Zoe Leonard: available light
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Since 2011, the artist Zoe Leonard has sited a series of large-scale installations in various international locations, employing the phenomenon of the camera obscura. Simultaneously, she has taken photographs of the sun and realized them as a series of gelatin silver prints.
Zoe Leonard: available light
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Since 2011, the artist Zoe Leonard has sited a series of large-scale installations in various international locations, employing the phenomenon of the camera obscura. Simultaneously, she has taken photographs of the sun and realized them as a series of gelatin silver prints.
Monographies photo
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"It all started very innocently I suppose, but then it gradually turned into an obsession ...." The first inkling of this obsession came when British photographer Luke Stephenson (born 1983) met an artist who photographed pigeons--side on, against a blank background. Impressed by their simplicity, Stephenson began to photograph birds. His first subjects belonged to the(...)
Luke Stephenson: an incomplete dictionary of show birds
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"It all started very innocently I suppose, but then it gradually turned into an obsession ...." The first inkling of this obsession came when British photographer Luke Stephenson (born 1983) met an artist who photographed pigeons--side on, against a blank background. Impressed by their simplicity, Stephenson began to photograph birds. His first subjects belonged to the treasurer of the UK Budgie Society, who deemed his portraits "crap" because he had omitted the legs and tails. He subsequently developed an eye for the nuances of bird photography, and, making a specialty of photographing show birds of all kinds, developed the body of work gathered in this volume. While Stephenson’s photographs depict these birds with apparent neutrality (against a variety of colored backgrounds), Michael Smith observes in his foreword to this volume that "they live in an overlap between the natural and manmade worlds, and say as much about the culture that created them as they do about nature."
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Candida Höfer : Düsseldorf
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Alongside Andreas Gursky, Thomas Ruff and Thomas Struth, Candida Höfer (born 1944) belongs to the first generation of photographers that graduated from Bernd and Hilla Becher’s famous class at the Düsseldorf Arts Academy in the early 1980s. Since then, Höfer has traveled the world, photographing at a respectful distance the motifs that she encounters on her travels,(...)
Candida Höfer : Düsseldorf
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Alongside Andreas Gursky, Thomas Ruff and Thomas Struth, Candida Höfer (born 1944) belongs to the first generation of photographers that graduated from Bernd and Hilla Becher’s famous class at the Düsseldorf Arts Academy in the early 1980s. Since then, Höfer has traveled the world, photographing at a respectful distance the motifs that she encounters on her travels, whether single objects, architectural spaces or people. Her photographs of public spaces almost devoid of people--interiors, libraries, museums and entrance halls--are characterized by a cool objectivity and the precise rendering of detail. This publication gathers old and new work from the past four decades, with a special emphasis on the works produced in Düsseldorf since her time at the Arts Academy, and on works made since 2011.
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mars 2014
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Jochen Lempert: phenotype
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Since the early 1990s, the German photographer and biologist Jochen Lempert (born 1958) has used analogue, black-and-white photography to convey his gently reverential vision of nature and sentience--whether that of animals, plants or humans. Often grainy, sometimes verging on abstraction, and sometimes focusing minutely on the activity of some tiny creature, his(...)
Jochen Lempert: phenotype
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Since the early 1990s, the German photographer and biologist Jochen Lempert (born 1958) has used analogue, black-and-white photography to convey his gently reverential vision of nature and sentience--whether that of animals, plants or humans. Often grainy, sometimes verging on abstraction, and sometimes focusing minutely on the activity of some tiny creature, his photographs exude a simple pleasure in fleeting tranquility. Jochen Lembert: Phenotype reproduces 450 of his works, most of them arranged in groups and sequences, from more than 20 years of artistic production.
Monographies photo
Christoph Gielen: ciphers
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Working at the intersection of art and environmental politics, photographer Christoph Gielen specializes in conducting photographic aerial studies of infrastructure in its relation to land use. In Ciphers, Gielen uses a triptych format to present this sprawl as car culture phenomenon and a way of life--encouraging viewers to question both the nature of the developed(...)
Christoph Gielen: ciphers
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Working at the intersection of art and environmental politics, photographer Christoph Gielen specializes in conducting photographic aerial studies of infrastructure in its relation to land use. In Ciphers, Gielen uses a triptych format to present this sprawl as car culture phenomenon and a way of life--encouraging viewers to question both the nature of the developed community and the ramifications of contemporary building trends. These pictures invoke an era of carefree risk-taking, of "bigger is better," when investing in home ownership and commercial real estate were still standard practices and neither distance from workplace nor gasoline prices much mattered in determining the locations of new construction.
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Petrochemical America
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Petrochemical America offers an in-depth analysis of the causes of sustained environmental abuse along the largest river system in North America. It combines Richard Misrach’s photographs of Louisiana’s “Chemical Corridor” with landscape architect Kate Orff’s “Ecological Atlas”. Misrach and Orff’s joint effort depicts the complex ecologies of a particular region along 150(...)
Petrochemical America
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Petrochemical America offers an in-depth analysis of the causes of sustained environmental abuse along the largest river system in North America. It combines Richard Misrach’s photographs of Louisiana’s “Chemical Corridor” with landscape architect Kate Orff’s “Ecological Atlas”. Misrach and Orff’s joint effort depicts the complex ecologies of a particular region along 150 miles of the Mississippi River - an area of intense chemical production that became known as “Cancer Alley”. This revelatory collaboration has resulted in a complex document and an extensively researched guidebook to the ways in which the petrochemical industry has permeated every facet of contemporary life.
Monographies photo
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The photographs of Christian Höhn (born 1968) show both the diversity and uniformity of cities around the world. This publication displays Höhn’s images of Chinese megacities, including Beijing, Shanghai, Chongqing, Hong Kong, Shenzhen and Qingdao.
Christian Höhn: China megacity
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The photographs of Christian Höhn (born 1968) show both the diversity and uniformity of cities around the world. This publication displays Höhn’s images of Chinese megacities, including Beijing, Shanghai, Chongqing, Hong Kong, Shenzhen and Qingdao.
Monographies photo
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This book comprises sixty Polaroid photographs of Andrei Tarkovsky's friends and family, taken between 1979 and 1984 in his native Russia and in Italy, where he spent time in political exile. The size of the Polaroids is exactly as presented in the book, including the frame. The book may therefore be viewed as a facsimile edition. 60 color illustrations.
Instant light: Tarkovsky polaroids
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This book comprises sixty Polaroid photographs of Andrei Tarkovsky's friends and family, taken between 1979 and 1984 in his native Russia and in Italy, where he spent time in political exile. The size of the Polaroids is exactly as presented in the book, including the frame. The book may therefore be viewed as a facsimile edition. 60 color illustrations.
livres
avril 2006
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Anton Podstrasky, 1939-2007
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Beginning with his studies at the photographic department of the School of Arts and Crafts in Bratislava, this book shows how, in the mid-1970s, Podstrasky began to work as freelancer and his photos appeared in newspapers and magazines. He rarely participated in the activities of the photographic community and the whole of his work remained practically unknown to the(...)
Anton Podstrasky, 1939-2007
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Beginning with his studies at the photographic department of the School of Arts and Crafts in Bratislava, this book shows how, in the mid-1970s, Podstrasky began to work as freelancer and his photos appeared in newspapers and magazines. He rarely participated in the activities of the photographic community and the whole of his work remained practically unknown to the expert and general public and only recently did it become obvious that he was one of few Slovak photographers to succeed in fully capturing the other face of life during “real socialism”—the final phase of development of the communist system before its ultimate decline. This biography details Podstrasky’s ability to record gloominess, helplessness, and personal and social resignation and stands as a testament to the artist’s important place in the history of photography.
Monographies photo
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Roger Ballen is one of the most original image makers of the twenty-first century. Asylum of the Birds showcases his iconic photographs, which were all taken entirely within the confines of a house in a Johannesburg suburb, the location of which remains a tightly guarded secret. The inhabitants of the house, both people and animals, and most notably the ever-present(...)
Roger Ballen: asylum of the birds
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Roger Ballen is one of the most original image makers of the twenty-first century. Asylum of the Birds showcases his iconic photographs, which were all taken entirely within the confines of a house in a Johannesburg suburb, the location of which remains a tightly guarded secret. The inhabitants of the house, both people and animals, and most notably the ever-present birds, are the cast who perform within a sculptural and decorated theatrical interior that the author creates and orchestrates.
Monographies photo