Lieux mêmes
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Depuis 2006 Bertrand Carrière a réalisé une série de photographies dans le Nord de la France et en Flandre belge, dans cette zone connue sous le nom de « Chemin des dames », tristement célèbre pour avoir été le site des engagements les plus longs et les plus meurtriers de la Première Guerre mondiale. À partir d'une série de photographies historiques, l'artiste est(...)
Lieux mêmes
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Depuis 2006 Bertrand Carrière a réalisé une série de photographies dans le Nord de la France et en Flandre belge, dans cette zone connue sous le nom de « Chemin des dames », tristement célèbre pour avoir été le site des engagements les plus longs et les plus meurtriers de la Première Guerre mondiale. À partir d'une série de photographies historiques, l'artiste est retourné sur ces lieux, à la recherche de ce qu'ils sont devenus. Les images qu'il y a réalisées sont inspirées de la tradition de photographie documentaire et du paysage social. Il nous montre les restes d'une guerre qui aura bientôt cent ans. Dans ces photographies en couleurs, il soulève le paradoxe de la beauté lumineuse de ces lieux et les sombres horreurs qui s'y sont déroulées, afin d'aviver la mémoire à partir de ce qui demeure.
Monographies photo
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This volume focuses on Shulman’s Chicago work. Featured here are the Minsk House, designed by Keck & Keck in 1955; the 1960 Burton Frank House, a mid-century modern gem; architect Harry Weese’s inspired modernist home and studio of 1957; and more.
Monographies photo
mai 2010
Julius Shulman: Chicago mid-century Modernism
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This volume focuses on Shulman’s Chicago work. Featured here are the Minsk House, designed by Keck & Keck in 1955; the 1960 Burton Frank House, a mid-century modern gem; architect Harry Weese’s inspired modernist home and studio of 1957; and more.
Monographies photo
Don Kirby : grasslands
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In 2005, Kirby began a major study of the National Grasslands in the United States. The resulting monograph comprises 47 duotone plates, sequenced geographically from America's heartland of Nebraska, the Dakotas, Kansas and Oklahoma through Texas, New Mexico, Colorado, Wyoming, and Idaho, to the Oregon and California coastlines.
Don Kirby : grasslands
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In 2005, Kirby began a major study of the National Grasslands in the United States. The resulting monograph comprises 47 duotone plates, sequenced geographically from America's heartland of Nebraska, the Dakotas, Kansas and Oklahoma through Texas, New Mexico, Colorado, Wyoming, and Idaho, to the Oregon and California coastlines.
Monographies photo
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Jorma Puranen (born 1951) is one of Finland's best-known photographers. For his latest series, Icy Prospects, inspired by the fascination of great explorers (and today's tourists) with the Arctic landscape, Puranen painted a wooden board with black, high-gloss acrylic and then took long exposures of the landscapes mirrored in its surface. The results are extremely(...)
Jorma Puranen : icy prospects
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Jorma Puranen (born 1951) is one of Finland's best-known photographers. For his latest series, Icy Prospects, inspired by the fascination of great explorers (and today's tourists) with the Arctic landscape, Puranen painted a wooden board with black, high-gloss acrylic and then took long exposures of the landscapes mirrored in its surface. The results are extremely painterly impressions of nature, in which ground, brushstroke and reflection intermingle.
Monographies photo
Wout Berger: Like birds
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Berger’s photographs capture a different reality from what is generally noticed, zooming in on specific, intricate natural and man-made details and patterns that can only be caught through the technical lens of the camera. Inherent to the photographer’s approach is a tacit understanding that nature’s ‘beauty’ is also in constant flux and under threat – nature makes place(...)
Wout Berger: Like birds
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Berger’s photographs capture a different reality from what is generally noticed, zooming in on specific, intricate natural and man-made details and patterns that can only be caught through the technical lens of the camera. Inherent to the photographer’s approach is a tacit understanding that nature’s ‘beauty’ is also in constant flux and under threat – nature makes place for human intervention and the urge for expansion. Produced to accompany an exhibition with the same title, the photographs were realised between 2002 and 2009.
Monographies photo
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House contains a rich collection of full-colour photographs taken by Yu Ogata and Ichiro Ogata Ono in their travels through five different countries. The precision and detail of architectural photography is combined with momentary emotions and the organic temporality of these magnificent buildings forming a mediation on the universal form of the house.
House: Yu Ogata and Ichiro Ogata Ono
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House contains a rich collection of full-colour photographs taken by Yu Ogata and Ichiro Ogata Ono in their travels through five different countries. The precision and detail of architectural photography is combined with momentary emotions and the organic temporality of these magnificent buildings forming a mediation on the universal form of the house.
Monographies photo
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Photographer Tetsuro Kobayashi has travelled throughout Japan, from Hokkaido to Okinawa, to capture barren and empty spaces, often factories or industry terrains, in all their haunting beauty.
Tetsuro Kobayashi: Discovery of ruins
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Photographer Tetsuro Kobayashi has travelled throughout Japan, from Hokkaido to Okinawa, to capture barren and empty spaces, often factories or industry terrains, in all their haunting beauty.
Monographies photo
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A confrontation between two leading figures of contemporary photography whose respective interpretations are published here in order to explore the dichotomies between East and West. For this edition Garcia-Alix photographed his wanderings in Beijing at the end of 2007, while Moriyama offers a take of Buenos Aires captured during visits in 2004 and 2005. The fluorescent(...)
Alberto Garcia-Alix and Daido Moriyama: Far from home
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A confrontation between two leading figures of contemporary photography whose respective interpretations are published here in order to explore the dichotomies between East and West. For this edition Garcia-Alix photographed his wanderings in Beijing at the end of 2007, while Moriyama offers a take of Buenos Aires captured during visits in 2004 and 2005. The fluorescent bound cover is filled with full page black and white images from the two photographers which are presented as two separate components and introduced by a short essay.
Monographies photo
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Hong Kong Inside Outside combines two major series of Wolf's work. For the first, Wolf has removed any trace of the horizon from the frame, capturing the relentless abstraction of the city’s residential high-rises while exploring the spatial experience of its inhabitants. For the second series, Wolf has juxtaposed the anonymity of these exteriors with interior portraits(...)
mai 2010
Michael Wolf: Hong Kong inside outside
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Hong Kong Inside Outside combines two major series of Wolf's work. For the first, Wolf has removed any trace of the horizon from the frame, capturing the relentless abstraction of the city’s residential high-rises while exploring the spatial experience of its inhabitants. For the second series, Wolf has juxtaposed the anonymity of these exteriors with interior portraits of 100 individuals and families surrounded by all of their belongings in identical public housing spaces that measure 100 square feet. This study forms in part a typology that allows the viewer to study how individuals make the confined spaces their own.
Kuge Yasuhide: Atelier
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Kuge Yasuhide’s publication sees the photographer visit a number of ateliers of prominent Japanese artists and document the place where ‘values’ are created. The studio spaces of Yayoi Kusama, Katsura Funakoshi and Takashi Murakami, for example, are vividly and lively represented in this photography book. Tools used in the studio, the atelier spaces themselves, personal(...)
Kuge Yasuhide: Atelier
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Kuge Yasuhide’s publication sees the photographer visit a number of ateliers of prominent Japanese artists and document the place where ‘values’ are created. The studio spaces of Yayoi Kusama, Katsura Funakoshi and Takashi Murakami, for example, are vividly and lively represented in this photography book. Tools used in the studio, the atelier spaces themselves, personal details, favourite objects and studio assistants who support the artist in their daily practice all appear in these images, exposing and emphasising the richness of these ‘scenes’ of creation.
Monographies photo