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''As Far as You Can See'', presented by COMMERCE, is the first comprehensive collection of Erik Kessels’s books, spanning from 1997 to today – including his latest, ''Incomplete Encyclopaedia of Touch''. This richly illustrated volume traces over two decades of Kessels’s artistic, editorial, and photographic explorations. Internationally known for his work with vernacular(...)
Erik Kessels; As Far As You Can See
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''As Far as You Can See'', presented by COMMERCE, is the first comprehensive collection of Erik Kessels’s books, spanning from 1997 to today – including his latest, ''Incomplete Encyclopaedia of Touch''. This richly illustrated volume traces over two decades of Kessels’s artistic, editorial, and photographic explorations. Internationally known for his work with vernacular photography and visual storytelling, Kessels has crafted a body of work that captures the human, the everyday, and the absurd - one book at a time. The publication includes a new text by critic and curator Francesco Zanot, structured as a series of concise reflections - one for each book - offering a fragmented yet cohesive insight into Kessels’s evolving visual language. Designed by Cabinet Milano, the book features a modular layout that integrates video stills made in collaboration with Riccardo Ruffolo and Enrico Zanetti, also part of the accompanying exhibition.
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In the south of the Netherlands lies the limestone plateau of the Sint-Pietersberg. As early as the Middle Ages, people started using limestone as a building material. Underground mining resulted in an immense network of caves, its corridor walls preserving a huge living archive, left behind by block breakers, tourists, people in hiding, soldiers, and priests. Fossils of(...)
Sven Gerhardt: The mountain's breath
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In the south of the Netherlands lies the limestone plateau of the Sint-Pietersberg. As early as the Middle Ages, people started using limestone as a building material. Underground mining resulted in an immense network of caves, its corridor walls preserving a huge living archive, left behind by block breakers, tourists, people in hiding, soldiers, and priests. Fossils of Sauria have been found, sieges have taken place, people have disappeared, and treasures have been stored (such as Rembrandt's Night Watch). Around 1960, Jan Spee started photographing these corridor walls, which he meticulously mapped and organised. Compiled by Sven Gerhardt (NL), this book gives an overview and provides context and cross-references to Spee’s images.
Monographies photo
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Joints of Eastern Europe represent a long-standing tradition of resourceful craftsmanship, deeply rooted in a region historically associated with manual labour. These joints symbolise the hands that have shaped much of Europe, embodying contextual resilience and an instinctive problem-solving approach that reflects the identity and empiricism of both the joints themselves(...)
Natasha Krymskaya: Joints of Eastern Europe
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Joints of Eastern Europe represent a long-standing tradition of resourceful craftsmanship, deeply rooted in a region historically associated with manual labour. These joints symbolise the hands that have shaped much of Europe, embodying contextual resilience and an instinctive problem-solving approach that reflects the identity and empiricism of both the joints themselves and the workers who create them. Visually distinct, the joints serve as powerful markers of Eastern European culture, representing inventive solutions born from everyday necessity. This unique form of craftsmanship is characterised by spontaneous, often temporary solutions that, over time, evolve into enduring fixtures. With their rough elegance and structural creativity, these fixtures inspire architects and engineers alike, balancing beauty and functionality.
Monographies photo
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Pompeii has supposedly been already ‘fully photographed‘. But now the internationally renowned architectural photographer Hans Georg Esch and his team are opening up astonishing new perspectives on the over 2,500-year-old Roman city, which was buried when Mount Vesuvius erupted in 79 AD. Known for their iconic images of the architecture of global mega-cities, the(...)
Hans Georg Esch: Pompeii, the architectural eye
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Pompeii has supposedly been already ‘fully photographed‘. But now the internationally renowned architectural photographer Hans Georg Esch and his team are opening up astonishing new perspectives on the over 2,500-year-old Roman city, which was buried when Mount Vesuvius erupted in 79 AD. Known for their iconic images of the architecture of global mega-cities, the photographic work of the team HGEsch in Pompeii shows the excavated sites as part of today’s metropolis of Naples at the foot of the volcano and illustrates the parallels and connections between ancient urban planning and our contemporary cities. For the first time, the exhibition presents more than 80 of these magnificent photographs of what are probably the best-preserved remains of ancient Roman cities worldwide, taken from a 21st century perspective. The once vibrant and lively, then buried and now in ruins urban structure becomes more tangible than ever before.
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Vivian Maier
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L'histoire de Vivian Maier (1926-2009) est celle d'une nanny ayant traversé sa vie dans le silence avant d'être révélée comme photographe. Autodidacte, elle invente son langage à la croisée de la photographie humaniste et de la street photography. Qu'elle s'intéresse aux enfants ou aux quartiers ouvriers, elle représente ceux qui sont les oubliés du rêve américain. Ses(...)
Vivian Maier
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L'histoire de Vivian Maier (1926-2009) est celle d'une nanny ayant traversé sa vie dans le silence avant d'être révélée comme photographe. Autodidacte, elle invente son langage à la croisée de la photographie humaniste et de la street photography. Qu'elle s'intéresse aux enfants ou aux quartiers ouvriers, elle représente ceux qui sont les oubliés du rêve américain. Ses autoportraits témoignent d'une quête d'identité au sein d'un monde où elle ne semblait pas avoir de place.
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Batia Suter: La nonpareille
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‘'La Nonpareille'’ expands on Batia Suter’s site-specific installation at TU Delft, in which she engaged with an archive of glass slides from its library. Originally used between 1900 and 1960 for lectures in Mechanical Technology, these visibly worn plates document machines, industrial materials, and production processes during a period of increasing mechanisation. Suter(...)
Batia Suter: La nonpareille
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‘'La Nonpareille'’ expands on Batia Suter’s site-specific installation at TU Delft, in which she engaged with an archive of glass slides from its library. Originally used between 1900 and 1960 for lectures in Mechanical Technology, these visibly worn plates document machines, industrial materials, and production processes during a period of increasing mechanisation. Suter reworks the material into a visual reflection on the entanglement of humans and machines – and how technology reshapes perception, labour, and everyday life. Many compositions in the book consist of layered montages, where multiple images are overlaid to create new, morphed forms and associations.
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Richard Misrach: Cargo
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"Richard Misrach: Cargo" presents the acclaimed photographer’s sublime meditation on the often-unseen patterns of global trade and commerce. In 2021, on the heels of the COVID-19 pandemic, which, at its height, seemed to nearly halt the networks of international trade, Misrach began taking thousands of photographs of cargo ships as they moved to and from the Port of(...)
Richard Misrach: Cargo
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"Richard Misrach: Cargo" presents the acclaimed photographer’s sublime meditation on the often-unseen patterns of global trade and commerce. In 2021, on the heels of the COVID-19 pandemic, which, at its height, seemed to nearly halt the networks of international trade, Misrach began taking thousands of photographs of cargo ships as they moved to and from the Port of Oakland, California. In these monumental seascapes, cargo ships appear frozen in time—diminutive but stalwart—within an expansive, richly colored confluence of sea, sky, and atmosphere. Eerie, sparse, and undeniably beautiful, Misrach’s images abstractly trace multiple histories: the recent collapse and slow recovery of these seafaring trade routes, the confrontation of the human and natural environment in an era of climate disaster, and a rich lineage of maritime art.
Monographies photo
$32.95
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Le studio Macle documente la multiplicité des récits qui investissent ces lieux et ces architectures, avant l'appropriation des espaces par les artistes, afin de les raconter par les personnes qui les façonnent. Les quartiers sont découverts sans ordre préétabli afin d'en présenter un portrait à la fois choral et subjectif où les voix se mélangent. La notion de patrimoine(...)
Le Nouveau Printemps 2025 – Toulouse : Saint-Sernin, Arnaud-Bernard
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Le studio Macle documente la multiplicité des récits qui investissent ces lieux et ces architectures, avant l'appropriation des espaces par les artistes, afin de les raconter par les personnes qui les façonnent. Les quartiers sont découverts sans ordre préétabli afin d'en présenter un portrait à la fois choral et subjectif où les voix se mélangent. La notion de patrimoine est sans cesse requestionnée sous un angle vivant au cours de cette déambulation et revient cycliquement en surface à travers les usages et les pratiques. En même temps matériel et immatériel, hérité et transformé, contemplé et utilisé, parler de patrimoine est l'occasion de souligner les accidents des lieux qui nous entourent et les mutations des villes que nous habitons.
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Album Architectures: Maputo
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L'architecture moderniste de Maputo est au cœur de cet ouvrage : les rez-de-chaussée de ses bâtiments servent de prisme pour explorer la transformation des villes postcoloniales, en mettant l'accent sur les rues, les espaces publics et les mutations urbaines. La photographie de Giovanna Silva saisit le paysage en évolution de la ville ainsi que son tissu social, tandis(...)
septembre 2025
Album Architectures: Maputo
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L'architecture moderniste de Maputo est au cœur de cet ouvrage : les rez-de-chaussée de ses bâtiments servent de prisme pour explorer la transformation des villes postcoloniales, en mettant l'accent sur les rues, les espaces publics et les mutations urbaines. La photographie de Giovanna Silva saisit le paysage en évolution de la ville ainsi que son tissu social, tandis que des entretiens avec Ana Tostões et Ana Raquel Machava apportent un éclairage sur le patrimoine architectural et les enjeux de Maputo. Les architectes Matteo Poli et Luca Astorri (AOUMM) discutent de ses futurs possibles et de ses héritages durables, en interrogeant les notions de mondialisation, de résilience et d'identité. Le livre met en lumière l'interaction dynamique entre histoire et modernité, tout en proposant une réflexion plus large sur l'adaptation et la transformation urbaines dans les contextes postcoloniaux, ainsi que sur l'importance de préserver et d'étudier ces structures modernistes pour bâtir un avenir durable et inclusif à Maputo.
livres
BLUR
$65.00
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"Blur" presents a look at Sandra Brewster’s eponymous series, a body of work exploring memory, movement and diasporic identity. Featuring gel transfer reproductions made from photographs, the book documents the development of Brewster’s photographic techniques and themes since the series began in 2016. An essay by Pamela Edmonds explores how this work challenges(...)
BLUR
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$65.00
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"Blur" presents a look at Sandra Brewster’s eponymous series, a body of work exploring memory, movement and diasporic identity. Featuring gel transfer reproductions made from photographs, the book documents the development of Brewster’s photographic techniques and themes since the series began in 2016. An essay by Pamela Edmonds explores how this work challenges established representations and evokes stories of migration. Blur offers a detailed examination of Brewster’s methods and her engagement with concepts of opacity, resilience and the complexities of black identity.
livres
avril 2025
Monographies photo