2476 Résultats
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livres
livres
Titre:
Lewis Baltz
Lewis Baltz
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Lewis Baltz (b.1945) was one of the first to use the medium of photography as a form of conceptual art. He helped transform its status, turning it not only into a collector’s art but also a museum art. He came to prominence in the mid-1970s as one of a group of artists included in the influential exhibition "The new topographics". His ‘non-judgmental’, matter-of-fact(...)
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Lewis Baltz (b.1945) was one of the first to use the medium of photography as a form of conceptual art. He helped transform its status, turning it not only into a collector’s art but also a museum art. He came to prominence in the mid-1970s as one of a group of artists included in the influential exhibition "The new topographics". His ‘non-judgmental’, matter-of-fact(...)
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Lewis Baltz
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Lewis Baltz (b.1945) was one of the first to use the medium of photography as a form of conceptual art. He helped transform its status, turning it not only into a collector’s art but also a museum art. He came to prominence in the mid-1970s as one of a group of artists included in the influential exhibition "The new topographics". His ‘non-judgmental’, matter-of-fact images, which are often architecturally-oriented, have a broad intellectual framework and draw attention to larger social and architectural patterns.
Lewis Baltz
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Lewis Baltz (b.1945) was one of the first to use the medium of photography as a form of conceptual art. He helped transform its status, turning it not only into a collector’s art but also a museum art. He came to prominence in the mid-1970s as one of a group of artists included in the influential exhibition "The new topographics". His ‘non-judgmental’, matter-of-fact images, which are often architecturally-oriented, have a broad intellectual framework and draw attention to larger social and architectural patterns.
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livres
livres
Publication:
janvier 1900, London
janvier 1900, London
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Catherine Opie
Catherine Opie
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Catherine Opie's urban landscape photographs - a series of views of Los Angeles-area freeways done in 1994-1995 and a recently completed group of works chronicling strip mall buildings along the commercial streets of Los Angeles - are presented in this exhibition catalogue.
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Catherine Opie's urban landscape photographs - a series of views of Los Angeles-area freeways done in 1994-1995 and a recently completed group of works chronicling strip mall buildings along the commercial streets of Los Angeles - are presented in this exhibition catalogue.
Titre:
Catherine Opie
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Catherine Opie's urban landscape photographs - a series of views of Los Angeles-area freeways done in 1994-1995 and a recently completed group of works chronicling strip mall buildings along the commercial streets of Los Angeles - are presented in this exhibition catalogue.
Catherine Opie
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Catherine Opie's urban landscape photographs - a series of views of Los Angeles-area freeways done in 1994-1995 and a recently completed group of works chronicling strip mall buildings along the commercial streets of Los Angeles - are presented in this exhibition catalogue.
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livres
livres
Publication:
janvier 1900, Los Angeles
janvier 1900, Los Angeles
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$42.00
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Catalogue from a travelling exhibition of 120 photographs taken by Sudek after 1940.
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Catalogue from a travelling exhibition of 120 photographs taken by Sudek after 1940.
Titre:
Josef Sudek : el silenci de les coses
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$42.00
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Catalogue from a travelling exhibition of 120 photographs taken by Sudek after 1940.
Josef Sudek : el silenci de les coses
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Catalogue from a travelling exhibition of 120 photographs taken by Sudek after 1940.
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livres
livres
Publication:
novembre 1998, Barcelona
novembre 1998, Barcelona
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
John Divola Continuity
John Divola Continuity
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$35.00
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Résumé:
The creation of seamless illusion remains a driving tenet of Hollywood cinema. In order to preserve this illusion, it is crucial that there are no jarring disruptions of cinematic space and time. This preservation of order is called continuity, and it has been the focus of John Divola's photographic work for the past several years, as beautifully represented in this(...)
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The creation of seamless illusion remains a driving tenet of Hollywood cinema. In order to preserve this illusion, it is crucial that there are no jarring disruptions of cinematic space and time. This preservation of order is called continuity, and it has been the focus of John Divola's photographic work for the past several years, as beautifully represented in this(...)
Titre:
John Divola Continuity
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$35.00
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The creation of seamless illusion remains a driving tenet of Hollywood cinema. In order to preserve this illusion, it is crucial that there are no jarring disruptions of cinematic space and time. This preservation of order is called continuity, and it has been the focus of John Divola's photographic work for the past several years, as beautifully represented in this striking book. Divola takes the original still photographs he has collected of Warner Bros. film sets from the 1930s, which were used to maintain continuity, and creates haunting installations of fictive reality. Divided into subject categories such as "Hallways" and "Broken Furniture and Evidence of Aggression," these images possess a glorious beauty, made possible by the use of 8 x 10 negatives, while being grounded in an intelligence found in the best of conceptual art. Features an elucidating essay by the noted film writer and critic Edward Dimendberg.
John Divola Continuity
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$35.00
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Résumé:
The creation of seamless illusion remains a driving tenet of Hollywood cinema. In order to preserve this illusion, it is crucial that there are no jarring disruptions of cinematic space and time. This preservation of order is called continuity, and it has been the focus of John Divola's photographic work for the past several years, as beautifully represented in this striking book. Divola takes the original still photographs he has collected of Warner Bros. film sets from the 1930s, which were used to maintain continuity, and creates haunting installations of fictive reality. Divided into subject categories such as "Hallways" and "Broken Furniture and Evidence of Aggression," these images possess a glorious beauty, made possible by the use of 8 x 10 negatives, while being grounded in an intelligence found in the best of conceptual art. Features an elucidating essay by the noted film writer and critic Edward Dimendberg.
Classification:
livres
livres
Publication:
octobre 1997, Santa Monica
octobre 1997, Santa Monica
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Lee Friedlander
Lee Friedlander
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$36.00
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Originally published in 1970, this understated gem of a book introduces Friedlander's self-conscious posture. Lee Friedlander is recognized as one of America's premier photographers. He is the recipient of numerous awards including a John D. and Catherine T. MacArthur Foundation Award, three grants from the National Endowment for the Arts, and three Guggenheim(...)
$36.00
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Originally published in 1970, this understated gem of a book introduces Friedlander's self-conscious posture. Lee Friedlander is recognized as one of America's premier photographers. He is the recipient of numerous awards including a John D. and Catherine T. MacArthur Foundation Award, three grants from the National Endowment for the Arts, and three Guggenheim(...)
Titre:
Lee Friedlander
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$36.00
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Originally published in 1970, this understated gem of a book introduces Friedlander's self-conscious posture. Lee Friedlander is recognized as one of America's premier photographers. He is the recipient of numerous awards including a John D. and Catherine T. MacArthur Foundation Award, three grants from the National Endowment for the Arts, and three Guggenheim Fellowships. His book Self Portrait was published in 1970 and reissued in 1998. Friedlander's work is in the permanent collections of all major American museums.
Lee Friedlander
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$36.00
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Originally published in 1970, this understated gem of a book introduces Friedlander's self-conscious posture. Lee Friedlander is recognized as one of America's premier photographers. He is the recipient of numerous awards including a John D. and Catherine T. MacArthur Foundation Award, three grants from the National Endowment for the Arts, and three Guggenheim Fellowships. His book Self Portrait was published in 1970 and reissued in 1998. Friedlander's work is in the permanent collections of all major American museums.
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livres
livres
Publication:
mai 2000, San Francisco
mai 2000, San Francisco
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$62.00
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Résumé:
In addition to an overview of Shulman's career and photographic oeuvre, this book emphasizes Shulman's method of 'constructing' photographic views. These constructions, which complemented his innate ability to compose striking photographs, often transcend reality to capture the spirit, time, and place of a work of architecture. An analysis of architecture's visual(...)
$62.00
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In addition to an overview of Shulman's career and photographic oeuvre, this book emphasizes Shulman's method of 'constructing' photographic views. These constructions, which complemented his innate ability to compose striking photographs, often transcend reality to capture the spirit, time, and place of a work of architecture. An analysis of architecture's visual(...)
Titre:
A Constructed View: The Architectural Photography of Julius Shulman
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$62.00
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In addition to an overview of Shulman's career and photographic oeuvre, this book emphasizes Shulman's method of 'constructing' photographic views. These constructions, which complemented his innate ability to compose striking photographs, often transcend reality to capture the spirit, time, and place of a work of architecture. An analysis of architecture's visual presentation examines not only the media of the era, John Entenza's Arts & Architecture, for instance, but also the work of Shulman's photographic contemporaries.
A Constructed View: The Architectural Photography of Julius Shulman
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In addition to an overview of Shulman's career and photographic oeuvre, this book emphasizes Shulman's method of 'constructing' photographic views. These constructions, which complemented his innate ability to compose striking photographs, often transcend reality to capture the spirit, time, and place of a work of architecture. An analysis of architecture's visual presentation examines not only the media of the era, John Entenza's Arts & Architecture, for instance, but also the work of Shulman's photographic contemporaries.
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livres
livres
Publication:
février 2008, New York
février 2008, New York
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$74.95
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Second edition with 20 new images.
$74.95
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Second edition with 20 new images.
Titre:
Le Nôtre's Gardens : photographs by Michael Kenna
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$74.95
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Second edition with 20 new images.
Le Nôtre's Gardens : photographs by Michael Kenna
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Second edition with 20 new images.
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livres
livres
Publication:
janvier 1900, Santa Monica
janvier 1900, Santa Monica
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
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$97.95
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Résumé:
Lazar Markovich Lissitzky is widely known as a Russian avant-garde artist who made significant contributions to abstract art in the 1920s. Until now his experiments with photography, photomontage, and graphic and exhibition designs in the 1920s and throughout the 1930s have not been documented and thoroughly analyzed. This book explores both the political and(...)
$97.95
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Résumé:
Lazar Markovich Lissitzky is widely known as a Russian avant-garde artist who made significant contributions to abstract art in the 1920s. Until now his experiments with photography, photomontage, and graphic and exhibition designs in the 1920s and throughout the 1930s have not been documented and thoroughly analyzed. This book explores both the political and(...)
Titre:
El Lissitzky : beyond the abstract cabinet
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Lazar Markovich Lissitzky is widely known as a Russian avant-garde artist who made significant contributions to abstract art in the 1920s. Until now his experiments with photography, photomontage, and graphic and exhibition designs in the 1920s and throughout the 1930s have not been documented and thoroughly analyzed. This book explores both the political and aesthetic aspects of Lissitzky's late multimedia work from his designs for the Abstract Cabinet to his death in 1941. The author and the two contributors give special attention to Lissitzky's intense collaboration first with German and then with Soviet photographers, designers, and filmmakers, and they discuss how his various personal friendships and acquaintances influenced the directions he took in photography and design. The book presents photographic works by Lissitzky and these other artists as well as some of Lissitzky's early non-objective art that foreshadows his experiments in figurative art. It also includes Lissitzky's correspondence with his Western colleagues and his wife Sophie Kueppers. This book will accompany an exhibition of Lissitzky's photographic works at the Sprengel Museum in Hannover, Germany, Museu d'Art Contemporani de Barcelona, and Fondaçao de Serralves, Porto.
El Lissitzky : beyond the abstract cabinet
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$97.95
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Lazar Markovich Lissitzky is widely known as a Russian avant-garde artist who made significant contributions to abstract art in the 1920s. Until now his experiments with photography, photomontage, and graphic and exhibition designs in the 1920s and throughout the 1930s have not been documented and thoroughly analyzed. This book explores both the political and aesthetic aspects of Lissitzky's late multimedia work from his designs for the Abstract Cabinet to his death in 1941. The author and the two contributors give special attention to Lissitzky's intense collaboration first with German and then with Soviet photographers, designers, and filmmakers, and they discuss how his various personal friendships and acquaintances influenced the directions he took in photography and design. The book presents photographic works by Lissitzky and these other artists as well as some of Lissitzky's early non-objective art that foreshadows his experiments in figurative art. It also includes Lissitzky's correspondence with his Western colleagues and his wife Sophie Kueppers. This book will accompany an exhibition of Lissitzky's photographic works at the Sprengel Museum in Hannover, Germany, Museu d'Art Contemporani de Barcelona, and Fondaçao de Serralves, Porto.
Classification:
livres
livres
Publication:
novembre 1999, New Haven/London
novembre 1999, New Haven/London
Sujet:
Monographies photo
Monographies photo
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livres
livres
Prix:
$62.95
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Résumé:
Photographer Laura Volkerding explored the workshops, tools, and projects of an elite group of artisan-craftsmen, most of them members of the "Compagnons du Devoir", for over a decade. This exquisitely printed book contains a selection of her photographs from this body of work.
$62.95
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Résumé:
Photographer Laura Volkerding explored the workshops, tools, and projects of an elite group of artisan-craftsmen, most of them members of the "Compagnons du Devoir", for over a decade. This exquisitely printed book contains a selection of her photographs from this body of work.
Titre:
Solomon's temple : the European building-crafts legacy
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$62.95
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Photographer Laura Volkerding explored the workshops, tools, and projects of an elite group of artisan-craftsmen, most of them members of the "Compagnons du Devoir", for over a decade. This exquisitely printed book contains a selection of her photographs from this body of work.
Solomon's temple : the European building-crafts legacy
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$62.95
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Photographer Laura Volkerding explored the workshops, tools, and projects of an elite group of artisan-craftsmen, most of them members of the "Compagnons du Devoir", for over a decade. This exquisitely printed book contains a selection of her photographs from this body of work.
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livres
livres
Publication:
juin 1996, Tuscon
juin 1996, Tuscon
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$67.50
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Published to coincide with the exhibition "The Edge of the City, Photographs by Charles Pratt" at Robert Mann Gallery, New York, 1998.
$67.50
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Published to coincide with the exhibition "The Edge of the City, Photographs by Charles Pratt" at Robert Mann Gallery, New York, 1998.
Sujet:
Monographies photo
Monographies photo
Publication:
novembre 1998, New York
novembre 1998, New York
Titre:
The edge of the city : words and photographs by Charles Pratt, New York 1954-1969
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Published to coincide with the exhibition "The Edge of the City, Photographs by Charles Pratt" at Robert Mann Gallery, New York, 1998.
The edge of the city : words and photographs by Charles Pratt, New York 1954-1969
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Published to coincide with the exhibition "The Edge of the City, Photographs by Charles Pratt" at Robert Mann Gallery, New York, 1998.
Classification:
livres
livres
Publication:
novembre 1998, New York
novembre 1998, New York
Sujet:
Monographies photo
Monographies photo
