Ezra Stoller
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It is impossible to overstate the importance of photography's role in shaping the world's perception of architecture. And towering above the ever-growing crowd of image-makers is Ezra Stoller, an architectural photographer of immeasurable consequence in documenting the history of modern architecture - both known and unknown - in the United States and beyond. This book is(...)
Ezra Stoller
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$165.00
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It is impossible to overstate the importance of photography's role in shaping the world's perception of architecture. And towering above the ever-growing crowd of image-makers is Ezra Stoller, an architectural photographer of immeasurable consequence in documenting the history of modern architecture - both known and unknown - in the United States and beyond. This book is one of the first to present the breadth of Stoller's largely unseen archive of images, brought to life through color and duotone black-and-white reproductions.
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Candida Höfer: Libraries
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Traveling around the world, Höfer shows the exquisite beauty to be found in order, repetition, and form — rows of books, lines of desks, soaring shelves, and even stacks of paper create patterns that are both hypnotic and soothing.
Candida Höfer: Libraries
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Traveling around the world, Höfer shows the exquisite beauty to be found in order, repetition, and form — rows of books, lines of desks, soaring shelves, and even stacks of paper create patterns that are both hypnotic and soothing.
Monographies photo
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Michael Kenna is regarded as one of the most accomplished photographers working today. This book charts Kenna’s work in the field of architectural photography, showing how his approach to the built environment informs his style, whether he’s capturing natural or human-made structures. The book creates dialogs between images to show how Kenna applies light, shadow,(...)
Michael Kenna: Beyond architecture
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Michael Kenna is regarded as one of the most accomplished photographers working today. This book charts Kenna’s work in the field of architectural photography, showing how his approach to the built environment informs his style, whether he’s capturing natural or human-made structures. The book creates dialogs between images to show how Kenna applies light, shadow, composition, and perspective to similar effect in different settings. Yvonne Meyer-Lohr’s astute curatorial approach helps us understand how deftly Kenna moves between techniques, whether he is capturing the network of cables on a suspension bridge, the glittering jewels of a nighttime cityscape, or the haunting silhouette of a factory tower. Accompanied by texts by Meyer-Lohr.
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Friedlander first 50
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Friedlander First Fifty provides an inside look at Friedlander’s first fifty books, featuring extensive commentary directly from Friedlander on his own work. The book contains photographs from each of the first fifty books, as well as descriptions, publication information, and most notably, interviews with Friedlander and his wife, Maria, conducted by Friedlander’s(...)
Friedlander first 50
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Friedlander First Fifty provides an inside look at Friedlander’s first fifty books, featuring extensive commentary directly from Friedlander on his own work. The book contains photographs from each of the first fifty books, as well as descriptions, publication information, and most notably, interviews with Friedlander and his wife, Maria, conducted by Friedlander’s grandson, Giancarlo, and daughter, Anna, who together co-published the book.
Monographies photo
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Toshiko Okanoue was active in the 1950s, producing eye-catching collages made from magazine clippings. The parallels between her compositions and aspects of European surrealism was purely coincidental at first, but after meeting Shuzo Takiguchi, the leader of the surrealist movement in Japan, her keen sensitivity to shape and distinct feminine sensibility evolved further.(...)
Toshiko Okanoue: the miracle of silence
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Toshiko Okanoue was active in the 1950s, producing eye-catching collages made from magazine clippings. The parallels between her compositions and aspects of European surrealism was purely coincidental at first, but after meeting Shuzo Takiguchi, the leader of the surrealist movement in Japan, her keen sensitivity to shape and distinct feminine sensibility evolved further. She began to use photos to form backgrounds to her images, in which buildings, landscapes, and other elements combine to create bizarre and mysterious spaces where dramas unfold. Her expressive fragments, mementos of society and fashion which in turn reflect the era, are a major element in her creativity.
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Fiona Tan: Goraiko
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Published in conjunction with Fiona Tan’s eponymous exhibition at Sprengel Museum Hannover, which celebrates her being awarded the SPECTRUM International Prize for Photography of the Stiftung Niedersachsen in 2019, this book reflects the artist’s differentiated use of photography on a comprehensive scale, taking account of the phenomenon of time and at the interface with(...)
Fiona Tan: Goraiko
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Published in conjunction with Fiona Tan’s eponymous exhibition at Sprengel Museum Hannover, which celebrates her being awarded the SPECTRUM International Prize for Photography of the Stiftung Niedersachsen in 2019, this book reflects the artist’s differentiated use of photography on a comprehensive scale, taking account of the phenomenon of time and at the interface with the medium of film. ‘Goraiko’ translates as “the coming of the light”, and refers to the sunrise as seen from the top of Mt. Fuji, the highest point in Japan.
Monographies photo
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Architecture photographer Takeshi Yamagishi’s first monographic collection presents his recordings of virtually every aspect of the collisions between architecture as the edge of artificiality and various forces of nature. The extensive series covers a period from the immediate aftermath of the Great East Japan Earthquake in 2011 to the ongoing restoration efforts today,(...)
Takeshi Yamagishi: Tohoku lost, left, found
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Architecture photographer Takeshi Yamagishi’s first monographic collection presents his recordings of virtually every aspect of the collisions between architecture as the edge of artificiality and various forces of nature. The extensive series covers a period from the immediate aftermath of the Great East Japan Earthquake in 2011 to the ongoing restoration efforts today, including measures against future catastrophes. It contains roughly 200 ultra-high-resolution images captured using 4 x 5 film, rather than digitally, and forms an impressive homage to the resilience and tenacity of the Japanese people, expressed through the built environment and augmented landscapes.
Monographies photo
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In his latest photographic series, South African photographer David Lurie turns his attention to two of the most pressing issues facing South Africa: land and drought. Presented here, Lurie’s color photographs capture the extreme climate and delicate ecosystems of the vast, barren plains of Karoo.
David Lurie: Karoo, land of thirst
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In his latest photographic series, South African photographer David Lurie turns his attention to two of the most pressing issues facing South Africa: land and drought. Presented here, Lurie’s color photographs capture the extreme climate and delicate ecosystems of the vast, barren plains of Karoo.
Monographies photo
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From 1996 to 2017, English photographer John Peter Askew photographed the Russian city of Perm, the easternmost city in Europe, as part of a project investigating the state of modern Europe. 'We' presents an extended portrait of a single Russian family there, the Chulakovs, photographed across generations.
John Peter Askew: We, photographs from Russia 1996-2017
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From 1996 to 2017, English photographer John Peter Askew photographed the Russian city of Perm, the easternmost city in Europe, as part of a project investigating the state of modern Europe. 'We' presents an extended portrait of a single Russian family there, the Chulakovs, photographed across generations.
Monographies photo
$105.00
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"Collective Creatures", a new series of color photographs by German photographer Silja Yvette (born 1986), builds upon previous works that examine the relationship between nature and technology. Compiled in this volume, her photographs of caves, abandoned buildings, quarries or window displays point to the dichotomy between human and non-human.
Silja Yvette: collective creatures
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"Collective Creatures", a new series of color photographs by German photographer Silja Yvette (born 1986), builds upon previous works that examine the relationship between nature and technology. Compiled in this volume, her photographs of caves, abandoned buildings, quarries or window displays point to the dichotomy between human and non-human.
Monographies photo