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livres
livres
Titre:
Maurice Demers, oeuvre d'art totale : des environnements participatifs à la création collective
Maurice Demers, oeuvre d'art totale : des environnements participatifs à la création collective
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Entre 1960 et 1970, le monde de l'art délaisse massivement les galeries et les musées pour envahir avec enthousiasme et candeur les espaces publics. On explore en ces lieux de nouvelles formes d'expression artistique?: la création collective, l'improvisation, les installations multimédias. De cette effer-vescence est né un nouveau genre artistique?: l'environnement(...)
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Entre 1960 et 1970, le monde de l'art délaisse massivement les galeries et les musées pour envahir avec enthousiasme et candeur les espaces publics. On explore en ces lieux de nouvelles formes d'expression artistique?: la création collective, l'improvisation, les installations multimédias. De cette effer-vescence est né un nouveau genre artistique?: l'environnement(...)
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Maurice Demers, oeuvre d'art totale : des environnements participatifs à la création collective
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$29.95
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Résumé:
Entre 1960 et 1970, le monde de l'art délaisse massivement les galeries et les musées pour envahir avec enthousiasme et candeur les espaces publics. On explore en ces lieux de nouvelles formes d'expression artistique?: la création collective, l'improvisation, les installations multimédias. De cette effer-vescence est né un nouveau genre artistique?: l'environnement participatif. Cette pratique développe et revendique un art créé par et pour tous et toutes. Interactif, multidisciplinaire, ouvert sur le monde, ce genre artistique est soutenu par un idéal?: l'ouvre d'art total. Au Québec, l'artiste Maurice Demers, dont les créations collectives ont marqué les esprits à la fin des années 1960, incarne à -merveille cette quête à la fois culturelle, sociale et esthétique. Dans ce premier essai consacré au travail de Maurice Demers, l'auteur nous fait découvrir les ouvres de l'artiste et, du même souffle, évoque les grands enjeux de l'époque?: la syndicalisation, le féminisme, la critique de la société de consommation, l'identité collective québécoise, etc.
Maurice Demers, oeuvre d'art totale : des environnements participatifs à la création collective
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Entre 1960 et 1970, le monde de l'art délaisse massivement les galeries et les musées pour envahir avec enthousiasme et candeur les espaces publics. On explore en ces lieux de nouvelles formes d'expression artistique?: la création collective, l'improvisation, les installations multimédias. De cette effer-vescence est né un nouveau genre artistique?: l'environnement participatif. Cette pratique développe et revendique un art créé par et pour tous et toutes. Interactif, multidisciplinaire, ouvert sur le monde, ce genre artistique est soutenu par un idéal?: l'ouvre d'art total. Au Québec, l'artiste Maurice Demers, dont les créations collectives ont marqué les esprits à la fin des années 1960, incarne à -merveille cette quête à la fois culturelle, sociale et esthétique. Dans ce premier essai consacré au travail de Maurice Demers, l'auteur nous fait découvrir les ouvres de l'artiste et, du même souffle, évoque les grands enjeux de l'époque?: la syndicalisation, le féminisme, la critique de la société de consommation, l'identité collective québécoise, etc.
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livres
livres
Publication:
février 2009
février 2009
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Joel Tettamanti: Davos
Joel Tettamanti: Davos
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Davos is known worldwide as one of the most beautiful and exclusive skiing resorts in the world—and as the site of the annual World Economic Forum’s summit of global leaders. This unexpected look at Davos comes via the lens of Joël Tettamanti, a rising star in Swiss art circles. As the accompanying essay by curator Walter Keller explains, Tettamanti’s work presents(...)
$69.99
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Résumé:
Davos is known worldwide as one of the most beautiful and exclusive skiing resorts in the world—and as the site of the annual World Economic Forum’s summit of global leaders. This unexpected look at Davos comes via the lens of Joël Tettamanti, a rising star in Swiss art circles. As the accompanying essay by curator Walter Keller explains, Tettamanti’s work presents(...)
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Joel Tettamanti: Davos
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Davos is known worldwide as one of the most beautiful and exclusive skiing resorts in the world—and as the site of the annual World Economic Forum’s summit of global leaders. This unexpected look at Davos comes via the lens of Joël Tettamanti, a rising star in Swiss art circles. As the accompanying essay by curator Walter Keller explains, Tettamanti’s work presents the resort as an open-ended location whose meanings aren’t—despite its fame—in any way predetermined. Instead, he asks the viewer to experience the city in its totality, paying attention to the landscape, climate, people, dreams, and debris alike.
Joel Tettamanti: Davos
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Davos is known worldwide as one of the most beautiful and exclusive skiing resorts in the world—and as the site of the annual World Economic Forum’s summit of global leaders. This unexpected look at Davos comes via the lens of Joël Tettamanti, a rising star in Swiss art circles. As the accompanying essay by curator Walter Keller explains, Tettamanti’s work presents the resort as an open-ended location whose meanings aren’t—despite its fame—in any way predetermined. Instead, he asks the viewer to experience the city in its totality, paying attention to the landscape, climate, people, dreams, and debris alike.
Classification:
livres
livres
Publication:
février 2010
février 2010
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$84.99
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Over the past ten years, Vietnam-born Swiss photographer Cat Tuong Nguyen has gained international recognition for his highly individual, intelligent, and poetic work. Nguyen’s photos confront viewers with strange, humorous, and mysterious images, challenging them to investigate their everyday reality. The first book to collect Nguyen’s art, Underdog Suite brings together(...)
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Over the past ten years, Vietnam-born Swiss photographer Cat Tuong Nguyen has gained international recognition for his highly individual, intelligent, and poetic work. Nguyen’s photos confront viewers with strange, humorous, and mysterious images, challenging them to investigate their everyday reality. The first book to collect Nguyen’s art, Underdog Suite brings together(...)
Titre:
Cat Tuong Nguyen: underdog suite
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Over the past ten years, Vietnam-born Swiss photographer Cat Tuong Nguyen has gained international recognition for his highly individual, intelligent, and poetic work. Nguyen’s photos confront viewers with strange, humorous, and mysterious images, challenging them to investigate their everyday reality. The first book to collect Nguyen’s art, Underdog Suite brings together in one volume his photographs, collages, and unique painted-over magazine pictures.
Cat Tuong Nguyen: underdog suite
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Over the past ten years, Vietnam-born Swiss photographer Cat Tuong Nguyen has gained international recognition for his highly individual, intelligent, and poetic work. Nguyen’s photos confront viewers with strange, humorous, and mysterious images, challenging them to investigate their everyday reality. The first book to collect Nguyen’s art, Underdog Suite brings together in one volume his photographs, collages, and unique painted-over magazine pictures.
Classification:
livres
livres
Publication:
février 2010
février 2010
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Prix:
$67.99
(disponible en magasin)
Résumé:
The first major publication on O'Sullivan in more than thirty years, "Framing the West" offers a new aesthetic and formal interpretation of O'Sullivan's photographs and assesses his influence on the larger photographic canon. The book features previously unpublished and rarely seen images and serves as a field guide for O'Sullivan's original prints, presenting them for(...)
$67.99
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The first major publication on O'Sullivan in more than thirty years, "Framing the West" offers a new aesthetic and formal interpretation of O'Sullivan's photographs and assesses his influence on the larger photographic canon. The book features previously unpublished and rarely seen images and serves as a field guide for O'Sullivan's original prints, presenting them for(...)
Titre:
Framing the West: the survey of Timothy H. O'Sullivan
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The first major publication on O'Sullivan in more than thirty years, "Framing the West" offers a new aesthetic and formal interpretation of O'Sullivan's photographs and assesses his influence on the larger photographic canon. The book features previously unpublished and rarely seen images and serves as a field guide for O'Sullivan's original prints, presenting them for the first time in sequence with the chronology of their production. Trained under Mathew Brady, O'Sullivan accompanied several government expeditions to the West - most notably with geologist Clarence King in 1867 and cartographer George M. Wheeler in 1871.
Framing the West: the survey of Timothy H. O'Sullivan
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$67.99
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Résumé:
The first major publication on O'Sullivan in more than thirty years, "Framing the West" offers a new aesthetic and formal interpretation of O'Sullivan's photographs and assesses his influence on the larger photographic canon. The book features previously unpublished and rarely seen images and serves as a field guide for O'Sullivan's original prints, presenting them for the first time in sequence with the chronology of their production. Trained under Mathew Brady, O'Sullivan accompanied several government expeditions to the West - most notably with geologist Clarence King in 1867 and cartographer George M. Wheeler in 1871.
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livres
livres
Publication:
mars 2010
mars 2010
Classification:
livres
livres
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$90.00
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Henri Cartier-Bresson (1908–2004) is one of the most influential and beloved figures in the history of photography. His inventive work of the early 1930s helped define the creative potential of modern photography. Following World War II, he helped found the Magnum photo agency, which enabled photojournalists to reach a broad audience through magazines such as Life while(...)
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Résumé:
Henri Cartier-Bresson (1908–2004) is one of the most influential and beloved figures in the history of photography. His inventive work of the early 1930s helped define the creative potential of modern photography. Following World War II, he helped found the Magnum photo agency, which enabled photojournalists to reach a broad audience through magazines such as Life while(...)
Titre:
Henri Cartier-Bresson : the modern century
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Henri Cartier-Bresson (1908–2004) is one of the most influential and beloved figures in the history of photography. His inventive work of the early 1930s helped define the creative potential of modern photography. Following World War II, he helped found the Magnum photo agency, which enabled photojournalists to reach a broad audience through magazines such as Life while retaining control over their work. Cartier-Bresson would go on to produce major bodies of photographic reportage, capturing such events as China during the revolution, the Soviet Union after Stalin's death, the United States in the postwar boom and Europe as its older cultures confronted modern realities. Published to accompany an exhibition at The Museum of Modern Art, this is the first major publication to make full use of the extensive holdings of the Fondation Cartier-Bresson — including thousands of prints and a vast resource of documents relating to the photographer's life and work. The heart of the book surveys Cartier-Bresson's career through 300 photographs divided into 12 chapters. While many of his most famous pictures are included, a great number of images will be unfamiliar even to specialists. A wide-ranging essay by Peter Galassi, Chief Curator of Photography at the Museum, offers an entirely new understanding of Cartier-Bresson's extraordinary career and its overlapping contexts of journalism and art. The extensive supporting material — featuring detailed chronologies of the photographer's professional travels and of spreads of his picture stories as they appeared in magazines — will revolutionize the study of Cartier-Bresson's work.
Henri Cartier-Bresson : the modern century
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Henri Cartier-Bresson (1908–2004) is one of the most influential and beloved figures in the history of photography. His inventive work of the early 1930s helped define the creative potential of modern photography. Following World War II, he helped found the Magnum photo agency, which enabled photojournalists to reach a broad audience through magazines such as Life while retaining control over their work. Cartier-Bresson would go on to produce major bodies of photographic reportage, capturing such events as China during the revolution, the Soviet Union after Stalin's death, the United States in the postwar boom and Europe as its older cultures confronted modern realities. Published to accompany an exhibition at The Museum of Modern Art, this is the first major publication to make full use of the extensive holdings of the Fondation Cartier-Bresson — including thousands of prints and a vast resource of documents relating to the photographer's life and work. The heart of the book surveys Cartier-Bresson's career through 300 photographs divided into 12 chapters. While many of his most famous pictures are included, a great number of images will be unfamiliar even to specialists. A wide-ranging essay by Peter Galassi, Chief Curator of Photography at the Museum, offers an entirely new understanding of Cartier-Bresson's extraordinary career and its overlapping contexts of journalism and art. The extensive supporting material — featuring detailed chronologies of the photographer's professional travels and of spreads of his picture stories as they appeared in magazines — will revolutionize the study of Cartier-Bresson's work.
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livres
livres
Publication:
avril 2010
avril 2010
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$96.00
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Published to accompany a retrospective exhibition organized by the Corcoran Gallery of Art, Helios features essays by Philip Brookman, Marta Braun, Corey Keller and Rebecca Solnit that provide a variety of new approaches to Muybridge's art and influences.
$96.00
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Published to accompany a retrospective exhibition organized by the Corcoran Gallery of Art, Helios features essays by Philip Brookman, Marta Braun, Corey Keller and Rebecca Solnit that provide a variety of new approaches to Muybridge's art and influences.
Titre:
Helios: Eadweard Muybridge in a time of change
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$96.00
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Published to accompany a retrospective exhibition organized by the Corcoran Gallery of Art, Helios features essays by Philip Brookman, Marta Braun, Corey Keller and Rebecca Solnit that provide a variety of new approaches to Muybridge's art and influences.
Helios: Eadweard Muybridge in a time of change
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$96.00
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Résumé:
Published to accompany a retrospective exhibition organized by the Corcoran Gallery of Art, Helios features essays by Philip Brookman, Marta Braun, Corey Keller and Rebecca Solnit that provide a variety of new approaches to Muybridge's art and influences.
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livres
livres
Publication:
mai 2010
mai 2010
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
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$90.00
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This publication examines the complete body of work of Walker Evans and features many rarely seen photographs, including his final works, a sequence of Polaroids shot in the early 1970s.
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This publication examines the complete body of work of Walker Evans and features many rarely seen photographs, including his final works, a sequence of Polaroids shot in the early 1970s.
Titre:
Walker Evans: decade by decade
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This publication examines the complete body of work of Walker Evans and features many rarely seen photographs, including his final works, a sequence of Polaroids shot in the early 1970s.
Walker Evans: decade by decade
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This publication examines the complete body of work of Walker Evans and features many rarely seen photographs, including his final works, a sequence of Polaroids shot in the early 1970s.
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livres
livres
Publication:
avril 2010
avril 2010
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
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$60.00
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Résumé:
Driving across most of the country's 50 states in an ordinary rental car, Friedlander applied the simple conceit of deploying the sideview mirror, rearview mirror, the windshield and the side windows as a picture frame within which to record the country's eccentricities and obsessions at the turn of the century. This method allows for fascinating effects in(...)
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Driving across most of the country's 50 states in an ordinary rental car, Friedlander applied the simple conceit of deploying the sideview mirror, rearview mirror, the windshield and the side windows as a picture frame within which to record the country's eccentricities and obsessions at the turn of the century. This method allows for fascinating effects in(...)
Titre:
Lee Friedlander: America by car
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Driving across most of the country's 50 states in an ordinary rental car, Friedlander applied the simple conceit of deploying the sideview mirror, rearview mirror, the windshield and the side windows as a picture frame within which to record the country's eccentricities and obsessions at the turn of the century. This method allows for fascinating effects in foreshortening, and juxtapositions in which steering wheels, dashboards and leatherette bump up against roadside bars, motels, churches, monuments, suspension bridges, landscapes and often Friedlander's own image, via sideview mirror shots. Presented in the square crop format that has dominated his look in recent series, and taken over the past decade, the nearly 200 images in America by Car are easily among Friedlander's finest, while also revisiting themes from older bodies of work.
Lee Friedlander: America by car
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Driving across most of the country's 50 states in an ordinary rental car, Friedlander applied the simple conceit of deploying the sideview mirror, rearview mirror, the windshield and the side windows as a picture frame within which to record the country's eccentricities and obsessions at the turn of the century. This method allows for fascinating effects in foreshortening, and juxtapositions in which steering wheels, dashboards and leatherette bump up against roadside bars, motels, churches, monuments, suspension bridges, landscapes and often Friedlander's own image, via sideview mirror shots. Presented in the square crop format that has dominated his look in recent series, and taken over the past decade, the nearly 200 images in America by Car are easily among Friedlander's finest, while also revisiting themes from older bodies of work.
Classification:
livres
livres
Publication:
mai 2010
mai 2010
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Robert Adams: Gone?
Robert Adams: Gone?
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$84.00
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Robert Adams began by photographing suburban landscapes along the edge of the Rocky Mountains. His goal was to record the erasure of the American wilderness, while attempting to affirm what survives of it. For Adams, photography at this juncture in history presents a melancholy vocation: "It seems to me that we are now compelled to recognize that we have no place to go(...)
$84.00
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Résumé:
Robert Adams began by photographing suburban landscapes along the edge of the Rocky Mountains. His goal was to record the erasure of the American wilderness, while attempting to affirm what survives of it. For Adams, photography at this juncture in history presents a melancholy vocation: "It seems to me that we are now compelled to recognize that we have no place to go(...)
Titre:
Robert Adams: Gone?
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$84.00
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Robert Adams began by photographing suburban landscapes along the edge of the Rocky Mountains. His goal was to record the erasure of the American wilderness, while attempting to affirm what survives of it. For Adams, photography at this juncture in history presents a melancholy vocation: "It seems to me that we are now compelled to recognize that we have no place to go but where we've been," he judges. "We've got to go look at what we've done, which is oftentimes pretty awful, and see if we can't make of this place a civilized home." In Gone?, his most personal work to date, Adams lives out the implications of these words. In the 1980s, he revisited semi-rural areas he had known as a boy-landscapes that were no longer pristine, but which still retained their own particular qualities of light.
Robert Adams: Gone?
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$84.00
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Résumé:
Robert Adams began by photographing suburban landscapes along the edge of the Rocky Mountains. His goal was to record the erasure of the American wilderness, while attempting to affirm what survives of it. For Adams, photography at this juncture in history presents a melancholy vocation: "It seems to me that we are now compelled to recognize that we have no place to go but where we've been," he judges. "We've got to go look at what we've done, which is oftentimes pretty awful, and see if we can't make of this place a civilized home." In Gone?, his most personal work to date, Adams lives out the implications of these words. In the 1980s, he revisited semi-rural areas he had known as a boy-landscapes that were no longer pristine, but which still retained their own particular qualities of light.
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livres
livres
Publication:
avril 2010, London
avril 2010, London
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
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$48.00
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Bringing a new perspective to the photographic genre of typologies first established by the Bechers, Spanish photographer Santiago Torralba (born 1977) solicits recurrent geometric patterns from all kinds of architectures, in deserted or dilapidated Spanish landscapes. Against throbbing blue skies, Torralba elicits triangles, semicircles, rectangles and other small signs(...)
$48.00
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Résumé:
Bringing a new perspective to the photographic genre of typologies first established by the Bechers, Spanish photographer Santiago Torralba (born 1977) solicits recurrent geometric patterns from all kinds of architectures, in deserted or dilapidated Spanish landscapes. Against throbbing blue skies, Torralba elicits triangles, semicircles, rectangles and other small signs(...)
Titre:
Santiago Torralba: Geometrías
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Bringing a new perspective to the photographic genre of typologies first established by the Bechers, Spanish photographer Santiago Torralba (born 1977) solicits recurrent geometric patterns from all kinds of architectures, in deserted or dilapidated Spanish landscapes. Against throbbing blue skies, Torralba elicits triangles, semicircles, rectangles and other small signs of order from these chaotic landscapes.
Santiago Torralba: Geometrías
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$48.00
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Résumé:
Bringing a new perspective to the photographic genre of typologies first established by the Bechers, Spanish photographer Santiago Torralba (born 1977) solicits recurrent geometric patterns from all kinds of architectures, in deserted or dilapidated Spanish landscapes. Against throbbing blue skies, Torralba elicits triangles, semicircles, rectangles and other small signs of order from these chaotic landscapes.
Classification:
livres
livres
Publication:
mars 2010
mars 2010
Sujet:
Monographies photo
Monographies photo
