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The photographer best known for his extensive, insightful documentation of "the American social landscape"-from jazz musicians to factory hands to New York pedestrians and office workers zoning out at their keyboards-has recently been spending more time looking at the literal, natural landscape. His 2005 MoMA retrospective showed, for the first time, a new series of(...)
Lee Friedlander : apples and olives
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The photographer best known for his extensive, insightful documentation of "the American social landscape"-from jazz musicians to factory hands to New York pedestrians and office workers zoning out at their keyboards-has recently been spending more time looking at the literal, natural landscape. His 2005 MoMA retrospective showed, for the first time, a new series of landscapes made in the American west, while for "Olives and apples", he has looked back over the last decade’s work and culled a forest, tree by tree. His docile subjects, apple trees photographed in New York State and olive trees photographed in France, Italy and Spain from 1997-2004, are presented in circumstances ranging from sunny, leafy summer health to glittering winter ice-storm glory. Some of the most striking compositions are shot from just inside the reach of a tree’s furthest twigs, so that expanding branching limbs fill the frame, stretching out around the viewer.
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Joel Meyerowitz
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Joel Meyerowitz is most famous for pioneering the use of colour at a time when it was generally held that so-called ‘artistic’ photography could only be done in black and white. He is closely associated with Cape Cod, where he makes many of his still, contemplative images. He is also well known for his architectural photographs of The Arch in St. Louis. Yet he started(...)
Joel Meyerowitz
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Joel Meyerowitz is most famous for pioneering the use of colour at a time when it was generally held that so-called ‘artistic’ photography could only be done in black and white. He is closely associated with Cape Cod, where he makes many of his still, contemplative images. He is also well known for his architectural photographs of The Arch in St. Louis. Yet he started off in the 1960s as a street photographer, following in the tradition of Robert Frank and Henri Cartier-Bresson. He spent a number of years taking pictures of the eventful life on New York’s streets. His sense of humour really comes through in his images and the absurdities he captures often make you laugh out loud. There are many of Meyerowitz’s own personal anecdotes in the commentaries.
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Abelardo Morell
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Born in Havana, Abelardo Morell emigrated to the United States in 1962, where he took his first photography course after winning a scholarship to Bowdoin College - a small liberal arts college in Maine. There, Morell experimented with a variety of photographic techniques to create surreal effects that reflected his feelings of alienation as a Cuban living abroad. He(...)
Abelardo Morell
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Born in Havana, Abelardo Morell emigrated to the United States in 1962, where he took his first photography course after winning a scholarship to Bowdoin College - a small liberal arts college in Maine. There, Morell experimented with a variety of photographic techniques to create surreal effects that reflected his feelings of alienation as a Cuban living abroad. He proceeded to complete the graduate programme at Yale University, where he worked within the framework of Robert Frank and Garry Winogrand’s tradition of black-and-white street photography. In 1983, he began teaching at the Massachusetts College of Art in Boston, where he remains a professor. In 1986, Morell began a family and his fascination with his son engaged a new interest in this domestic environment as a subject. Morell began exploring the world from a child’s perspective – approaching mundane household objects in a new way that challenges the viewer’s perception of reality and how we see it. Morell transforms everyday objects by distorting angles and using extreme close-ups, and by exploiting perspectives that confuse and jar with our expectations. For instance, viewed from below a stack of toys blocks tower over the viewer; and a close-up of liquid pouring from a jar seems ominous and dramatic rather than an everyday occurrence. Similarly, Morell continued to transform the familiar into the surprising in his series of photographs of books, maps, American money and, more recently, a series that illustrates a new edition of Lewis Carroll’s Alice’s Adventures in Wonderland. This preoccupation with reality and illusion is most clearly realised in Morell’s series of camera obscura images. He takes an ordinary room and tapes black plastic over the windows, leaving only a 3/8" hole for the light. After setting up a large-format camera in the room and pointing it at the opposite wall, Morell leaves - a single exposure takes 8 hours. In the resulting images a scene of Brooklyn floats upside-down along the walls of his son’s bedroom; global landmarks like the Uffizi and the Eiffel Tower are projected across hotel rooms. In this, Morell’s best known and most ambitious series, the distinction between the outside and the domestic world is merged and his preoccupation with the mechanics of human vision and the principles of photography is illuminated.
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Gabriele Basilico
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An introduction to the work of Gabriele Basilico (b.1944), one of the most important European landscape photographers of our time. His work captures the city in its quiet, empty moments, almost as if some disaster had driven away the population – the buildings remain lasting testaments to the society that created them. Basilico has extensively chronicled the lesser-known(...)
Gabriele Basilico
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An introduction to the work of Gabriele Basilico (b.1944), one of the most important European landscape photographers of our time. His work captures the city in its quiet, empty moments, almost as if some disaster had driven away the population – the buildings remain lasting testaments to the society that created them. Basilico has extensively chronicled the lesser-known parts of his own native country as well as travelling widely throughout Northern Europe, bringing his Italian sensibility and melding it with the peculiarities of the Northern landscape.
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In this new edition, Wenders adds haunting photos of Ground Zero, taken shortly after the attack, to his collection of panoramic rural and urban landscapes in Japan, Cuba, Australia and Israel.
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novembre 2005, Munich
Wim Wenders : pictures from the surface of the earth
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In this new edition, Wenders adds haunting photos of Ground Zero, taken shortly after the attack, to his collection of panoramic rural and urban landscapes in Japan, Cuba, Australia and Israel.
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Recalling early 19th century romanticism, Elger Esser’s collection of his famous photographic landscapes in France, Italy and Scotland ‘Vedutas and Landscapes’, make a book of special visual poetry.
Elger Esser : vedutas and landscapes 1996-2000
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Recalling early 19th century romanticism, Elger Esser’s collection of his famous photographic landscapes in France, Italy and Scotland ‘Vedutas and Landscapes’, make a book of special visual poetry.
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livres
Candida Höfer : libraries
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For almost 30 years Candida Höfer has photographed interiors, mostly representational spaces accessible to the public, such as staircases, lobbies, reading halls or exhibition spaces.
Candida Höfer : libraries
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For almost 30 years Candida Höfer has photographed interiors, mostly representational spaces accessible to the public, such as staircases, lobbies, reading halls or exhibition spaces.
livres
septembre 2005
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Thomas Struth, recently celebrated by a major travelling exhibition in the US, had his breakthrough in the early 90s with his series 'Museum photographs.' Since then, Struth has expanded this series that is presented in its entirety in this volume, along with pictures he took of European master paintings at their sites across the world.
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janvier 1900, Munich
Thomas Struth : museum photographs
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Thomas Struth, recently celebrated by a major travelling exhibition in the US, had his breakthrough in the early 90s with his series 'Museum photographs.' Since then, Struth has expanded this series that is presented in its entirety in this volume, along with pictures he took of European master paintings at their sites across the world.
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Lewis Baltz, with his iconic, minimalist photos of suburban landscape, is considered the founder of the New topographics movement. Reproduced for the first time "The prototype works" (1967-1976) illuminate Baltz’s drive to capture the reality of a sprawling Western ecology gone wild.
Lewis Baltz : the prototype works
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Lewis Baltz, with his iconic, minimalist photos of suburban landscape, is considered the founder of the New topographics movement. Reproduced for the first time "The prototype works" (1967-1976) illuminate Baltz’s drive to capture the reality of a sprawling Western ecology gone wild.
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Lewis Baltz, with his iconic, minimalist photos of suburban landscape, is considered the founder of the New topographics movement. Reproduced for the first time, his earliest portfolio, The Tract Houses (1971), illuminate Baltz’s drive to capture the reality of a sprawling Western ecology gone wild.
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janvier 1900, Santa Monica
Lewis Baltz : the tract houses
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Lewis Baltz, with his iconic, minimalist photos of suburban landscape, is considered the founder of the New topographics movement. Reproduced for the first time, his earliest portfolio, The Tract Houses (1971), illuminate Baltz’s drive to capture the reality of a sprawling Western ecology gone wild.
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