartiers have put together to date, showing some nine hundred different papers and photosensitive supports. These facsimiles offer an almost real impression of their formats, colors, and materiality.
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Pour réaliser ce nouveau travail, Lionel Jusseret s'est immergé durant 6 mois dans le quotidien d'une maison de retraite. Il y rencontre une communauté invisible qui malgré elle, se retrouve en marge de la société. Ces hommes et ces femmes nés entre 1920 et 1945, appelés la génération silencieuse. Ayant traversé la Seconde Guerre mondiale, ils ont connu le manque et ont(...)
Lionel Jusseret : Les impatientes
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Pour réaliser ce nouveau travail, Lionel Jusseret s'est immergé durant 6 mois dans le quotidien d'une maison de retraite. Il y rencontre une communauté invisible qui malgré elle, se retrouve en marge de la société. Ces hommes et ces femmes nés entre 1920 et 1945, appelés la génération silencieuse. Ayant traversé la Seconde Guerre mondiale, ils ont connu le manque et ont travaillé dur toute leur vie. Peu revendicatifs, ils sont décrits comme fatalistes et conventionnels. Cette vision généraliste et quelque peu réductrice ne rend que peu hommage à ces Mamy et Papy, dont l'univers en papier peint fleuri fait écho à lui seul à toute notre enfance, à nos mémoires affective et collective...
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''Utopia ending'' investigates the urban transformation of London since the 2012 Olympics, and includes photographs taken between 2014 to 2019. Through images and text, including three interviews and a final essay, the author compares the current finance-driven development of the city with the post-WWII expansion based on council houses: investments in social housing have(...)
Gianluca Calise : Utopia ending
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''Utopia ending'' investigates the urban transformation of London since the 2012 Olympics, and includes photographs taken between 2014 to 2019. Through images and text, including three interviews and a final essay, the author compares the current finance-driven development of the city with the post-WWII expansion based on council houses: investments in social housing have been almost entirely eradicated and the new buildings are more financial assets for global investors, rather than homes for Londoners. Gianluca Calise is an Italian photographer specialized in long-term documentary projects. His research focuses on social issues and on themes related to identity, belonging and memory. 2019 Daylight Photo Award juror’s pick, finalist at Urban Photo Awards 2018 and Charta Dummy Award 2021, his works have been published and exhibited internationally.
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''Happysad souvenirs'' is a series of photographs taken in 2018 and 2019 during Hiller’s travels through China, Japan, Singapore, Thailand, Taiwan and Vietnam. Paul Hiller, born in 1984 in Germany, is a professional photographer and artist. He first graduated as a photo lab manager and then got his diploma at the Academy of Fine Arts Munich (class of Prof. Klaus vom(...)
Paul Hiller: Happysad souvenirs
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''Happysad souvenirs'' is a series of photographs taken in 2018 and 2019 during Hiller’s travels through China, Japan, Singapore, Thailand, Taiwan and Vietnam. Paul Hiller, born in 1984 in Germany, is a professional photographer and artist. He first graduated as a photo lab manager and then got his diploma at the Academy of Fine Arts Munich (class of Prof. Klaus vom Bruch, new media). His photographs are not only shown in solo and group exhibitions in Germany and Europe, but they are also being displayed in many international print and online art platforms. His work is part of the so-called straight photography. He celebrates the art and the techniques of photography by shooting on analog film cameras only.
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One of Jenny Matthews' first bodies of work. Starting out as a photographer, and a member of Camerawork, Matthews worked on Barry Lewis’s Coming and Going exhibition — Café Royal Books published a zine of that series, which is still available — then she was involved in setting up Format, a collective of women photographers, and after that joined Network Photographers.
Jenny Matthews: Changing world of women’s work 1978–1988
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One of Jenny Matthews' first bodies of work. Starting out as a photographer, and a member of Camerawork, Matthews worked on Barry Lewis’s Coming and Going exhibition — Café Royal Books published a zine of that series, which is still available — then she was involved in setting up Format, a collective of women photographers, and after that joined Network Photographers.
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Trellick Tower — designed by Erno Goldfinger, opened in 1972 — is a Grade II listed Brutalist tower block on Goldborne Road, London. This print and fourth edition zine is released to celebrate 50 years since the opening of Trellick Tower.
Craig Atkinson: London, Trellick Tower
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Trellick Tower — designed by Erno Goldfinger, opened in 1972 — is a Grade II listed Brutalist tower block on Goldborne Road, London. This print and fourth edition zine is released to celebrate 50 years since the opening of Trellick Tower.
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This publication stems from a collaboration with Chris Killip on five titles produced between 2016–2020. Chris suggested the series and sent dummy books from which were produced the final books.
Chris Killip: Huddersfield 1974
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This publication stems from a collaboration with Chris Killip on five titles produced between 2016–2020. Chris suggested the series and sent dummy books from which were produced the final books.
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Martin Parr: India 1984
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This title is a series of black and white images shot through Martin Parr’s travels through India in 1984.
Martin Parr: India 1984
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This title is a series of black and white images shot through Martin Parr’s travels through India in 1984.
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Jim [Mortram]’s photographs somehow manage to combine the most tender beauty with a terrible sense of the obscene. There is a stark honesty here, a challenge, a disturbance, true witness and always empathy, always compassion. These are not the images of a skillful outsider cooly observing and recording, these are the howls of outrage and hymns of humanity from deep within(...)
J. A. Mortram: Small town inertia, diary entries 2
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Jim [Mortram]’s photographs somehow manage to combine the most tender beauty with a terrible sense of the obscene. There is a stark honesty here, a challenge, a disturbance, true witness and always empathy, always compassion. These are not the images of a skillful outsider cooly observing and recording, these are the howls of outrage and hymns of humanity from deep within the thick of it. (Michael Sheen)
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