2456 Résultats
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Jean Pagliuso is a world-class fashion photographer whose photographs of fashion models and film stars from Susan Sarandon to Sophia Loren filled the pages of "Vogue" and "Rolling Stone" for nearly three decades. But for her most recent work, Pagliuso trained her lens on a much less conventional subject: the chicken. An homage to her childhood in Southern California,(...)
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Jean Pagliuso is a world-class fashion photographer whose photographs of fashion models and film stars from Susan Sarandon to Sophia Loren filled the pages of "Vogue" and "Rolling Stone" for nearly three decades. But for her most recent work, Pagliuso trained her lens on a much less conventional subject: the chicken. An homage to her childhood in Southern California,(...)
Titre:
Jean Pagliuso: the Poultry suite
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Jean Pagliuso is a world-class fashion photographer whose photographs of fashion models and film stars from Susan Sarandon to Sophia Loren filled the pages of "Vogue" and "Rolling Stone" for nearly three decades. But for her most recent work, Pagliuso trained her lens on a much less conventional subject: the chicken. An homage to her childhood in Southern California, where she helped her father breed and show Bantam Cochins, Poultry Suite showcases more than twenty breeds of chickens from Sebrights to Spangled Hamburgs as they have never before been seen.
Jean Pagliuso: the Poultry suite
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Jean Pagliuso is a world-class fashion photographer whose photographs of fashion models and film stars from Susan Sarandon to Sophia Loren filled the pages of "Vogue" and "Rolling Stone" for nearly three decades. But for her most recent work, Pagliuso trained her lens on a much less conventional subject: the chicken. An homage to her childhood in Southern California, where she helped her father breed and show Bantam Cochins, Poultry Suite showcases more than twenty breeds of chickens from Sebrights to Spangled Hamburgs as they have never before been seen.
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livres
livres
Publication:
août 2015
août 2015
Sujet:
Monographies photo
Monographies photo
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livres
livres
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In his photographs, Olivo Barbieri (born 1954) depicts inhabited environments in such a way that unexplored facets of reality come to light. Urban centers in China or America dominate his series, alongside locations such as the Dolomite Mountains, the Alps or Capri as well as waterfalls in Canada, Argentina and Zimbabwe. From 2003 to 2013 he photographed more than 40(...)
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In his photographs, Olivo Barbieri (born 1954) depicts inhabited environments in such a way that unexplored facets of reality come to light. Urban centers in China or America dominate his series, alongside locations such as the Dolomite Mountains, the Alps or Capri as well as waterfalls in Canada, Argentina and Zimbabwe. From 2003 to 2013 he photographed more than 40(...)
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Olivio Barbieri: ersatz lights
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In his photographs, Olivo Barbieri (born 1954) depicts inhabited environments in such a way that unexplored facets of reality come to light. Urban centers in China or America dominate his series, alongside locations such as the Dolomite Mountains, the Alps or Capri as well as waterfalls in Canada, Argentina and Zimbabwe. From 2003 to 2013 he photographed more than 40 cities and megacities worldwide. One of the distinctive features of his photographs is an extremely low depth of focus that creates the impression that they depict miniature models. This feeling of estrangement is further intensified by his lengthy exposures of artificial illumination. Barbieri produced his first nightlight photographs in the early 80s in Italy. Ersatz Lights presents all of the artist's night landscapes for the first time.
Olivio Barbieri: ersatz lights
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In his photographs, Olivo Barbieri (born 1954) depicts inhabited environments in such a way that unexplored facets of reality come to light. Urban centers in China or America dominate his series, alongside locations such as the Dolomite Mountains, the Alps or Capri as well as waterfalls in Canada, Argentina and Zimbabwe. From 2003 to 2013 he photographed more than 40 cities and megacities worldwide. One of the distinctive features of his photographs is an extremely low depth of focus that creates the impression that they depict miniature models. This feeling of estrangement is further intensified by his lengthy exposures of artificial illumination. Barbieri produced his first nightlight photographs in the early 80s in Italy. Ersatz Lights presents all of the artist's night landscapes for the first time.
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livres
livres
Publication:
juin 2015
juin 2015
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Monographies photo
Monographies photo
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livres
livres
Titre:
Lynn Saville: Dark City
Lynn Saville: Dark City
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Arthur Danto has described Lynn Saville as New York's answer to Eugène Atget, because she "prowls her city at the other end of the day, picking up pieces of the past in the present, just before it is swallowed by shadows." For her new monograph, Dark City, Saville focused on vacant spaces--shuttered storefronts, back alleys, blank billboards, empty lots--with the(...)
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Arthur Danto has described Lynn Saville as New York's answer to Eugène Atget, because she "prowls her city at the other end of the day, picking up pieces of the past in the present, just before it is swallowed by shadows." For her new monograph, Dark City, Saville focused on vacant spaces--shuttered storefronts, back alleys, blank billboards, empty lots--with the(...)
Titre:
Lynn Saville: Dark City
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Arthur Danto has described Lynn Saville as New York's answer to Eugène Atget, because she "prowls her city at the other end of the day, picking up pieces of the past in the present, just before it is swallowed by shadows." For her new monograph, Dark City, Saville focused on vacant spaces--shuttered storefronts, back alleys, blank billboards, empty lots--with the occasional ghostly figure hurrying through the frame. Working at twilight and dawn with a medium-format camera (setting up her tripod quickly so as not to attract police attention), Saville captured busy city streets depopulated and emptied out, industrial spaces and storefronts alike gone quiet. Color and light come from the sky, streetlights, neon signs or surveillance lighting. Seemingly otherworldly, the images in Dark City also tell a more pragmatic story of the changing urban landscape--vacancies caused by financial crisis, and construction projects spurred on by economic recovery, gentrification and development.
Lynn Saville: Dark City
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Arthur Danto has described Lynn Saville as New York's answer to Eugène Atget, because she "prowls her city at the other end of the day, picking up pieces of the past in the present, just before it is swallowed by shadows." For her new monograph, Dark City, Saville focused on vacant spaces--shuttered storefronts, back alleys, blank billboards, empty lots--with the occasional ghostly figure hurrying through the frame. Working at twilight and dawn with a medium-format camera (setting up her tripod quickly so as not to attract police attention), Saville captured busy city streets depopulated and emptied out, industrial spaces and storefronts alike gone quiet. Color and light come from the sky, streetlights, neon signs or surveillance lighting. Seemingly otherworldly, the images in Dark City also tell a more pragmatic story of the changing urban landscape--vacancies caused by financial crisis, and construction projects spurred on by economic recovery, gentrification and development.
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livres
livres
Publication:
juin 2015
juin 2015
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Monographies photo
Monographies photo
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livres
livres
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Leipzig-born photographer Margret Hoppe is a promising new voice in European photographic art. This new book features her series Apres une Architecture, a photographic perspective of Le Corbusier's architecture that refers to his concept of a modern architecture laid-out in the book Vers une architecture (Toward an Architecture) of 1923. Hoppe's images show Le Corbusier's(...)
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Résumé:
Leipzig-born photographer Margret Hoppe is a promising new voice in European photographic art. This new book features her series Apres une Architecture, a photographic perspective of Le Corbusier's architecture that refers to his concept of a modern architecture laid-out in the book Vers une architecture (Toward an Architecture) of 1923. Hoppe's images show Le Corbusier's(...)
Titre:
Margret Hoppe: the promise of modernism
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Leipzig-born photographer Margret Hoppe is a promising new voice in European photographic art. This new book features her series Apres une Architecture, a photographic perspective of Le Corbusier's architecture that refers to his concept of a modern architecture laid-out in the book Vers une architecture (Toward an Architecture) of 1923. Hoppe's images show Le Corbusier's use of exposed concrete, the clarity of his geometric shapes and the emblematic polychrome surfaces as symbols of his buildings.
Margret Hoppe: the promise of modernism
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Leipzig-born photographer Margret Hoppe is a promising new voice in European photographic art. This new book features her series Apres une Architecture, a photographic perspective of Le Corbusier's architecture that refers to his concept of a modern architecture laid-out in the book Vers une architecture (Toward an Architecture) of 1923. Hoppe's images show Le Corbusier's use of exposed concrete, the clarity of his geometric shapes and the emblematic polychrome surfaces as symbols of his buildings.
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livres
livres
Publication:
août 2015
août 2015
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Monographies photo
Monographies photo
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Known for his haunting portraits of solitary Americans in Sleeping by the Mississippi and Broken Manual, Alec Soth has recently turned his lens toward community life in the country. To aid in his search, Soth assumed the increasingly obsolescent role of community newspaper reporter. From 2012-2014, Soth traveled state by state while working on his self-published(...)
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Known for his haunting portraits of solitary Americans in Sleeping by the Mississippi and Broken Manual, Alec Soth has recently turned his lens toward community life in the country. To aid in his search, Soth assumed the increasingly obsolescent role of community newspaper reporter. From 2012-2014, Soth traveled state by state while working on his self-published(...)
Titre:
Songbook (first edition.second printing)
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Known for his haunting portraits of solitary Americans in Sleeping by the Mississippi and Broken Manual, Alec Soth has recently turned his lens toward community life in the country. To aid in his search, Soth assumed the increasingly obsolescent role of community newspaper reporter. From 2012-2014, Soth traveled state by state while working on his self-published newspaper, The LBM Dispatch, as well as on assignment for the New York Times and others. From upstate New York to Silicon Valley, Soth attended hundreds of meetings, dances, festivals and communal gatherings in search of human interaction in an era of virtual social networks. With Songbook, Soth has stripped these pictures of their news context in order to highlight the longing for connection at their root. Fragmentary, funny and sad, Songbook is a lyrical depiction of the tension between American individualism and the desire to be united.
Songbook (first edition.second printing)
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Known for his haunting portraits of solitary Americans in Sleeping by the Mississippi and Broken Manual, Alec Soth has recently turned his lens toward community life in the country. To aid in his search, Soth assumed the increasingly obsolescent role of community newspaper reporter. From 2012-2014, Soth traveled state by state while working on his self-published newspaper, The LBM Dispatch, as well as on assignment for the New York Times and others. From upstate New York to Silicon Valley, Soth attended hundreds of meetings, dances, festivals and communal gatherings in search of human interaction in an era of virtual social networks. With Songbook, Soth has stripped these pictures of their news context in order to highlight the longing for connection at their root. Fragmentary, funny and sad, Songbook is a lyrical depiction of the tension between American individualism and the desire to be united.
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livres
livres
Publication:
mai 2015
mai 2015
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Thomas Demand: the dailies
Thomas Demand: the dailies
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Working within the parameters of his established technique, Thomas Demand created carefully formed paper and card sculptures, a parallel world which is photographed and then destroyed. The Dailies offers only traces – signs of consumption, or the spectres of things left behind. His creations are based on things he saw and photographs he took while travelling and walking(...)
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Working within the parameters of his established technique, Thomas Demand created carefully formed paper and card sculptures, a parallel world which is photographed and then destroyed. The Dailies offers only traces – signs of consumption, or the spectres of things left behind. His creations are based on things he saw and photographs he took while travelling and walking(...)
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Thomas Demand: the dailies
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Working within the parameters of his established technique, Thomas Demand created carefully formed paper and card sculptures, a parallel world which is photographed and then destroyed. The Dailies offers only traces – signs of consumption, or the spectres of things left behind. His creations are based on things he saw and photographs he took while travelling and walking the street. They show a world that is familiar but out of reach, like the dancing coloured pins on a clothesline, suspended somewhere between the overfamiliar and the hallucinatory – as if a chance apparition, glimpsed momentarily, before it vanishes into its habitat.
Thomas Demand: the dailies
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Working within the parameters of his established technique, Thomas Demand created carefully formed paper and card sculptures, a parallel world which is photographed and then destroyed. The Dailies offers only traces – signs of consumption, or the spectres of things left behind. His creations are based on things he saw and photographs he took while travelling and walking the street. They show a world that is familiar but out of reach, like the dancing coloured pins on a clothesline, suspended somewhere between the overfamiliar and the hallucinatory – as if a chance apparition, glimpsed momentarily, before it vanishes into its habitat.
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livres
livres
Publication:
septembre 2015
septembre 2015
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Prix:
$56.95
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Résumé:
A Handful of Dust is David Campany’s speculative history of the last century, and a visual journey through some of its unlikeliest imagery. Let’s suppose the modern era begins in October of 1922. A little French avant-garde journal publishes a photograph of a sheet of glass covered in dust. The photographer is Man Ray, the glass is by Marcel Duchamp. At first they called(...)
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A Handful of Dust is David Campany’s speculative history of the last century, and a visual journey through some of its unlikeliest imagery. Let’s suppose the modern era begins in October of 1922. A little French avant-garde journal publishes a photograph of a sheet of glass covered in dust. The photographer is Man Ray, the glass is by Marcel Duchamp. At first they called(...)
Titre:
David Campany: a handful of dust, from the cosmic to the domestic
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A Handful of Dust is David Campany’s speculative history of the last century, and a visual journey through some of its unlikeliest imagery. Let’s suppose the modern era begins in October of 1922. A little French avant-garde journal publishes a photograph of a sheet of glass covered in dust. The photographer is Man Ray, the glass is by Marcel Duchamp. At first they called it a view from an aeroplane. Then they called it Dust Breeding. It’s abstract, it’s realist. It’s an artwork, it’s a document. It’s revolting and compelling. Cameras must be kept away from dust but they find it highly photogenic. At the same time, a little English journal publishes TS Eliot’s poem The Waste Land. “I will show you fear in a handful of dust.”
David Campany: a handful of dust, from the cosmic to the domestic
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Résumé:
A Handful of Dust is David Campany’s speculative history of the last century, and a visual journey through some of its unlikeliest imagery. Let’s suppose the modern era begins in October of 1922. A little French avant-garde journal publishes a photograph of a sheet of glass covered in dust. The photographer is Man Ray, the glass is by Marcel Duchamp. At first they called it a view from an aeroplane. Then they called it Dust Breeding. It’s abstract, it’s realist. It’s an artwork, it’s a document. It’s revolting and compelling. Cameras must be kept away from dust but they find it highly photogenic. At the same time, a little English journal publishes TS Eliot’s poem The Waste Land. “I will show you fear in a handful of dust.”
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livres
livres
Publication:
octobre 2015
octobre 2015
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
The whiteness of the whale
The whiteness of the whale
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The Whiteness of the Whale brings together Paul Graham’s three bodies of American photographs: American Night, a shimmer of possibility and The Present, made from 1998 to 2011. These 3 remarkable photographic series reflect upon the social fabric of contemporary America, whilst trying to find something closer to the experience of being and seeing in the world today.
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Résumé:
The Whiteness of the Whale brings together Paul Graham’s three bodies of American photographs: American Night, a shimmer of possibility and The Present, made from 1998 to 2011. These 3 remarkable photographic series reflect upon the social fabric of contemporary America, whilst trying to find something closer to the experience of being and seeing in the world today.
Titre:
The whiteness of the whale
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The Whiteness of the Whale brings together Paul Graham’s three bodies of American photographs: American Night, a shimmer of possibility and The Present, made from 1998 to 2011. These 3 remarkable photographic series reflect upon the social fabric of contemporary America, whilst trying to find something closer to the experience of being and seeing in the world today.
The whiteness of the whale
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Résumé:
The Whiteness of the Whale brings together Paul Graham’s three bodies of American photographs: American Night, a shimmer of possibility and The Present, made from 1998 to 2011. These 3 remarkable photographic series reflect upon the social fabric of contemporary America, whilst trying to find something closer to the experience of being and seeing in the world today.
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livres
livres
Publication:
août 2015
août 2015
Sujet:
Monographies photo
Monographies photo
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livres
livres
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If abandoned and left alone, human settlements are inevitably taken back into nature’s fold. Photographer and ruin explorer Nakasuji Jun confronts us with the eerily still and untouched buildings and interiors of a modern town now lost to the forest. Chairs and tables are covered in lush carpets of moss, trees spring from roofless houses and rusted vehicles, once lively(...)
$44.95
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Résumé:
If abandoned and left alone, human settlements are inevitably taken back into nature’s fold. Photographer and ruin explorer Nakasuji Jun confronts us with the eerily still and untouched buildings and interiors of a modern town now lost to the forest. Chairs and tables are covered in lush carpets of moss, trees spring from roofless houses and rusted vehicles, once lively(...)
Titre:
Jun Nakasuji: overgrown ruins
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If abandoned and left alone, human settlements are inevitably taken back into nature’s fold. Photographer and ruin explorer Nakasuji Jun confronts us with the eerily still and untouched buildings and interiors of a modern town now lost to the forest. Chairs and tables are covered in lush carpets of moss, trees spring from roofless houses and rusted vehicles, once lively industry lies quiet, and vines delicately drape facades and power lines with a mantle of green. The stories the town holds slowly slip away in nature’s embrace.
Jun Nakasuji: overgrown ruins
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Résumé:
If abandoned and left alone, human settlements are inevitably taken back into nature’s fold. Photographer and ruin explorer Nakasuji Jun confronts us with the eerily still and untouched buildings and interiors of a modern town now lost to the forest. Chairs and tables are covered in lush carpets of moss, trees spring from roofless houses and rusted vehicles, once lively industry lies quiet, and vines delicately drape facades and power lines with a mantle of green. The stories the town holds slowly slip away in nature’s embrace.
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livres
livres
Publication:
juillet 2015
juillet 2015
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Harry Gruyaert
Harry Gruyaert
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Born in Antwerp in 1941 and a member of Magnum Photos since 1982, Harry Gruyaert revolutionized creative and experimental uses of color in the 1970s and 1980s. Influenced by cinema and American photographers, his work defined new territory for color photography: an emotive, non-narrative, and boldly graphic way of perceiving the world. In 1972, while living in London,(...)
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Born in Antwerp in 1941 and a member of Magnum Photos since 1982, Harry Gruyaert revolutionized creative and experimental uses of color in the 1970s and 1980s. Influenced by cinema and American photographers, his work defined new territory for color photography: an emotive, non-narrative, and boldly graphic way of perceiving the world. In 1972, while living in London,(...)
Titre:
Harry Gruyaert
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Born in Antwerp in 1941 and a member of Magnum Photos since 1982, Harry Gruyaert revolutionized creative and experimental uses of color in the 1970s and 1980s. Influenced by cinema and American photographers, his work defined new territory for color photography: an emotive, non-narrative, and boldly graphic way of perceiving the world. In 1972, while living in London, Gruyaert created the striking series by turning the dial on a television set at random and photographing the distorted images he saw there. A later series, , portrays his ambivalent relationship with his homeland in a palette of saturated tones. In his most recent work, he embraces the possibilities of digital photography, taking further creative risks to capture light in new ways. Gruyaert’s images are autonomous, often independent of any context or thematic logic. This volume, the first retrospective of his work, is a superb overview of his personal quest for freedom of expression and the liberation of the senses.
Harry Gruyaert
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Born in Antwerp in 1941 and a member of Magnum Photos since 1982, Harry Gruyaert revolutionized creative and experimental uses of color in the 1970s and 1980s. Influenced by cinema and American photographers, his work defined new territory for color photography: an emotive, non-narrative, and boldly graphic way of perceiving the world. In 1972, while living in London, Gruyaert created the striking series by turning the dial on a television set at random and photographing the distorted images he saw there. A later series, , portrays his ambivalent relationship with his homeland in a palette of saturated tones. In his most recent work, he embraces the possibilities of digital photography, taking further creative risks to capture light in new ways. Gruyaert’s images are autonomous, often independent of any context or thematic logic. This volume, the first retrospective of his work, is a superb overview of his personal quest for freedom of expression and the liberation of the senses.
Classification:
livres
livres
Publication:
septembre 2015
septembre 2015
Sujet:
Monographies photo
Monographies photo
