Friedlander first 50
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Friedlander First Fifty provides an inside look at Friedlander’s first fifty books, featuring extensive commentary directly from Friedlander on his own work. The book contains photographs from each of the first fifty books, as well as descriptions, publication information, and most notably, interviews with Friedlander and his wife, Maria, conducted by Friedlander’s(...)
Friedlander first 50
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$75.00
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Friedlander First Fifty provides an inside look at Friedlander’s first fifty books, featuring extensive commentary directly from Friedlander on his own work. The book contains photographs from each of the first fifty books, as well as descriptions, publication information, and most notably, interviews with Friedlander and his wife, Maria, conducted by Friedlander’s grandson, Giancarlo, and daughter, Anna, who together co-published the book.
Monographies photo
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Toshiko Okanoue was active in the 1950s, producing eye-catching collages made from magazine clippings. The parallels between her compositions and aspects of European surrealism was purely coincidental at first, but after meeting Shuzo Takiguchi, the leader of the surrealist movement in Japan, her keen sensitivity to shape and distinct feminine sensibility evolved further.(...)
Toshiko Okanoue: the miracle of silence
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Toshiko Okanoue was active in the 1950s, producing eye-catching collages made from magazine clippings. The parallels between her compositions and aspects of European surrealism was purely coincidental at first, but after meeting Shuzo Takiguchi, the leader of the surrealist movement in Japan, her keen sensitivity to shape and distinct feminine sensibility evolved further. She began to use photos to form backgrounds to her images, in which buildings, landscapes, and other elements combine to create bizarre and mysterious spaces where dramas unfold. Her expressive fragments, mementos of society and fashion which in turn reflect the era, are a major element in her creativity.
Monographies photo
Fiona Tan: Goraiko
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Published in conjunction with Fiona Tan’s eponymous exhibition at Sprengel Museum Hannover, which celebrates her being awarded the SPECTRUM International Prize for Photography of the Stiftung Niedersachsen in 2019, this book reflects the artist’s differentiated use of photography on a comprehensive scale, taking account of the phenomenon of time and at the interface with(...)
Fiona Tan: Goraiko
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Published in conjunction with Fiona Tan’s eponymous exhibition at Sprengel Museum Hannover, which celebrates her being awarded the SPECTRUM International Prize for Photography of the Stiftung Niedersachsen in 2019, this book reflects the artist’s differentiated use of photography on a comprehensive scale, taking account of the phenomenon of time and at the interface with the medium of film. ‘Goraiko’ translates as “the coming of the light”, and refers to the sunrise as seen from the top of Mt. Fuji, the highest point in Japan.
Monographies photo
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Architecture photographer Takeshi Yamagishi’s first monographic collection presents his recordings of virtually every aspect of the collisions between architecture as the edge of artificiality and various forces of nature. The extensive series covers a period from the immediate aftermath of the Great East Japan Earthquake in 2011 to the ongoing restoration efforts today,(...)
Takeshi Yamagishi: Tohoku lost, left, found
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Architecture photographer Takeshi Yamagishi’s first monographic collection presents his recordings of virtually every aspect of the collisions between architecture as the edge of artificiality and various forces of nature. The extensive series covers a period from the immediate aftermath of the Great East Japan Earthquake in 2011 to the ongoing restoration efforts today, including measures against future catastrophes. It contains roughly 200 ultra-high-resolution images captured using 4 x 5 film, rather than digitally, and forms an impressive homage to the resilience and tenacity of the Japanese people, expressed through the built environment and augmented landscapes.
Monographies photo
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In his latest photographic series, South African photographer David Lurie turns his attention to two of the most pressing issues facing South Africa: land and drought. Presented here, Lurie’s color photographs capture the extreme climate and delicate ecosystems of the vast, barren plains of Karoo.
David Lurie: Karoo, land of thirst
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In his latest photographic series, South African photographer David Lurie turns his attention to two of the most pressing issues facing South Africa: land and drought. Presented here, Lurie’s color photographs capture the extreme climate and delicate ecosystems of the vast, barren plains of Karoo.
Monographies photo
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From 1996 to 2017, English photographer John Peter Askew photographed the Russian city of Perm, the easternmost city in Europe, as part of a project investigating the state of modern Europe. 'We' presents an extended portrait of a single Russian family there, the Chulakovs, photographed across generations.
John Peter Askew: We, photographs from Russia 1996-2017
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From 1996 to 2017, English photographer John Peter Askew photographed the Russian city of Perm, the easternmost city in Europe, as part of a project investigating the state of modern Europe. 'We' presents an extended portrait of a single Russian family there, the Chulakovs, photographed across generations.
Monographies photo
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"Collective Creatures", a new series of color photographs by German photographer Silja Yvette (born 1986), builds upon previous works that examine the relationship between nature and technology. Compiled in this volume, her photographs of caves, abandoned buildings, quarries or window displays point to the dichotomy between human and non-human.
Silja Yvette: collective creatures
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"Collective Creatures", a new series of color photographs by German photographer Silja Yvette (born 1986), builds upon previous works that examine the relationship between nature and technology. Compiled in this volume, her photographs of caves, abandoned buildings, quarries or window displays point to the dichotomy between human and non-human.
Monographies photo
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For 15 years, Swiss documentary photographer Jules Spinatsch has been creating panoramas of various spaces—football stadiums, the Vienna Opera Ball, a prison, the SAP headquarters—by combining thousands of individual images. Spinatsch’s series and his creative process are documented in this volume.
Jules Spinatsch: semiautomatic photography
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For 15 years, Swiss documentary photographer Jules Spinatsch has been creating panoramas of various spaces—football stadiums, the Vienna Opera Ball, a prison, the SAP headquarters—by combining thousands of individual images. Spinatsch’s series and his creative process are documented in this volume.
Monographies photo
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The Berlin-based photo artist Arina Dähnick follows in the footsteps of Ludwig Mies van der Rohe in her study of city life and urbanity, the contrasts of inside and outside, of blurriness and focus, reflections and mirror images, and plays with the viewer’s perception. She discovered van der Rohe's architecture in the fall of 2012, when, after a thunderstorm, she(...)
Arina Daehnick: architectural portraits. The Mies Project.
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The Berlin-based photo artist Arina Dähnick follows in the footsteps of Ludwig Mies van der Rohe in her study of city life and urbanity, the contrasts of inside and outside, of blurriness and focus, reflections and mirror images, and plays with the viewer’s perception. She discovered van der Rohe's architecture in the fall of 2012, when, after a thunderstorm, she perceived the Neue Nationalgalerie in a both fascinating and paradoxical spatial experience of boundless vastness—and a simultaneous feeling of being held. From then on she photographed the building under various conditions until its closure in 2015, following in Mies van der Rohe’s footsteps from Berlin to Brno, from Chicago to New York. She captured his most famous buildings in photo series that conveys her creative inspiration as well as the fascinating spatial experience of the architecture itself.
Monographies photo
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Cette première monographie de la photographe est accompagnée d’une pièce de théâtre inédite de Christophe Fiat composée à partir des photographies du livre. Sarah Ritter ne travaille pas par anticipation, mais par « occasions », arpentage de terrains divers, sans savoir précisément à l’avance ce qu’elle cherche. Ces occasions lui permettent d’accumuler un certain nombre(...)
La nuit craque sous nos doigts
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Cette première monographie de la photographe est accompagnée d’une pièce de théâtre inédite de Christophe Fiat composée à partir des photographies du livre. Sarah Ritter ne travaille pas par anticipation, mais par « occasions », arpentage de terrains divers, sans savoir précisément à l’avance ce qu’elle cherche. Ces occasions lui permettent d’accumuler un certain nombre d’images qui, peu-à-peu, trouvent leur place dans son œuvre et s’articulent ensemble. Elle cherche un point de bascule entre le visible, le montré dans l’image, et ce qu’on ne voit pas.
Monographies photo