2347 Résultats
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This book is published to accompany the first major American retrospective of Rodchenko's work, at The Museum of Modern Art, New York, in the summer of 1998.
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This book is published to accompany the first major American retrospective of Rodchenko's work, at The Museum of Modern Art, New York, in the summer of 1998.
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Monographies photo
Monographies photo
Publication:
octobre 1998, New York
octobre 1998, New York
Titre:
Aleksandr Rodchenko : painting, drawing, collage, design, photography
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This book is published to accompany the first major American retrospective of Rodchenko's work, at The Museum of Modern Art, New York, in the summer of 1998.
Aleksandr Rodchenko : painting, drawing, collage, design, photography
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This book is published to accompany the first major American retrospective of Rodchenko's work, at The Museum of Modern Art, New York, in the summer of 1998.
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livres
livres
Publication:
octobre 1998, New York
octobre 1998, New York
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Monographies photo
Monographies photo
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livres
livres
Titre:
The Grand Tour
The Grand Tour
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$45.00
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A collection of European travel photographs by Dick Arentz, with an introduction by Thomas Southall.
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A collection of European travel photographs by Dick Arentz, with an introduction by Thomas Southall.
Titre:
The Grand Tour
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A collection of European travel photographs by Dick Arentz, with an introduction by Thomas Southall.
The Grand Tour
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A collection of European travel photographs by Dick Arentz, with an introduction by Thomas Southall.
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livres
livres
Publication:
septembre 1998, Tucson, Arizona
septembre 1998, Tucson, Arizona
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Rights of passage
Rights of passage
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$23.95
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Photographs of New York cityscapes by Martha Rosler. Essays by Anthony Vidler and Alexander Alberro.
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Photographs of New York cityscapes by Martha Rosler. Essays by Anthony Vidler and Alexander Alberro.
Titre:
Rights of passage
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Photographs of New York cityscapes by Martha Rosler. Essays by Anthony Vidler and Alexander Alberro.
Rights of passage
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Photographs of New York cityscapes by Martha Rosler. Essays by Anthony Vidler and Alexander Alberro.
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livres
livres
Publication:
février 1998, New York
février 1998, New York
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$44.95
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A collection of luscious colour photographs documenting the quarry at Kyushu, Japan. Hatakeyama's work covers not only the industrial and architectural elements of the lime quarry, but also the changes wrought on the landscape by this activity. This is a reprint of the 1996 edition, with an afterword by Naoya Hatakeyama.
$44.95
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A collection of luscious colour photographs documenting the quarry at Kyushu, Japan. Hatakeyama's work covers not only the industrial and architectural elements of the lime quarry, but also the changes wrought on the landscape by this activity. This is a reprint of the 1996 edition, with an afterword by Naoya Hatakeyama.
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Monographies photo
Monographies photo
Publication:
février 1998, Tokyo
février 1998, Tokyo
Titre:
Lime works : Naoya Hatakeyama
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A collection of luscious colour photographs documenting the quarry at Kyushu, Japan. Hatakeyama's work covers not only the industrial and architectural elements of the lime quarry, but also the changes wrought on the landscape by this activity. This is a reprint of the 1996 edition, with an afterword by Naoya Hatakeyama.
Lime works : Naoya Hatakeyama
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Résumé:
A collection of luscious colour photographs documenting the quarry at Kyushu, Japan. Hatakeyama's work covers not only the industrial and architectural elements of the lime quarry, but also the changes wrought on the landscape by this activity. This is a reprint of the 1996 edition, with an afterword by Naoya Hatakeyama.
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livres
livres
Publication:
février 1998, Tokyo
février 1998, Tokyo
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
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$38.95
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This volume follows a dual track, represented by the written commentary of Dennis Sharp which intersects with the dense sequence of images mounted around the theme of architecture lost in the contemporary metropolis. The photography covers the time span of the past twenty years, from Paolo Rosselli's early Indian travels exploring Chandigarh up to his more recent(...)
$38.95
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Résumé:
This volume follows a dual track, represented by the written commentary of Dennis Sharp which intersects with the dense sequence of images mounted around the theme of architecture lost in the contemporary metropolis. The photography covers the time span of the past twenty years, from Paolo Rosselli's early Indian travels exploring Chandigarh up to his more recent(...)
Titre:
Paulo Rosselli architecture in photography
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This volume follows a dual track, represented by the written commentary of Dennis Sharp which intersects with the dense sequence of images mounted around the theme of architecture lost in the contemporary metropolis. The photography covers the time span of the past twenty years, from Paolo Rosselli's early Indian travels exploring Chandigarh up to his more recent architectural inquiries.
Paulo Rosselli architecture in photography
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Résumé:
This volume follows a dual track, represented by the written commentary of Dennis Sharp which intersects with the dense sequence of images mounted around the theme of architecture lost in the contemporary metropolis. The photography covers the time span of the past twenty years, from Paolo Rosselli's early Indian travels exploring Chandigarh up to his more recent architectural inquiries.
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livres
livres
Publication:
septembre 2001, Milan
septembre 2001, Milan
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
On European ground
On European ground
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A profound visual meditation on the trauma that scars twentieth-century Europe, Alan Cohen's "On European Ground" considers the battlefields of World War I, the Nazi death camps, and the Berlin Wall, and records the distance between what we remember about these places and what we can (...)
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A profound visual meditation on the trauma that scars twentieth-century Europe, Alan Cohen's "On European Ground" considers the battlefields of World War I, the Nazi death camps, and the Berlin Wall, and records the distance between what we remember about these places and what we can (...)
Titre:
On European ground
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A profound visual meditation on the trauma that scars twentieth-century Europe, Alan Cohen's "On European Ground" considers the battlefields of World War I, the Nazi death camps, and the Berlin Wall, and records the distance between what we remember about these places and what we can still observe in them today. By walking these sites and photographing the very ground in which their history has dissolved, Cohen opens a space for reflection on their complex gravity and legacy. Cohen's images achieve a solemn beauty even as they engage history at its most topical. Pictures of trenches and bunkers at the battlefields of Somme and Verdun explore the tension between the violence of the past and the inscrutability of its remnants. Photographs from the grounds of Dachau and Auschwitz solicit a provocative dialogue between the ordinariness of these sites today and their haunting memory. They teach us, as the New Art Examiner notes, "that the living perceptual connection to the Holocaust is vanishing." Images of the Berlin Wall show only the footprint of the barricade that once separated two hostile ideologies. They record the physical erosion and looming disappearance of the Wall while capturing its reappearance as a memorialized abstraction. Accompanying the photographs in On European Ground are essays by Sander Gilman and Jonathan Bordo, as well as an interview with Cohen by critic Roberta Smith of the New York Times. The essays present both an introduction to and aesthetic analysis of Cohen's work, while the interview discusses the intractable problems of history and memory that his photographs so uniquely capture.
On European ground
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A profound visual meditation on the trauma that scars twentieth-century Europe, Alan Cohen's "On European Ground" considers the battlefields of World War I, the Nazi death camps, and the Berlin Wall, and records the distance between what we remember about these places and what we can still observe in them today. By walking these sites and photographing the very ground in which their history has dissolved, Cohen opens a space for reflection on their complex gravity and legacy. Cohen's images achieve a solemn beauty even as they engage history at its most topical. Pictures of trenches and bunkers at the battlefields of Somme and Verdun explore the tension between the violence of the past and the inscrutability of its remnants. Photographs from the grounds of Dachau and Auschwitz solicit a provocative dialogue between the ordinariness of these sites today and their haunting memory. They teach us, as the New Art Examiner notes, "that the living perceptual connection to the Holocaust is vanishing." Images of the Berlin Wall show only the footprint of the barricade that once separated two hostile ideologies. They record the physical erosion and looming disappearance of the Wall while capturing its reappearance as a memorialized abstraction. Accompanying the photographs in On European Ground are essays by Sander Gilman and Jonathan Bordo, as well as an interview with Cohen by critic Roberta Smith of the New York Times. The essays present both an introduction to and aesthetic analysis of Cohen's work, while the interview discusses the intractable problems of history and memory that his photographs so uniquely capture.
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livres
livres
Publication:
avril 2001, Chicago
avril 2001, Chicago
Classification:
livres
livres
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Karl Blossfeldt (1865-1932) achieved overnight fame in the late 1920s with the first publication of his photographs of plants. Those photographs, which revealed the inner structures of the organic forms, immediately made him a pioneer of New Objectivity, an(...)
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Karl Blossfeldt (1865-1932) achieved overnight fame in the late 1920s with the first publication of his photographs of plants. Those photographs, which revealed the inner structures of the organic forms, immediately made him a pioneer of New Objectivity, an(...)
Titre:
Karl Blossfeldt : working collages
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Karl Blossfeldt (1865-1932) achieved overnight fame in the late 1920s with the first publication of his photographs of plants. Those photographs, which revealed the inner structures of the organic forms, immediately made him a pioneer of New Objectivity, an innovative movement in art and photography of the 1920s and 1930s. Blossfeldt, however, was neither a trained photographer nor a botanist. He was a sculptor and art professor who did his photographic work to generate teaching material for his students. The publication of this book is the result of an extraordinary event, the 1997 discovery in Blossfeldt’s estate of sixty-one previously unknown collages, in virtually mint condition, of photographic contact prints arranged on large cardboard sheets. Blossfeldt apparently used these to study the relation and similarity of the photographs and to compare them graphically and aesthetically. On some Blossfeldt had made marks or handwritten notations. Others show lines for cropping. The collages, published here for the first time, unveil a hidden treasure of modern photography and cast fresh light on the systematic approach Blossfeldt used in his photographic studies. All collages are reproduced in four colours. Introducing the book is an essay by Swiss art historian Ulrike Meyer-Stump, a contributing curator to the exhibitions at the Kunsthaus in Zurich.
Karl Blossfeldt : working collages
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Résumé:
Karl Blossfeldt (1865-1932) achieved overnight fame in the late 1920s with the first publication of his photographs of plants. Those photographs, which revealed the inner structures of the organic forms, immediately made him a pioneer of New Objectivity, an innovative movement in art and photography of the 1920s and 1930s. Blossfeldt, however, was neither a trained photographer nor a botanist. He was a sculptor and art professor who did his photographic work to generate teaching material for his students. The publication of this book is the result of an extraordinary event, the 1997 discovery in Blossfeldt’s estate of sixty-one previously unknown collages, in virtually mint condition, of photographic contact prints arranged on large cardboard sheets. Blossfeldt apparently used these to study the relation and similarity of the photographs and to compare them graphically and aesthetically. On some Blossfeldt had made marks or handwritten notations. Others show lines for cropping. The collages, published here for the first time, unveil a hidden treasure of modern photography and cast fresh light on the systematic approach Blossfeldt used in his photographic studies. All collages are reproduced in four colours. Introducing the book is an essay by Swiss art historian Ulrike Meyer-Stump, a contributing curator to the exhibitions at the Kunsthaus in Zurich.
Classification:
livres
livres
Publication:
mars 2001, Cambridge, Mass.
mars 2001, Cambridge, Mass.
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$29.50
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This publication takes a selection of eighty photographs from the enormous number made by Maaskant Prize-winner Maarten Kloos over a period of more than thirty years. Each one is a testament to Kloos' fascination with space, in all its facets. They are eighty sketches, guileless attempts to look at things(...)
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This publication takes a selection of eighty photographs from the enormous number made by Maaskant Prize-winner Maarten Kloos over a period of more than thirty years. Each one is a testament to Kloos' fascination with space, in all its facets. They are eighty sketches, guileless attempts to look at things(...)
Titre:
Maarten Kloos : in a manner of seeing
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This publication takes a selection of eighty photographs from the enormous number made by Maaskant Prize-winner Maarten Kloos over a period of more than thirty years. Each one is a testament to Kloos' fascination with space, in all its facets. They are eighty sketches, guileless attempts to look at things properly. In an introductory text Kloos describes how every photograph is the outcome of a mini-research undertaken by the photographer's adventurous eye. How every image captured on this adventure is in effect a discovery that can be conveyed to others. But most of all, that a good photograph incites one to look and think along with what it is that it portrays.
Maarten Kloos : in a manner of seeing
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$29.50
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Résumé:
This publication takes a selection of eighty photographs from the enormous number made by Maaskant Prize-winner Maarten Kloos over a period of more than thirty years. Each one is a testament to Kloos' fascination with space, in all its facets. They are eighty sketches, guileless attempts to look at things properly. In an introductory text Kloos describes how every photograph is the outcome of a mini-research undertaken by the photographer's adventurous eye. How every image captured on this adventure is in effect a discovery that can be conveyed to others. But most of all, that a good photograph incites one to look and think along with what it is that it portrays.
Classification:
livres
livres
Publication:
mars 2001, Rotterdam
mars 2001, Rotterdam
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Prix:
$79.95
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Résumé:
Three decades ago, Lewis Baltz became fascinated by the stark, man-made landscape rolling over so much of California's agrarian terrain. This is the best-known of his projects on the subject, published as a limited-edition book by Leo Castelli in 1974. The work assured Baltz's place in the influential New Topographic movement, which stands for a cool, distanced yet(...)
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Three decades ago, Lewis Baltz became fascinated by the stark, man-made landscape rolling over so much of California's agrarian terrain. This is the best-known of his projects on the subject, published as a limited-edition book by Leo Castelli in 1974. The work assured Baltz's place in the influential New Topographic movement, which stands for a cool, distanced yet(...)
Titre:
Lewis Baltz : the new industrial parks near Irvine, California
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Three decades ago, Lewis Baltz became fascinated by the stark, man-made landscape rolling over so much of California's agrarian terrain. This is the best-known of his projects on the subject, published as a limited-edition book by Leo Castelli in 1974. The work assured Baltz's place in the influential New Topographic movement, which stands for a cool, distanced yet critical view of the emerging, man-altered landscape. This milestone in the history of American contemporary photography, is once again available in an impeccable facsimile of the original publication.
Lewis Baltz : the new industrial parks near Irvine, California
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Three decades ago, Lewis Baltz became fascinated by the stark, man-made landscape rolling over so much of California's agrarian terrain. This is the best-known of his projects on the subject, published as a limited-edition book by Leo Castelli in 1974. The work assured Baltz's place in the influential New Topographic movement, which stands for a cool, distanced yet critical view of the emerging, man-altered landscape. This milestone in the history of American contemporary photography, is once again available in an impeccable facsimile of the original publication.
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livres
livres
Publication:
janvier 2000, Santa Monica / Göttingen
janvier 2000, Santa Monica / Göttingen
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Atget, the pioneer
Atget, the pioneer
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$95.00
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A portfolio of more than 160 photographs shedding new light on the often neglected features of Eugene Atget's work, those innovative features of his photography that were to transform the photographic medium for a modern generation. Juxtaposing Atget's works with those of later photographers, this volume reveals how deeply Atget influenced modern perceptions in his novel(...)
$95.00
(disponible en magasin)
Résumé:
A portfolio of more than 160 photographs shedding new light on the often neglected features of Eugene Atget's work, those innovative features of his photography that were to transform the photographic medium for a modern generation. Juxtaposing Atget's works with those of later photographers, this volume reveals how deeply Atget influenced modern perceptions in his novel(...)
Titre:
Atget, the pioneer
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$95.00
(disponible en magasin)
Résumé:
A portfolio of more than 160 photographs shedding new light on the often neglected features of Eugene Atget's work, those innovative features of his photography that were to transform the photographic medium for a modern generation. Juxtaposing Atget's works with those of later photographers, this volume reveals how deeply Atget influenced modern perceptions in his novel depictions of street scenes, industrial landscapes, shopfronts and interiors, architectural details and parks.
Atget, the pioneer
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Prix:
$95.00
(disponible en magasin)
Résumé:
A portfolio of more than 160 photographs shedding new light on the often neglected features of Eugene Atget's work, those innovative features of his photography that were to transform the photographic medium for a modern generation. Juxtaposing Atget's works with those of later photographers, this volume reveals how deeply Atget influenced modern perceptions in his novel depictions of street scenes, industrial landscapes, shopfronts and interiors, architectural details and parks.
Classification:
livres
livres
Publication:
octobre 2000
octobre 2000
Sujet:
Monographies photo
Monographies photo
