2330 Résultats
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This catalogue was published in conjunction with the exhibition 'Takashi Homma: Architectural Landscapes' at Gallery White Room Tokyo. November 1 to December 16, 2007.
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This catalogue was published in conjunction with the exhibition 'Takashi Homma: Architectural Landscapes' at Gallery White Room Tokyo. November 1 to December 16, 2007.
Titre:
Homma: Architectural landscapes
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This catalogue was published in conjunction with the exhibition 'Takashi Homma: Architectural Landscapes' at Gallery White Room Tokyo. November 1 to December 16, 2007.
Homma: Architectural landscapes
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This catalogue was published in conjunction with the exhibition 'Takashi Homma: Architectural Landscapes' at Gallery White Room Tokyo. November 1 to December 16, 2007.
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Publication:
octobre 2007, Tokyo
octobre 2007, Tokyo
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Monographies photo
Monographies photo
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Over the past thirty years, Victor Burgin has become both an influential artist and a renowned theorist of the still and moving image. His writings are noted for their lucidity, while his photographs and videos are paradoxical and question meaning in contemporary society. In this book, Victor Burgin retraces the history of his artistic and critical pursuits, from his(...)
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Over the past thirty years, Victor Burgin has become both an influential artist and a renowned theorist of the still and moving image. His writings are noted for their lucidity, while his photographs and videos are paradoxical and question meaning in contemporary society. In this book, Victor Burgin retraces the history of his artistic and critical pursuits, from his(...)
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Victor Burgin: components of a practice
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Over the past thirty years, Victor Burgin has become both an influential artist and a renowned theorist of the still and moving image. His writings are noted for their lucidity, while his photographs and videos are paradoxical and question meaning in contemporary society. In this book, Victor Burgin retraces the history of his artistic and critical pursuits, from his conceptual photographic works of the sixties to his recent video work. He reviews the evolution of his visual work with a particular focus on its relationship to the institution and practices of painting, photography and cinema. This book is different from Burgin’s previous publications, which are either monographs of his visual work—with essays by other writers—or collections of his essays. This is the first book in which Burgin turns his attention to his own artistic production.
Victor Burgin: components of a practice
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Over the past thirty years, Victor Burgin has become both an influential artist and a renowned theorist of the still and moving image. His writings are noted for their lucidity, while his photographs and videos are paradoxical and question meaning in contemporary society. In this book, Victor Burgin retraces the history of his artistic and critical pursuits, from his conceptual photographic works of the sixties to his recent video work. He reviews the evolution of his visual work with a particular focus on its relationship to the institution and practices of painting, photography and cinema. This book is different from Burgin’s previous publications, which are either monographs of his visual work—with essays by other writers—or collections of his essays. This is the first book in which Burgin turns his attention to his own artistic production.
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Publication:
septembre 2008
septembre 2008
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Monographies photo
Monographies photo
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Writing about The Museum of Modern Art's monumental and critically acclaimed 2005 Lee Friedlander retrospective, Richard Lacayo of Time magazine said: "If a sophisticated notion of what a picture can look like, the continuous construction of new avenues of feeling, and sheer, sustained inventiveness are the measures we go by, then Friedlander is one of the most important(...)
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Writing about The Museum of Modern Art's monumental and critically acclaimed 2005 Lee Friedlander retrospective, Richard Lacayo of Time magazine said: "If a sophisticated notion of what a picture can look like, the continuous construction of new avenues of feeling, and sheer, sustained inventiveness are the measures we go by, then Friedlander is one of the most important(...)
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Friedlander The Museum of Modern Art
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Writing about The Museum of Modern Art's monumental and critically acclaimed 2005 Lee Friedlander retrospective, Richard Lacayo of Time magazine said: "If a sophisticated notion of what a picture can look like, the continuous construction of new avenues of feeling, and sheer, sustained inventiveness are the measures we go by, then Friedlander is one of the most important American artists of any kind since World War II Friedlander loves the muchness of the world. He loves the haphazard multitude of things that can pop up in every picture--street signs, sunbeams, bits of roofline, a jagged shadow--all colliding and contradicting one another. In his breezy but very acute introduction to the show's catalogue, Peter Galassi, MoMA's chief curator of photography, gets it just right when he says some of Friedlander's pictures give you the impression that 'the physical world had been broken into fragments and reconstituted under pressure at three times its original density.'" Now available for the first time, the paperback edition of this definitive, comprehensive volume is being published to coincide with the traveling retrospective's stop in San Francisco at SFMOMA.
Friedlander The Museum of Modern Art
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Writing about The Museum of Modern Art's monumental and critically acclaimed 2005 Lee Friedlander retrospective, Richard Lacayo of Time magazine said: "If a sophisticated notion of what a picture can look like, the continuous construction of new avenues of feeling, and sheer, sustained inventiveness are the measures we go by, then Friedlander is one of the most important American artists of any kind since World War II Friedlander loves the muchness of the world. He loves the haphazard multitude of things that can pop up in every picture--street signs, sunbeams, bits of roofline, a jagged shadow--all colliding and contradicting one another. In his breezy but very acute introduction to the show's catalogue, Peter Galassi, MoMA's chief curator of photography, gets it just right when he says some of Friedlander's pictures give you the impression that 'the physical world had been broken into fragments and reconstituted under pressure at three times its original density.'" Now available for the first time, the paperback edition of this definitive, comprehensive volume is being published to coincide with the traveling retrospective's stop in San Francisco at SFMOMA.
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livres
livres
Publication:
février 2008, New York
février 2008, New York
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Monographies photo
Monographies photo
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Stéphane Duroy: Unknown
Stéphane Duroy: Unknown
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L'enjeu de ce travail, après les tragédies de l'Europe du XXe siècle, sera d'envisager l'Amérique comme terre d'accueil, réceptacle des drames de la vieille Europe, transposition optimiste de la misère, de la brutalité des guerres et révolutions. L'exil impose à l'homme américain une mutation radicale qui lui permet au prix d'un reniement de sa propre mémoire,(...)
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L'enjeu de ce travail, après les tragédies de l'Europe du XXe siècle, sera d'envisager l'Amérique comme terre d'accueil, réceptacle des drames de la vieille Europe, transposition optimiste de la misère, de la brutalité des guerres et révolutions. L'exil impose à l'homme américain une mutation radicale qui lui permet au prix d'un reniement de sa propre mémoire,(...)
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Stéphane Duroy: Unknown
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L'enjeu de ce travail, après les tragédies de l'Europe du XXe siècle, sera d'envisager l'Amérique comme terre d'accueil, réceptacle des drames de la vieille Europe, transposition optimiste de la misère, de la brutalité des guerres et révolutions. L'exil impose à l'homme américain une mutation radicale qui lui permet au prix d'un reniement de sa propre mémoire, d'intégrer une nouvelle conception du monde fondée sur l'éphémère, l'abandon et le mouvement perpétuel, proche du nomadisme. Stucturé par son destin d'exilé, ce peuple puise sa force et son inventivité dans la rupture. La nostalgie devient mortifère et l'avenir trop distant pour en rêver. Il reste alors le privilège de créer l'instant et de s'adapter. Compte tenu de la radicalité de cet engagement dans le destin d'un homme, il me semble qu'à l'échelle d'un peuple, les conséquences seront certainement surprenantes. Ce travail photographique né d'un fort parti pris ignore les grands mouvements de cette 'jeune civilisation' où information, spiritualité, environnement, culture, diplomatie, riment avec consommation et profit. Pour la cohérence du projet, l'investigation se limite à New York, porte de l'Amérique, et à l'État du Montana, achèvement de la lente migration vers l'inconnu. Stéphane Leroy
Stéphane Duroy: Unknown
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L'enjeu de ce travail, après les tragédies de l'Europe du XXe siècle, sera d'envisager l'Amérique comme terre d'accueil, réceptacle des drames de la vieille Europe, transposition optimiste de la misère, de la brutalité des guerres et révolutions. L'exil impose à l'homme américain une mutation radicale qui lui permet au prix d'un reniement de sa propre mémoire, d'intégrer une nouvelle conception du monde fondée sur l'éphémère, l'abandon et le mouvement perpétuel, proche du nomadisme. Stucturé par son destin d'exilé, ce peuple puise sa force et son inventivité dans la rupture. La nostalgie devient mortifère et l'avenir trop distant pour en rêver. Il reste alors le privilège de créer l'instant et de s'adapter. Compte tenu de la radicalité de cet engagement dans le destin d'un homme, il me semble qu'à l'échelle d'un peuple, les conséquences seront certainement surprenantes. Ce travail photographique né d'un fort parti pris ignore les grands mouvements de cette 'jeune civilisation' où information, spiritualité, environnement, culture, diplomatie, riment avec consommation et profit. Pour la cohérence du projet, l'investigation se limite à New York, porte de l'Amérique, et à l'État du Montana, achèvement de la lente migration vers l'inconnu. Stéphane Leroy
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livres
livres
Publication:
mars 2008, Paris
mars 2008, Paris
Sujet:
Monographies photo
Monographies photo
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Titre:
Linda Herzog: Mihriban
Linda Herzog: Mihriban
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From 2004 to 2007 Linda Herzog lived and worked in Istanbul and using the city as her base, travelled the length and breadth of Turkey. The photographs taken on these journeys form the basic stock for the photographic essay in book format, entitled „Mihriban“. „Mihriban“ is a Turkish girl's name and means „good friend, with a good heart and a laughing face“; above all,(...)
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From 2004 to 2007 Linda Herzog lived and worked in Istanbul and using the city as her base, travelled the length and breadth of Turkey. The photographs taken on these journeys form the basic stock for the photographic essay in book format, entitled „Mihriban“. „Mihriban“ is a Turkish girl's name and means „good friend, with a good heart and a laughing face“; above all,(...)
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Linda Herzog: Mihriban
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From 2004 to 2007 Linda Herzog lived and worked in Istanbul and using the city as her base, travelled the length and breadth of Turkey. The photographs taken on these journeys form the basic stock for the photographic essay in book format, entitled „Mihriban“. „Mihriban“ is a Turkish girl's name and means „good friend, with a good heart and a laughing face“; above all, „Mihriban“ is a well-known love song in Turkey. "Mihriban is both documentary photography and the record of a process that I consider to be artistic in essence. It's about exploring reality through art; it is a piece of research on the nature of both reality and the image.", Linda Herzog in conversation with Martin Jaeggi.
Linda Herzog: Mihriban
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From 2004 to 2007 Linda Herzog lived and worked in Istanbul and using the city as her base, travelled the length and breadth of Turkey. The photographs taken on these journeys form the basic stock for the photographic essay in book format, entitled „Mihriban“. „Mihriban“ is a Turkish girl's name and means „good friend, with a good heart and a laughing face“; above all, „Mihriban“ is a well-known love song in Turkey. "Mihriban is both documentary photography and the record of a process that I consider to be artistic in essence. It's about exploring reality through art; it is a piece of research on the nature of both reality and the image.", Linda Herzog in conversation with Martin Jaeggi.
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Publication:
décembre 2007, Istanbul/Zurich
décembre 2007, Istanbul/Zurich
Sujet:
Monographies photo
Monographies photo
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livres
Titre:
Sze Tsung Leong: Horizons
Sze Tsung Leong: Horizons
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This catalogue is published in conjounction with the exhibition ' Sze Tsung Leong: Horizons' at Yossi Milo Gallery, New York, April 3 - May 17, 2008.
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This catalogue is published in conjounction with the exhibition ' Sze Tsung Leong: Horizons' at Yossi Milo Gallery, New York, April 3 - May 17, 2008.
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Sze Tsung Leong: Horizons
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This catalogue is published in conjounction with the exhibition ' Sze Tsung Leong: Horizons' at Yossi Milo Gallery, New York, April 3 - May 17, 2008.
Sze Tsung Leong: Horizons
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This catalogue is published in conjounction with the exhibition ' Sze Tsung Leong: Horizons' at Yossi Milo Gallery, New York, April 3 - May 17, 2008.
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livres
Publication:
février 2008, New York
février 2008, New York
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Monographies photo
Monographies photo
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Wind, water, fire and molten rock constantly tear apart and resculpt the natural world we live in, and people have always struggled to create structures that will permanently establish their existence on the land. For more than four decades, Frank Gohlke has committed his camera lens to documenting that fraught relationship between people and place, and this retrospective(...)
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Wind, water, fire and molten rock constantly tear apart and resculpt the natural world we live in, and people have always struggled to create structures that will permanently establish their existence on the land. For more than four decades, Frank Gohlke has committed his camera lens to documenting that fraught relationship between people and place, and this retrospective(...)
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Monographies photo
Monographies photo
Publication:
décembre 2007, New Mexico, Texas
décembre 2007, New Mexico, Texas
Titre:
Accommodating Nature: the photographs of Frank Gohlke
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Wind, water, fire and molten rock constantly tear apart and resculpt the natural world we live in, and people have always struggled to create structures that will permanently establish their existence on the land. For more than four decades, Frank Gohlke has committed his camera lens to documenting that fraught relationship between people and place, and this retrospective collection of his work by curator John Rohrbach reveals how people carve out their spaces, accommodating nature. Published by the Amon Carter Museum and the Center for American Places.
Accommodating Nature: the photographs of Frank Gohlke
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Wind, water, fire and molten rock constantly tear apart and resculpt the natural world we live in, and people have always struggled to create structures that will permanently establish their existence on the land. For more than four decades, Frank Gohlke has committed his camera lens to documenting that fraught relationship between people and place, and this retrospective collection of his work by curator John Rohrbach reveals how people carve out their spaces, accommodating nature. Published by the Amon Carter Museum and the Center for American Places.
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livres
livres
Publication:
décembre 2007, New Mexico, Texas
décembre 2007, New Mexico, Texas
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Monographies photo
Monographies photo
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$63.00
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This catalogue was published in conjunction with the exhibition 'Stan Douglas - Past Imperfect Works 1986-2007' Staatsgalerie Stuttgart and Württembergischer Kunstverein Stuttgart September 15, 2007 - January 6, 2008 Stan Douglas (*1960 in Vancouver) has expanded the experiential spaces of cinema, television, and the museum, both sensorially and intellectually, like no(...)
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This catalogue was published in conjunction with the exhibition 'Stan Douglas - Past Imperfect Works 1986-2007' Staatsgalerie Stuttgart and Württembergischer Kunstverein Stuttgart September 15, 2007 - January 6, 2008 Stan Douglas (*1960 in Vancouver) has expanded the experiential spaces of cinema, television, and the museum, both sensorially and intellectually, like no(...)
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Monographies photo
Monographies photo
Publication:
décembre 2007, Stuttgart
décembre 2007, Stuttgart
Titre:
Stan Douglas Past Imperfect - works 1986-2007
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This catalogue was published in conjunction with the exhibition 'Stan Douglas - Past Imperfect Works 1986-2007' Staatsgalerie Stuttgart and Württembergischer Kunstverein Stuttgart September 15, 2007 - January 6, 2008 Stan Douglas (*1960 in Vancouver) has expanded the experiential spaces of cinema, television, and the museum, both sensorially and intellectually, like no other artist. His work has been presented in numerous major shows all over the world, but a retrospective in Stuttgart unities his key works of the past twenty years in a single exhibition for the first time. This publication offers various readings of the artist's complex oeuvre and his multifaceted interpretations of history, film, and music.
Stan Douglas Past Imperfect - works 1986-2007
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This catalogue was published in conjunction with the exhibition 'Stan Douglas - Past Imperfect Works 1986-2007' Staatsgalerie Stuttgart and Württembergischer Kunstverein Stuttgart September 15, 2007 - January 6, 2008 Stan Douglas (*1960 in Vancouver) has expanded the experiential spaces of cinema, television, and the museum, both sensorially and intellectually, like no other artist. His work has been presented in numerous major shows all over the world, but a retrospective in Stuttgart unities his key works of the past twenty years in a single exhibition for the first time. This publication offers various readings of the artist's complex oeuvre and his multifaceted interpretations of history, film, and music.
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livres
livres
Publication:
décembre 2007, Stuttgart
décembre 2007, Stuttgart
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Julius Shulman: Palm Springs
Julius Shulman: Palm Springs
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Through Julius Shulman’s lens, the architecture of Southern California became iconic images of modernism. His photographs heralded the glamor and casual elegance of a lifestyle and architecture that has become revered worldwide. Focusing on the desert paradise of Palm Springs, which was his seminal crucible, this book presents his masterpieces. Images range from Richard(...)
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Through Julius Shulman’s lens, the architecture of Southern California became iconic images of modernism. His photographs heralded the glamor and casual elegance of a lifestyle and architecture that has become revered worldwide. Focusing on the desert paradise of Palm Springs, which was his seminal crucible, this book presents his masterpieces. Images range from Richard(...)
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Julius Shulman: Palm Springs
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Through Julius Shulman’s lens, the architecture of Southern California became iconic images of modernism. His photographs heralded the glamor and casual elegance of a lifestyle and architecture that has become revered worldwide. Focusing on the desert paradise of Palm Springs, which was his seminal crucible, this book presents his masterpieces. Images range from Richard Neutra’s Kaufmann House and Albert Frey’s Raymond Loewy House, to Paul R. Williams’ house for Lucille Ball and Desi Arnaz, Frank Sinatra’s house, John Lautner’s house for Bob Hope, as well as other famous landmarks. The book features more than sixty buildings by fifteen of the most notable mid-twentieth-century architects. With new photography and images culled from his personal collection as well as the Getty Center, this book includes many images never before seen.
Julius Shulman: Palm Springs
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Through Julius Shulman’s lens, the architecture of Southern California became iconic images of modernism. His photographs heralded the glamor and casual elegance of a lifestyle and architecture that has become revered worldwide. Focusing on the desert paradise of Palm Springs, which was his seminal crucible, this book presents his masterpieces. Images range from Richard Neutra’s Kaufmann House and Albert Frey’s Raymond Loewy House, to Paul R. Williams’ house for Lucille Ball and Desi Arnaz, Frank Sinatra’s house, John Lautner’s house for Bob Hope, as well as other famous landmarks. The book features more than sixty buildings by fifteen of the most notable mid-twentieth-century architects. With new photography and images culled from his personal collection as well as the Getty Center, this book includes many images never before seen.
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livres
livres
Publication:
février 2008, New York
février 2008, New York
Sujet:
Monographies photo
Monographies photo
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livres
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A major retrospective survey celebrating one of Canada's greatest landscape photographers, Geoffrey James. Geoffrey James's photographic work over the past twenty years explores the natural environment and the way in which human activity registers upon it. All his photographs, from the tranquility of the Roman Campagna to the desolate demarcations of the U.S./Mexican(...)
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A major retrospective survey celebrating one of Canada's greatest landscape photographers, Geoffrey James. Geoffrey James's photographic work over the past twenty years explores the natural environment and the way in which human activity registers upon it. All his photographs, from the tranquility of the Roman Campagna to the desolate demarcations of the U.S./Mexican(...)
Sujet:
Monographies photo
Monographies photo
Publication:
mai 2008, Ottawa Vanouver Toronto Berkley
mai 2008, Ottawa Vanouver Toronto Berkley
Titre:
Utopia / Dystopia: Geoffrey James
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A major retrospective survey celebrating one of Canada's greatest landscape photographers, Geoffrey James. Geoffrey James's photographic work over the past twenty years explores the natural environment and the way in which human activity registers upon it. All his photographs, from the tranquility of the Roman Campagna to the desolate demarcations of the U.S./Mexican border, reverberate with a sense of human habitation, which is not always formally evident. This major retrospective includes an illustrated chronology of James's career and essays from Lori Pauli, Stephen Bann and Britt Salvesen.
Utopia / Dystopia: Geoffrey James
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A major retrospective survey celebrating one of Canada's greatest landscape photographers, Geoffrey James. Geoffrey James's photographic work over the past twenty years explores the natural environment and the way in which human activity registers upon it. All his photographs, from the tranquility of the Roman Campagna to the desolate demarcations of the U.S./Mexican border, reverberate with a sense of human habitation, which is not always formally evident. This major retrospective includes an illustrated chronology of James's career and essays from Lori Pauli, Stephen Bann and Britt Salvesen.
Classification:
livres
livres
Publication:
mai 2008, Ottawa Vanouver Toronto Berkley
mai 2008, Ottawa Vanouver Toronto Berkley
Sujet:
Monographies photo
Monographies photo
