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Sebastião Salgado: Glaciers
Sebastião Salgado: Glaciers
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Sebastia~o Salgado brings together 65 duotone photographs from his epic project "Genesis," offering a visual survey of some of the planet’s most remote and ice-bound regions. From the ice fields of Patagonia and the peaks of the Himalayas to the vast shelves of Antarctica and the volcanic flanks of Kamchatka, these images record the forms, textures, and scale of glacial(...)
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Sebastia~o Salgado brings together 65 duotone photographs from his epic project "Genesis," offering a visual survey of some of the planet’s most remote and ice-bound regions. From the ice fields of Patagonia and the peaks of the Himalayas to the vast shelves of Antarctica and the volcanic flanks of Kamchatka, these images record the forms, textures, and scale of glacial(...)
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Sebastião Salgado: Glaciers
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Sebastia~o Salgado brings together 65 duotone photographs from his epic project "Genesis," offering a visual survey of some of the planet’s most remote and ice-bound regions. From the ice fields of Patagonia and the peaks of the Himalayas to the vast shelves of Antarctica and the volcanic flanks of Kamchatka, these images record the forms, textures, and scale of glacial landscapes around the world. Shot in Salgado’s large-format, black-and-white style, the photographs emphasize the physical presence of ice—its ridges, fractures, density, and drift. Light and shadow reveal the structural complexity of each scene, from massive crevasses to the delicate patterns of wind-swept snow. An essay by climate scientist Elisa Palazzi examines the science of glacier formation, transformation, and decline.
Sebastião Salgado: Glaciers
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Sebastia~o Salgado brings together 65 duotone photographs from his epic project "Genesis," offering a visual survey of some of the planet’s most remote and ice-bound regions. From the ice fields of Patagonia and the peaks of the Himalayas to the vast shelves of Antarctica and the volcanic flanks of Kamchatka, these images record the forms, textures, and scale of glacial landscapes around the world. Shot in Salgado’s large-format, black-and-white style, the photographs emphasize the physical presence of ice—its ridges, fractures, density, and drift. Light and shadow reveal the structural complexity of each scene, from massive crevasses to the delicate patterns of wind-swept snow. An essay by climate scientist Elisa Palazzi examines the science of glacier formation, transformation, and decline.
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livres
livres
Publication:
février 2026
février 2026
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Monographies photo
Monographies photo
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livres
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Coincidence: Jeremy Liebman
Coincidence: Jeremy Liebman
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"Coincidence" is the debut photobook by photographer Jeremy Liebman, exploring family, memory, and ideas of home through black-and-white photography. Spanning Dallas, Texas; Brooklyn, New York; and the English countryside, the book follows three generations of the Liebman family, capturing their lives as they unfold in parallel. After more than a decade contributing to(...)
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"Coincidence" is the debut photobook by photographer Jeremy Liebman, exploring family, memory, and ideas of home through black-and-white photography. Spanning Dallas, Texas; Brooklyn, New York; and the English countryside, the book follows three generations of the Liebman family, capturing their lives as they unfold in parallel. After more than a decade contributing to(...)
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Coincidence: Jeremy Liebman
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"Coincidence" is the debut photobook by photographer Jeremy Liebman, exploring family, memory, and ideas of home through black-and-white photography. Spanning Dallas, Texas; Brooklyn, New York; and the English countryside, the book follows three generations of the Liebman family, capturing their lives as they unfold in parallel. After more than a decade contributing to the visual aesthetic of Apartamento magazine across 16 features, Jeremy turns his lens inward to create an intimate family portrait. The book centres on a poignant dialogue between his late father, the photographer Richard Liebman, and his young grandchildren: as they reach out to the world, Jeremy’s father’s grasp on language slowly loosens and his hold on memory slowly wanes. Somewhere between them, Jeremy finds an aperture—the possibility that they are, momentarily, seeing the world in a similar way.
Coincidence: Jeremy Liebman
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"Coincidence" is the debut photobook by photographer Jeremy Liebman, exploring family, memory, and ideas of home through black-and-white photography. Spanning Dallas, Texas; Brooklyn, New York; and the English countryside, the book follows three generations of the Liebman family, capturing their lives as they unfold in parallel. After more than a decade contributing to the visual aesthetic of Apartamento magazine across 16 features, Jeremy turns his lens inward to create an intimate family portrait. The book centres on a poignant dialogue between his late father, the photographer Richard Liebman, and his young grandchildren: as they reach out to the world, Jeremy’s father’s grasp on language slowly loosens and his hold on memory slowly wanes. Somewhere between them, Jeremy finds an aperture—the possibility that they are, momentarily, seeing the world in a similar way.
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livres
livres
Publication:
février 2026
février 2026
Sujet:
Monographies photo
Monographies photo
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livres
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$75.00
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« Paysages usagés. Observatoire Photographique du Paysage depuis le GR2013 » a été créé à l’initiative de Bertrand Stofleth et Geoffroy Mathieu en 2012, à l’occasion de Marseille Provence, Capitale européenne de la culture. Projet photographique collaboratif incluant artistes, marcheur·euses, habitant·es et chercheur·euses, Paysages usagés documente un territoire(...)
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« Paysages usagés. Observatoire Photographique du Paysage depuis le GR2013 » a été créé à l’initiative de Bertrand Stofleth et Geoffroy Mathieu en 2012, à l’occasion de Marseille Provence, Capitale européenne de la culture. Projet photographique collaboratif incluant artistes, marcheur·euses, habitant·es et chercheur·euses, Paysages usagés documente un territoire(...)
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Paysages usagés 2012-2022: Observatoire Photographique du Paysage depuis le GR2013
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« Paysages usagés. Observatoire Photographique du Paysage depuis le GR2013 » a été créé à l’initiative de Bertrand Stofleth et Geoffroy Mathieu en 2012, à l’occasion de Marseille Provence, Capitale européenne de la culture. Projet photographique collaboratif incluant artistes, marcheur·euses, habitant·es et chercheur·euses, Paysages usagés documente un territoire métropolitain en construction, soumis aux pressions anthropiques qui façonnent nos paysages: les apports et les retraits de matière, les transformations, mutations ou latences liés à l’aménagement, à la protection ou à l’abandon des espaces et des milieux. Cent photographies ont été réalisées le long des 365 km du sentier métropolitain GR2013 en intégrant son tracé par un trait blanc qui parcourt l’image et qui s’efface année après année. Pendant 10 ans, chaque année, les artistes ont rephotographié à l’identique 30 points de vue et ont confié les 70 autres à des adoptant.e.s qui ont assuré les reconductions de leurs points de vue.
Paysages usagés 2012-2022: Observatoire Photographique du Paysage depuis le GR2013
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« Paysages usagés. Observatoire Photographique du Paysage depuis le GR2013 » a été créé à l’initiative de Bertrand Stofleth et Geoffroy Mathieu en 2012, à l’occasion de Marseille Provence, Capitale européenne de la culture. Projet photographique collaboratif incluant artistes, marcheur·euses, habitant·es et chercheur·euses, Paysages usagés documente un territoire métropolitain en construction, soumis aux pressions anthropiques qui façonnent nos paysages: les apports et les retraits de matière, les transformations, mutations ou latences liés à l’aménagement, à la protection ou à l’abandon des espaces et des milieux. Cent photographies ont été réalisées le long des 365 km du sentier métropolitain GR2013 en intégrant son tracé par un trait blanc qui parcourt l’image et qui s’efface année après année. Pendant 10 ans, chaque année, les artistes ont rephotographié à l’identique 30 points de vue et ont confié les 70 autres à des adoptant.e.s qui ont assuré les reconductions de leurs points de vue.
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livres
livres
Publication:
avril 2026
avril 2026
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Monographies photo
Monographies photo
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livres
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Margaret Dearing : Sous-sol
Margaret Dearing : Sous-sol
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L'ensemble photographique Sous-sol 1 / Sous-sol 2 / Sous-sol 3. dévoile un pan méconnu de la vie du quartier d'affaires deLa Défense. Plutôt que le spectacle de ses tours de bureaux, à l'architecture conquérante et étincelante, Margaret Dearing dépeint son envers invisible en s'aventurant sous la surface de la grande esplanade, cette vaste dalle de béton construite à(...)
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L'ensemble photographique Sous-sol 1 / Sous-sol 2 / Sous-sol 3. dévoile un pan méconnu de la vie du quartier d'affaires deLa Défense. Plutôt que le spectacle de ses tours de bureaux, à l'architecture conquérante et étincelante, Margaret Dearing dépeint son envers invisible en s'aventurant sous la surface de la grande esplanade, cette vaste dalle de béton construite à(...)
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Margaret Dearing : Sous-sol
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L'ensemble photographique Sous-sol 1 / Sous-sol 2 / Sous-sol 3. dévoile un pan méconnu de la vie du quartier d'affaires deLa Défense. Plutôt que le spectacle de ses tours de bureaux, à l'architecture conquérante et étincelante, Margaret Dearing dépeint son envers invisible en s'aventurant sous la surface de la grande esplanade, cette vaste dalle de béton construite à partir de la fin des années 1960.En quarante-et-un clichés, Margaret Dearing explore ces espaces du dessous, qui n'ont d'autres fonctions que de service : faire circuler les personnes, les flux et les objets, stocker les véhicules, connecter les réseaux de transport entre eux et au quartier, permettre l'entretien des locaux, la livraison des marchandises, le fonctionnement des équipements techniques.
Margaret Dearing : Sous-sol
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L'ensemble photographique Sous-sol 1 / Sous-sol 2 / Sous-sol 3. dévoile un pan méconnu de la vie du quartier d'affaires deLa Défense. Plutôt que le spectacle de ses tours de bureaux, à l'architecture conquérante et étincelante, Margaret Dearing dépeint son envers invisible en s'aventurant sous la surface de la grande esplanade, cette vaste dalle de béton construite à partir de la fin des années 1960.En quarante-et-un clichés, Margaret Dearing explore ces espaces du dessous, qui n'ont d'autres fonctions que de service : faire circuler les personnes, les flux et les objets, stocker les véhicules, connecter les réseaux de transport entre eux et au quartier, permettre l'entretien des locaux, la livraison des marchandises, le fonctionnement des équipements techniques.
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livres
livres
Publication:
décembre 2023
décembre 2023
Sujet:
Monographies photo
Monographies photo
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livres
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$45.00
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Cette publication a été conçue en parallèle à l'exposition Marie-Alice Dumont en conversation avec Raymonde April. L'historien Olivier Guimond, qui a effectué près de 5 ans de recherches sur Marie-Alice Dumont, y présente, entre autres, une biographie exhaustive sur la photographe. Deux historiennes de l'art, Madeleine Marcil et Lucie Bureau, signent aussi des textes qui(...)
$45.00
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Cette publication a été conçue en parallèle à l'exposition Marie-Alice Dumont en conversation avec Raymonde April. L'historien Olivier Guimond, qui a effectué près de 5 ans de recherches sur Marie-Alice Dumont, y présente, entre autres, une biographie exhaustive sur la photographe. Deux historiennes de l'art, Madeleine Marcil et Lucie Bureau, signent aussi des textes qui(...)
Publication:
avril 2026
avril 2026
Titre:
Marie-Alice Dumont en conversation avec Raymonde April
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Cette publication a été conçue en parallèle à l'exposition Marie-Alice Dumont en conversation avec Raymonde April. L'historien Olivier Guimond, qui a effectué près de 5 ans de recherches sur Marie-Alice Dumont, y présente, entre autres, une biographie exhaustive sur la photographe. Deux historiennes de l'art, Madeleine Marcil et Lucie Bureau, signent aussi des textes qui mettent en perspective la pratique de Marie-Alice à l'époque où peu de femmes étaient photographes professionnelles de carrière.
Marie-Alice Dumont en conversation avec Raymonde April
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Cette publication a été conçue en parallèle à l'exposition Marie-Alice Dumont en conversation avec Raymonde April. L'historien Olivier Guimond, qui a effectué près de 5 ans de recherches sur Marie-Alice Dumont, y présente, entre autres, une biographie exhaustive sur la photographe. Deux historiennes de l'art, Madeleine Marcil et Lucie Bureau, signent aussi des textes qui mettent en perspective la pratique de Marie-Alice à l'époque où peu de femmes étaient photographes professionnelles de carrière.
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livres
Publication:
avril 2026
avril 2026
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$64.00
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As the Korean war (1950–1953) drew to a close and South Korea began to rebuild, American GI Roger Marshutz (1929–2007) was stationed in Pusan to photograph U.S. reconstruction efforts. In his spare time, Marshutz also wandered the streets, documenting the daily life of Korean civilians. "The forgotten home front: Roger Marshutz’s photographs of Pusan, South Korea,(...)
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As the Korean war (1950–1953) drew to a close and South Korea began to rebuild, American GI Roger Marshutz (1929–2007) was stationed in Pusan to photograph U.S. reconstruction efforts. In his spare time, Marshutz also wandered the streets, documenting the daily life of Korean civilians. "The forgotten home front: Roger Marshutz’s photographs of Pusan, South Korea,(...)
Titre:
The forgotten homefront: Roger Marshutz's Photographs of Pusan, South Korea, 1952-1954
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As the Korean war (1950–1953) drew to a close and South Korea began to rebuild, American GI Roger Marshutz (1929–2007) was stationed in Pusan to photograph U.S. reconstruction efforts. In his spare time, Marshutz also wandered the streets, documenting the daily life of Korean civilians. "The forgotten home front: Roger Marshutz’s photographs of Pusan, South Korea, 1952–1954" offers both an official and unofficial look at U.S.-South Korean relations, as well as a portrait of a country in the midst of enormous political, economic, and cultural transformation.
The forgotten homefront: Roger Marshutz's Photographs of Pusan, South Korea, 1952-1954
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As the Korean war (1950–1953) drew to a close and South Korea began to rebuild, American GI Roger Marshutz (1929–2007) was stationed in Pusan to photograph U.S. reconstruction efforts. In his spare time, Marshutz also wandered the streets, documenting the daily life of Korean civilians. "The forgotten home front: Roger Marshutz’s photographs of Pusan, South Korea, 1952–1954" offers both an official and unofficial look at U.S.-South Korean relations, as well as a portrait of a country in the midst of enormous political, economic, and cultural transformation.
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livres
livres
Publication:
mars 2026
mars 2026
Sujet:
Monographies photo
Monographies photo
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livres
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$13.95
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Sellafield, Europe's largest nuclear site, began being decommissioned in 2022. Its primary purpose was to produce weapons-grade plutonium for the UK's nuclear weapons programme, but they also generated electrical power for the National Grid from 1956-2003 and reprocessed nuclear fuel from 1952 to 2022. In 1985, Barry Lewis photographed part of the plant for The Sunday(...)
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Sellafield, Europe's largest nuclear site, began being decommissioned in 2022. Its primary purpose was to produce weapons-grade plutonium for the UK's nuclear weapons programme, but they also generated electrical power for the National Grid from 1956-2003 and reprocessed nuclear fuel from 1952 to 2022. In 1985, Barry Lewis photographed part of the plant for The Sunday(...)
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Barry Lewis: Sellafield Nuclear Site 1985
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Sellafield, Europe's largest nuclear site, began being decommissioned in 2022. Its primary purpose was to produce weapons-grade plutonium for the UK's nuclear weapons programme, but they also generated electrical power for the National Grid from 1956-2003 and reprocessed nuclear fuel from 1952 to 2022. In 1985, Barry Lewis photographed part of the plant for The Sunday Times Magazine after reports found an increased incidence of leukaemia and non-Hodgkin lymphoma in children and young adults under 25 years of age living in Seascale, a village near Sellafield on the west coast of Cumbria. A government report suggested that these spikes were unlikely to have been caused by radiation exposure though the causes of these clusters of leukaemia around Sellafield was still not clear. 100Kg of plutonium had been pumped out of Sellafield into the Irish sea during the previous 40 years and 60Kg was unaccounted for. Any plutonium dust that is washed inshore, and when the tide goes out, could dry and blow inland. A single speck of plutonium inhaled is enough to trigger cancer. Sellafield is now a sprawling rubbish dump on the Cumbrian coast, with the world's largest store of plutonium that stores and treats decades of nuclear waste from atomic power generation and weapons programmes.The buildings are expected to be finally torn down by 2125 at a cost of approaching £100 billion and have its nuclear waste buried deep underground at a location still undecided.
Barry Lewis: Sellafield Nuclear Site 1985
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Sellafield, Europe's largest nuclear site, began being decommissioned in 2022. Its primary purpose was to produce weapons-grade plutonium for the UK's nuclear weapons programme, but they also generated electrical power for the National Grid from 1956-2003 and reprocessed nuclear fuel from 1952 to 2022. In 1985, Barry Lewis photographed part of the plant for The Sunday Times Magazine after reports found an increased incidence of leukaemia and non-Hodgkin lymphoma in children and young adults under 25 years of age living in Seascale, a village near Sellafield on the west coast of Cumbria. A government report suggested that these spikes were unlikely to have been caused by radiation exposure though the causes of these clusters of leukaemia around Sellafield was still not clear. 100Kg of plutonium had been pumped out of Sellafield into the Irish sea during the previous 40 years and 60Kg was unaccounted for. Any plutonium dust that is washed inshore, and when the tide goes out, could dry and blow inland. A single speck of plutonium inhaled is enough to trigger cancer. Sellafield is now a sprawling rubbish dump on the Cumbrian coast, with the world's largest store of plutonium that stores and treats decades of nuclear waste from atomic power generation and weapons programmes.The buildings are expected to be finally torn down by 2125 at a cost of approaching £100 billion and have its nuclear waste buried deep underground at a location still undecided.
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livres
livres
Publication:
avril 2026
avril 2026
Sujet:
Monographies photo
Monographies photo
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livres
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Ian Clegg: Manchester 1992
Ian Clegg: Manchester 1992
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Ian Clegg's archive of Manchester, 1992.
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Ian Clegg's archive of Manchester, 1992.
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Ian Clegg: Manchester 1992
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Ian Clegg's archive of Manchester, 1992.
Ian Clegg: Manchester 1992
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Ian Clegg's archive of Manchester, 1992.
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livres
livres
Publication:
avril 2026
avril 2026
Sujet:
Monographies photo
Monographies photo
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livres
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Mark McEvoy’s archive of the Notting Carnival, between 1984 and 1992.
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Mark McEvoy’s archive of the Notting Carnival, between 1984 and 1992.
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Mark McEvoy: Notting Hill Carnival 1987-1992
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Mark McEvoy’s archive of the Notting Carnival, between 1984 and 1992.
Mark McEvoy: Notting Hill Carnival 1987-1992
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Mark McEvoy’s archive of the Notting Carnival, between 1984 and 1992.
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livres
livres
Publication:
avril 2026
avril 2026
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$74.95
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Gabriele Basilico followed Aldo Rossi's work for almost twenty years, accompanying his rise to become a leading figure in international architecture (winning the Pritzker Prize in 1990). His photographs reveal their deep professional affinity: the two shared Milanese origins, degrees from the Politecnico, an interest in social issues and urban transformation, and even(...)
$74.95
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Résumé:
Gabriele Basilico followed Aldo Rossi's work for almost twenty years, accompanying his rise to become a leading figure in international architecture (winning the Pritzker Prize in 1990). His photographs reveal their deep professional affinity: the two shared Milanese origins, degrees from the Politecnico, an interest in social issues and urban transformation, and even(...)
Titre:
Gabriele Basilico fotografa Aldo Rossi
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Gabriele Basilico followed Aldo Rossi's work for almost twenty years, accompanying his rise to become a leading figure in international architecture (winning the Pritzker Prize in 1990). His photographs reveal their deep professional affinity: the two shared Milanese origins, degrees from the Politecnico, an interest in social issues and urban transformation, and even more importantly, the moral compass with which they explored the world around them. Growing up in a Milan of which the industrial civilisation was by then in its death throes, they grasped the opportunity to create a new language still mindful of tradition. The volume brings together Basilico's photographs of Rossi's architecture for the first time, and is enriched by contributions from Chiara Spangaro and Pier Paolo Tamburelli, project notes by Rossi, as well as the writings that they dedicated to each other.
Gabriele Basilico fotografa Aldo Rossi
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Gabriele Basilico followed Aldo Rossi's work for almost twenty years, accompanying his rise to become a leading figure in international architecture (winning the Pritzker Prize in 1990). His photographs reveal their deep professional affinity: the two shared Milanese origins, degrees from the Politecnico, an interest in social issues and urban transformation, and even more importantly, the moral compass with which they explored the world around them. Growing up in a Milan of which the industrial civilisation was by then in its death throes, they grasped the opportunity to create a new language still mindful of tradition. The volume brings together Basilico's photographs of Rossi's architecture for the first time, and is enriched by contributions from Chiara Spangaro and Pier Paolo Tamburelli, project notes by Rossi, as well as the writings that they dedicated to each other.
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livres
livres
Publication:
mars 2026
mars 2026
Sujet:
Monographies photo
Monographies photo
