Paolo Monti: Procida 1972
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Cette publication réunit les images architecturales du photographe Paolo Monti sur l'île de Procida au large de Naples en 1972, présentées pour la première fois. Contrairement aux îles voisines de Capri et d'Ischia, Procida, en 1972, était encore vierge, largement épargnée par le phénomène du tourisme de masse. Ainsi, Monti, un photographe du nord qui se rendait souvent(...)
Paolo Monti: Procida 1972
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Cette publication réunit les images architecturales du photographe Paolo Monti sur l'île de Procida au large de Naples en 1972, présentées pour la première fois. Contrairement aux îles voisines de Capri et d'Ischia, Procida, en 1972, était encore vierge, largement épargnée par le phénomène du tourisme de masse. Ainsi, Monti, un photographe du nord qui se rendait souvent dans le sud pour travailler, y a passé plusieurs années à effectuer des recherches personnelles pour saisir la morphologie de l'île. Si ses photographies documentent les habitants de l'île ainsi que la relation des insulaires à la mer, c'est l'architecture qui l'intéresse le plus. Il étudie Borgo di Corricella, la ville principale de l'île, en parcourant chaque centimètre et documentant son « architecture spontanée » : le réseau presque inextricable de ses maisons, églises et escaliers. Un labyrinthe fascinant qui est la quintessence même de la Méditerranée.
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Thomas Hoepker was 27 years old when he set out on his ambitious journey across the United States—one that took him from coast to coast and back again over the course of three months and resulted in thousands of photos. The year was 1963 and Hoepker had been commissioned by the German magazine Kristall to "discover" America through his camera. The photo reportages he(...)
Thomas Hoepker: The way it was, Road trips USA
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Thomas Hoepker was 27 years old when he set out on his ambitious journey across the United States—one that took him from coast to coast and back again over the course of three months and resulted in thousands of photos. The year was 1963 and Hoepker had been commissioned by the German magazine Kristall to "discover" America through his camera. The photo reportages he made, published in five issues of the magazine across dozens of pages, revealed Hoepker’s complex, skeptical and sometimes melancholy view of the American everyday, in big cities, small towns and all in between. At the age of 84 and after a successful career as a photojournalist and president of Magnum Photos—he once again set out on a road trip throughout the US. This publication juxtaposes Hoepker’s color photographs from this trip with his original black-and-white images, taking us on a journey both through his changing sense of America and through time.
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In 1975, curator William Jenkins noticed that a slew of American photographers possessed a similar documentarian aesthetic—direct, mostly black-and-white prints of urban landscapes, executed with an ironic, at times, critical eye—and famously dubbed this aesthetic the New Topographics. Known for his black-and-white images of the American West, Henry Wessel’s work closely(...)
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octobre 2022
Henry Wessel: Documentary style and beyond
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In 1975, curator William Jenkins noticed that a slew of American photographers possessed a similar documentarian aesthetic—direct, mostly black-and-white prints of urban landscapes, executed with an ironic, at times, critical eye—and famously dubbed this aesthetic the New Topographics. Known for his black-and-white images of the American West, Henry Wessel’s work closely aligns with Jensen’s description. Exploring the territory where nature and culture meet, Wessel spontaneously captured scenes from everyday life, sometimes incorporating touches of deadpan humor in the process. Unlike some of the other New Topographic photographers, however, he still paid considerable attention to form and light—unwilling to fully cede stylized interventions. This book presents a survey of the photographer’s work, compiling a selection of his most representative images. The volume also includes photographs by other great figures of American documentary photography, such as Ed Ruscha, Lee Friedlander and Diane Arbus.
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John Divola: Scapes
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Cameras and their users are caught between the universal and the particular. Photography and photographs; humanity and whatever specific kind of human we happen to be. There is at least something existentially universal about Divola’s photographic adventures. The lone observer moving through the world and reflecting upon it through various camera possibilities. But nobody(...)
John Divola: Scapes
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Cameras and their users are caught between the universal and the particular. Photography and photographs; humanity and whatever specific kind of human we happen to be. There is at least something existentially universal about Divola’s photographic adventures. The lone observer moving through the world and reflecting upon it through various camera possibilities. But nobody is truly universal, or only universal. We each come wrapped in our particulars, just as each and every photograph belongs to the universe of photography precisely insofar as it is particular. Forever the two.
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This an immersive new book of works by American photographic artist Miranda Lichtenstein. For nearly two decades, Lichtenstein has worked in varied subgenres within photography’s historical archetypes: marginalized contemporary landscapes, refracted still life, performance-based portraiture and process-oriented abstraction. Here, Lichtenstein embarks on an ambitious(...)
Miranda Lichtenstein: Recorder
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This an immersive new book of works by American photographic artist Miranda Lichtenstein. For nearly two decades, Lichtenstein has worked in varied subgenres within photography’s historical archetypes: marginalized contemporary landscapes, refracted still life, performance-based portraiture and process-oriented abstraction. Here, Lichtenstein embarks on an ambitious three-part series of images that recycle and reorient themselves within the limits of technology and photographic vision.
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Devastation in the Amazon rainforest and the climate change it triggers tend to unfold in ways that are too vast to comprehend, too minute to perceive, and too normalised to see. In an attempt to render the scale and urgency of the Amazon’s extensive, impending collapse, Richard Mosse’s most ambitious work to date employs a dazzling array of photographic techniques.(...)
Richard Mosse: Broken spectre
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Devastation in the Amazon rainforest and the climate change it triggers tend to unfold in ways that are too vast to comprehend, too minute to perceive, and too normalised to see. In an attempt to render the scale and urgency of the Amazon’s extensive, impending collapse, Richard Mosse’s most ambitious work to date employs a dazzling array of photographic techniques. Broken Spectre is an immersive, 74-minute film that shifts between a manifold of ecological narratives, from the topographic to the anthropocentric, and to a careful examination of nonhuman violence and survival. Mosse and his team spent years documenting different fronts of destruction, degradation and environmental crimes in the Amazon Basin and related eco-systems.
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With this latest book Absalon Kirkeby presents a range of image types as seen through the extended eye, accessing a state of intimate reality riddled with meaning. X-rays, objects turned into patterns, machines, traces and signs, luminous red, yellow and blue, doors and urban sites all create a sense and narrative of a place that elucidates something revelatory. Kirkeby(...)
Absalon Kirkeby: Still fantasy
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With this latest book Absalon Kirkeby presents a range of image types as seen through the extended eye, accessing a state of intimate reality riddled with meaning. X-rays, objects turned into patterns, machines, traces and signs, luminous red, yellow and blue, doors and urban sites all create a sense and narrative of a place that elucidates something revelatory. Kirkeby employs digitally manipulated photography to engage the quotidian with a surreal and dreamlike gaze, evoking artificial experiences of physical gestures and tactility through means of mediation and abstraction. The work highlights themes on the opacity and complex experience of life today, offering subtle comments on contemporary society.
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Made for the most part on the Greek island of Hydra, the images in this publication reimagine a child’s gaze that still has an untethered and pristine view of the world. In trying to capture the unspoiled aspect of their surroundings, the artist couple found a new way of working that was inspired by things their daughter pointed out on their walks across the island.
Annemarieke van Drimmelen and Jasper Krabbé: June
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Made for the most part on the Greek island of Hydra, the images in this publication reimagine a child’s gaze that still has an untethered and pristine view of the world. In trying to capture the unspoiled aspect of their surroundings, the artist couple found a new way of working that was inspired by things their daughter pointed out on their walks across the island.
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From 1989 until his death in 2007, Horst Ademeit documented the presence of "cold rays" - unseen negative forces permeating everyday objects - in thousands of Polaroids and digital photographs, as well as notebooks full of meticulously logged data. "Secret Universe" shows images of the "cold rays" at work, in enigmatic images of street scenes, grocery items and bizarre(...)
Secret universe : Horst Ademeit
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From 1989 until his death in 2007, Horst Ademeit documented the presence of "cold rays" - unseen negative forces permeating everyday objects - in thousands of Polaroids and digital photographs, as well as notebooks full of meticulously logged data. "Secret Universe" shows images of the "cold rays" at work, in enigmatic images of street scenes, grocery items and bizarre measuring instruments.
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livres
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In her carefully staged photographs of domestic spaces, Sarah Hobbs (born 1970) explores phobias and obsessive-compulsive behavior with affection and even celebration, filling rooms with (for example) meticulously arranged color swatches or hundreds of pieces of scrunched-up paper. This volume compiles three photographic series.
Sara Hobbs: small problems in living
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In her carefully staged photographs of domestic spaces, Sarah Hobbs (born 1970) explores phobias and obsessive-compulsive behavior with affection and even celebration, filling rooms with (for example) meticulously arranged color swatches or hundreds of pieces of scrunched-up paper. This volume compiles three photographic series.
livres
avril 2012
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