2476 Résultats
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"The Complete Papers" is an extensive volume encompassing all of Thomas Demand’s work over the past 28 years, together with the primary texts written about his practice. The book includes previously unseen early works from 1990, together with reference reproductions on every one of his pieces. A newly commissioned interview with Russell Ferguson, new texts by Jeff Wall(...)
$120.00
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Résumé:
"The Complete Papers" is an extensive volume encompassing all of Thomas Demand’s work over the past 28 years, together with the primary texts written about his practice. The book includes previously unseen early works from 1990, together with reference reproductions on every one of his pieces. A newly commissioned interview with Russell Ferguson, new texts by Jeff Wall(...)
Titre:
Thomas Demand: the complete papers
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$120.00
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"The Complete Papers" is an extensive volume encompassing all of Thomas Demand’s work over the past 28 years, together with the primary texts written about his practice. The book includes previously unseen early works from 1990, together with reference reproductions on every one of his pieces. A newly commissioned interview with Russell Ferguson, new texts by Jeff Wall and Alexander Kluge, contributions by Parveen Adams, Francesco Bonami, Teju Cole, Beatriz Colomina, Jeffrey Eugenides, Julia Franck, Hal Foster, Rachel Kushner, Ben Lerner, Jacques Rancière, Gary Shteyngart, Neville Wakefield, to name a few, is concluded by a complete exhibition listing and bibliography.
Thomas Demand: the complete papers
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$120.00
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Résumé:
"The Complete Papers" is an extensive volume encompassing all of Thomas Demand’s work over the past 28 years, together with the primary texts written about his practice. The book includes previously unseen early works from 1990, together with reference reproductions on every one of his pieces. A newly commissioned interview with Russell Ferguson, new texts by Jeff Wall and Alexander Kluge, contributions by Parveen Adams, Francesco Bonami, Teju Cole, Beatriz Colomina, Jeffrey Eugenides, Julia Franck, Hal Foster, Rachel Kushner, Ben Lerner, Jacques Rancière, Gary Shteyngart, Neville Wakefield, to name a few, is concluded by a complete exhibition listing and bibliography.
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livres
livres
Publication:
novembre 2018
novembre 2018
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
John Divola: Vandalism
John Divola: Vandalism
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Between 1974 and 1975, the American photographer John Divola – then in his mid twenties and without a studio of his own – travelled across Los Angeles in search of dilapidated properties in which to make photographs. Armed with a camera, spray paint, string and cardboard, the artist would produce one of his most significant photographic projects entitled Vandalism. In(...)
$58.00
(disponible en magasin)
Résumé:
Between 1974 and 1975, the American photographer John Divola – then in his mid twenties and without a studio of his own – travelled across Los Angeles in search of dilapidated properties in which to make photographs. Armed with a camera, spray paint, string and cardboard, the artist would produce one of his most significant photographic projects entitled Vandalism. In(...)
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John Divola: Vandalism
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$58.00
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Between 1974 and 1975, the American photographer John Divola – then in his mid twenties and without a studio of his own – travelled across Los Angeles in search of dilapidated properties in which to make photographs. Armed with a camera, spray paint, string and cardboard, the artist would produce one of his most significant photographic projects entitled Vandalism. In this visceral, black and white series of images Divola vandalised vacant homes with abstract constellations of graffiti-like marks, ritualistic configurations of string hooked to pins, and torn arrangements of card, before cataloguing the results. The project vigorously merged the documentary approach of forensic photography with staged interventions echoing performance, sculpture and installation art.
John Divola: Vandalism
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Between 1974 and 1975, the American photographer John Divola – then in his mid twenties and without a studio of his own – travelled across Los Angeles in search of dilapidated properties in which to make photographs. Armed with a camera, spray paint, string and cardboard, the artist would produce one of his most significant photographic projects entitled Vandalism. In this visceral, black and white series of images Divola vandalised vacant homes with abstract constellations of graffiti-like marks, ritualistic configurations of string hooked to pins, and torn arrangements of card, before cataloguing the results. The project vigorously merged the documentary approach of forensic photography with staged interventions echoing performance, sculpture and installation art.
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livres
livres
Publication:
mars 2018
mars 2018
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$55.00
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This compendium of images by photographer Guillaume Simoneau is unhinged from the moorings of conventional narrative readings. They speak of travel, pilgrimage, epiphany and discovery with a simple, selfless stoicism. Time of day, experiments out on the water, scientific equipment, all suggest an itinerary at once mysterious and immanent, pungent and rich. A fragmented(...)
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This compendium of images by photographer Guillaume Simoneau is unhinged from the moorings of conventional narrative readings. They speak of travel, pilgrimage, epiphany and discovery with a simple, selfless stoicism. Time of day, experiments out on the water, scientific equipment, all suggest an itinerary at once mysterious and immanent, pungent and rich. A fragmented(...)
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Guillaume Simoneau: Experimental lake
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This compendium of images by photographer Guillaume Simoneau is unhinged from the moorings of conventional narrative readings. They speak of travel, pilgrimage, epiphany and discovery with a simple, selfless stoicism. Time of day, experiments out on the water, scientific equipment, all suggest an itinerary at once mysterious and immanent, pungent and rich. A fragmented litany of objectivities forms a cohesive chain of elliptical meanings.
Guillaume Simoneau: Experimental lake
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This compendium of images by photographer Guillaume Simoneau is unhinged from the moorings of conventional narrative readings. They speak of travel, pilgrimage, epiphany and discovery with a simple, selfless stoicism. Time of day, experiments out on the water, scientific equipment, all suggest an itinerary at once mysterious and immanent, pungent and rich. A fragmented litany of objectivities forms a cohesive chain of elliptical meanings.
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livres
livres
Publication:
novembre 2016
novembre 2016
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$67.00
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Diane Arbus (1923–1971) is one of the most distinctive and provocative artists of the twentieth century. Her photographs of children and eccentrics, couples and circus performers, female impersonators and nudists, are among the most recognizable images of our time. This book is the definitive study of the artist’s first seven years of work, from 1956 to 1962. Drawn(...)
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Diane Arbus (1923–1971) is one of the most distinctive and provocative artists of the twentieth century. Her photographs of children and eccentrics, couples and circus performers, female impersonators and nudists, are among the most recognizable images of our time. This book is the definitive study of the artist’s first seven years of work, from 1956 to 1962. Drawn(...)
Titre:
Diane Arbus: in the beginning
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Diane Arbus (1923–1971) is one of the most distinctive and provocative artists of the twentieth century. Her photographs of children and eccentrics, couples and circus performers, female impersonators and nudists, are among the most recognizable images of our time. This book is the definitive study of the artist’s first seven years of work, from 1956 to 1962. Drawn primarily from the rich holdings of the Metropolitan Museum’s Diane Arbus Archive—a remarkable treasury of photographs, negatives, appointment books, notebooks, and correspondence—it is an essential contribution to our understanding of Arbus and her oeuvre.
Diane Arbus: in the beginning
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Diane Arbus (1923–1971) is one of the most distinctive and provocative artists of the twentieth century. Her photographs of children and eccentrics, couples and circus performers, female impersonators and nudists, are among the most recognizable images of our time. This book is the definitive study of the artist’s first seven years of work, from 1956 to 1962. Drawn primarily from the rich holdings of the Metropolitan Museum’s Diane Arbus Archive—a remarkable treasury of photographs, negatives, appointment books, notebooks, and correspondence—it is an essential contribution to our understanding of Arbus and her oeuvre.
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livres
livres
Publication:
juillet 2016
juillet 2016
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$70.00
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For 30 years, David T. Hanson (born 1948) has made photographs that are widely celebrated for their powerful depictions of the American landscape and its dramatic transformation and despoilment by humans. His newest collection, Wilderness to Wasteland, presents four series of previously unpublished and unexhibited photographs from Hanson’s early work, made between 1982(...)
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For 30 years, David T. Hanson (born 1948) has made photographs that are widely celebrated for their powerful depictions of the American landscape and its dramatic transformation and despoilment by humans. His newest collection, Wilderness to Wasteland, presents four series of previously unpublished and unexhibited photographs from Hanson’s early work, made between 1982(...)
Sujet:
Monographies photo
Monographies photo
Publication:
février 2016
février 2016
Titre:
David T. Hanson: Wilderness to Wasteland
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$70.00
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For 30 years, David T. Hanson (born 1948) has made photographs that are widely celebrated for their powerful depictions of the American landscape and its dramatic transformation and despoilment by humans. His newest collection, Wilderness to Wasteland, presents four series of previously unpublished and unexhibited photographs from Hanson’s early work, made between 1982 and 1987. Atomic City documents the former nuclear boomtown in Idaho, site of the world’s first nuclear power plant and first reactor meltdown. The Richest Hill on Earth is a study of the vast copper mines, housing and surrounding wasteland of Butte, Montana. The eponymous series is a dynamic group of aerial and ground-view photographs of hazardous waste sites, while the final series, Twilight in the Wilderness, comprises spectacular night views of industrial sites for power production. Together, these photographs constitute a haunting meditation on a ravaged landscape.
David T. Hanson: Wilderness to Wasteland
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Résumé:
For 30 years, David T. Hanson (born 1948) has made photographs that are widely celebrated for their powerful depictions of the American landscape and its dramatic transformation and despoilment by humans. His newest collection, Wilderness to Wasteland, presents four series of previously unpublished and unexhibited photographs from Hanson’s early work, made between 1982 and 1987. Atomic City documents the former nuclear boomtown in Idaho, site of the world’s first nuclear power plant and first reactor meltdown. The Richest Hill on Earth is a study of the vast copper mines, housing and surrounding wasteland of Butte, Montana. The eponymous series is a dynamic group of aerial and ground-view photographs of hazardous waste sites, while the final series, Twilight in the Wilderness, comprises spectacular night views of industrial sites for power production. Together, these photographs constitute a haunting meditation on a ravaged landscape.
Classification:
livres
livres
Publication:
février 2016
février 2016
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$95.00
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The acclaimed Japanese architect Kengo Kuma (born 1954) and photographer Erieta Attali complement one another perfectly in terms of their artistic statement: both of them focus on the inclusion of the landscape. It is not the architecture as such that plays the primary role but the way in which it communicates with the surrounding world. Details from nature and the(...)
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The acclaimed Japanese architect Kengo Kuma (born 1954) and photographer Erieta Attali complement one another perfectly in terms of their artistic statement: both of them focus on the inclusion of the landscape. It is not the architecture as such that plays the primary role but the way in which it communicates with the surrounding world. Details from nature and the(...)
Titre:
Glass / Wood: Erieta Attali on Kengo Kuma
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The acclaimed Japanese architect Kengo Kuma (born 1954) and photographer Erieta Attali complement one another perfectly in terms of their artistic statement: both of them focus on the inclusion of the landscape. It is not the architecture as such that plays the primary role but the way in which it communicates with the surrounding world. Details from nature and the intricate connection of interior with exterior space characterize the photographs by Attali. In his unique works, Kuma combines Japanese traditions in architecture with those of modernist architecture. His architecture constitutes a bridge where the individual and nature meet. Kuma became famous in the West for his sensitive extension to a mid-century icon in New Canaan, Connecticut, which this exquisite monograph insightfully discusses and portrays.
Glass / Wood: Erieta Attali on Kengo Kuma
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The acclaimed Japanese architect Kengo Kuma (born 1954) and photographer Erieta Attali complement one another perfectly in terms of their artistic statement: both of them focus on the inclusion of the landscape. It is not the architecture as such that plays the primary role but the way in which it communicates with the surrounding world. Details from nature and the intricate connection of interior with exterior space characterize the photographs by Attali. In his unique works, Kuma combines Japanese traditions in architecture with those of modernist architecture. His architecture constitutes a bridge where the individual and nature meet. Kuma became famous in the West for his sensitive extension to a mid-century icon in New Canaan, Connecticut, which this exquisite monograph insightfully discusses and portrays.
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livres
livres
Publication:
février 2016
février 2016
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$86.95
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In the 1970s, from his base in Los Angeles, artist Robert Cumming (born 1943) made functional-looking but ultimately useless constructions, created primarily to be photographed with his 8x10 camera. Playing with props, proportions, unusual angles, light and mirrors, Cumming invited viewers to look in--and then to look again, second-guessing what they saw. The Difficulties(...)
$86.95
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In the 1970s, from his base in Los Angeles, artist Robert Cumming (born 1943) made functional-looking but ultimately useless constructions, created primarily to be photographed with his 8x10 camera. Playing with props, proportions, unusual angles, light and mirrors, Cumming invited viewers to look in--and then to look again, second-guessing what they saw. The Difficulties(...)
Titre:
Robert Cumming: the difficulties of nonsense
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In the 1970s, from his base in Los Angeles, artist Robert Cumming (born 1943) made functional-looking but ultimately useless constructions, created primarily to be photographed with his 8x10 camera. Playing with props, proportions, unusual angles, light and mirrors, Cumming invited viewers to look in--and then to look again, second-guessing what they saw. The Difficulties of Nonsense is the first comprehensive publication to survey Cumming’s significant series of conceptual black-and-white and color photographs from the 1970s, now a touchstone for contemporary artists, and focus on the artist’s fascination with illusion and trickery. With an essay by Sarah Bay Gachot and an interview by David Campany, this monograph pays homage to a time when Cumming, and many in the photographic community, worked to playfully push the boundaries of photography and narrative.
Robert Cumming: the difficulties of nonsense
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$86.95
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In the 1970s, from his base in Los Angeles, artist Robert Cumming (born 1943) made functional-looking but ultimately useless constructions, created primarily to be photographed with his 8x10 camera. Playing with props, proportions, unusual angles, light and mirrors, Cumming invited viewers to look in--and then to look again, second-guessing what they saw. The Difficulties of Nonsense is the first comprehensive publication to survey Cumming’s significant series of conceptual black-and-white and color photographs from the 1970s, now a touchstone for contemporary artists, and focus on the artist’s fascination with illusion and trickery. With an essay by Sarah Bay Gachot and an interview by David Campany, this monograph pays homage to a time when Cumming, and many in the photographic community, worked to playfully push the boundaries of photography and narrative.
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livres
livres
Publication:
mai 2016
mai 2016
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$105.00
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Résumé:
''The Alphabet of New Plants'' makes direct reference to Karl Blossfeldt’s 1928 ''The Alphabet of Plants'', German photographer Robert Voit (born 1969) assembles an archive of "new" flowers and portrays them against a neutral background, playfully exposing man’s urge to imitate nature. Voit’s earlier series, ''New Trees'', also addressed the imitation of nature, featuring(...)
$105.00
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''The Alphabet of New Plants'' makes direct reference to Karl Blossfeldt’s 1928 ''The Alphabet of Plants'', German photographer Robert Voit (born 1969) assembles an archive of "new" flowers and portrays them against a neutral background, playfully exposing man’s urge to imitate nature. Voit’s earlier series, ''New Trees'', also addressed the imitation of nature, featuring(...)
Titre:
Robert Voit: The alphabet of new plants
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$105.00
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''The Alphabet of New Plants'' makes direct reference to Karl Blossfeldt’s 1928 ''The Alphabet of Plants'', German photographer Robert Voit (born 1969) assembles an archive of "new" flowers and portrays them against a neutral background, playfully exposing man’s urge to imitate nature. Voit’s earlier series, ''New Trees'', also addressed the imitation of nature, featuring large-format photographs of mobile telephone antennae that blend into the landscape camouflaged as trees, cacti or palm trees. Extending these themes, Voit blurs the distinction between the natural and the artificial with the meticulous close-ups of this new volume.
Robert Voit: The alphabet of new plants
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$105.00
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Résumé:
''The Alphabet of New Plants'' makes direct reference to Karl Blossfeldt’s 1928 ''The Alphabet of Plants'', German photographer Robert Voit (born 1969) assembles an archive of "new" flowers and portrays them against a neutral background, playfully exposing man’s urge to imitate nature. Voit’s earlier series, ''New Trees'', also addressed the imitation of nature, featuring large-format photographs of mobile telephone antennae that blend into the landscape camouflaged as trees, cacti or palm trees. Extending these themes, Voit blurs the distinction between the natural and the artificial with the meticulous close-ups of this new volume.
Classification:
livres
livres
Publication:
mars 2016
mars 2016
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$64.95
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Résumé:
Photobooth Pieces brings together for the first time in print a body of work little known or seen for nearly 40 years, by the pioneering American performance artist Jared Bark (born 1944). The selection of pictures in this volume covers a short but intense period of activity that the artist, a leading figure in the New York art world, undertook in his SoHo loft during the(...)
$64.95
(disponible en magasin)
Résumé:
Photobooth Pieces brings together for the first time in print a body of work little known or seen for nearly 40 years, by the pioneering American performance artist Jared Bark (born 1944). The selection of pictures in this volume covers a short but intense period of activity that the artist, a leading figure in the New York art world, undertook in his SoHo loft during the(...)
Titre:
Jared Bark: Photobooth pieces
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$64.95
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Photobooth Pieces brings together for the first time in print a body of work little known or seen for nearly 40 years, by the pioneering American performance artist Jared Bark (born 1944). The selection of pictures in this volume covers a short but intense period of activity that the artist, a leading figure in the New York art world, undertook in his SoHo loft during the first half of the 1970s. These innovative constructions, assembled from photobooth strips, are an important addition to the history of art and photography of that time. The works are all reproduced at full scale and the book includes an essay by art historian Catherine Damman and an interview with the artist by Hannah Howe and Elizabeth Easton.
Jared Bark: Photobooth pieces
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$64.95
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Résumé:
Photobooth Pieces brings together for the first time in print a body of work little known or seen for nearly 40 years, by the pioneering American performance artist Jared Bark (born 1944). The selection of pictures in this volume covers a short but intense period of activity that the artist, a leading figure in the New York art world, undertook in his SoHo loft during the first half of the 1970s. These innovative constructions, assembled from photobooth strips, are an important addition to the history of art and photography of that time. The works are all reproduced at full scale and the book includes an essay by art historian Catherine Damman and an interview with the artist by Hannah Howe and Elizabeth Easton.
Classification:
livres
livres
Publication:
février 2016
février 2016
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Prix:
$54.95
(disponible en magasin)
Résumé:
Form precedes function in this visual archive of nearly 200 images of modern architecture by award-winning photographer Nicolas Grospierre. At once a reference work and a personal exploration of modernist architecture, this fascinating collection of Nicolas Grospierre’s photography covers structures built between 1920 and 1989 in Europe, North and South America, the(...)
$54.95
(disponible en magasin)
Résumé:
Form precedes function in this visual archive of nearly 200 images of modern architecture by award-winning photographer Nicolas Grospierre. At once a reference work and a personal exploration of modernist architecture, this fascinating collection of Nicolas Grospierre’s photography covers structures built between 1920 and 1989 in Europe, North and South America, the(...)
Titre:
Modern forms: a subjective atlas of 20th-Century architecture
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$54.95
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Form precedes function in this visual archive of nearly 200 images of modern architecture by award-winning photographer Nicolas Grospierre. At once a reference work and a personal exploration of modernist architecture, this fascinating collection of Nicolas Grospierre’s photography covers structures built between 1920 and 1989 in Europe, North and South America, the Middle East, North Africa, and Asia.
Modern forms: a subjective atlas of 20th-Century architecture
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$54.95
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Résumé:
Form precedes function in this visual archive of nearly 200 images of modern architecture by award-winning photographer Nicolas Grospierre. At once a reference work and a personal exploration of modernist architecture, this fascinating collection of Nicolas Grospierre’s photography covers structures built between 1920 and 1989 in Europe, North and South America, the Middle East, North Africa, and Asia.
Classification:
livres
livres
Publication:
mars 2016
mars 2016
Sujet:
Monographies photo
Monographies photo
