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Hiroshi Sugimoto was born in Japan in 1948 and now divides his time between Japan and New York. Since the 1970s he has investigated issues of time, empirical reality, and metaphysics through his photography. His main series have been Theaters, Seascapes, Dioramas,W ax Museums (Madame Tussaud’s wax figures), and Portraits, all of which explore temporal existence and our(...)
Hiroshi Sugimoto : conceptual forms
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Hiroshi Sugimoto was born in Japan in 1948 and now divides his time between Japan and New York. Since the 1970s he has investigated issues of time, empirical reality, and metaphysics through his photography. His main series have been Theaters, Seascapes, Dioramas,W ax Museums (Madame Tussaud’s wax figures), and Portraits, all of which explore temporal existence and our relationship to history. His work is held in the collections of the Museum of Contemporary Art in Chicago and the Metropolitan Museum, among many others. In 2001 he won the prestigious Hasselblad Foundation Award. This book is dedicated to Sugimoto’s last and hitherto unpublished series, and accompanied an exhibition at the Fondation Cartier pour l’art contemporain.
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Dan Holdsworth
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Since the late 90s, Dan Holdsworth has developed a reputation as one of the most innovative British photographers currently working with landscape. His early series concentrate on the quiet moments in everyday spaces: office buildings after work, car parks at night and deserted motorway flyovers. Such subjects are the basis for Holdsworth’s more recent examination of(...)
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janvier 1900, Göttingen
Dan Holdsworth
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Since the late 90s, Dan Holdsworth has developed a reputation as one of the most innovative British photographers currently working with landscape. His early series concentrate on the quiet moments in everyday spaces: office buildings after work, car parks at night and deserted motorway flyovers. Such subjects are the basis for Holdsworth’s more recent examination of technology and isolation in modern society. In more recent years he has traveled internationally, studying the areas where technology and architecture are representative of an accelerated economic world at their most removed and alien. The photographs are silent and iconic, witnesses of our world.
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livres
Candida Hofer : a monograph
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With its 209 photographs, the present volume is the first major monograph on the oeuvre of Candida Hofer. The introductory essay is penned by Michael Kruger, writer, poet and head of the Munich-based Carl Hanser Verlag publishing company.
Candida Hofer : a monograph
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With its 209 photographs, the present volume is the first major monograph on the oeuvre of Candida Hofer. The introductory essay is penned by Michael Kruger, writer, poet and head of the Munich-based Carl Hanser Verlag publishing company.
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février 2005, Munchen
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livres
$32.95
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Catalogue for an exhibition of Dieter Appelt's works that was held from 18 March to 22 May 2004 at the Galerie Guy Bärtschi in Geneva.
Dieter Appelt : transferring a state of stasis - for Dieter Appelt
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Catalogue for an exhibition of Dieter Appelt's works that was held from 18 March to 22 May 2004 at the Galerie Guy Bärtschi in Geneva.
livres
janvier 1900, Geneva
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Robert Adams : turning back
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"Turning back: a photographic journal of re-exploration" is published to coincide with the bicentennial of the Lewis and Clark expedition. The narrative begins at the Pacific ocean and moves eastward through what was formerly one of the world’s great rain forests. Photographs at the center of the book report on the forest’s destruction. Elsewhere they trace a search for(...)
Robert Adams : turning back
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"Turning back: a photographic journal of re-exploration" is published to coincide with the bicentennial of the Lewis and Clark expedition. The narrative begins at the Pacific ocean and moves eastward through what was formerly one of the world’s great rain forests. Photographs at the center of the book report on the forest’s destruction. Elsewhere they trace a search for hope. Two hundred years ago, Lewis and Clark reported finding in the American Northwest a vast forest of ancient evergreens. In "Turning back", Robert Adams looks again at the region’s trees, discovering evidence both of America’s failure and of a continuing promise. President Jefferson’s primary charge to Lewis and Clark was to prepare the way for American commerce. Today, historians still speculate about why, upon his return, Lewis lapsed into depression and apparently committed suicide. "Going east," Adams suggests, "was more difficult than going west." So then, what is the future? "Turning back" documents two kinds of predictive evidence. On the one hand we observe the results of greed so unrestrained that they are indistinguishable from those of nihilism. On the other we see what still lives, whether by our design or neglect, or Providence; in these 164 pictures the tone is celebratory, as in a prayer book. From coastal landscapes populated with tourists to timber clear-cutting and small family farms in eastern Oregon, here we reflect on what was lost, what is retained, and what we value both regionally and as a people with a common history.
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Friedlander
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Lee Friedlander is one of the most important of the 1960s generation of photographers for whom the posture of disinterested objectivity served as a vehicle for passionate personal inquiries. His large body of work - he most often produces extended series of pictures on a chosen theme, then publishes them in book form - is broad in subject matter and supple and complex in(...)
Friedlander
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Lee Friedlander is one of the most important of the 1960s generation of photographers for whom the posture of disinterested objectivity served as a vehicle for passionate personal inquiries. His large body of work - he most often produces extended series of pictures on a chosen theme, then publishes them in book form - is broad in subject matter and supple and complex in style, and focuses on what he calls America's "social landscape". At the same time, he has pursued a playful dialogue with artistic tradition - as though open-eyed curiosity about the world and a sophisticated taste for the wiles of picture-making were one and the same thing. "Friedlander" takes a deep critical look at Friedlander's abundantly productive career. Including over 500 photographs grouped by series, and an incisive essay by Peter Galassi, Chief Curator of Photography at The Museum of Modern Art, this oversized publication is the most comprehensive review of the photographer's career to date.
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Landscape stories
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"Landscape stories" is the fist comprehensive collection of Southam's work drawn from three completed series : The Pond at Upton Pyne, The Red River, and Rockfalls, Rivermouths, and Ponds, along with several smaller groups of pictures, from series still in the making and never before published. Southam's own brief narratives about the places and processes he captures,(...)
Landscape stories
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"Landscape stories" is the fist comprehensive collection of Southam's work drawn from three completed series : The Pond at Upton Pyne, The Red River, and Rockfalls, Rivermouths, and Ponds, along with several smaller groups of pictures, from series still in the making and never before published. Southam's own brief narratives about the places and processes he captures, together with essays by photo historians Gerry Badger and Andy Grundberg, create a rich context for contemplating these landscape series.
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En finir
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«En 1988, une banque américaine m'a invitée à réaliser un projet insitu. Les distributeurs automatiques de l'établissement étaient munis de caméras vidéo qui filmaient, à leur insu, les clients en train d'effectuer des opérations. J'ai réussi à me procurer certains enregistrements.(...) En finir retrace l'histoire de cette recherche, analyse quinze années de tentatives(...)
En finir
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«En 1988, une banque américaine m'a invitée à réaliser un projet insitu. Les distributeurs automatiques de l'établissement étaient munis de caméras vidéo qui filmaient, à leur insu, les clients en train d'effectuer des opérations. J'ai réussi à me procurer certains enregistrements.(...) En finir retrace l'histoire de cette recherche, analyse quinze années de tentatives ratées, dessine l'anatomie d'un échec.» -Sophie Calle
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livres
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This catalogue of seemingly casual gestures often creates an impact that can be considered deliberate, almost political, as it presents a sort of occupation of spaces, albeit prefabricated and temporary. "What we want" is a compelling project of photographs, accounts and maps that describe an urban geography modified by new pioneers.
What we want : landscape as a projection of people's desire
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This catalogue of seemingly casual gestures often creates an impact that can be considered deliberate, almost political, as it presents a sort of occupation of spaces, albeit prefabricated and temporary. "What we want" is a compelling project of photographs, accounts and maps that describe an urban geography modified by new pioneers.
livres
février 2005, Milano
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livres
W(est) B(ank)
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W(est) B(ank) réuni le plus récent travail de Sophie Ristelhueber, une série d'images sur le paysage ravagé des territoires occupés.
W(est) B(ank)
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W(est) B(ank) réuni le plus récent travail de Sophie Ristelhueber, une série d'images sur le paysage ravagé des territoires occupés.
livres
mars 2005, Paris
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