2476 Résultats
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livres
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Three decades ago, Lewis Baltz became fascinated by the stark, man-made landscape rolling over so much of California's agrarian terrain. This is the best-known of his projects on the subject, published as a limited-edition book by Leo Castelli in 1974. The work assured Baltz's place in the influential New Topographic movement, which stands for a cool, distanced yet(...)
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Three decades ago, Lewis Baltz became fascinated by the stark, man-made landscape rolling over so much of California's agrarian terrain. This is the best-known of his projects on the subject, published as a limited-edition book by Leo Castelli in 1974. The work assured Baltz's place in the influential New Topographic movement, which stands for a cool, distanced yet(...)
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Lewis Baltz : the new industrial parks near Irvine, California
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Three decades ago, Lewis Baltz became fascinated by the stark, man-made landscape rolling over so much of California's agrarian terrain. This is the best-known of his projects on the subject, published as a limited-edition book by Leo Castelli in 1974. The work assured Baltz's place in the influential New Topographic movement, which stands for a cool, distanced yet critical view of the emerging, man-altered landscape. This milestone in the history of American contemporary photography, is once again available in an impeccable facsimile of the original publication.
Lewis Baltz : the new industrial parks near Irvine, California
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Three decades ago, Lewis Baltz became fascinated by the stark, man-made landscape rolling over so much of California's agrarian terrain. This is the best-known of his projects on the subject, published as a limited-edition book by Leo Castelli in 1974. The work assured Baltz's place in the influential New Topographic movement, which stands for a cool, distanced yet critical view of the emerging, man-altered landscape. This milestone in the history of American contemporary photography, is once again available in an impeccable facsimile of the original publication.
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livres
livres
Publication:
janvier 2000, Santa Monica / Göttingen
janvier 2000, Santa Monica / Göttingen
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Atget, the pioneer
Atget, the pioneer
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A portfolio of more than 160 photographs shedding new light on the often neglected features of Eugene Atget's work, those innovative features of his photography that were to transform the photographic medium for a modern generation. Juxtaposing Atget's works with those of later photographers, this volume reveals how deeply Atget influenced modern perceptions in his novel(...)
$95.00
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A portfolio of more than 160 photographs shedding new light on the often neglected features of Eugene Atget's work, those innovative features of his photography that were to transform the photographic medium for a modern generation. Juxtaposing Atget's works with those of later photographers, this volume reveals how deeply Atget influenced modern perceptions in his novel(...)
Titre:
Atget, the pioneer
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A portfolio of more than 160 photographs shedding new light on the often neglected features of Eugene Atget's work, those innovative features of his photography that were to transform the photographic medium for a modern generation. Juxtaposing Atget's works with those of later photographers, this volume reveals how deeply Atget influenced modern perceptions in his novel depictions of street scenes, industrial landscapes, shopfronts and interiors, architectural details and parks.
Atget, the pioneer
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$95.00
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Résumé:
A portfolio of more than 160 photographs shedding new light on the often neglected features of Eugene Atget's work, those innovative features of his photography that were to transform the photographic medium for a modern generation. Juxtaposing Atget's works with those of later photographers, this volume reveals how deeply Atget influenced modern perceptions in his novel depictions of street scenes, industrial landscapes, shopfronts and interiors, architectural details and parks.
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livres
livres
Publication:
octobre 2000
octobre 2000
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Atget le pionnier
Atget le pionnier
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$99.95
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Eugène Atget est né en 1857, à Libourne, non loin de Bordeaux. Il meurt soixante-dix ans plus tard, à Paris, en 1927, laissant derrière lui une somme de travail incomparable. En 1888, après ses insuccès au théâtre et dans la peinture, il se choisit artisan photographe. Il fait des "documents pour artistes", puis à partir de 1897 et jusqu'à sa mort, il va fixer les(...)
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Eugène Atget est né en 1857, à Libourne, non loin de Bordeaux. Il meurt soixante-dix ans plus tard, à Paris, en 1927, laissant derrière lui une somme de travail incomparable. En 1888, après ses insuccès au théâtre et dans la peinture, il se choisit artisan photographe. Il fait des "documents pour artistes", puis à partir de 1897 et jusqu'à sa mort, il va fixer les(...)
Sujet:
Monographies photo
Monographies photo
Publication:
septembre 2000, Paris
septembre 2000, Paris
Titre:
Atget le pionnier
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Eugène Atget est né en 1857, à Libourne, non loin de Bordeaux. Il meurt soixante-dix ans plus tard, à Paris, en 1927, laissant derrière lui une somme de travail incomparable. En 1888, après ses insuccès au théâtre et dans la peinture, il se choisit artisan photographe. Il fait des "documents pour artistes", puis à partir de 1897 et jusqu'à sa mort, il va fixer les empreintes de la capitale. Soit trente années de clichés. Trente ans de mutations, de transformations de la ville, du vieux Paris (celui d'avant la Révolution) à celui post-haussmanien : les rues étroites, les vieux édifices, les places, les ponts et les quais, les devantures de magasin, les cours intérieures, les cages d'escalier... Tout un travail sur la colonne vertébrale de Paris, auquel il ajoute des modèles en chair et en os : des artisans, des prostituées, des ouvriers, des camelots. Cet ouvrage superbe rend un hommage à ce pionnier que fut Atget, à la fois esthète et archéologue photographe, lécheur de vitrines et amateur de façades, arpenteur insatiable du pavé parisien. Un hommage ô combien nécessaire.
Atget le pionnier
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Eugène Atget est né en 1857, à Libourne, non loin de Bordeaux. Il meurt soixante-dix ans plus tard, à Paris, en 1927, laissant derrière lui une somme de travail incomparable. En 1888, après ses insuccès au théâtre et dans la peinture, il se choisit artisan photographe. Il fait des "documents pour artistes", puis à partir de 1897 et jusqu'à sa mort, il va fixer les empreintes de la capitale. Soit trente années de clichés. Trente ans de mutations, de transformations de la ville, du vieux Paris (celui d'avant la Révolution) à celui post-haussmanien : les rues étroites, les vieux édifices, les places, les ponts et les quais, les devantures de magasin, les cours intérieures, les cages d'escalier... Tout un travail sur la colonne vertébrale de Paris, auquel il ajoute des modèles en chair et en os : des artisans, des prostituées, des ouvriers, des camelots. Cet ouvrage superbe rend un hommage à ce pionnier que fut Atget, à la fois esthète et archéologue photographe, lécheur de vitrines et amateur de façades, arpenteur insatiable du pavé parisien. Un hommage ô combien nécessaire.
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livres
livres
Publication:
septembre 2000, Paris
septembre 2000, Paris
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$39.95
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William Henry Fox Talbot (1800-1877) is best remembered as the scientist who invented photography. Others had tried recording the images projected by a lens, but Talbot was the first to grasp the physical basis for realizing this dream and to conceive of a practical means for fixing these ephemeral(...)
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William Henry Fox Talbot (1800-1877) is best remembered as the scientist who invented photography. Others had tried recording the images projected by a lens, but Talbot was the first to grasp the physical basis for realizing this dream and to conceive of a practical means for fixing these ephemeral(...)
Titre:
The photographic art of William Henry Fox Talbot
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William Henry Fox Talbot (1800-1877) is best remembered as the scientist who invented photography. Others had tried recording the images projected by a lens, but Talbot was the first to grasp the physical basis for realizing this dream and to conceive of a practical means for fixing these ephemeral images permanently onto a sheet of paper. But Talbot's considerable technical achievements have often overshadowed his growth as an artist. Larry Schaaf examines this artistic growth by bringing together for the first time high quality reproductions of one hundred photographs representing the full sweep of Talbot's work. These beautiful images are not only records of scientific triumphs, but also the evidence of the first steps in shaping a totally new type of vision. The one hundred plates are reproduced in the actual size of the originals and in all the subtle colours that comprised Talbot's early work. They range from Talbot's Lilliputian pre-1839 negatives (made in "mousetrap" cameras) through botanical photograms to mid-1840s calotypes that demonstrate a sure command of the new art. Each plate is discussed in detail, drawing on important new research conducted by the author.
The photographic art of William Henry Fox Talbot
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William Henry Fox Talbot (1800-1877) is best remembered as the scientist who invented photography. Others had tried recording the images projected by a lens, but Talbot was the first to grasp the physical basis for realizing this dream and to conceive of a practical means for fixing these ephemeral images permanently onto a sheet of paper. But Talbot's considerable technical achievements have often overshadowed his growth as an artist. Larry Schaaf examines this artistic growth by bringing together for the first time high quality reproductions of one hundred photographs representing the full sweep of Talbot's work. These beautiful images are not only records of scientific triumphs, but also the evidence of the first steps in shaping a totally new type of vision. The one hundred plates are reproduced in the actual size of the originals and in all the subtle colours that comprised Talbot's early work. They range from Talbot's Lilliputian pre-1839 negatives (made in "mousetrap" cameras) through botanical photograms to mid-1840s calotypes that demonstrate a sure command of the new art. Each plate is discussed in detail, drawing on important new research conducted by the author.
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livres
livres
Publication:
janvier 1900, Princeton
janvier 1900, Princeton
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Prix:
$97.50
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Résumé:
Bauhaus photography is well served by this first monograph on Max Baur, with many of the previously unpublished photographs also serving as a new source for Bauhaus studies.
$97.50
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Résumé:
Bauhaus photography is well served by this first monograph on Max Baur, with many of the previously unpublished photographs also serving as a new source for Bauhaus studies.
Titre:
Max Baur : in the Bauhaus spirit : photographs 1925-1960
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Bauhaus photography is well served by this first monograph on Max Baur, with many of the previously unpublished photographs also serving as a new source for Bauhaus studies.
Max Baur : in the Bauhaus spirit : photographs 1925-1960
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Bauhaus photography is well served by this first monograph on Max Baur, with many of the previously unpublished photographs also serving as a new source for Bauhaus studies.
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livres
livres
Publication:
octobre 2000
octobre 2000
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
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$89.95
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Published to coincide with the exhibition at the Friends of Photography in San Francisco of Kenna's work, this book concentrates on the night work. The images are exquisitely reproduced full scale.
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Published to coincide with the exhibition at the Friends of Photography in San Francisco of Kenna's work, this book concentrates on the night work. The images are exquisitely reproduced full scale.
Titre:
Night work : photographs by Michael Kenna
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Published to coincide with the exhibition at the Friends of Photography in San Francisco of Kenna's work, this book concentrates on the night work. The images are exquisitely reproduced full scale.
Night work : photographs by Michael Kenna
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Published to coincide with the exhibition at the Friends of Photography in San Francisco of Kenna's work, this book concentrates on the night work. The images are exquisitely reproduced full scale.
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livres
livres
Publication:
juin 2000, Tucson
juin 2000, Tucson
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$37.95
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Résumé:
Photographs by Laurie Brown.
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Photographs by Laurie Brown.
Titre:
Recent terrains : terraforming the American West
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Photographs by Laurie Brown.
Recent terrains : terraforming the American West
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Photographs by Laurie Brown.
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livres
livres
Publication:
janvier 1900, Baltimore
janvier 1900, Baltimore
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Josef Kouldelka : chaos
Josef Kouldelka : chaos
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Josef Koudelka is one of the most critically successful documentary photographers of our time and a key figure among the Magnum group. "Chaos" features the best of his panoramic photographs, shot over the last twelve years, which wrench a visual order out of chaos and dereliction.
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Josef Koudelka is one of the most critically successful documentary photographers of our time and a key figure among the Magnum group. "Chaos" features the best of his panoramic photographs, shot over the last twelve years, which wrench a visual order out of chaos and dereliction.
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Josef Kouldelka : chaos
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Josef Koudelka is one of the most critically successful documentary photographers of our time and a key figure among the Magnum group. "Chaos" features the best of his panoramic photographs, shot over the last twelve years, which wrench a visual order out of chaos and dereliction.
Josef Kouldelka : chaos
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Josef Koudelka is one of the most critically successful documentary photographers of our time and a key figure among the Magnum group. "Chaos" features the best of his panoramic photographs, shot over the last twelve years, which wrench a visual order out of chaos and dereliction.
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livres
livres
Publication:
janvier 1900, London, New York
janvier 1900, London, New York
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Monographies photo
Monographies photo
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livres
livres
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"Isolated Houses" focuses on the outer frontier of Los Angeles where, 150 miles beyond the city, the built environment comprises a handful of rudimentary structures. The dwellings that dot the landscape seem temporary, even toylike. The work pays homage to those places where nature and culture intersect.
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"Isolated Houses" focuses on the outer frontier of Los Angeles where, 150 miles beyond the city, the built environment comprises a handful of rudimentary structures. The dwellings that dot the landscape seem temporary, even toylike. The work pays homage to those places where nature and culture intersect.
Titre:
Isolated houses : John Divola
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"Isolated Houses" focuses on the outer frontier of Los Angeles where, 150 miles beyond the city, the built environment comprises a handful of rudimentary structures. The dwellings that dot the landscape seem temporary, even toylike. The work pays homage to those places where nature and culture intersect.
Isolated houses : John Divola
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$89.95
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"Isolated Houses" focuses on the outer frontier of Los Angeles where, 150 miles beyond the city, the built environment comprises a handful of rudimentary structures. The dwellings that dot the landscape seem temporary, even toylike. The work pays homage to those places where nature and culture intersect.
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livres
livres
Publication:
janvier 2000, Tucson
janvier 2000, Tucson
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$64.00
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Julius Shulman's long career photographing great architectural works with depth, passion, drama, and an instinct for the architect's intentions has ensured his present status as one of the world's preeminent architectural photographers. His eloquent photos interpreting the structures of Richard Neutra and(...)
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Julius Shulman's long career photographing great architectural works with depth, passion, drama, and an instinct for the architect's intentions has ensured his present status as one of the world's preeminent architectural photographers. His eloquent photos interpreting the structures of Richard Neutra and(...)
Titre:
Photographing architecture and interiors
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Julius Shulman's long career photographing great architectural works with depth, passion, drama, and an instinct for the architect's intentions has ensured his present status as one of the world's preeminent architectural photographers. His eloquent photos interpreting the structures of Richard Neutra and other early modernists helped the viewing public to understand these revolutionary buildings, and brought prominence to modernist practitioners who might otherwise have been considered eccentric. Frank Lloyd Wright once said that no better photos had ever been taken of Taliesin West than those by Shulman. "Photographing Architecture and Interiors", published in 1962, is Shulman's first book, and he still considers it to be his most genuine reflection on the profession and on his own artistic philosophy. This title is an exact reprint of that classic publication. All of Shulman's famous photographs have here been reproduced from original prints, giving the images a crispness and luminosity not seen even in the 1962 edition. The introduction by Richard Neutra, perhaps Shulman's most important client and avid supporter, has been preserved; also included is a new foreword by Shulman.
Photographing architecture and interiors
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$64.00
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Julius Shulman's long career photographing great architectural works with depth, passion, drama, and an instinct for the architect's intentions has ensured his present status as one of the world's preeminent architectural photographers. His eloquent photos interpreting the structures of Richard Neutra and other early modernists helped the viewing public to understand these revolutionary buildings, and brought prominence to modernist practitioners who might otherwise have been considered eccentric. Frank Lloyd Wright once said that no better photos had ever been taken of Taliesin West than those by Shulman. "Photographing Architecture and Interiors", published in 1962, is Shulman's first book, and he still considers it to be his most genuine reflection on the profession and on his own artistic philosophy. This title is an exact reprint of that classic publication. All of Shulman's famous photographs have here been reproduced from original prints, giving the images a crispness and luminosity not seen even in the 1962 edition. The introduction by Richard Neutra, perhaps Shulman's most important client and avid supporter, has been preserved; also included is a new foreword by Shulman.
Classification:
livres
livres
Publication:
mai 2000, Los Angeles
mai 2000, Los Angeles
Sujet:
Monographies photo
Monographies photo
