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Photographe passionné par les lieux abandonnés, Jonk a parcouru 13 pays ayant fait partie du bloc soviétique, à la recherche de ce qu’il nomme des « capsules temporelles ». De l’Allemagne de l’Est à l’Ukraine en passant par la Hongrie et la Bulgarie, il a parcouru des zones délaissées, a croisé des bâtiments désaffectés, a immortalisé des traces d’un autre temps. (...)
Goodbye Lenin: vestiges soviétiques en Europe de l'Est
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Photographe passionné par les lieux abandonnés, Jonk a parcouru 13 pays ayant fait partie du bloc soviétique, à la recherche de ce qu’il nomme des « capsules temporelles ». De l’Allemagne de l’Est à l’Ukraine en passant par la Hongrie et la Bulgarie, il a parcouru des zones délaissées, a croisé des bâtiments désaffectés, a immortalisé des traces d’un autre temps. Mines, bases militaires, théâtres, écoles, hôpitaux… sont autant de lieux dans lesquels s’incarnait le communisme soviétique. Autant d’endroits porteurs de symboles forts, de devises ouvrières, de figures politiques. Les bunkers d’un autre âge, la zone de confinement de Tchernobyl, les écoles militaires nous racontent à leur manière le XXe siècle.
Monographies photo
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In recent years Russian cities have visibly changed. The architectural heritage of the Soviet period has not been fully acknowledged. As a result many unique modernist buildings have been destroyed or changed beyond recognition. Russian photographer Arseniy Kotov intends to document these buildings and their surroundings before they are lost forever. He likes to take(...)
Monographies photo
octobre 2020
Arseniy Kotov: Soviet cities: labour, life and leisure
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In recent years Russian cities have visibly changed. The architectural heritage of the Soviet period has not been fully acknowledged. As a result many unique modernist buildings have been destroyed or changed beyond recognition. Russian photographer Arseniy Kotov intends to document these buildings and their surroundings before they are lost forever. He likes to take pictures in winter, during the 'blue hour,' which occurs immediately after sunset or just before sunrise. At this time, the warm yellow colors inside apartment-block windows contrast with the twilight gloom outside. To Kotov, this atmosphere reflects the Soviet period of his imagination. His impression of this time is unashamedly idealistic: he envisages a great civilization, built on a fair society, which hopes to explore nature and conquer space. From the Baikonur Cosmodrome in the desert steppes of Kazakhstan to the grim monolithic high-rise dormitory blocks of inner-city Volgograd, Kotov captures the essence of the post-Soviet world.
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Bart Julius Peters: Hunt
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The black-and-white photographs of Bart Julius Peters portray a lost world of good times in grainy dolce vita scenes of improvised fun.
Bart Julius Peters: Hunt
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The black-and-white photographs of Bart Julius Peters portray a lost world of good times in grainy dolce vita scenes of improvised fun.
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Selected from Guido Guidi's archive by Marcello Galvani, ''Tra l'altro'' presents 94 colour photographs made with small-format cameras between 1976 and 1981. Mostly unpublished, these images form an ideal link between two phases of Guidi's work that are already well known.
Guido Guidi: Tra l'altro, 1976-81
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Selected from Guido Guidi's archive by Marcello Galvani, ''Tra l'altro'' presents 94 colour photographs made with small-format cameras between 1976 and 1981. Mostly unpublished, these images form an ideal link between two phases of Guidi's work that are already well known.
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Art Isn’t Fair is the title of the last video completed in 2012 by Allan Sekula, a work commenting on the rise of art fairs as yet another international gathering of moneyed elites. This new compilation of textual, photographic and filmic essays underscores Sekula’s longstanding engagement with the many intersections between art, photography, and the shifting terrain of(...)
Allan Sekula: Art Isn't Fair: Further essays on the traffic of photographs and related media
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Art Isn’t Fair is the title of the last video completed in 2012 by Allan Sekula, a work commenting on the rise of art fairs as yet another international gathering of moneyed elites. This new compilation of textual, photographic and filmic essays underscores Sekula’s longstanding engagement with the many intersections between art, photography, and the shifting terrain of power struggles from both a local and international perspective. Bringing together an ensemble of works that Sekula never had the chance to publish together before his death in 2013, this new collection expands our sense of the persistent depth and breadth of Sekula’s concerns and commitments.
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Early works : Martin Parr
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Si l’œuvre couleur de Martin Parr a été largement éditée, c’est la première fois qu’un ouvrage réunit l’ensemble de son travail en noir et blanc, majoritairement réalisé pendant la décennie 1970. Le photographe prend le temps de plonger dans ses archives et nous dévoile cette surprenante collection d’images soigneusement choisies. On y trouve déjà l’unique côté espiègle(...)
Early works : Martin Parr
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Si l’œuvre couleur de Martin Parr a été largement éditée, c’est la première fois qu’un ouvrage réunit l’ensemble de son travail en noir et blanc, majoritairement réalisé pendant la décennie 1970. Le photographe prend le temps de plonger dans ses archives et nous dévoile cette surprenante collection d’images soigneusement choisies. On y trouve déjà l’unique côté espiègle de son écriture dans une Angleterre surannée. Du pur Martin Parr. Un livre qui va rapidement se placer comme incontournable pour la bonne compréhension de l’œuvre de cet immense photographe documentaire.
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Giovanna Silva : UN
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A photographic diary by Giovanna Silva guiding us through the United Nations Office headquarters in Geneva.
Giovanna Silva : UN
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A photographic diary by Giovanna Silva guiding us through the United Nations Office headquarters in Geneva.
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‘Conference of the Birds’ shows an outtake from an analysis of the correlation between time and place and of the historical Iranian landscape. How do places appear and disappear? How do we attach meaning to a certain site and in what way photography can deal with deconstructed icons in comparison to the (a-)historical palm tree sticking out its tongue? A small desert(...)
Vanoverberghe: Conference of the birds
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‘Conference of the Birds’ shows an outtake from an analysis of the correlation between time and place and of the historical Iranian landscape. How do places appear and disappear? How do we attach meaning to a certain site and in what way photography can deal with deconstructed icons in comparison to the (a-)historical palm tree sticking out its tongue? A small desert village has been photographed obsessively and captured from every angle possible. Elements are positioned in the frame so that they are repeated in the next. The photographs move in closely to the landscape of a palm tree village. The village is small and serene. Palm trees appear all over the place, they are burned, bend, dry and dead. They resemble pillars and artefacts that are left behind on various historical sites and they can be associated with land art installations.
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François Halard: Saul Leiter
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In 2015, François Halard visited late Saul Leiter’s almost empty apartment in the East Village, two years after his passing, in 2013. He took photographs of the decrepit walls, the empty closet, and of what Saul Leiter had left behind.
François Halard: Saul Leiter
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In 2015, François Halard visited late Saul Leiter’s almost empty apartment in the East Village, two years after his passing, in 2013. He took photographs of the decrepit walls, the empty closet, and of what Saul Leiter had left behind.
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Sybren Vanoverberghe: 1099
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‘1099’ is the second part of ‘2099’, a series of photographic works by Sybren Vanoverberghe. The work originates from his interest in how time changes the landscape and the objects that can be found within. Vanoverberghe is questioning how we look at artifacts, icons and our (nearby) historical surroundings. In ‘1099’ the focus of the work is mainly put on the(...)
Sybren Vanoverberghe: 1099
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‘1099’ is the second part of ‘2099’, a series of photographic works by Sybren Vanoverberghe. The work originates from his interest in how time changes the landscape and the objects that can be found within. Vanoverberghe is questioning how we look at artifacts, icons and our (nearby) historical surroundings. In ‘1099’ the focus of the work is mainly put on the materiality that can be found at several historical locations. The book shows diverse elements dealing with a notion of the constant evolution of history.
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