Antarktis
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In 2001, through a grant from the Swedish Polar Research Secretariat, Gerry Johansson (b. 1945, Swedish) traveled to the inaccessible and distinct landscape of Antarctica on a research trip for two months. With him on the journey he had a large-format camera and his fearless curiosity. The series of photos eventuate in an unusual reality relevant perspective, and capture(...)
Antarktis
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In 2001, through a grant from the Swedish Polar Research Secretariat, Gerry Johansson (b. 1945, Swedish) traveled to the inaccessible and distinct landscape of Antarctica on a research trip for two months. With him on the journey he had a large-format camera and his fearless curiosity. The series of photos eventuate in an unusual reality relevant perspective, and capture the astonishing non-distance relationship between physicality and nature. The series was exhibited at the Museum of Modern Art in 2003 in Stockholm, Sweden.
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Mårten Lange: the mechanism
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'The Mechanism' is a melancholic series of black-and-white photographs that form a sci-fi story about contemporary life. Bringing together images made in multiple cities, the work deals with themes of technology, surveillance and urban society. The author attempts to trace the effects of technological developments on human experiences, using architectural tropes to build(...)
Mårten Lange: the mechanism
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'The Mechanism' is a melancholic series of black-and-white photographs that form a sci-fi story about contemporary life. Bringing together images made in multiple cities, the work deals with themes of technology, surveillance and urban society. The author attempts to trace the effects of technological developments on human experiences, using architectural tropes to build a narrative loaded with the threats and promises of the future.
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Ron Jude: nausea
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Nausea - taken from the title of Sartre’s 1938 existential novel - is a body of photographs that registers the interiors of public schools in Baton Rouge, Louisiana and Atlanta, Georgia from 1990-92 by American photographer Ron Jude.
Ron Jude: nausea
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Nausea - taken from the title of Sartre’s 1938 existential novel - is a body of photographs that registers the interiors of public schools in Baton Rouge, Louisiana and Atlanta, Georgia from 1990-92 by American photographer Ron Jude.
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James Welling: Metamorphosis
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This book features highlights from four decades of James Welling’s oeuvre. Emerging out of the "Picture Generation" - a group of artists focused on a critique of photographic media - James Welling has gone on to experiment successfully in nearly every photographic genre. This monograph, designed by Joseph Logan in close collaboration with the artist, presents a selection(...)
James Welling: Metamorphosis
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This book features highlights from four decades of James Welling’s oeuvre. Emerging out of the "Picture Generation" - a group of artists focused on a critique of photographic media - James Welling has gone on to experiment successfully in nearly every photographic genre. This monograph, designed by Joseph Logan in close collaboration with the artist, presents a selection of works from the early 1970s to today, demonstrating the artist’s conceptual foundations. Welling’s series are dialogues between image and matter, process and result, representation and abstraction. The illustrations are accompanied by an interview with the artist and critical essays that discuss Welling’s work in connection with American painting, post-modernism, and authorship, and the artist’s emotional photographic language.
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Anthony Hernandez: Forever
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'Forever' comprises photographs taken in the downtown area of Los Angeles and the poorer neighbourhoods of Compton, Watts and South Central, made between 2007–2012. The work traces the movements of the homeless, in images which take up the point of view of the homeless person. So, rather than photographing the material trace – a chair or bed – Hernandez photographs what(...)
Anthony Hernandez: Forever
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'Forever' comprises photographs taken in the downtown area of Los Angeles and the poorer neighbourhoods of Compton, Watts and South Central, made between 2007–2012. The work traces the movements of the homeless, in images which take up the point of view of the homeless person. So, rather than photographing the material trace – a chair or bed – Hernandez photographs what might be might seen and observed from the street itself.
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Ravens
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Consistently proclaimed as one of the most important photobooks in the history of the medium, 'Ravens' by Japanese photographer Masahisa Fukase was first published in 1986 and the two subsequent editions were both short print runs that sold out immediately. This bilingual facsimile of the first edition contains a new text by founder of the Masahisa Fukase Archives, Tomo(...)
Ravens
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Consistently proclaimed as one of the most important photobooks in the history of the medium, 'Ravens' by Japanese photographer Masahisa Fukase was first published in 1986 and the two subsequent editions were both short print runs that sold out immediately. This bilingual facsimile of the first edition contains a new text by founder of the Masahisa Fukase Archives, Tomo Kosuga. His essay locates 'Ravens' in Fukase’s wider work and life, and is illustrated with numerous recently discovered photographs and drawings.
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Kevin Lear: A glass darkly
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Kevin Lear's photographs are an intense poetic meditation on urban spaces in Kent and London, dating from 1971 until the 1990s Often shot at twilight, the works transform everyday street landscapes into sculptural forms. The photographs are imbued with a foreboding and unease, offering alien scenes of a world made unfamiliar by the photographer’s lens.
Kevin Lear: A glass darkly
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Kevin Lear's photographs are an intense poetic meditation on urban spaces in Kent and London, dating from 1971 until the 1990s Often shot at twilight, the works transform everyday street landscapes into sculptural forms. The photographs are imbued with a foreboding and unease, offering alien scenes of a world made unfamiliar by the photographer’s lens.
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In 2011, Malagasy photographer Emmanuelle Andrianjafy arrived in the port city of Dakar, situated on the westernmost African coast, overlooking the Atlantic Ocean. 'Nothing’s in Vain' is Adrianjafy’s response to the experience of uprooting to the Senegalese capital, a city as vibrant as it is disorientating. The sequence of images careens between street scenes, portraits,(...)
Emmanuelle Andrianjafy: Nothing's in vain
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In 2011, Malagasy photographer Emmanuelle Andrianjafy arrived in the port city of Dakar, situated on the westernmost African coast, overlooking the Atlantic Ocean. 'Nothing’s in Vain' is Adrianjafy’s response to the experience of uprooting to the Senegalese capital, a city as vibrant as it is disorientating. The sequence of images careens between street scenes, portraits, landscapes, and close-up details, recreating her fluctuating experience of the multiple faces of the city.
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An unsurpassed master of postwar Japanese realist photography and a reference for amateur photographers even today. The breadth and diversity of this Renaissance man’s oeuvre reveals untiring attention to and interest in the culture, art, faces, society, and politics of his country. With over 70,000 pictures taken between the 1920s and the 1980s, Domon Ken is considered(...)
Domon Ken: master of Japanese realism
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An unsurpassed master of postwar Japanese realist photography and a reference for amateur photographers even today. The breadth and diversity of this Renaissance man’s oeuvre reveals untiring attention to and interest in the culture, art, faces, society, and politics of his country. With over 70,000 pictures taken between the 1920s and the 1980s, Domon Ken is considered the supreme master of Japanese photography as well as the main exponent of realism as the only approach possible. Over the years he honed his craft, shifting from propaganda photography during the war to photography as a life’s mission, in search of his own Japan: a fascinating and silent Japan of ancient temples, Buddhist sculptures, puppet theaters (where he took refuge during the war); the seductive and expressive faces of celebrities alongside the modest ones of street urchins; the poorest Japan of mining villages; and finally his most disturbing and modern work, portraying Hiroshima and its unhealed wounds.
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Stephen Shore
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Published to accompany the first comprehensive survey of Stephen Shore’s work in the US, this catalog reflects the full range of his contribution, including the gelatin silver prints he made as a teenager (and sold to The Museum of Modern Art); Shore's photographs of the scene at Andy Warhol’s Factory, in New York; the color images he made during cross-country road trips(...)
Stephen Shore
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Published to accompany the first comprehensive survey of Stephen Shore’s work in the US, this catalog reflects the full range of his contribution, including the gelatin silver prints he made as a teenager (and sold to The Museum of Modern Art); Shore's photographs of the scene at Andy Warhol’s Factory, in New York; the color images he made during cross-country road trips in the 1970s; his recent explorations of Israel, the West Bank and Ukraine; and his current work on digital platforms, including Instagram.
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