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Master printer Michael Flomen brings his darkroom into the environment to create large-scale, avant-garde photograms in confluence with nature. Trading his camera for light-sensitive materials such as photographic paper, he works with water, fireflies, wind, rain, and other natural phenomena to create monumental photograms, revealing things we cannot see with the naked(...)
Michael Flomen: Photograms and photographs 2020-1970
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Master printer Michael Flomen brings his darkroom into the environment to create large-scale, avant-garde photograms in confluence with nature. Trading his camera for light-sensitive materials such as photographic paper, he works with water, fireflies, wind, rain, and other natural phenomena to create monumental photograms, revealing things we cannot see with the naked eye. With images that originate in streets to those forged in the wilderness, this monograph presents 182 images and eight critical essays that trace the evolution of Flomen’s vision. His message is particularly vital today, as we learn to mend our relationship with the environment.
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Archive is the first book by Sofia Coppola, covering the entirety of her singular and influential career in film. Constructed from Coppola’s personal collection of photographs and ephemera, including early development work, reference collages, influences, annotated scripts, and unseen behind-the-scenes documentation, it offers a detailed account of all eight of her films(...)
Sofia Coppola: Archive 1999-2023
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Archive is the first book by Sofia Coppola, covering the entirety of her singular and influential career in film. Constructed from Coppola’s personal collection of photographs and ephemera, including early development work, reference collages, influences, annotated scripts, and unseen behind-the-scenes documentation, it offers a detailed account of all eight of her films to date. Mapping a course from The Virgin Suicides (1999), through Lost in Translation (2003) and Marie Antoinette (2006), to The Beguiled (2017) and her upcoming feature Priscilla (fall 2023), exploring Priscilla Presley’s early years at Graceland, this luxurious volume reflects on one of the defining and most unmistakable cinematic oeuvres of the twenty-first century.
Monographies photo
$140.00
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Une centaine de photographies argentiques de jardins paysagers autour de maisons et de domaines dans le canton suisse du Valais et en Romandie, qui rendent compte de l'« esprit » des lieux.
Nicolas Faure: The order of things
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Une centaine de photographies argentiques de jardins paysagers autour de maisons et de domaines dans le canton suisse du Valais et en Romandie, qui rendent compte de l'« esprit » des lieux.
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For the past decade, photographer Mark Ruwedel has been compiling an epic photographic account of the natural environment of his home city of Los Angeles. From the stark Californian coast to the vast expanses of the interior – many of which have been further lain bare by wildfires – Ruwedel tracks a unique ecology in constant, if subtle, dialogue with the human life that(...)
Mark Ruwedel: Rivers run through it. Landscape of Four Ecologies I
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For the past decade, photographer Mark Ruwedel has been compiling an epic photographic account of the natural environment of his home city of Los Angeles. From the stark Californian coast to the vast expanses of the interior – many of which have been further lain bare by wildfires – Ruwedel tracks a unique ecology in constant, if subtle, dialogue with the human life that surrounds it: one where wildness is designed, contested, permitted, or resisted to varying degrees of success. In this first of four volumes, Ruwedel follows the Los Angeles River from Big Tujunga Wash to the Pacific Ocean. Using patient, forensic large- and medium-format photography in black and white, Ruwedel recalls the legacy of nineteenth-century photographer-cartographers such as Carleton Watkins and Timothy O’Sullivan, as well as land artists and New Topographics photographers of the 1970s, while forging his own elucidating relationship with the landscape. The series title "Landscapes of four ecologies" recalls architectural critic Reyner Baynam classic study "Los Angeles: The architecture of four ecologies," which describes the city as "one of the ecological wonders of the modern world."
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Imagine a collection of perforated leaves in which organisms like insects, fungi, or bacteria existing in the foliage have created an array of patterns. Eva-Fiore Kovacovsky’s ''Feeding on light'' examines photosynthesis through experimental photography. Bringing the outdoors into her analogue colour darkroom, the artist captures the traces of the often symbiotic(...)
Eva Fiore Kovacvfsky: Feeding on light
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Imagine a collection of perforated leaves in which organisms like insects, fungi, or bacteria existing in the foliage have created an array of patterns. Eva-Fiore Kovacovsky’s ''Feeding on light'' examines photosynthesis through experimental photography. Bringing the outdoors into her analogue colour darkroom, the artist captures the traces of the often symbiotic relationships observed between trees, insects, and the sun. The book takes the form of a field guide, with an extensive index of common and scientific plant names linking the hundreds of photograms, contact prints, and negative prints. Essays contextualise her work through biology, ecology, and philosophy.
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From the bustling streets of Manhattan to the shaded underside of Coney Island’s boardwalk to the expansive landscapes and open roads of the American West, ''Winogrand'' Color unveils a tender portrait of a version of the country that feels at once bygone and timeless. His snapshots of strangers exude an unparalleled sense of intimacy, offering poetic glimpses into(...)
Garry Winogrand: Winogrand Color
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From the bustling streets of Manhattan to the shaded underside of Coney Island’s boardwalk to the expansive landscapes and open roads of the American West, ''Winogrand'' Color unveils a tender portrait of a version of the country that feels at once bygone and timeless. His snapshots of strangers exude an unparalleled sense of intimacy, offering poetic glimpses into everyday postwar America. Presenting 150 photographs selected from the archives at the Center for Creative Photography in Tucson, Arizona, this is the first monograph dedicated in full to Winogrand’s vivid color photography.
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Mary Ellen Mark: Encounters
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The images of American photographer Mary Ellen Mark are icons of documentary and humanistic photography. Focusing her camera on the socially disadvantaged and those on the fringes of society, she told the stories of her protagonists without prejudice. In the context of the emerging women’s movement in the USA during the 1960s and 70s, and as a freelance photographer at a(...)
Mary Ellen Mark: Encounters
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The images of American photographer Mary Ellen Mark are icons of documentary and humanistic photography. Focusing her camera on the socially disadvantaged and those on the fringes of society, she told the stories of her protagonists without prejudice. In the context of the emerging women’s movement in the USA during the 1960s and 70s, and as a freelance photographer at a time when print media was suffering its first major crisis, Mark fought her way to the forefront of female voices in photojournalism. Encounters provides an expansive cross-section of the photographer’s full body of work. The book focuses on five iconic series that contributed significantly to Mark’s reputation: Ward 81 in which she photographed residents at an Oregon psychiatric hospital for women; a reportage on prostitutes on Falkland Road in Mumbai; a tribute to Mother Teresa’s charitable work; Indian Circus, documenting traveling circus families; and the long-term project Streetwise, in which Mark followed the life of Erin Blackwell (Tiny) for more than 30 years. For the first time, this book contextualizes these works within Mark’s œuvre and presents them alongside original magazine spreads and archival material—including contact sheets, letters and notebooks—to reveal the breadth of her accomplishments and singularly compassionate eye.
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Often out of print, this new edition of Joel Sternfeld’s seminal book returns to the format of the original 1987 edition. All of the now classic images within it—alongside a group of never published photographs—examine a once pristine land stewarded by indigenous peoples who needed no lessons in stewardship, and a land now occupied by a mix of peoples hoping for salvation(...)
Joel Sternfeld: American prospects
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Often out of print, this new edition of Joel Sternfeld’s seminal book returns to the format of the original 1987 edition. All of the now classic images within it—alongside a group of never published photographs—examine a once pristine land stewarded by indigenous peoples who needed no lessons in stewardship, and a land now occupied by a mix of peoples hoping for salvation within the fraught paths of late capitalism. The result suggests a vast nation whose prospects have much to do with global prospects, a “teenager of the world” unaware of its strengths, filled with idealism and frequent failings.
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Bruce Davidson: The way back
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Consisting solely of previously unpublished photographs, ''The Way Back'' is a deep dive through Bruce Davidson’s 60-year career. The book chronologically presents photos made between 1957 and 1992, showcasing Davidson’s exceptional versatility—from his earliest assignments to later seminal bodies of work including his year-long study of teenage members of a “Brooklyn(...)
Bruce Davidson: The way back
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Consisting solely of previously unpublished photographs, ''The Way Back'' is a deep dive through Bruce Davidson’s 60-year career. The book chronologically presents photos made between 1957 and 1992, showcasing Davidson’s exceptional versatility—from his earliest assignments to later seminal bodies of work including his year-long study of teenage members of a “Brooklyn Gang” (1959), his extensive coverage of the American Civil Rights Movement in “Time of Change” (1961–65), and his breakthrough portraits of the residents of a single block in Harlem in “East 100th Street” (1966–68). Series such as “Subway” (1980) and “Central Park” (1992) furthermore confirm Davidson as a quintessential chronicler of New York City. Regardless of his motif, what emerges through this retrospective is Davidson’s overt sensibility and empathy for his subjects, his commitment to documenting them in depth over time, and to capturing their beliefs, communities and subcultures. Unlike his peers who photographed events that constituted history, Davidson focused on the people within these histories.
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Laure Tiberghien
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This book is the first monograph to be published on the artist Laure Tiberghien. It brings together 84 prints, allowing the reader to gain an appreciation of 10 years of work and experimentation. Tiberghien is intrigued by the visual and plastic aspects of photography and enjoys exploring the inventive potential of this medium. She has developed a process avoiding the use(...)
Laure Tiberghien
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This book is the first monograph to be published on the artist Laure Tiberghien. It brings together 84 prints, allowing the reader to gain an appreciation of 10 years of work and experimentation. Tiberghien is intrigued by the visual and plastic aspects of photography and enjoys exploring the inventive potential of this medium. She has developed a process avoiding the use of the camera that takes its place within a long lineage of experimentation in photography, which has notably given rise to Anna Atkins’ cyanotypes and Man Ray’s Rayographs. Produced through the combination of chemistry, light and time, her ''abstract'' photographs emerge from a masterful approach to composition, whereby colours are organized after having been tested first to obtain the desired tone relationships. The surface, in this case the type of paper selected, also plays a primordial role. For example, Cibachrome results in a ''wet'' effect and very dense colours whereas a metallic paper offers a more electric result. If at times she may leave things open to accident or chance, while giving life to shapes and colours Tiberghien has put in place a procedure, through her constant testing, that although far from mechanical affords her control over the result. All the pieces she produces in this manner are necessarily unique, another feature her art shares with painting. The book’s design, by the studio SP Millot, arrays the text of the essay by Erik Verhagen across its pages, in a way that punctuates the images just as the images propel the text.
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