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Titre:
Niklaus Troxler: Poster collection 34

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$34.00
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Résumé:
On the occasion of Nikolaus Troxler’s 75th birthday, this publication presents a selection of Troxler’s legendary jazz posters. They are juxtaposed with his political manifestos in poster form, most of which he initiated himself, and with his commissioned works, including those for the Olma agricultural fair, the Knie circus and the Geneva International Motor Show.

Titre:
UPO 3: No one can fail / Écrire son nom

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$56.95
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Résumé:
L’UPO 3 présente une collection de lettres bouleversantes, réalisées par des enfants, lors d’ateliers animés par la graphiste-auteur Marion Bataille, autour de son jeu AOZ. Cet ouvrage s’adresse à tous pour le plaisir de découvrir, d’apprendre, de déguster, de réfléchir, de jouer en beauté. Il peut devenir en plus un outil de travail précieux pour les enseignants et les designers graphiques.

Titre:
No Magic In Riso, 3rd reprint

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$86.95
(disponible en magasin)

Résumé:
Risograph is a brand of digital duplicators that are designed mainly for high-volume photocopying and printing. The process creates micro-imperfections in printing, similar to spontaneity, or even comparable to how improvisation in jazz can lead to an unexpected but pleasant result. The result of two years of research by O.OO, a graphic design studio based in Taipei, the main focus of this publication is colour separation and experimentation with images. The studio does not claim the colour separation methods described here to be absolute or the “right” way, but offer resources in hopes that they can provide helpful advice in practice while on the path to professionalism in this field.

Titre:
Invention, construction, communication: revues d'avant-garde de la collection Alberto Sartoris

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$30.00
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Résumé:
Parmi les abondantes ressources du fonds Alberto Sartoris conservé aux Archives de la construction moderne, la collection de revues d'art et d'architecture constitue un ensemble capital. Son secteur le plus spectaculaire est celui des "revues d'avant-garde" des années 1920 et 1930. Vitrines de l'identité propre aux différents groupes qui les publient et de la communauté qui les lie, elles sont le support d'une expérimentation visuelle foisonnante (typographie, construction de l'image). C'est elle qui justifie d'abord la sélection présentée ici, composée de couvertures emblématiques de quelque soixante titres célèbres ou - le plus souvent - méconnus. Mais ces images témoignent également d'un processus caractéristique, où les programmes utopistes et totalisants de l'avant-garde historique s'abîment dans la Crise pour se subordonner aux réalités d'une "architecture moderne" en voie d'institutionnalisation.

Titre:
The world in pocket-size format

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$79.95
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Résumé:
The World in Pocket-Size Format documents the exceptional postcard collection of Adolf Feller. In 1889 Feller, a Swiss entrepreneur, began collecting postcards on various business trips as mementos of his travels. When news of his hobby reached his friends and relatives, others began sending picture postcards as well. After his death, Feller’s daughter, Elisabeth, continued to seek out postcards from around the world. The collection now includes 54,000 postcards from 140 countries, with especially impressive examples from 1893–1930, the height of the picture postcard’s popularity. A testament to one man’s obsession, provides a new way to experience the history of the postcard as a means of both artistic expression and communication.

Titre:
Get your pics on route 66 : postcards from America's mother road

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$38.00
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Résumé:
The history of America's Mother Road seen through vintage postcards, a guide book for those who want to bring Route 66 back to life.

Titre:
Soy Cuba: Cuban cinema posters from after the revolution

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$32.00
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Résumé:
Soy Cuba presents a selection of the finest film posters produced in Cuba from the 1950s until the early 1970s. Famous around the world for their brash originality and bright, clear graphic sensibility, Cuban cinema posters of the Revolutionary era are held in as high esteem as the moodier and more abstract Polish film posters of the same era. Susan Sontag devoted a good part of her noted 1970 essay, “Posters: Advertisement, Art, Political Artifact, Commodity” to the particularly satisfying paradox they present. Collected by designer Carole Goodman in collaboration with the ICAC and other Cuban specialists, this substantial compendium is a visual and intellectual treat.

Titre:
Print / Out : 20 years in print

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$50.00
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Résumé:
This catalogue, published in conjunction with an exhibition at The Museum of Modern Art, New York, examines the evolution of artistic practices related to printmaking, from the resurgence of traditional printing techniques - often used alongside digital technologies - to the worldwide proliferation of self-published artist's books and ephemera. "Print/Out" features focused sections on ten artists and publishers - Ai Weiwei, Edition Jacob Samuel, Ellen Gallagher, Martin Kippenberger, Lucy McKenzie, Aleksandra Mir, museum in progress, Robert Rauschenberg, Superflex and Rirkrit Tiravanija--as well as rich illustrations of additional printed projects from the last 20 years by major artists such as Trisha Donnelly, Felix Gonzalez-Torres, Thomas Schutte and Kelley Walker.

Titre:
Esthétique du livre d'artiste:une introduction à l'art contemporain

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$110.00
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Résumé:
Cet ouvrage rend compte de la naissance et du développement du livre d'artiste aux États-Unis et en Europe en relation étroite avec les avant-gardes des années...› Lire la suite soixante et soixante-dix : poésie concrète et visuelle, Fluxus, Art minimal, Art conceptuel, Arte povera, Art narratif, Land Art, art de la performance ou du happening, notamment. Parce qu'il est inséparable de l'émergence de ces formes inédites de la création qui vont constituer l'art dit "contemporain", le livre d'artiste est une excellente introduction à la compréhension de ses principaux enjeux comme à la diversité de ses manifestations. Ce livre constitue la synthèse la plus large à ce jour de la production internationale. Depuis sa première édition en 1997, il s'est imposé en France et à l'étranger comme l'étude de référence sur le sujet. Pour cette nouvelle édition, le texte, mis à jour et augmenté, s'est enrichi de nombreuses reproductions. Plus de sept cents livres y sont analysés, par près de quatre cents artistes dont les pionniers Ben, Robert Barry, Christian Boltanski, Marcel Broodthaers, Herman de Vries, Robert Filliou, Ian Hamilton Finlay, Allan Kaprow, Sol LeWitt, Richard Long, Maurizio Nannucci, Dieter Roth, Edward Ruscha, Daniel Spoerri, Wolf Vostell, Lawrence Weiner.

Titre:
The European poster 1881-1938

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$55.00
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Résumé:
The modern poster dates back to around 1870, when color lithography had been sufficiently perfected to permit mass production. Artists such as Toulouse-Lautrec and Jules Chéret were quick to perceive and embrace the possibilities of the poster as a form, as means of disseminating their work and as a source of income. New movements in late nineteenth-century art, such as Art Nouveau and Symbolism, also adapted their respective styles to commercial demands, and their graphic power was such that major poster surveys were held as early as 1884. Later on, in the early days of the Soviet avant-garde, artists like Rodchenko and Klutsis were also to apply their graphic know-how to the poster form, in the service of a new communist Russia and its booming industries. This boxed volume reproduces 175 posters from the last decades of the nineteenth century to the early twentieth century, loose-leaf and in full color. The works have been gathered by expert Carlos Pérez from European museums and renowned international private collections. An accompanying paperback book, housed within the box, provides an historical overview. Among the 90-plus artists included here are Chéret, Ramón Casas, Toulouse-Lautrec, Pierre Bonnard, Alfons Mucha, Henri Matisse, Cassandre, Paul Colin, Jean Carlu, Giacomo Balla, Herbert Bayer, Otto Baumberger, John Heartfield, Vladimir Lebedev, Alexander Rodchenko, Man Ray, Kurt Schwitters, Oskar Schlemmer, Gustav Klutsis, Robert Béreny and Fortunato Depero.