2321 Résultats
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Between 1888 and 1927 Eugène Atget meticulously photographed Paris and its environments, capturing in thousands of photographs the city’s parks, streets, and buildings as well as its diverse inhabitants. Christopher Rauschenberg spent a year in the late 90s revisiting and re-photographing many of Atget’s locations. Paris Changing features seventy-four pairs of images(...)
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Between 1888 and 1927 Eugène Atget meticulously photographed Paris and its environments, capturing in thousands of photographs the city’s parks, streets, and buildings as well as its diverse inhabitants. Christopher Rauschenberg spent a year in the late 90s revisiting and re-photographing many of Atget’s locations. Paris Changing features seventy-four pairs of images(...)
Titre:
Paris changing : Revisiting Eugène Atget's Paris
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Between 1888 and 1927 Eugène Atget meticulously photographed Paris and its environments, capturing in thousands of photographs the city’s parks, streets, and buildings as well as its diverse inhabitants. Christopher Rauschenberg spent a year in the late 90s revisiting and re-photographing many of Atget’s locations. Paris Changing features seventy-four pairs of images beautifully reproduced in duotone. Each site is indicated on a map of the city, inviting readers to follow in the steps of Atget and Rauschenberg themselves. The book concludes with essays by Clark Worswick and Alison Nordstrom, an epilogue by Rosamond Bernier as well as a portfolio of other images of contemporary Paris by Rauschenberg.
Paris changing : Revisiting Eugène Atget's Paris
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Between 1888 and 1927 Eugène Atget meticulously photographed Paris and its environments, capturing in thousands of photographs the city’s parks, streets, and buildings as well as its diverse inhabitants. Christopher Rauschenberg spent a year in the late 90s revisiting and re-photographing many of Atget’s locations. Paris Changing features seventy-four pairs of images beautifully reproduced in duotone. Each site is indicated on a map of the city, inviting readers to follow in the steps of Atget and Rauschenberg themselves. The book concludes with essays by Clark Worswick and Alison Nordstrom, an epilogue by Rosamond Bernier as well as a portfolio of other images of contemporary Paris by Rauschenberg.
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livres
livres
Publication:
novembre 2007, New York
novembre 2007, New York
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Monographies photo
Monographies photo
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livres
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This exhibition consist of approximately 190 photographs including eleven new works and series. We hope that it will prove an opportunity for you to enjoy the fine works by Hatakeyama Naoya.
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This exhibition consist of approximately 190 photographs including eleven new works and series. We hope that it will prove an opportunity for you to enjoy the fine works by Hatakeyama Naoya.
Titre:
Hatakeyama Naoya Draftsman's pencil
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This exhibition consist of approximately 190 photographs including eleven new works and series. We hope that it will prove an opportunity for you to enjoy the fine works by Hatakeyama Naoya.
Hatakeyama Naoya Draftsman's pencil
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This exhibition consist of approximately 190 photographs including eleven new works and series. We hope that it will prove an opportunity for you to enjoy the fine works by Hatakeyama Naoya.
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livres
livres
Publication:
février 2007, Kamakura
février 2007, Kamakura
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Monographies photo
Monographies photo
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livres
livres
Titre:
Frantisek Drtikol
Frantisek Drtikol
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Il incarne à lui seul l'esprit tchèque de l'entre-deux-guerres et la vitalité de la scène praguoise dont l'apport à la culture européenne reste essentiel. Née du pictorialisme, l'œuvre de Drtikol est profondément marquée, dans une première phase, par le courant symboliste. Au tournant des années 1920, fonctionnalisme, cubisme, abstraction et art déco imprègnent ses(...)
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Il incarne à lui seul l'esprit tchèque de l'entre-deux-guerres et la vitalité de la scène praguoise dont l'apport à la culture européenne reste essentiel. Née du pictorialisme, l'œuvre de Drtikol est profondément marquée, dans une première phase, par le courant symboliste. Au tournant des années 1920, fonctionnalisme, cubisme, abstraction et art déco imprègnent ses(...)
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Frantisek Drtikol
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Il incarne à lui seul l'esprit tchèque de l'entre-deux-guerres et la vitalité de la scène praguoise dont l'apport à la culture européenne reste essentiel. Née du pictorialisme, l'œuvre de Drtikol est profondément marquée, dans une première phase, par le courant symboliste. Au tournant des années 1920, fonctionnalisme, cubisme, abstraction et art déco imprègnent ses recherches : la composition fait place à une géométrie nouvelle, l'éclairage se contraste, le nu se fragmente. De Prague, où il fut le fameux portraitiste des élites en vogue, à Paris, où la publication de ses nus consacra sa renommée internationale, Frantisek Drtikol a imposé par sa technique magistrale, son originalité et sa profondeur conceptuelle une photographie résolument novatrice.
Frantisek Drtikol
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Il incarne à lui seul l'esprit tchèque de l'entre-deux-guerres et la vitalité de la scène praguoise dont l'apport à la culture européenne reste essentiel. Née du pictorialisme, l'œuvre de Drtikol est profondément marquée, dans une première phase, par le courant symboliste. Au tournant des années 1920, fonctionnalisme, cubisme, abstraction et art déco imprègnent ses recherches : la composition fait place à une géométrie nouvelle, l'éclairage se contraste, le nu se fragmente. De Prague, où il fut le fameux portraitiste des élites en vogue, à Paris, où la publication de ses nus consacra sa renommée internationale, Frantisek Drtikol a imposé par sa technique magistrale, son originalité et sa profondeur conceptuelle une photographie résolument novatrice.
Classification:
livres
livres
Publication:
septembre 2007
septembre 2007
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
British Watchtowers
British Watchtowers
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Observation, whether by the human eye or the eye of a surveillance camera, requires an architectural structure that elevates the viewer into a position of advantage. The system of Iron Age hill forts, built across Britain from around 500 B.C., used natural promontories to survey the surrounding landscape; 2000 years later the British army used a similar system of(...)
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Observation, whether by the human eye or the eye of a surveillance camera, requires an architectural structure that elevates the viewer into a position of advantage. The system of Iron Age hill forts, built across Britain from around 500 B.C., used natural promontories to survey the surrounding landscape; 2000 years later the British army used a similar system of(...)
Titre:
British Watchtowers
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Observation, whether by the human eye or the eye of a surveillance camera, requires an architectural structure that elevates the viewer into a position of advantage. The system of Iron Age hill forts, built across Britain from around 500 B.C., used natural promontories to survey the surrounding landscape; 2000 years later the British army used a similar system of watchtowers to survey the occupied territories of Northern Ireland. These high tech towers, constructed in the mid 1980s, primarily in the mountainous border region of South Armagh, were landmarks in a 30-year conflict in and over Northern Ireland, euphemistically called "The Troubles." The Towers were finally demolished between 2003 and 2007 as part of the British government's "demilitarization" program for Northern Ireland. For over a year Donovan Wylie photographed these towers, working entirely from an elevated position enabled by military helicopter, observing the observers and ensuring that their actions were not forgotten.
British Watchtowers
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Observation, whether by the human eye or the eye of a surveillance camera, requires an architectural structure that elevates the viewer into a position of advantage. The system of Iron Age hill forts, built across Britain from around 500 B.C., used natural promontories to survey the surrounding landscape; 2000 years later the British army used a similar system of watchtowers to survey the occupied territories of Northern Ireland. These high tech towers, constructed in the mid 1980s, primarily in the mountainous border region of South Armagh, were landmarks in a 30-year conflict in and over Northern Ireland, euphemistically called "The Troubles." The Towers were finally demolished between 2003 and 2007 as part of the British government's "demilitarization" program for Northern Ireland. For over a year Donovan Wylie photographed these towers, working entirely from an elevated position enabled by military helicopter, observing the observers and ensuring that their actions were not forgotten.
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livres
livres
Publication:
septembre 2007, Gottingen
septembre 2007, Gottingen
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Florian Maier-Aichen
Florian Maier-Aichen
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Florian Maier-Aichen's photographs portray the natural, industrial and cultural landscape with stylized eccentricity. By using the tropes of documentary photography in unconventional ways, Maier-Aichen creates sublime images rich with reference and allusion. His photographs of the California coast, the Alps and other tourist destinations are openly beautiful and seductive(...)
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Florian Maier-Aichen's photographs portray the natural, industrial and cultural landscape with stylized eccentricity. By using the tropes of documentary photography in unconventional ways, Maier-Aichen creates sublime images rich with reference and allusion. His photographs of the California coast, the Alps and other tourist destinations are openly beautiful and seductive(...)
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Florian Maier-Aichen
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Florian Maier-Aichen's photographs portray the natural, industrial and cultural landscape with stylized eccentricity. By using the tropes of documentary photography in unconventional ways, Maier-Aichen creates sublime images rich with reference and allusion. His photographs of the California coast, the Alps and other tourist destinations are openly beautiful and seductive in their rich hues and expansive viewpoints. However, these and other images of melting cathedrals, failed industry and tragic ghost ships are nuanced with a subtle disquiet and ensuing criticality. Born in Stuttgart, Germany, and educated at the University of California, Los Angeles, Maier-Aichen begins with a traditional large-format image that he captures on film. He then applies a myriad of creative adjustments to each component that become building blocks for intricate and layered compositions. This succinct paperback contains color reproductions of new and recent works, documentary images of Maier-Aichen's process, and an essay by MOCA curator Rebecca Morse.
Florian Maier-Aichen
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Florian Maier-Aichen's photographs portray the natural, industrial and cultural landscape with stylized eccentricity. By using the tropes of documentary photography in unconventional ways, Maier-Aichen creates sublime images rich with reference and allusion. His photographs of the California coast, the Alps and other tourist destinations are openly beautiful and seductive in their rich hues and expansive viewpoints. However, these and other images of melting cathedrals, failed industry and tragic ghost ships are nuanced with a subtle disquiet and ensuing criticality. Born in Stuttgart, Germany, and educated at the University of California, Los Angeles, Maier-Aichen begins with a traditional large-format image that he captures on film. He then applies a myriad of creative adjustments to each component that become building blocks for intricate and layered compositions. This succinct paperback contains color reproductions of new and recent works, documentary images of Maier-Aichen's process, and an essay by MOCA curator Rebecca Morse.
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livres
livres
Publication:
août 2007, Los Angeles
août 2007, Los Angeles
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Peter Friedl : playgrounds
Peter Friedl : playgrounds
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Since 1995 Peter Friedl has been photographing public playgrounds from around the world and compiling them alphabetically by reference to the names of the places. Friedl’s conceptual photography project engages at a discursive level with themes of socio-history, design, and urbanism. It makes no claim to being a comprehensive typology but is instead a narrative study in(...)
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Since 1995 Peter Friedl has been photographing public playgrounds from around the world and compiling them alphabetically by reference to the names of the places. Friedl’s conceptual photography project engages at a discursive level with themes of socio-history, design, and urbanism. It makes no claim to being a comprehensive typology but is instead a narrative study in(...)
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Monographies photo
Monographies photo
Publication:
septembre 2007, Göttingen
septembre 2007, Göttingen
Titre:
Peter Friedl : playgrounds
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Since 1995 Peter Friedl has been photographing public playgrounds from around the world and compiling them alphabetically by reference to the names of the places. Friedl’s conceptual photography project engages at a discursive level with themes of socio-history, design, and urbanism. It makes no claim to being a comprehensive typology but is instead a narrative study in which the photographed playgrounds are as important as those not shown in his photographs. This is a story of the world told through the prism of its playgrounds.
Peter Friedl : playgrounds
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Since 1995 Peter Friedl has been photographing public playgrounds from around the world and compiling them alphabetically by reference to the names of the places. Friedl’s conceptual photography project engages at a discursive level with themes of socio-history, design, and urbanism. It makes no claim to being a comprehensive typology but is instead a narrative study in which the photographed playgrounds are as important as those not shown in his photographs. This is a story of the world told through the prism of its playgrounds.
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livres
livres
Publication:
septembre 2007, Göttingen
septembre 2007, Göttingen
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
James Welling : flowers
James Welling : flowers
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This concise and beautiful exhibition catalogue features arresting, colorful, Rorschach Test-like photograms of flowers by the Los Angeles-based conceptual photographer James Welling. For this series, Welling placed the blossoms of a common southern California plant on sheets of 8x10 film and exposed them to light. The negatives were then projected onto special photo(...)
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This concise and beautiful exhibition catalogue features arresting, colorful, Rorschach Test-like photograms of flowers by the Los Angeles-based conceptual photographer James Welling. For this series, Welling placed the blossoms of a common southern California plant on sheets of 8x10 film and exposed them to light. The negatives were then projected onto special photo(...)
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James Welling : flowers
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This concise and beautiful exhibition catalogue features arresting, colorful, Rorschach Test-like photograms of flowers by the Los Angeles-based conceptual photographer James Welling. For this series, Welling placed the blossoms of a common southern California plant on sheets of 8x10 film and exposed them to light. The negatives were then projected onto special photo paper through a color mural enlarger and color filters, to produce the dramatic, spectral, almost sun - or moon - dappled images reproduced here. Currently a professor of fine art at UCLA, Welling studied at CalArts in the early 1970s. Welling was the subject of a midcareer retrospective at the Wexner Center for the Arts in 2000, which traveled to the Museum of Contemporary Art in Los Angeles. He is represented in New York by David Zwirner Gallery and in Los Angeles by Regen Projects.
James Welling : flowers
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This concise and beautiful exhibition catalogue features arresting, colorful, Rorschach Test-like photograms of flowers by the Los Angeles-based conceptual photographer James Welling. For this series, Welling placed the blossoms of a common southern California plant on sheets of 8x10 film and exposed them to light. The negatives were then projected onto special photo paper through a color mural enlarger and color filters, to produce the dramatic, spectral, almost sun - or moon - dappled images reproduced here. Currently a professor of fine art at UCLA, Welling studied at CalArts in the early 1970s. Welling was the subject of a midcareer retrospective at the Wexner Center for the Arts in 2000, which traveled to the Museum of Contemporary Art in Los Angeles. He is represented in New York by David Zwirner Gallery and in Los Angeles by Regen Projects.
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livres
livres
Publication:
juin 2007, New York
juin 2007, New York
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$49.95
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Photographer John Humble has lived in Los Angeles for thirty years. In that time he has created a strong body of work that captures the unique architecture and natural environment of Southern California. A Place in the Sun is a celebration of Humble's distinctive view of Los Angeles, from the concrete channels of the Los Angeles River to the instantly recognizable(...)
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Photographer John Humble has lived in Los Angeles for thirty years. In that time he has created a strong body of work that captures the unique architecture and natural environment of Southern California. A Place in the Sun is a celebration of Humble's distinctive view of Los Angeles, from the concrete channels of the Los Angeles River to the instantly recognizable(...)
Titre:
A place in the sun : photographs of Los Angeles
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Photographer John Humble has lived in Los Angeles for thirty years. In that time he has created a strong body of work that captures the unique architecture and natural environment of Southern California. A Place in the Sun is a celebration of Humble's distinctive view of Los Angeles, from the concrete channels of the Los Angeles River to the instantly recognizable cityscape through which that river winds.
A place in the sun : photographs of Los Angeles
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Photographer John Humble has lived in Los Angeles for thirty years. In that time he has created a strong body of work that captures the unique architecture and natural environment of Southern California. A Place in the Sun is a celebration of Humble's distinctive view of Los Angeles, from the concrete channels of the Los Angeles River to the instantly recognizable cityscape through which that river winds.
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livres
livres
Publication:
juin 2007, Los Angeles
juin 2007, Los Angeles
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$67.95
(disponible en magasin)
Résumé:
Candida Höfer’s works have something timeless about them, and opera is perhaps the most timeless cultural delight. Having dedicated a photographic series to the cathedrals of knowledge that are libraries, Höfer in her most recent cycle captures opera houses, the palaces of performing arts. Höfer’s earlier pictures of public spaces—libraries, lecture halls, museums,(...)
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Candida Höfer’s works have something timeless about them, and opera is perhaps the most timeless cultural delight. Having dedicated a photographic series to the cathedrals of knowledge that are libraries, Höfer in her most recent cycle captures opera houses, the palaces of performing arts. Höfer’s earlier pictures of public spaces—libraries, lecture halls, museums,(...)
Titre:
Cadida Hofer : Opera de Paris
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Candida Höfer’s works have something timeless about them, and opera is perhaps the most timeless cultural delight. Having dedicated a photographic series to the cathedrals of knowledge that are libraries, Höfer in her most recent cycle captures opera houses, the palaces of performing arts. Höfer’s earlier pictures of public spaces—libraries, lecture halls, museums, meeting rooms—forever devoid of people, made us sense the presence of those absent. Her opera photographs take us one step beyond: empty foyers, orchestras, stages, wings, and boxes make us imagine both the protagonists—performers and audience—and the fictitious figures, plots, and places that populate these venues during a night at the opera. In her most recent publication Candida Höfer portrays two Paris opera houses that are exemplary for their age and time: the neoclassicist Palais Garnier (1875), original Phantom of the Opera site, and the modern-style Opéra Bastille (1989).
Cadida Hofer : Opera de Paris
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Candida Höfer’s works have something timeless about them, and opera is perhaps the most timeless cultural delight. Having dedicated a photographic series to the cathedrals of knowledge that are libraries, Höfer in her most recent cycle captures opera houses, the palaces of performing arts. Höfer’s earlier pictures of public spaces—libraries, lecture halls, museums, meeting rooms—forever devoid of people, made us sense the presence of those absent. Her opera photographs take us one step beyond: empty foyers, orchestras, stages, wings, and boxes make us imagine both the protagonists—performers and audience—and the fictitious figures, plots, and places that populate these venues during a night at the opera. In her most recent publication Candida Höfer portrays two Paris opera houses that are exemplary for their age and time: the neoclassicist Palais Garnier (1875), original Phantom of the Opera site, and the modern-style Opéra Bastille (1989).
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livres
livres
Publication:
mai 2006, Paris
mai 2006, Paris
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$10.95
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The paintings of Balthus, one of the most enigmatic and poetic figures in 20th century art, long remained a mystery - just like Balthus himself who persistently fended off all intrusions into his private life. In the late 70s, the aging master finally settled down in the Grand Chalet, a splendid and spacious 18th century timber house in a remote Swiss mountain(...)
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The paintings of Balthus, one of the most enigmatic and poetic figures in 20th century art, long remained a mystery - just like Balthus himself who persistently fended off all intrusions into his private life. In the late 70s, the aging master finally settled down in the Grand Chalet, a splendid and spacious 18th century timber house in a remote Swiss mountain(...)
Titre:
Balthus : The painter's house/Das haus der malers
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The paintings of Balthus, one of the most enigmatic and poetic figures in 20th century art, long remained a mystery - just like Balthus himself who persistently fended off all intrusions into his private life. In the late 70s, the aging master finally settled down in the Grand Chalet, a splendid and spacious 18th century timber house in a remote Swiss mountain area. Both house and occupants remained strictly "off limits" to media and public alike, until 1993 when the ban was graciously lifted for Japanese photographer Kishin Shinoyama. Not only was he allowed to photograph the Grand Chalet, its rooms and the family life there, but he was admitted to the inner sanctum, Balthus' studio, located in a roomy atelier outside. The present selection offers a unique glimpse into the world of an artist whose paintings, personality, lifestyle, and career add up to no less than a 20th century complete art work.
Balthus : The painter's house/Das haus der malers
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The paintings of Balthus, one of the most enigmatic and poetic figures in 20th century art, long remained a mystery - just like Balthus himself who persistently fended off all intrusions into his private life. In the late 70s, the aging master finally settled down in the Grand Chalet, a splendid and spacious 18th century timber house in a remote Swiss mountain area. Both house and occupants remained strictly "off limits" to media and public alike, until 1993 when the ban was graciously lifted for Japanese photographer Kishin Shinoyama. Not only was he allowed to photograph the Grand Chalet, its rooms and the family life there, but he was admitted to the inner sanctum, Balthus' studio, located in a roomy atelier outside. The present selection offers a unique glimpse into the world of an artist whose paintings, personality, lifestyle, and career add up to no less than a 20th century complete art work.
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livres
livres
Publication:
janvier 1900, Tokyo
janvier 1900, Tokyo
Sujet:
Monographies photo
Monographies photo
