Andreas Gursky
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Famed worldwide for his epically-proportioned photographs, Andreas Gursky is one of very few contemporary artists able to represent cultures of excessive information--which he does through images of supermarket wares, crowds, trash, architecture and nature. The extreme detail of Gursky's final image--achieved by digital restructuring--produces a vertiginous effect on the(...)
Andreas Gursky
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Famed worldwide for his epically-proportioned photographs, Andreas Gursky is one of very few contemporary artists able to represent cultures of excessive information--which he does through images of supermarket wares, crowds, trash, architecture and nature. The extreme detail of Gursky's final image--achieved by digital restructuring--produces a vertiginous effect on the viewer, as it oscillates between total representation and total abstraction. It could be said that Gursky updates the eighteenth-century sublime for our times. This publication surveys the artist's most recent creations, on display at the renowned Kunstmuseum Basel throughout the winter of 2007/2008. Two new groups of works in particular, one on Formula One races and the other on the famous Arirang Festival (a closely-choreographed mass spectacle in North Korea's capital of Pyongyang), are gathered here.
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Jeff Wall: exposure
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This catalogue introduces four new large-scale black-and-white photographs by the Canadian artist Jeff Wall. The new work is shown alongside earlier pieces, both photographs as well as transparencies mounted in lightboxes.
Jeff Wall: exposure
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This catalogue introduces four new large-scale black-and-white photographs by the Canadian artist Jeff Wall. The new work is shown alongside earlier pieces, both photographs as well as transparencies mounted in lightboxes.
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In the 1860s, William Mumler photographed ghosts—or so he claimed. Faint images of the dearly departed lurked in the background with the living, like his well-known photo of the recently assassinated Abraham Lincoln comforting Mary Todd. In this book, Louis Kaplan brings together, for the first time, Mumler’s haunting images, his revealing memoir, and rich primary(...)
The strange case of William Mumler, spirit photographer
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In the 1860s, William Mumler photographed ghosts—or so he claimed. Faint images of the dearly departed lurked in the background with the living, like his well-known photo of the recently assassinated Abraham Lincoln comforting Mary Todd. In this book, Louis Kaplan brings together, for the first time, Mumler’s haunting images, his revealing memoir, and rich primary sources, including newspaper articles and P. T. Barnum’s famous indictment of Mumler in Humbugs of the World. Kaplan also contributes two extended essays, which offer a historical perspective of the Mumler phenomena and delve into the sociocultural and theoretical issues surrounding this vivid ghost story.
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Snapshot versions of life
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An important foray into the culture of photography and home life from an anthropologist’s perspective. Examining what he calls "Home Mode" photography, the author explores snapshots, slide shows, family albums, home movies, and home videos, uncovering what people do with their photos as well as what their personal photos do for them.
Snapshot versions of life
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An important foray into the culture of photography and home life from an anthropologist’s perspective. Examining what he calls "Home Mode" photography, the author explores snapshots, slide shows, family albums, home movies, and home videos, uncovering what people do with their photos as well as what their personal photos do for them.
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Geoffrey James: field notes
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Produced in conjunction with the exhibition Geoffrey James: Field Notes, held at the Kitchener-Waterloo Art Gallery January 11 - March 23, 2008
Geoffrey James: field notes
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Produced in conjunction with the exhibition Geoffrey James: Field Notes, held at the Kitchener-Waterloo Art Gallery January 11 - March 23, 2008
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Zoe Leonard: analogue
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This publication accompanies the exhibition Analogue Zoe Leonard, Wexner Center for Arts. The Ohio State University, May 12 - August 12, 2007.
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septembre 2007, Cambridge, Colombus, London
Zoe Leonard: analogue
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This publication accompanies the exhibition Analogue Zoe Leonard, Wexner Center for Arts. The Ohio State University, May 12 - August 12, 2007.
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Lee Friedlander's surreal sensibility is on full display in this set of photographs, originally published in 1970. Here Friedlander focuses on the role of his own physical presence in his images. He writes: "At first, my presence in my photos was fascinating and disturbing. But as time passed and I was more a part of other ideas in my photos, I was able to add a giggle to(...)
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juin 2005, New York
Lee Friedlander: self portrait
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Lee Friedlander's surreal sensibility is on full display in this set of photographs, originally published in 1970. Here Friedlander focuses on the role of his own physical presence in his images. He writes: "At first, my presence in my photos was fascinating and disturbing. But as time passed and I was more a part of other ideas in my photos, I was able to add a giggle to those feelings." Here readers can witness this progression as Friedlander appears in the form of his shadow, or reflected in windows and mirrors, and only occasionally fully visible through his own camera. In some photos he visibly struggles with the notion of self-portraiture, desultorily shooting himself in household mirrors and other reflective surfaces. Soon, though, he begins to toy with the pictures, almost teasingly inserting his shadow into them to amusing and provocative effect--elongated and trailing a group of women seen only from the knees down; cast and bent over a chair as if seated in it; mirroring the silhouette of someone walking down the street ahead of him; or falling on the desert ground, a large bush standing in for hair. These uncanny self-portraits evoke a surprisingly full landscape of the artist's life and mind. This reprint edition of Lee Friedlander: Self Portrait contains nearly 50 duotone images and an afterword by John Szarkowski, former Director of the Department of Photography at The Museum of Modern Art.
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Wolfgang Tillmans
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Le reprint du premier livre d'artiste réalisé par Wolfgang Tillmans en 1995. Une compilation “atmosphérique” d'images noir et blanc, combinant portraits de la jeune génération, paysages, scènes urbaines et slogans, articles de presse et illustrations de livres. Ce livre est emblématique de l'approche nouvelle et de l'énergie développées dans les travaux de Tillmans(...)
juillet 2008, Zürich
Wolfgang Tillmans
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Le reprint du premier livre d'artiste réalisé par Wolfgang Tillmans en 1995. Une compilation “atmosphérique” d'images noir et blanc, combinant portraits de la jeune génération, paysages, scènes urbaines et slogans, articles de presse et illustrations de livres. Ce livre est emblématique de l'approche nouvelle et de l'énergie développées dans les travaux de Tillmans depuis la fin des années 1980, et du statut qu'il a conféré à la photographie comme médium artistique à part entière.
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This volume collects the Phoenix-based photographer's images of the Sonoran desert, which he has been shooting since 2003. Using the desert's constant flux to his advantage, Lundgren records the shifting effects of light and atmosphere to create stunning black-and-white images. These photographs express a lust for the primitive, and they reinvigorate the realm of(...)
Michael Lundgren: transfigurations
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This volume collects the Phoenix-based photographer's images of the Sonoran desert, which he has been shooting since 2003. Using the desert's constant flux to his advantage, Lundgren records the shifting effects of light and atmosphere to create stunning black-and-white images. These photographs express a lust for the primitive, and they reinvigorate the realm of landscape photography with notions of the sublime. Lundgren elaborates in his statement, "The landscape is only discernible because of the presence of what is fundamentally absent. Myth and metaphor remain unfixed, open." This volume includes a text by the acclaimed critic, historian and best-selling author, Rebecca Solnit, as well as an afterword by the noted scholar and professor William Jenkins, who curated the influential 1975 New Topographics exhibition.
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Andy Warhol: China 1982
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A documentation of Andy Warhol's 1982 visit to China, this volume offers a unique glimpse of the international pop star by Christopher Makos, his personal photographer. With the advantage of hindsight, this volume becomes complexly ironic--in China in the 80s, almost no one knew who Warhol was. Just a few decades later, in 2006, Warhol's 1972 "Mao" sold for $17.4 million(...)
Andy Warhol: China 1982
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A documentation of Andy Warhol's 1982 visit to China, this volume offers a unique glimpse of the international pop star by Christopher Makos, his personal photographer. With the advantage of hindsight, this volume becomes complexly ironic--in China in the 80s, almost no one knew who Warhol was. Just a few decades later, in 2006, Warhol's 1972 "Mao" sold for $17.4 million to a Hong Kong real estate tycoon. And Chinese artists have, for years, been incorporating Western pop iconography into their work. Photographer Christopher Makos became known in the 1970s for his candid shots of Warhol. Henry Geldzahler, the former Curator of Contemporary Art at The Metropolitan Museum of Art in New York has written: "It is a great asset in Chris Makos' photographs that they reveal new and unfamiliar faces of the legendary pop figure..."
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