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In this book, photographer Peter MacCallum assembles a collection of his documentary photographs of the last decade that examine the particularities of the vernacular spaces of human labour, commerce, and habitation.
Peter MacCallum: Documentary projects 2005-2015
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In this book, photographer Peter MacCallum assembles a collection of his documentary photographs of the last decade that examine the particularities of the vernacular spaces of human labour, commerce, and habitation.
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Nobuyoshi Araki constructs a darkly phantasmagorical realm of flowers, plastic dolls, toy animal figurines, and more in this series of 75 black-and-white photographs. Brimming with his recognisable motifs and erotic symbolism, the carefully arranged still-lifes are interspersed with portraits of people like Umezu Kazuo, Setouchi Jakucho, Lady Gaga, and Araki’s muse,(...)
Nobuyoshi Araki: Monochrome paradise
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Nobuyoshi Araki constructs a darkly phantasmagorical realm of flowers, plastic dolls, toy animal figurines, and more in this series of 75 black-and-white photographs. Brimming with his recognisable motifs and erotic symbolism, the carefully arranged still-lifes are interspersed with portraits of people like Umezu Kazuo, Setouchi Jakucho, Lady Gaga, and Araki’s muse, Kaori. With bizarre tableaus that mix anthropomorphic imagery with themes like sex, aging, death, and primal appetites, Araki plunges us into the midst of a tangible dementia.
Monographies photo
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In retracing the Viaggio photographic archive in Italy, a collection of 220 photographs from a 1984 project organised by pioneering contemporary photographer Luigi Ghirri, Nicola Nunziata presents a multi-layered book that considers the notion of landscape. Rereading the original images in terms of individual and shared experience, memory, and aesthetics, he investigates(...)
Nicola Nunziata: how what exists exists. Viaggio photographic archive
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In retracing the Viaggio photographic archive in Italy, a collection of 220 photographs from a 1984 project organised by pioneering contemporary photographer Luigi Ghirri, Nicola Nunziata presents a multi-layered book that considers the notion of landscape. Rereading the original images in terms of individual and shared experience, memory, and aesthetics, he investigates their substance formats, materials, surface textures, colours, marks and traces, signatures of the authors in order to divulge the singular details that express the history they hold, and thereby reflect upon the sense of transformation on a global scale in the period when they came into being.
Monographies photo
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The most recent projects by Daido Moriyama, one of the leading figures in contemporary Japanese photography along with Nobuyoshi Araki, Yasumasa Morimura, and Shomei Tomatsu. ?Considered one of the great masters of contemporary Japanese photography, Daido Moriyama is always on the road, a lone traveler whose black-and-white images recount visions and worlds hidden just(...)
Daido Moriyama: in color, now and never again
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The most recent projects by Daido Moriyama, one of the leading figures in contemporary Japanese photography along with Nobuyoshi Araki, Yasumasa Morimura, and Shomei Tomatsu. ?Considered one of the great masters of contemporary Japanese photography, Daido Moriyama is always on the road, a lone traveler whose black-and-white images recount visions and worlds hidden just beneath the surface of reality.
Monographies photo
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Another volume in the photographer's popular series of visual diaries, What We Have Seen is all about people and places in the long and convivial life of Robert Frank (born 1924). Opening and closing with the zoom on the dial of a clock tower, serving as a reminder of the silent but constant passage of time, the book is laden with memories and pictures of old photographs.(...)
Robert Frank: What we have seen
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Another volume in the photographer's popular series of visual diaries, What We Have Seen is all about people and places in the long and convivial life of Robert Frank (born 1924). Opening and closing with the zoom on the dial of a clock tower, serving as a reminder of the silent but constant passage of time, the book is laden with memories and pictures of old photographs. Like a leitmotif carrying us through the images, the word "souvenir" pops up under a magnifying glass positioned on a French text as a reading device. Frank's house in Mabou is once again portrayed as a popular retreat for people such as Jack Kerouac, Gerhard Steidl, Allen Ginsberg, William S. Burroughs and Frank's family members. As ever, Frank's visual diaries constitute an important part of both his later work and developments in the ongoing art of the photobook.
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In Spring 2015, the photographer Joel Meyerowitz sat at the work table in Giorgio Morandi’s Bologna home, in the exact spot where the painter had sat for over 40 years making his quiet, sublime still lifes. Here Meyerowitz looked at, touched, studied and connected with the more than 250 objects that Morandi painted. Using only the warm natural light in the room, he(...)
Joel Meyerowitz: Morandi's Objects
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In Spring 2015, the photographer Joel Meyerowitz sat at the work table in Giorgio Morandi’s Bologna home, in the exact spot where the painter had sat for over 40 years making his quiet, sublime still lifes. Here Meyerowitz looked at, touched, studied and connected with the more than 250 objects that Morandi painted. Using only the warm natural light in the room, he photographed Morandi’s objects: vases, shells, pigment-filled bottles, silk flowers, tins, funnels, watering cans. In the photographs, each object sits on Morandi’s table, which still bears the marks the painter drew to set the positions of his subjects. In the background is the same paper that Morandi left on the wall, now brittle and yellow with age. Meyerowitz’s portraits of these dusty, aged objects are not only works of art themselves, but they offer insight into the humble subjects that Morandi transformed into his subtle and luminous paintings.
Monographies photo
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In his new book, Robert Polidori presents us with a large-format photograph of a city block in an improvisational, auto-constructed settlement in Mumbai, India. In an almost seamless progression that appears to expand like an accordion or folding-screen, the photograph is composed of multiple images imperceptibly overlaid and welded together in a complex process to form a(...)
Robert Polidori: 60 feet road, Bhatuya Nagar facades
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In his new book, Robert Polidori presents us with a large-format photograph of a city block in an improvisational, auto-constructed settlement in Mumbai, India. In an almost seamless progression that appears to expand like an accordion or folding-screen, the photograph is composed of multiple images imperceptibly overlaid and welded together in a complex process to form a panoramic view. Applying remote sensing techniques that are normally used in space cartography to street photography, Polidori ventures a photographic attempt to come to terms with the phenomena of adjacencies, observing and beholding what’s next to what.
Monographies photo
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Young German photographer Arne Schmitt’s black-and-white depictions of Cologne’s urban architecture, old and new, harken back to the theme-oriented photo-books of the 1950s and ’60s, which functioned as both political and social critique. Schmitt focuses his camera on the urban fabric of Cologne created by neo-liberal policies after WWII, inspired by the physical collapse(...)
Arne Schmitt: The new inequality: A Photo Book Tracing Neo-Liberal Architectures
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Young German photographer Arne Schmitt’s black-and-white depictions of Cologne’s urban architecture, old and new, harken back to the theme-oriented photo-books of the 1950s and ’60s, which functioned as both political and social critique. Schmitt focuses his camera on the urban fabric of Cologne created by neo-liberal policies after WWII, inspired by the physical collapse in 2009 of the Stadtarchiv, Europe’s largest and oldest historical city archive. Built in the 1970s, the Stadtarchiv’s structural failure could be seen as symbolic of the disastrous consequences of the neo-liberal economic policies in Germany, the U.S. and Britain that led to the 2008–9 global economic collapse. Critiques of neo-liberalism often run into difficulty because they lack a clearly defined object of focus. Faced with structural complexities, their analysis and criticism is often directed toward isolated instances. Schmitt confronts this political conversation with the resolutely straightforward approach of the documentary eye.
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Mesozoic Park, Terry Munro
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"Mesozoic Park" is an intriguing series of photographs documenting the construction of a (pseudo) prehistoric landscape in Calgary, Canada in the early 1980s. The history of photography has been dominated by the landscape: from its state as a pristine natural phenomenon, to its altered forms, and then to the manufactured, of which the city's Prehistoric Park is a prime(...)
Mesozoic Park, Terry Munro
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"Mesozoic Park" is an intriguing series of photographs documenting the construction of a (pseudo) prehistoric landscape in Calgary, Canada in the early 1980s. The history of photography has been dominated by the landscape: from its state as a pristine natural phenomenon, to its altered forms, and then to the manufactured, of which the city's Prehistoric Park is a prime example. The site includes multiple geologic structures that humans have built to mimic nature. The images in the monograph address the illusions that humanity creates for itself, as in our increasing quest to find substitutes for 'the real'. The simulated environment in Mesozoic Park focuses on the earth and landscape as packaging or amusement, and more importantly, as a site for social and political inquiry. The black and white photographs, printed in duotone, document a geological dream world in which a 'primordial' landscape has been cleverly designed and programmed for an artificial visitor experience. By exploring the park in great detail, Munro offers privileged access to what we never get to see: the construction of a facsimile panorama that will provide visitors with the illusion of time travel. The real and false are confused, no longer relevant in this walk through a purported 65 million year-old landscape. The book also contains photographs which show the artificial human construct in 2018.
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Vantage: Ryan Koopmans
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The first monograph of photographer Ryan Koopmans, an award winning Canadian/Dutch photographer whose work is exhibited and published across the world, "Vantage" explores the earth’s manmade structures, surreal architecture and megacities, evoking the insight and intrigue experienced from a travelling photographer’s perspective. Koopman’s compelling photographs are(...)
Vantage: Ryan Koopmans
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The first monograph of photographer Ryan Koopmans, an award winning Canadian/Dutch photographer whose work is exhibited and published across the world, "Vantage" explores the earth’s manmade structures, surreal architecture and megacities, evoking the insight and intrigue experienced from a travelling photographer’s perspective. Koopman’s compelling photographs are presented alongside conversations with political leaders, business tycoons and local residents, providing a timeless vision of our world that is both contemporary and creative. Marvin Heiferman, an independent curator and writer who originates projects about the impact of photographic images on art, visual culture and science, offers an insightful foreword.
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