2456 Résultats
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In 1955, Swiss architect Dolf Schnebli and his wife, Clarissa, climbed into a VW Beetle and spent a year on an overland trek from Venice to India and back. The world was a lot bigger place when Schnebli took off on this ''slow journey'' to study architectural history, especially the urban development of old cities, ruins and excavations. Now, more than fifty years after(...)
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In 1955, Swiss architect Dolf Schnebli and his wife, Clarissa, climbed into a VW Beetle and spent a year on an overland trek from Venice to India and back. The world was a lot bigger place when Schnebli took off on this ''slow journey'' to study architectural history, especially the urban development of old cities, ruins and excavations. Now, more than fifty years after(...)
Titre:
Dolf Schnebli 1956: photo sketches of a slow journey
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In 1955, Swiss architect Dolf Schnebli and his wife, Clarissa, climbed into a VW Beetle and spent a year on an overland trek from Venice to India and back. The world was a lot bigger place when Schnebli took off on this ''slow journey'' to study architectural history, especially the urban development of old cities, ruins and excavations. Now, more than fifty years after his trip, Schnebli's black and white photos are being published for the first time after gathering dust for decades as contact prints in his sketchbooks. Combined with text excerpts from his journal.
Dolf Schnebli 1956: photo sketches of a slow journey
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In 1955, Swiss architect Dolf Schnebli and his wife, Clarissa, climbed into a VW Beetle and spent a year on an overland trek from Venice to India and back. The world was a lot bigger place when Schnebli took off on this ''slow journey'' to study architectural history, especially the urban development of old cities, ruins and excavations. Now, more than fifty years after his trip, Schnebli's black and white photos are being published for the first time after gathering dust for decades as contact prints in his sketchbooks. Combined with text excerpts from his journal.
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livres
Publication:
décembre 2009
décembre 2009
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Monographies photo
Monographies photo
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livres
livres
Titre:
Manon de Pauw: intrigues
Manon de Pauw: intrigues
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Ce catalogue présentant plus d’une soixantaine de reproductions des œuvres de l’artiste, est en cours de préparation. Il s’agira de la première monographie consacrée à Manon de Pauw dont la pratique, malgré son importance, n’a pas encore fait l’objet d’une étude approfondie et reste peu documentée. Le livre reflétera de près le contenu de l’exposition tout en faisant le(...)
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Ce catalogue présentant plus d’une soixantaine de reproductions des œuvres de l’artiste, est en cours de préparation. Il s’agira de la première monographie consacrée à Manon de Pauw dont la pratique, malgré son importance, n’a pas encore fait l’objet d’une étude approfondie et reste peu documentée. Le livre reflétera de près le contenu de l’exposition tout en faisant le(...)
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Manon de Pauw: intrigues
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Ce catalogue présentant plus d’une soixantaine de reproductions des œuvres de l’artiste, est en cours de préparation. Il s’agira de la première monographie consacrée à Manon de Pauw dont la pratique, malgré son importance, n’a pas encore fait l’objet d’une étude approfondie et reste peu documentée. Le livre reflétera de près le contenu de l’exposition tout en faisant le point sur le parcours de l’artiste depuis les dix dernières années.
Manon de Pauw: intrigues
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Ce catalogue présentant plus d’une soixantaine de reproductions des œuvres de l’artiste, est en cours de préparation. Il s’agira de la première monographie consacrée à Manon de Pauw dont la pratique, malgré son importance, n’a pas encore fait l’objet d’une étude approfondie et reste peu documentée. Le livre reflétera de près le contenu de l’exposition tout en faisant le point sur le parcours de l’artiste depuis les dix dernières années.
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livres
Publication:
octobre 2009
octobre 2009
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Bas Princen, Rubiera, galleria naturale : Sala espositiva L'ospitale, maggio-giugno 2008.
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Bas Princen, Rubiera, galleria naturale : Sala espositiva L'ospitale, maggio-giugno 2008.
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Monographies photo
Monographies photo
Publication:
octobre 2008
octobre 2008
Titre:
Bas Princen, galleriea naturale
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Bas Princen, Rubiera, galleria naturale : Sala espositiva L'ospitale, maggio-giugno 2008.
Bas Princen, galleriea naturale
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Bas Princen, Rubiera, galleria naturale : Sala espositiva L'ospitale, maggio-giugno 2008.
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livres
Publication:
octobre 2008
octobre 2008
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Monographies photo
Monographies photo
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livres
livres
Titre:
Guido Guidi, Pk tav 139+500
Guido Guidi, Pk tav 139+500
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Guido Guidi, Rubiera, galleria naturale : Sala espositiva L'ospitale, marzo-maggio 2006.
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Guido Guidi, Rubiera, galleria naturale : Sala espositiva L'ospitale, marzo-maggio 2006.
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Monographies photo
Monographies photo
Publication:
octobre 2009
octobre 2009
Titre:
Guido Guidi, Pk tav 139+500
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Guido Guidi, Rubiera, galleria naturale : Sala espositiva L'ospitale, marzo-maggio 2006.
Guido Guidi, Pk tav 139+500
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Guido Guidi, Rubiera, galleria naturale : Sala espositiva L'ospitale, marzo-maggio 2006.
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livres
livres
Publication:
octobre 2009
octobre 2009
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Monographies photo
Monographies photo
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livres
livres
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$74.99
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Unreleased works by Guido Guidi and a reading by Vitaliano Trevisan: a dialogue between the photographer and the writer who reflect from different perspecives and explore the relationship between the apparent superficiality of our everyday landscape.
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Unreleased works by Guido Guidi and a reading by Vitaliano Trevisan: a dialogue between the photographer and the writer who reflect from different perspecives and explore the relationship between the apparent superficiality of our everyday landscape.
Titre:
Guido Guidi, vitaliano trevisan, vol. 1
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Unreleased works by Guido Guidi and a reading by Vitaliano Trevisan: a dialogue between the photographer and the writer who reflect from different perspecives and explore the relationship between the apparent superficiality of our everyday landscape.
Guido Guidi, vitaliano trevisan, vol. 1
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Unreleased works by Guido Guidi and a reading by Vitaliano Trevisan: a dialogue between the photographer and the writer who reflect from different perspecives and explore the relationship between the apparent superficiality of our everyday landscape.
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livres
livres
Publication:
octobre 2006
octobre 2006
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Monographies photo
Monographies photo
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livres
Titre:
Ben Johnson : Foster in view
Ben Johnson : Foster in view
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For more than thrity years Ben Johnson the artist has been documenting the work of Norman Foster the architect in photographs that have frequently served as source material for Johnson's own neo-realist paintings. This book is a reocord of this body of work. Included here are photographs of Foster,s most celebrated projects, from the Sainsbury Center for Visual Arts,(...)
$97.00
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For more than thrity years Ben Johnson the artist has been documenting the work of Norman Foster the architect in photographs that have frequently served as source material for Johnson's own neo-realist paintings. This book is a reocord of this body of work. Included here are photographs of Foster,s most celebrated projects, from the Sainsbury Center for Visual Arts,(...)
Titre:
Ben Johnson : Foster in view
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For more than thrity years Ben Johnson the artist has been documenting the work of Norman Foster the architect in photographs that have frequently served as source material for Johnson's own neo-realist paintings. This book is a reocord of this body of work. Included here are photographs of Foster,s most celebrated projects, from the Sainsbury Center for Visual Arts, the Hong Kong and Shanghai Bank, the restoration of the Reichstag, and the Great Court at the British Museum, to airports in Hong Kong and Beijing.
Ben Johnson : Foster in view
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For more than thrity years Ben Johnson the artist has been documenting the work of Norman Foster the architect in photographs that have frequently served as source material for Johnson's own neo-realist paintings. This book is a reocord of this body of work. Included here are photographs of Foster,s most celebrated projects, from the Sainsbury Center for Visual Arts, the Hong Kong and Shanghai Bank, the restoration of the Reichstag, and the Great Court at the British Museum, to airports in Hong Kong and Beijing.
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livres
livres
Publication:
octobre 2009
octobre 2009
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
The sun as error
The sun as error
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The Los Angeles based artist Shannon Ebner extends her exploration of photography, sculpture and language in this book. In collaboration with Dexter Sinister (design duo David Reinfurt and Stuart Bailey), "The Sun as Error" re-investigates the meaning and language of photographs, creating both an open-ended reading of her practice and also rethinking the idea of an(...)
$75.50
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The Los Angeles based artist Shannon Ebner extends her exploration of photography, sculpture and language in this book. In collaboration with Dexter Sinister (design duo David Reinfurt and Stuart Bailey), "The Sun as Error" re-investigates the meaning and language of photographs, creating both an open-ended reading of her practice and also rethinking the idea of an(...)
Titre:
The sun as error
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The Los Angeles based artist Shannon Ebner extends her exploration of photography, sculpture and language in this book. In collaboration with Dexter Sinister (design duo David Reinfurt and Stuart Bailey), "The Sun as Error" re-investigates the meaning and language of photographs, creating both an open-ended reading of her practice and also rethinking the idea of an artist’s monograph. Far from straightforward, the book interweaves her bodies of work, previously unseen one-off pieces, with the language of technical diagrams, optical illusions, and graphic design. One of the persistent motifs through the book’s sequence is an asterisk and, specifically, one imbued with the legacy of the graphic designer Muriel Cooper. As the first design director for MIT Press and the cofounder of the Visible Language Workshop, Cooper’s legacy for reorienting and repositioning the direction of an artist’s monograph is imaginatively explored in the creative partnership of Dexter Sinister and Shannon Ebner. Shannon Ebner’s work has been shown in exhibitions including Trace at The Whitney Museum of American Art at Altria (2006), The 2006 California Biennial at The Orange County Museum of Art, Uncertain States of America, at The Serpentine Gallery, London (2006), Learn to Read, at the Tate Modern, London (2007), and the 2008 Whitney Biennial at The Whitney Museum of American Art.
The sun as error
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The Los Angeles based artist Shannon Ebner extends her exploration of photography, sculpture and language in this book. In collaboration with Dexter Sinister (design duo David Reinfurt and Stuart Bailey), "The Sun as Error" re-investigates the meaning and language of photographs, creating both an open-ended reading of her practice and also rethinking the idea of an artist’s monograph. Far from straightforward, the book interweaves her bodies of work, previously unseen one-off pieces, with the language of technical diagrams, optical illusions, and graphic design. One of the persistent motifs through the book’s sequence is an asterisk and, specifically, one imbued with the legacy of the graphic designer Muriel Cooper. As the first design director for MIT Press and the cofounder of the Visible Language Workshop, Cooper’s legacy for reorienting and repositioning the direction of an artist’s monograph is imaginatively explored in the creative partnership of Dexter Sinister and Shannon Ebner. Shannon Ebner’s work has been shown in exhibitions including Trace at The Whitney Museum of American Art at Altria (2006), The 2006 California Biennial at The Orange County Museum of Art, Uncertain States of America, at The Serpentine Gallery, London (2006), Learn to Read, at the Tate Modern, London (2007), and the 2008 Whitney Biennial at The Whitney Museum of American Art.
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livres
livres
Publication:
octobre 2009
octobre 2009
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
L'image et l'objet
L'image et l'objet
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Who owns an art “masterpiece”? How does a work’s value in the marketplace, or its status in art history, affect its meaning? In her photos and assemblages, German photographer Claudia Angelmaier uses book pages, postcards, or slides of well-known works and turns these reproductions into revelations about what is “behind” the masterpiece. Especially in the most recent(...)
$53.95
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Who owns an art “masterpiece”? How does a work’s value in the marketplace, or its status in art history, affect its meaning? In her photos and assemblages, German photographer Claudia Angelmaier uses book pages, postcards, or slides of well-known works and turns these reproductions into revelations about what is “behind” the masterpiece. Especially in the most recent(...)
Titre:
L'image et l'objet
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$53.95
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Who owns an art “masterpiece”? How does a work’s value in the marketplace, or its status in art history, affect its meaning? In her photos and assemblages, German photographer Claudia Angelmaier uses book pages, postcards, or slides of well-known works and turns these reproductions into revelations about what is “behind” the masterpiece. Especially in the most recent series “Works on Paper,” in which she photographs the back sides of postcards, the strong back lighting and slightly translucent image of the front side results in an interplay of visibility and vanishing. Angelmaier’s work follows in the footsteps of contemporary photo-based artists, Louise Lawler and Sherrie Levine, asking fundamental questions about appropriation art.
L'image et l'objet
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$53.95
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Who owns an art “masterpiece”? How does a work’s value in the marketplace, or its status in art history, affect its meaning? In her photos and assemblages, German photographer Claudia Angelmaier uses book pages, postcards, or slides of well-known works and turns these reproductions into revelations about what is “behind” the masterpiece. Especially in the most recent series “Works on Paper,” in which she photographs the back sides of postcards, the strong back lighting and slightly translucent image of the front side results in an interplay of visibility and vanishing. Angelmaier’s work follows in the footsteps of contemporary photo-based artists, Louise Lawler and Sherrie Levine, asking fundamental questions about appropriation art.
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livres
livres
Publication:
octobre 2009
octobre 2009
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Vitrinen in Arbeit
Vitrinen in Arbeit
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American photographer Kaucyila Brooke finds sly ways to explore of the values of contemporary culture. In this collection, Brooke looks at the renovation of the display cases at Vienna’s Natural History Museum as an opportunity to record the layering of time and history, and to comment on what information our cultural arbiters – in this case, museum curators – see as(...)
$86.95
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Résumé:
American photographer Kaucyila Brooke finds sly ways to explore of the values of contemporary culture. In this collection, Brooke looks at the renovation of the display cases at Vienna’s Natural History Museum as an opportunity to record the layering of time and history, and to comment on what information our cultural arbiters – in this case, museum curators – see as(...)
Titre:
Vitrinen in Arbeit
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American photographer Kaucyila Brooke finds sly ways to explore of the values of contemporary culture. In this collection, Brooke looks at the renovation of the display cases at Vienna’s Natural History Museum as an opportunity to record the layering of time and history, and to comment on what information our cultural arbiters – in this case, museum curators – see as important. As the museum transitions from the static 19th-century exhibition model to an interactive 21st-century style, Brooke makes knowing use of the reflections and transparency of the glass cases, and the disorder of their contents.
Vitrinen in Arbeit
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American photographer Kaucyila Brooke finds sly ways to explore of the values of contemporary culture. In this collection, Brooke looks at the renovation of the display cases at Vienna’s Natural History Museum as an opportunity to record the layering of time and history, and to comment on what information our cultural arbiters – in this case, museum curators – see as important. As the museum transitions from the static 19th-century exhibition model to an interactive 21st-century style, Brooke makes knowing use of the reflections and transparency of the glass cases, and the disorder of their contents.
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livres
livres
Publication:
octobre 2009
octobre 2009
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$86.95
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This new volume showcases the thrilling circus photography of the American photographer Frederick W. Glasier, who photographed the circus during its 1890-1925 heyday. Now considered as masterful a chronicler of time and place as his contemporaries Atget and Sander, Glasier made photos which bring the three-ring pageant of the circus to life with an irresistible narrative(...)
$86.95
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Résumé:
This new volume showcases the thrilling circus photography of the American photographer Frederick W. Glasier, who photographed the circus during its 1890-1925 heyday. Now considered as masterful a chronicler of time and place as his contemporaries Atget and Sander, Glasier made photos which bring the three-ring pageant of the circus to life with an irresistible narrative(...)
Titre:
Circus : the photographs of Frederick W. Glasier
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$86.95
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This new volume showcases the thrilling circus photography of the American photographer Frederick W. Glasier, who photographed the circus during its 1890-1925 heyday. Now considered as masterful a chronicler of time and place as his contemporaries Atget and Sander, Glasier made photos which bring the three-ring pageant of the circus to life with an irresistible narrative rhythm. With 73 gloriously reproduced images from the 1,700 glass plate negatives from the collections of the John & Mable Ringling Museum of Art at Florida State University, informative anecdotal captions by the circus historian (and co-editor of this volume) Deborah Walk, and a fascinating essay by Luc Sante.
Circus : the photographs of Frederick W. Glasier
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$86.95
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Résumé:
This new volume showcases the thrilling circus photography of the American photographer Frederick W. Glasier, who photographed the circus during its 1890-1925 heyday. Now considered as masterful a chronicler of time and place as his contemporaries Atget and Sander, Glasier made photos which bring the three-ring pageant of the circus to life with an irresistible narrative rhythm. With 73 gloriously reproduced images from the 1,700 glass plate negatives from the collections of the John & Mable Ringling Museum of Art at Florida State University, informative anecdotal captions by the circus historian (and co-editor of this volume) Deborah Walk, and a fascinating essay by Luc Sante.
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livres
livres
Publication:
octobre 2009
octobre 2009
Sujet:
Monographies photo
Monographies photo
