2454 Résultats
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livres
livres
Titre:
Stéphane Couturier
Stéphane Couturier
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Première monographie de l'artiste, cet ouvrage présente l'ensemble des travaux de Stéphane Couturier, des sites de construction berlinois jusqu'à " Alger, Climat de France " encore en cours. Ses premières séries, Archéologies urbaines (1995-1998) et Monument(s) (1999-2002), privilégiaient une architecture et un urbanisme anonymes et révélaient leurs strates temporelles.(...)
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Première monographie de l'artiste, cet ouvrage présente l'ensemble des travaux de Stéphane Couturier, des sites de construction berlinois jusqu'à " Alger, Climat de France " encore en cours. Ses premières séries, Archéologies urbaines (1995-1998) et Monument(s) (1999-2002), privilégiaient une architecture et un urbanisme anonymes et révélaient leurs strates temporelles.(...)
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Stéphane Couturier
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Première monographie de l'artiste, cet ouvrage présente l'ensemble des travaux de Stéphane Couturier, des sites de construction berlinois jusqu'à " Alger, Climat de France " encore en cours. Ses premières séries, Archéologies urbaines (1995-1998) et Monument(s) (1999-2002), privilégiaient une architecture et un urbanisme anonymes et révélaient leurs strates temporelles. Les plus récentes telles Landscaping (2001-2004) où l'artiste photographie des lotissements résidentiels au Mexique et aux Etats-Unis, ou Melting Point – Chandigarh, (2006-2007) et Melting Point – Brasilia (2007-2010) mettent davantage l'accent sur des villes construites ex-nihilo. Au regard de cet ensemble, " Alger, Climat de France " marque à la fois une continuité et une rupture.
Stéphane Couturier
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$77.95
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Première monographie de l'artiste, cet ouvrage présente l'ensemble des travaux de Stéphane Couturier, des sites de construction berlinois jusqu'à " Alger, Climat de France " encore en cours. Ses premières séries, Archéologies urbaines (1995-1998) et Monument(s) (1999-2002), privilégiaient une architecture et un urbanisme anonymes et révélaient leurs strates temporelles. Les plus récentes telles Landscaping (2001-2004) où l'artiste photographie des lotissements résidentiels au Mexique et aux Etats-Unis, ou Melting Point – Chandigarh, (2006-2007) et Melting Point – Brasilia (2007-2010) mettent davantage l'accent sur des villes construites ex-nihilo. Au regard de cet ensemble, " Alger, Climat de France " marque à la fois une continuité et une rupture.
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livres
livres
Publication:
novembre 2016
novembre 2016
Sujet:
Monographies photo
Monographies photo
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livres
livres
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Fasciné par la question du temps et de la mémoire en photographie, Hiroshi Sugimoto cherche à exprimer sa propre vision du monde à travers l’œil d’un appareil photographique. C’est avec cette idée là qu’il a commencé la série Theaters en 1976, dans une salle de cinéma new yorkais, le Saint Marks, où le temps d’exposition de sa prise de vue correspondait à la durée du film(...)
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Fasciné par la question du temps et de la mémoire en photographie, Hiroshi Sugimoto cherche à exprimer sa propre vision du monde à travers l’œil d’un appareil photographique. C’est avec cette idée là qu’il a commencé la série Theaters en 1976, dans une salle de cinéma new yorkais, le Saint Marks, où le temps d’exposition de sa prise de vue correspondait à la durée du film(...)
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Hiroshi Sugimoto: theaters, ed. française
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Fasciné par la question du temps et de la mémoire en photographie, Hiroshi Sugimoto cherche à exprimer sa propre vision du monde à travers l’œil d’un appareil photographique. C’est avec cette idée là qu’il a commencé la série Theaters en 1976, dans une salle de cinéma new yorkais, le Saint Marks, où le temps d’exposition de sa prise de vue correspondait à la durée du film soit 170 000 images réunies en une seule photographie. Il en résulte un halo blanc émanant de l’écran qui éclaire la salle : je me rendis compte que j’avais sous les yeux, extériorisée sur le négatif, mon exacte vision intérieure. Cette image n’existait pas dans la réalité, je ne l’avais pas vue non plus de mes yeux. Qui, alors, l’avait vue ? Je crois que c’était l’appareil photo lui-même. L’image rémanente d’une accumulation d’images rémanentes… (Hiroshi Sugimoto). Pendant quarante ans, Sugimoto multiplie les photographies de salles de cinéma et de drive-in à travers le monde en suivant ce même protocole évoquant ainsi un sentiment d’intemporalité. Un texte inédit de Hiroshi Sugimoto imprégné de philosophie, de l’histoire des civilisations anciennes et de spiritualité, nous éclaire sur sa démarche et son exploration conceptuelle du médium photographique.
Hiroshi Sugimoto: theaters, ed. française
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Fasciné par la question du temps et de la mémoire en photographie, Hiroshi Sugimoto cherche à exprimer sa propre vision du monde à travers l’œil d’un appareil photographique. C’est avec cette idée là qu’il a commencé la série Theaters en 1976, dans une salle de cinéma new yorkais, le Saint Marks, où le temps d’exposition de sa prise de vue correspondait à la durée du film soit 170 000 images réunies en une seule photographie. Il en résulte un halo blanc émanant de l’écran qui éclaire la salle : je me rendis compte que j’avais sous les yeux, extériorisée sur le négatif, mon exacte vision intérieure. Cette image n’existait pas dans la réalité, je ne l’avais pas vue non plus de mes yeux. Qui, alors, l’avait vue ? Je crois que c’était l’appareil photo lui-même. L’image rémanente d’une accumulation d’images rémanentes… (Hiroshi Sugimoto). Pendant quarante ans, Sugimoto multiplie les photographies de salles de cinéma et de drive-in à travers le monde en suivant ce même protocole évoquant ainsi un sentiment d’intemporalité. Un texte inédit de Hiroshi Sugimoto imprégné de philosophie, de l’histoire des civilisations anciennes et de spiritualité, nous éclaire sur sa démarche et son exploration conceptuelle du médium photographique.
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livres
livres
Publication:
octobre 2016
octobre 2016
Sujet:
Monographies photo
Monographies photo
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livres
livres
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Habiter l'Ouest:
Habiter l'Ouest:
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Au milieu des années 1980, John Brinckerhoff Jackson entama une collaboration de plusieurs années avec le photographe Peter Brown, en vue de décrire le paysage de l'Ouest américain, dans les Hautes Plaines. Ils parcourent le Texas, le Nouveau Mexique, photographiant, discutant avec les habitants. Ce livre est le résultat de cette aventure. Jackson raconte les mutations de(...)
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Au milieu des années 1980, John Brinckerhoff Jackson entama une collaboration de plusieurs années avec le photographe Peter Brown, en vue de décrire le paysage de l'Ouest américain, dans les Hautes Plaines. Ils parcourent le Texas, le Nouveau Mexique, photographiant, discutant avec les habitants. Ce livre est le résultat de cette aventure. Jackson raconte les mutations de(...)
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Habiter l'Ouest:
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Au milieu des années 1980, John Brinckerhoff Jackson entama une collaboration de plusieurs années avec le photographe Peter Brown, en vue de décrire le paysage de l'Ouest américain, dans les Hautes Plaines. Ils parcourent le Texas, le Nouveau Mexique, photographiant, discutant avec les habitants. Ce livre est le résultat de cette aventure. Jackson raconte les mutations de l'Ouest américain, depuis l'arrivée des premiers pionniers, "le premier aperçu terrifiant d'un pays dépourvu de maisons, de routes et même d'arbres", "les horizons tremblants, une étendue sans immobile au milieu". Il raconte la sociabilité des cow-boys, l'expansion des fils barbelés, la grille, la culture automobile, l'émergence du strip. Il dessine le changement séculaire d'une ville à la fois générique et imaginaire, Choctaw City. Une genèse de l'Amérique à travers l'invention de son temps et de son espace propres.
Habiter l'Ouest:
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Au milieu des années 1980, John Brinckerhoff Jackson entama une collaboration de plusieurs années avec le photographe Peter Brown, en vue de décrire le paysage de l'Ouest américain, dans les Hautes Plaines. Ils parcourent le Texas, le Nouveau Mexique, photographiant, discutant avec les habitants. Ce livre est le résultat de cette aventure. Jackson raconte les mutations de l'Ouest américain, depuis l'arrivée des premiers pionniers, "le premier aperçu terrifiant d'un pays dépourvu de maisons, de routes et même d'arbres", "les horizons tremblants, une étendue sans immobile au milieu". Il raconte la sociabilité des cow-boys, l'expansion des fils barbelés, la grille, la culture automobile, l'émergence du strip. Il dessine le changement séculaire d'une ville à la fois générique et imaginaire, Choctaw City. Une genèse de l'Amérique à travers l'invention de son temps et de son espace propres.
Classification:
livres
livres
Publication:
septembre 2016
septembre 2016
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Jungjin Lee: everglades
Jungjin Lee: everglades
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The photographs in this book were made by Jungjin Lee in the Everglades for the Norton Museum of Art’s exhibition “Imaging Eden”. Bringing her unique meditative approach to this subject, Lee captured a sense of stillness in the constantly moving landscape – one inhabited by endangered species like the manatee, the American crocodile, and the elusive Florida panther. Her(...)
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Résumé:
The photographs in this book were made by Jungjin Lee in the Everglades for the Norton Museum of Art’s exhibition “Imaging Eden”. Bringing her unique meditative approach to this subject, Lee captured a sense of stillness in the constantly moving landscape – one inhabited by endangered species like the manatee, the American crocodile, and the elusive Florida panther. Her(...)
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Jungjin Lee: everglades
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$110.00
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The photographs in this book were made by Jungjin Lee in the Everglades for the Norton Museum of Art’s exhibition “Imaging Eden”. Bringing her unique meditative approach to this subject, Lee captured a sense of stillness in the constantly moving landscape – one inhabited by endangered species like the manatee, the American crocodile, and the elusive Florida panther. Her photography is imbued with elemental vastness and wonder. Using a multilayered process that integrates elements of painting, Lee’s photographs exude a materiality not often found in photography. The Florida Everglades is one of the most extensive and complex wetlands on our planet. It has been declared an International Biosphere Reserve, a World Heritage Site, and a Wetland of International Importance. It is the third-largest national park in the lower 48 states
Jungjin Lee: everglades
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$110.00
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Résumé:
The photographs in this book were made by Jungjin Lee in the Everglades for the Norton Museum of Art’s exhibition “Imaging Eden”. Bringing her unique meditative approach to this subject, Lee captured a sense of stillness in the constantly moving landscape – one inhabited by endangered species like the manatee, the American crocodile, and the elusive Florida panther. Her photography is imbued with elemental vastness and wonder. Using a multilayered process that integrates elements of painting, Lee’s photographs exude a materiality not often found in photography. The Florida Everglades is one of the most extensive and complex wetlands on our planet. It has been declared an International Biosphere Reserve, a World Heritage Site, and a Wetland of International Importance. It is the third-largest national park in the lower 48 states
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livres
livres
Publication:
novembre 2016
novembre 2016
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Anthony Hernandez
Anthony Hernandez
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Since the early 1970s, when he began photographing on the streets of his native Los Angeles, Anthony Hernandez has consistently pushed his practice into uncharted territory, challenging himself by adopting new formats and subject matter. Moving from black and white to color, from 35mm to large-format cameras, and from the human figure to landscapes to abstracted detail,(...)
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Since the early 1970s, when he began photographing on the streets of his native Los Angeles, Anthony Hernandez has consistently pushed his practice into uncharted territory, challenging himself by adopting new formats and subject matter. Moving from black and white to color, from 35mm to large-format cameras, and from the human figure to landscapes to abstracted detail,(...)
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Anthony Hernandez
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Since the early 1970s, when he began photographing on the streets of his native Los Angeles, Anthony Hernandez has consistently pushed his practice into uncharted territory, challenging himself by adopting new formats and subject matter. Moving from black and white to color, from 35mm to large-format cameras, and from the human figure to landscapes to abstracted detail, he has produced an unusually varied body of work united by its arresting beauty and subtle engagement with social issues. At first largely unaware of the formal traditions of the medium, Hernandez developed his own style of street photography, one uniquely attuned to the desolate allure and sprawling expanses of LA. Published to accompany the photographer’s first retrospective, Anthony Hernandez offers a comprehensive introduction to his career of more than 40 years, tracing his evolution as well as highlighting continuities across his practice. The catalogue represents the full range and breadth of Hernandez’s work, with an extensive plate section that includes many photographs that have never before been exhibited or published.
Anthony Hernandez
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Since the early 1970s, when he began photographing on the streets of his native Los Angeles, Anthony Hernandez has consistently pushed his practice into uncharted territory, challenging himself by adopting new formats and subject matter. Moving from black and white to color, from 35mm to large-format cameras, and from the human figure to landscapes to abstracted detail, he has produced an unusually varied body of work united by its arresting beauty and subtle engagement with social issues. At first largely unaware of the formal traditions of the medium, Hernandez developed his own style of street photography, one uniquely attuned to the desolate allure and sprawling expanses of LA. Published to accompany the photographer’s first retrospective, Anthony Hernandez offers a comprehensive introduction to his career of more than 40 years, tracing his evolution as well as highlighting continuities across his practice. The catalogue represents the full range and breadth of Hernandez’s work, with an extensive plate section that includes many photographs that have never before been exhibited or published.
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livres
livres
Publication:
septembre 2016
septembre 2016
Sujet:
Monographies photo
Monographies photo
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livres
livres
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Simon Chaput: Jantar Mantar
Simon Chaput: Jantar Mantar
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While in the process of moving his studio of 30 years from Manhattan to Miami, Chaput discovered these previously unprinted images. He realized how influential they are to his whole body of work, and an intense printing session followed in his beloved darkroom. Perfectly capturing the striking combinations of geometrical forms of the Jantar Mantar, Chaput presents(...)
$110.00
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Résumé:
While in the process of moving his studio of 30 years from Manhattan to Miami, Chaput discovered these previously unprinted images. He realized how influential they are to his whole body of work, and an intense printing session followed in his beloved darkroom. Perfectly capturing the striking combinations of geometrical forms of the Jantar Mantar, Chaput presents(...)
Titre:
Simon Chaput: Jantar Mantar
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$110.00
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While in the process of moving his studio of 30 years from Manhattan to Miami, Chaput discovered these previously unprinted images. He realized how influential they are to his whole body of work, and an intense printing session followed in his beloved darkroom. Perfectly capturing the striking combinations of geometrical forms of the Jantar Mantar, Chaput presents mysterious and romantic locations where one could spend hours in visual exploration. Indeed, he spent hours waiting for the right light and angles, and for the many visitors to have left the famous Indian sites.
Simon Chaput: Jantar Mantar
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$110.00
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While in the process of moving his studio of 30 years from Manhattan to Miami, Chaput discovered these previously unprinted images. He realized how influential they are to his whole body of work, and an intense printing session followed in his beloved darkroom. Perfectly capturing the striking combinations of geometrical forms of the Jantar Mantar, Chaput presents mysterious and romantic locations where one could spend hours in visual exploration. Indeed, he spent hours waiting for the right light and angles, and for the many visitors to have left the famous Indian sites.
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livres
livres
Publication:
décembre 2016
décembre 2016
Sujet:
Monographies photo
Monographies photo
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livres
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$105.00
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In April 2013, photographers Nico Krebs and Taiyo Onorato, who have been working together for a dozen years, loaded up their 1987 Toyota Land Cruiser in Switzerland and headed east. They'd already roughly traced their route by running a finger across the map of Eurasia to their ultimate destination, Ulan Bator, the capital of Mongolia. It felt like setting forth on an(...)
$105.00
(disponible en magasin)
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In April 2013, photographers Nico Krebs and Taiyo Onorato, who have been working together for a dozen years, loaded up their 1987 Toyota Land Cruiser in Switzerland and headed east. They'd already roughly traced their route by running a finger across the map of Eurasia to their ultimate destination, Ulan Bator, the capital of Mongolia. It felt like setting forth on an(...)
Titre:
Continental drift: Nico Krebs, Taiyo Onorato
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In April 2013, photographers Nico Krebs and Taiyo Onorato, who have been working together for a dozen years, loaded up their 1987 Toyota Land Cruiser in Switzerland and headed east. They'd already roughly traced their route by running a finger across the map of Eurasia to their ultimate destination, Ulan Bator, the capital of Mongolia. It felt like setting forth on an expedition to the mystical realms of the East: Eurasia, Central Asia, the foothills of the Himalayas, the forests of Siberia, the Stan Republics, the gigantic expanse of the former Soviet Union. A vast land mass, very few images of which are lodged in our minds, at least no clear and well-defined images, rather a haze of history and global politics. Nico Krebs and Taiyo Onorato went out in search of these images, to reproduce them, and to create them themselves. "Continental drift" is a travel log straddling the fine line between documentation and fiction about unknown lands, their possible past and conjectured future. It relates encounters with the utterly bizarre and inaccessibly alien, as well as with a remarkable openness and lavish hospitality they'd never known before, in striking contrast to their previous trip across the United States (The Great Unreal, now in its third edition at Edition Patrick Frey). Many of the countries and regions they traversed are in the throes of upheaval, caught between thousand-year-old traditions and post-Communist history and geopolitics, religious, territorial and ethnic turmoil, and the spreading desire to jump on the bandwagon of global turbocapitalism. The search for identity here is palpable—a search, along with the attendant confusion, graphically depicted in "Continental drift".
Continental drift: Nico Krebs, Taiyo Onorato
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$105.00
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In April 2013, photographers Nico Krebs and Taiyo Onorato, who have been working together for a dozen years, loaded up their 1987 Toyota Land Cruiser in Switzerland and headed east. They'd already roughly traced their route by running a finger across the map of Eurasia to their ultimate destination, Ulan Bator, the capital of Mongolia. It felt like setting forth on an expedition to the mystical realms of the East: Eurasia, Central Asia, the foothills of the Himalayas, the forests of Siberia, the Stan Republics, the gigantic expanse of the former Soviet Union. A vast land mass, very few images of which are lodged in our minds, at least no clear and well-defined images, rather a haze of history and global politics. Nico Krebs and Taiyo Onorato went out in search of these images, to reproduce them, and to create them themselves. "Continental drift" is a travel log straddling the fine line between documentation and fiction about unknown lands, their possible past and conjectured future. It relates encounters with the utterly bizarre and inaccessibly alien, as well as with a remarkable openness and lavish hospitality they'd never known before, in striking contrast to their previous trip across the United States (The Great Unreal, now in its third edition at Edition Patrick Frey). Many of the countries and regions they traversed are in the throes of upheaval, caught between thousand-year-old traditions and post-Communist history and geopolitics, religious, territorial and ethnic turmoil, and the spreading desire to jump on the bandwagon of global turbocapitalism. The search for identity here is palpable—a search, along with the attendant confusion, graphically depicted in "Continental drift".
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livres
livres
Publication:
avril 2017
avril 2017
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$69.90
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The work of Klaus Kinold, born 1939 in Essen, is part of a tradition of photography, and particularly of architectural photography. Architecture was one of the most important themes even of early photo-graphy not least because it stood still. Initially this was an important characteristic, since exposure times were long. Thus began the affinity of photography with the(...)
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Résumé:
The work of Klaus Kinold, born 1939 in Essen, is part of a tradition of photography, and particularly of architectural photography. Architecture was one of the most important themes even of early photo-graphy not least because it stood still. Initially this was an important characteristic, since exposure times were long. Thus began the affinity of photography with the(...)
Titre:
Klaus Kinold: Architectural photographs
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The work of Klaus Kinold, born 1939 in Essen, is part of a tradition of photography, and particularly of architectural photography. Architecture was one of the most important themes even of early photo-graphy not least because it stood still. Initially this was an important characteristic, since exposure times were long. Thus began the affinity of photography with the documentary. Reality and represen-tation were supposed to correspond. Quoting a statement by Roland Barthes, Kinold has referred to the still "mysterious bonus of confidence given to the documentary". At a time when digital photographic and processing techniques make all sorts of manipulation possible, the now rare quality of reliability is assigned to this attitude. It was self-evident for Kinold to explore the period whose very name included the term objectivity the New Objectivity (in German: Neue Sachlichkeit).
Klaus Kinold: Architectural photographs
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The work of Klaus Kinold, born 1939 in Essen, is part of a tradition of photography, and particularly of architectural photography. Architecture was one of the most important themes even of early photo-graphy not least because it stood still. Initially this was an important characteristic, since exposure times were long. Thus began the affinity of photography with the documentary. Reality and represen-tation were supposed to correspond. Quoting a statement by Roland Barthes, Kinold has referred to the still "mysterious bonus of confidence given to the documentary". At a time when digital photographic and processing techniques make all sorts of manipulation possible, the now rare quality of reliability is assigned to this attitude. It was self-evident for Kinold to explore the period whose very name included the term objectivity the New Objectivity (in German: Neue Sachlichkeit).
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livres
livres
Publication:
décembre 2016
décembre 2016
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Of early and being
Of early and being
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This publication by Diane Elliott Gayer is a collection of photographs and essays critiquing and celebrating what we know and who we are. It is a personal journey through the architecture of time and the nature of place.
$150.00
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Résumé:
This publication by Diane Elliott Gayer is a collection of photographs and essays critiquing and celebrating what we know and who we are. It is a personal journey through the architecture of time and the nature of place.
Titre:
Of early and being
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$150.00
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Résumé:
This publication by Diane Elliott Gayer is a collection of photographs and essays critiquing and celebrating what we know and who we are. It is a personal journey through the architecture of time and the nature of place.
Of early and being
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$150.00
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Résumé:
This publication by Diane Elliott Gayer is a collection of photographs and essays critiquing and celebrating what we know and who we are. It is a personal journey through the architecture of time and the nature of place.
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livres
livres
Publication:
décembre 2016
décembre 2016
Classification:
livres
livres
Titre:
Lewis Baltz
Lewis Baltz
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This comprehensive book accompanies the first retrospective exhibition of Lewis Baltz’s work following his passing in 2014. It explores the artist’s oeuvre as a complex whole of interrelated series, from his first Prototypes and the Tract Houses to Park City, San Quentin Point and Candlestick Point, through to New Sites of Technology and Venezia Marghera. The book(...)
$99.00
(disponible sur commande)
Résumé:
This comprehensive book accompanies the first retrospective exhibition of Lewis Baltz’s work following his passing in 2014. It explores the artist’s oeuvre as a complex whole of interrelated series, from his first Prototypes and the Tract Houses to Park City, San Quentin Point and Candlestick Point, through to New Sites of Technology and Venezia Marghera. The book(...)
Publication:
avril 2017
avril 2017
Titre:
Lewis Baltz
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This comprehensive book accompanies the first retrospective exhibition of Lewis Baltz’s work following his passing in 2014. It explores the artist’s oeuvre as a complex whole of interrelated series, from his first Prototypes and the Tract Houses to Park City, San Quentin Point and Candlestick Point, through to New Sites of Technology and Venezia Marghera. The book simultaneously locates Baltz’s work in the context of photography and contemporary art since the 1970s, to fully examine his influence and legacy. Baltz is one of the most prominent representatives of the New Topographics movement, which was seminal to the development of conceptual photography. His photo series document the impact of industrial civilization on the landscape, focusing on places outside the bounds of canonical reception: urban wastelands, abandoned industrial sites, warehouses. Baltz’s strategies reflect a deep knowledge of the history of photography and present the photographer as a teacher of seeing.
Lewis Baltz
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Résumé:
This comprehensive book accompanies the first retrospective exhibition of Lewis Baltz’s work following his passing in 2014. It explores the artist’s oeuvre as a complex whole of interrelated series, from his first Prototypes and the Tract Houses to Park City, San Quentin Point and Candlestick Point, through to New Sites of Technology and Venezia Marghera. The book simultaneously locates Baltz’s work in the context of photography and contemporary art since the 1970s, to fully examine his influence and legacy. Baltz is one of the most prominent representatives of the New Topographics movement, which was seminal to the development of conceptual photography. His photo series document the impact of industrial civilization on the landscape, focusing on places outside the bounds of canonical reception: urban wastelands, abandoned industrial sites, warehouses. Baltz’s strategies reflect a deep knowledge of the history of photography and present the photographer as a teacher of seeing.
Classification:
livres
livres
Publication:
avril 2017
avril 2017
