2476 Résultats
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livres
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Titre:
Seth Lower: Units
Seth Lower: Units
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"Units" contains photographs taken from 1994–2017. The images depict a variety of everyday materials and situations, many seen in sets, parts, or multiples. Within such scenes, Lower seeks out a kind of integrity (or lack thereof): standards of measurement, materiality, vague questions about the boundaries of entities and experience. A sign swallowed by tree bark, a small(...)
$55.00
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Résumé:
"Units" contains photographs taken from 1994–2017. The images depict a variety of everyday materials and situations, many seen in sets, parts, or multiples. Within such scenes, Lower seeks out a kind of integrity (or lack thereof): standards of measurement, materiality, vague questions about the boundaries of entities and experience. A sign swallowed by tree bark, a small(...)
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Seth Lower: Units
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"Units" contains photographs taken from 1994–2017. The images depict a variety of everyday materials and situations, many seen in sets, parts, or multiples. Within such scenes, Lower seeks out a kind of integrity (or lack thereof): standards of measurement, materiality, vague questions about the boundaries of entities and experience. A sign swallowed by tree bark, a small collection of funnels, a stove for sale in the sunshine. Where does one unit end and the other begin? It is certainly possible to be part of the whole and at the same time separate, existing with a foot in both worlds, but does this say anything about the units themselves, or only the way we define them? Graham Harman writes that such pieces are ‘terminal points, closed-off neighborhoods that retain their local identity despite the broader systems into which they are partly absorbed’.
Seth Lower: Units
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"Units" contains photographs taken from 1994–2017. The images depict a variety of everyday materials and situations, many seen in sets, parts, or multiples. Within such scenes, Lower seeks out a kind of integrity (or lack thereof): standards of measurement, materiality, vague questions about the boundaries of entities and experience. A sign swallowed by tree bark, a small collection of funnels, a stove for sale in the sunshine. Where does one unit end and the other begin? It is certainly possible to be part of the whole and at the same time separate, existing with a foot in both worlds, but does this say anything about the units themselves, or only the way we define them? Graham Harman writes that such pieces are ‘terminal points, closed-off neighborhoods that retain their local identity despite the broader systems into which they are partly absorbed’.
Classification:
livres
livres
Publication:
octobre 2019
octobre 2019
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$60.00
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Guido Guidi's new book, "In Veneto," opens with a big eye framed in the blind of a shop window in Mestre, an eye which, by opening like a sort of warning, announces the origin of photography itself. This book contains a selection of hitherto unpublished photographs that Guidi took between 1984 and 1989, using a Deardorff 8X10. This was the first time he had used a large(...)
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Guido Guidi's new book, "In Veneto," opens with a big eye framed in the blind of a shop window in Mestre, an eye which, by opening like a sort of warning, announces the origin of photography itself. This book contains a selection of hitherto unpublished photographs that Guidi took between 1984 and 1989, using a Deardorff 8X10. This was the first time he had used a large(...)
Titre:
Guido Guidi: In Veneto 1984-89
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Guido Guidi's new book, "In Veneto," opens with a big eye framed in the blind of a shop window in Mestre, an eye which, by opening like a sort of warning, announces the origin of photography itself. This book contains a selection of hitherto unpublished photographs that Guidi took between 1984 and 1989, using a Deardorff 8X10. This was the first time he had used a large format camera for a whole project, which concentrated on an area in the central Veneto, an area known for having rapidly turned into a deeply uncertain, marginal landscape, one intimately hierarchy-free. The places he visited, in the provinces of Treviso, Vicenza, Padua and Venice, seem to be almost part of the same drawing, of the same place, bearing stark testimony to the process of change that has led to the transformation of a huge rural area, driving it into a form of fragmentation known as urban spread. The photographs in these much-loved places seem to re-evoke the three truths described by Robert Adams in "Beauty in Photography": geography, biography, and metaphor.
Guido Guidi: In Veneto 1984-89
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Guido Guidi's new book, "In Veneto," opens with a big eye framed in the blind of a shop window in Mestre, an eye which, by opening like a sort of warning, announces the origin of photography itself. This book contains a selection of hitherto unpublished photographs that Guidi took between 1984 and 1989, using a Deardorff 8X10. This was the first time he had used a large format camera for a whole project, which concentrated on an area in the central Veneto, an area known for having rapidly turned into a deeply uncertain, marginal landscape, one intimately hierarchy-free. The places he visited, in the provinces of Treviso, Vicenza, Padua and Venice, seem to be almost part of the same drawing, of the same place, bearing stark testimony to the process of change that has led to the transformation of a huge rural area, driving it into a form of fragmentation known as urban spread. The photographs in these much-loved places seem to re-evoke the three truths described by Robert Adams in "Beauty in Photography": geography, biography, and metaphor.
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livres
livres
Publication:
juillet 2019
juillet 2019
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$68.00
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Photographed across four years and four continents, 'The Canary and The Hammer' details our reverence for gold and its role in humanity’s ruthless pursuit of progress. Through a mix of image, text and archival material, the third book by British artist Lisa Barnard provides a fascinating insight into the troubled history of gold and the complex ways it intersects with the(...)
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Photographed across four years and four continents, 'The Canary and The Hammer' details our reverence for gold and its role in humanity’s ruthless pursuit of progress. Through a mix of image, text and archival material, the third book by British artist Lisa Barnard provides a fascinating insight into the troubled history of gold and the complex ways it intersects with the(...)
Titre:
Lisa Barnard: The canary and the hammer
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Photographed across four years and four continents, 'The Canary and The Hammer' details our reverence for gold and its role in humanity’s ruthless pursuit of progress. Through a mix of image, text and archival material, the third book by British artist Lisa Barnard provides a fascinating insight into the troubled history of gold and the complex ways it intersects with the global economy.
Lisa Barnard: The canary and the hammer
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Photographed across four years and four continents, 'The Canary and The Hammer' details our reverence for gold and its role in humanity’s ruthless pursuit of progress. Through a mix of image, text and archival material, the third book by British artist Lisa Barnard provides a fascinating insight into the troubled history of gold and the complex ways it intersects with the global economy.
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livres
livres
Publication:
septembre 2019
septembre 2019
Sujet:
Monographies photo
Monographies photo
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livres
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$41.00
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In Alan Huck’s image-text book, "?I walk toward the sun which is always going down," an unnamed narrator wanders a city in the American Southwest, where their observations and encounters become catalysts for rumination on a wide range of subjects. Shifting between photographs of the city’s peripheries and an interior monologue written in first-person, fragmentary prose,(...)
$41.00
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In Alan Huck’s image-text book, "?I walk toward the sun which is always going down," an unnamed narrator wanders a city in the American Southwest, where their observations and encounters become catalysts for rumination on a wide range of subjects. Shifting between photographs of the city’s peripheries and an interior monologue written in first-person, fragmentary prose,(...)
Titre:
I walk toward the sun which is always going down
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$41.00
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In Alan Huck’s image-text book, "?I walk toward the sun which is always going down," an unnamed narrator wanders a city in the American Southwest, where their observations and encounters become catalysts for rumination on a wide range of subjects. Shifting between photographs of the city’s peripheries and an interior monologue written in first-person, fragmentary prose, this hybrid essay draws on the ambulatory works of writers such as W.G. Sebald and Annie Dillard, both of whom are incorporated into the network of literary and cultural references interwoven throughout the book’s text. Part metafiction about the working process of a photographer and part cross-disciplinary exploration of one’s relationship to a particular place, the author utilizes the essential indeterminacy of both photography and written language to craft an exercise in attention that moves seamlessly between the two mediums.
I walk toward the sun which is always going down
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Résumé:
In Alan Huck’s image-text book, "?I walk toward the sun which is always going down," an unnamed narrator wanders a city in the American Southwest, where their observations and encounters become catalysts for rumination on a wide range of subjects. Shifting between photographs of the city’s peripheries and an interior monologue written in first-person, fragmentary prose, this hybrid essay draws on the ambulatory works of writers such as W.G. Sebald and Annie Dillard, both of whom are incorporated into the network of literary and cultural references interwoven throughout the book’s text. Part metafiction about the working process of a photographer and part cross-disciplinary exploration of one’s relationship to a particular place, the author utilizes the essential indeterminacy of both photography and written language to craft an exercise in attention that moves seamlessly between the two mediums.
Classification:
livres
livres
Publication:
septembre 2019
septembre 2019
Sujet:
Monographies photo
Monographies photo
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livres
livres
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For the last fifteen years, Gregory Halpern has been photographing in Omaha, Nebraska, steadily compiling a lyrical, if equivocal, response to the American Heartland. In loosely-collaged spreads that reproduce his construction-paper sketchbooks, Halpern takes pleasure in cognitive dissonance and unexpected harmonies, playing on a sense of simultaneous repulsion and(...)
$68.00
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Résumé:
For the last fifteen years, Gregory Halpern has been photographing in Omaha, Nebraska, steadily compiling a lyrical, if equivocal, response to the American Heartland. In loosely-collaged spreads that reproduce his construction-paper sketchbooks, Halpern takes pleasure in cognitive dissonance and unexpected harmonies, playing on a sense of simultaneous repulsion and(...)
Titre:
Omaha Sketchbook. Gregory Halpern
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For the last fifteen years, Gregory Halpern has been photographing in Omaha, Nebraska, steadily compiling a lyrical, if equivocal, response to the American Heartland. In loosely-collaged spreads that reproduce his construction-paper sketchbooks, Halpern takes pleasure in cognitive dissonance and unexpected harmonies, playing on a sense of simultaneous repulsion and attraction to the place. "Omaha sketchbook" is ultimately a meditation on America, on the men and boys who inhabit it, and on the mechanics of aggression, inadequacy, and power.
Omaha Sketchbook. Gregory Halpern
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For the last fifteen years, Gregory Halpern has been photographing in Omaha, Nebraska, steadily compiling a lyrical, if equivocal, response to the American Heartland. In loosely-collaged spreads that reproduce his construction-paper sketchbooks, Halpern takes pleasure in cognitive dissonance and unexpected harmonies, playing on a sense of simultaneous repulsion and attraction to the place. "Omaha sketchbook" is ultimately a meditation on America, on the men and boys who inhabit it, and on the mechanics of aggression, inadequacy, and power.
Classification:
livres
livres
Publication:
septembre 2019
septembre 2019
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
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$58.95
(disponible en magasin)
Résumé:
Llimited edition (200), signed by the artist.
$58.95
(disponible en magasin)
Résumé:
Llimited edition (200), signed by the artist.
Titre:
White elephant: one week in Tokyo: Dino Simonett
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$58.95
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Llimited edition (200), signed by the artist.
White elephant: one week in Tokyo: Dino Simonett
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$58.95
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Llimited edition (200), signed by the artist.
Classification:
livres
livres
Publication:
juillet 2019
juillet 2019
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
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$47.00
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Résumé:
In 'Thomas Ruff: Transforming Photography', the artist presents new work that continues his ongoing probe into the history, processes, techniques, and technology of photography. Also included is a conversation between Ruff and Okwui Enwezor, which took place at Haus der Kunst in Munich, in connection with the artist’s retrospective then on view. The conversation,(...)
$47.00
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Résumé:
In 'Thomas Ruff: Transforming Photography', the artist presents new work that continues his ongoing probe into the history, processes, techniques, and technology of photography. Also included is a conversation between Ruff and Okwui Enwezor, which took place at Haus der Kunst in Munich, in connection with the artist’s retrospective then on view. The conversation,(...)
Titre:
Thomas Ruff: transforming photography
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In 'Thomas Ruff: Transforming Photography', the artist presents new work that continues his ongoing probe into the history, processes, techniques, and technology of photography. Also included is a conversation between Ruff and Okwui Enwezor, which took place at Haus der Kunst in Munich, in connection with the artist’s retrospective then on view. The conversation, published here for the first time, has been edited for this volume and examines Ruff’s artistic practice and inspiration, serving as an engaging and dynamic introduction to the artist.
Thomas Ruff: transforming photography
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$47.00
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Résumé:
In 'Thomas Ruff: Transforming Photography', the artist presents new work that continues his ongoing probe into the history, processes, techniques, and technology of photography. Also included is a conversation between Ruff and Okwui Enwezor, which took place at Haus der Kunst in Munich, in connection with the artist’s retrospective then on view. The conversation, published here for the first time, has been edited for this volume and examines Ruff’s artistic practice and inspiration, serving as an engaging and dynamic introduction to the artist.
Classification:
livres
livres
Publication:
septembre 2019
septembre 2019
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Espinha
Espinha
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$47.95
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Résumé:
Un surprenant travail photographique qui mêle les couleurs et les traditions du Brésil au formalisme japonais. 'Espinha' est une invitation à pénétrer l’univers de Shinji Nagabe, un photographe brésilien qui a grandi dans une famille japonaise traditionnelle. Guidé par cette double culture, il pratique une photographie surprenante, combinaison de poses formelles et(...)
$47.95
(disponible en magasin)
Résumé:
Un surprenant travail photographique qui mêle les couleurs et les traditions du Brésil au formalisme japonais. 'Espinha' est une invitation à pénétrer l’univers de Shinji Nagabe, un photographe brésilien qui a grandi dans une famille japonaise traditionnelle. Guidé par cette double culture, il pratique une photographie surprenante, combinaison de poses formelles et(...)
Titre:
Espinha
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$47.95
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Un surprenant travail photographique qui mêle les couleurs et les traditions du Brésil au formalisme japonais. 'Espinha' est une invitation à pénétrer l’univers de Shinji Nagabe, un photographe brésilien qui a grandi dans une famille japonaise traditionnelle. Guidé par cette double culture, il pratique une photographie surprenante, combinaison de poses formelles et statiques qui évoquent l’univers pictural japonais avec des couleurs tropicales et des accessoires typiques du culte syncrétiste brésilien.
Espinha
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Un surprenant travail photographique qui mêle les couleurs et les traditions du Brésil au formalisme japonais. 'Espinha' est une invitation à pénétrer l’univers de Shinji Nagabe, un photographe brésilien qui a grandi dans une famille japonaise traditionnelle. Guidé par cette double culture, il pratique une photographie surprenante, combinaison de poses formelles et statiques qui évoquent l’univers pictural japonais avec des couleurs tropicales et des accessoires typiques du culte syncrétiste brésilien.
Classification:
livres
livres
Publication:
octobre 2019
octobre 2019
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
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$47.95
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Vers 2005, Michel Campeau, sensible au virage numérique, entreprend de photographier les chambres noires, ces laboratoires qui constituent les fondements d’une photographie argentique en voie de disparition. Parallèlement, il collectionne la photographie vernaculaire et poursuit son travail créatif à travers la photographie des autres, constituant des collections de(...)
$47.95
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Résumé:
Vers 2005, Michel Campeau, sensible au virage numérique, entreprend de photographier les chambres noires, ces laboratoires qui constituent les fondements d’une photographie argentique en voie de disparition. Parallèlement, il collectionne la photographie vernaculaire et poursuit son travail créatif à travers la photographie des autres, constituant des collections de(...)
Titre:
Histoires de chambre noire : the donkey that became a zebra. Michel Campeau
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Vers 2005, Michel Campeau, sensible au virage numérique, entreprend de photographier les chambres noires, ces laboratoires qui constituent les fondements d’une photographie argentique en voie de disparition. Parallèlement, il collectionne la photographie vernaculaire et poursuit son travail créatif à travers la photographie des autres, constituant des collections de photographies anonymes ou de fonds qu’il déniche sur Internet ou au gré de ses déplacements. Il pointe ainsi comment l’époque triomphante du numérique se caractérise par le désintérêt pour les instantanés, les photographies de presse et de studio, les albums de famille, les diapositives..., que l’on jette aux oubliettes et détruit le plus souvent. Il effectue dans ce livre une sorte de montage temporel à partir de ces documents pour beaucoup déjà introuvables. Il mêle ses propres photographies à celles qu’il s’approprie, constituant une histoire de la photographie argentique tout en tissant sa propre autobiographie photographique.
Histoires de chambre noire : the donkey that became a zebra. Michel Campeau
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Vers 2005, Michel Campeau, sensible au virage numérique, entreprend de photographier les chambres noires, ces laboratoires qui constituent les fondements d’une photographie argentique en voie de disparition. Parallèlement, il collectionne la photographie vernaculaire et poursuit son travail créatif à travers la photographie des autres, constituant des collections de photographies anonymes ou de fonds qu’il déniche sur Internet ou au gré de ses déplacements. Il pointe ainsi comment l’époque triomphante du numérique se caractérise par le désintérêt pour les instantanés, les photographies de presse et de studio, les albums de famille, les diapositives..., que l’on jette aux oubliettes et détruit le plus souvent. Il effectue dans ce livre une sorte de montage temporel à partir de ces documents pour beaucoup déjà introuvables. Il mêle ses propres photographies à celles qu’il s’approprie, constituant une histoire de la photographie argentique tout en tissant sa propre autobiographie photographique.
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livres
livres
Publication:
septembre 2019
septembre 2019
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Outre-vie/After-life
Outre-vie/After-life
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Résumé:
'Outre-vie/Afterlife' retrace le parcours d’un collectif de treize artistes qui explorent ensemble la vie après la vie de l’image photographique. Permettant de suivre les réflexions du groupe au fil de leurs rencontres et projets, le livre présente aussi les œuvres individuelles des différents artistes ainsi que celles du collectif, jusqu’à la création du livre lui-même.
$50.00
(disponible en magasin)
Résumé:
'Outre-vie/Afterlife' retrace le parcours d’un collectif de treize artistes qui explorent ensemble la vie après la vie de l’image photographique. Permettant de suivre les réflexions du groupe au fil de leurs rencontres et projets, le livre présente aussi les œuvres individuelles des différents artistes ainsi que celles du collectif, jusqu’à la création du livre lui-même.
Titre:
Outre-vie/After-life
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$50.00
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Résumé:
'Outre-vie/Afterlife' retrace le parcours d’un collectif de treize artistes qui explorent ensemble la vie après la vie de l’image photographique. Permettant de suivre les réflexions du groupe au fil de leurs rencontres et projets, le livre présente aussi les œuvres individuelles des différents artistes ainsi que celles du collectif, jusqu’à la création du livre lui-même.
Outre-vie/After-life
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$50.00
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Résumé:
'Outre-vie/Afterlife' retrace le parcours d’un collectif de treize artistes qui explorent ensemble la vie après la vie de l’image photographique. Permettant de suivre les réflexions du groupe au fil de leurs rencontres et projets, le livre présente aussi les œuvres individuelles des différents artistes ainsi que celles du collectif, jusqu’à la création du livre lui-même.
Classification:
livres
livres
Publication:
janvier 2018
janvier 2018
Sujet:
Monographies photo
Monographies photo
