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Dirk Leyman became interested at a very young age in these peculiar accordion postcard albums, which every self-respecting tourist and souvenir hunter used to take home from their holiday. Dirk started to systematically collect them as time went by. The snapshots, which are folded in zig-zag fashion, are like relics of a long-gone era. Some are veritable typographical and(...)
Europe express: a Grand Tour through time
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Dirk Leyman became interested at a very young age in these peculiar accordion postcard albums, which every self-respecting tourist and souvenir hunter used to take home from their holiday. Dirk started to systematically collect them as time went by. The snapshots, which are folded in zig-zag fashion, are like relics of a long-gone era. Some are veritable typographical and photographic gems. Others are borderline kitsch, with their heavy-handed use of color. Europe Express spans the decades between the two World Wars to the early Eighties, with photos of San Marco in Venice and the elegant Grand Hotels and the utopian, upstanding world of the former Soviet Union.
Arts graphiques imprimés
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Cet ouvrage se veut un état des lieux de la culture graffiti à travers le portrait vivant et dynamique de quinze artistes internationaux, réunis par Lokiss, figure historique du graffiti hexagonal. En deux cents pages sont dévoilés les travaux en cours de ces artistes novateurs, qui se nomment volontiers writers, montrant la dynamique de cette culture sous toutes ses(...)
Graffiti expressions manifestes: ce que le street art ne dit pas
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Cet ouvrage se veut un état des lieux de la culture graffiti à travers le portrait vivant et dynamique de quinze artistes internationaux, réunis par Lokiss, figure historique du graffiti hexagonal. En deux cents pages sont dévoilés les travaux en cours de ces artistes novateurs, qui se nomment volontiers writers, montrant la dynamique de cette culture sous toutes ses formes, même les plus éloignées, même les moins identifiables, rebelles aux catégories que la critique d’art leur associe parfois.« Ce que le street art ne dit pas », formule provocatrice, ce livre le montrera. Le nommera. Philippe Baudelocque, Proembrion, Keith K. Hopewell…
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A feminist silkscreen poster collective founded in London in 1974 by three former art students, the See Red Women’s Workshop grew out of a shared desire to combat sexist images of women and to create positive and challenging alternatives. Women from different backgrounds came together to make posters and calendars that tackled issues of sexuality, identity and oppression.(...)
See Red Women's Workshop: feminist posters 1974-1990
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A feminist silkscreen poster collective founded in London in 1974 by three former art students, the See Red Women’s Workshop grew out of a shared desire to combat sexist images of women and to create positive and challenging alternatives. Women from different backgrounds came together to make posters and calendars that tackled issues of sexuality, identity and oppression. With humor and bold, colorful graphics, See Red expressed the personal experiences of women as well as their role in wider struggles for change. Written by See Red members, detailing the group’s history up until the closure of the workshop in 1990, and with a foreword by celebrated feminist historian Sheila Rowbotham, See Red Women’s Workshop features all of the collective’s original screenprints and posters. Confronting negative stereotypes, questioning the role of women in society, and promoting women’s self-determination, the power and energy of these images reflect an important and dynamic era of women’s liberation—with continued relevance for today.
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On the occasion of Nikolaus Troxler’s 75th birthday, this publication presents a selection of Troxler’s legendary jazz posters. They are juxtaposed with his political manifestos in poster form, most of which he initiated himself, and with his commissioned works, including those for the Olma agricultural fair, the Knie circus and the Geneva International Motor Show.
Niklaus Troxler: Poster collection 34
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On the occasion of Nikolaus Troxler’s 75th birthday, this publication presents a selection of Troxler’s legendary jazz posters. They are juxtaposed with his political manifestos in poster form, most of which he initiated himself, and with his commissioned works, including those for the Olma agricultural fair, the Knie circus and the Geneva International Motor Show.
Arts graphiques imprimés
livres
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En 2008, la 19e édition du Festival international de l'affiche et du graphisme de Chaumont, France rend hommage à Josef Mueller-Brockmann. Le français Paul Cox est, quant à lui, invité à investir l'espace baroque de la Chapelle de Jésuites des ses tribulations graphiques.Par ailleurs, 127 affiches sont présentées parmi le 2200 reçues de 46 pays.
Arts graphiques imprimés
juin 2008, Paris
Chaumont: Festival international de l'affiche et du graphisme. International Poster and Graphic Design Festival
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En 2008, la 19e édition du Festival international de l'affiche et du graphisme de Chaumont, France rend hommage à Josef Mueller-Brockmann. Le français Paul Cox est, quant à lui, invité à investir l'espace baroque de la Chapelle de Jésuites des ses tribulations graphiques.Par ailleurs, 127 affiches sont présentées parmi le 2200 reçues de 46 pays.
livres
juin 2008, Paris
Arts graphiques imprimés
The printed picture
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The Printed Picture traces the changing technology of picture-making from the Renaissance to the present, focusing on the vital role of images in multiple copies. From woodblocks to modern color photographs, from engravings to bar codes, from daguerreotypes to today's digital wonders, the book succinctly examines the full range of pictorial processes. Exploring how(...)
The printed picture
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The Printed Picture traces the changing technology of picture-making from the Renaissance to the present, focusing on the vital role of images in multiple copies. From woodblocks to modern color photographs, from engravings to bar codes, from daguerreotypes to today's digital wonders, the book succinctly examines the full range of pictorial processes. Exploring how pictures look by describing how they are made, author Richard Benson reaches fresh conclusions about what pictures can mean. Presented as a series of one-page essays opposite the pictures they examine, the book retains the engaging, informal style of Benson's celebrated seminars at Yale University.
Arts graphiques imprimés
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Douglas's artistic talents and experience proved a powerful combination: his striking collages of photographs and his own drawings combined to create some of the era's most iconic images, like that of Newton with his signature beret and large gun set against a background of a blood-red star, which could be found blanketing neighborhoods during the 12 years the paper(...)
Black Panther: the revolutionary art of Emory Douglas
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Douglas's artistic talents and experience proved a powerful combination: his striking collages of photographs and his own drawings combined to create some of the era's most iconic images, like that of Newton with his signature beret and large gun set against a background of a blood-red star, which could be found blanketing neighborhoods during the 12 years the paper existed.This landmark book brings together a remarkable lineup of party insiders who detail the crafting of the party's visual identity
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The Russian Revolution has been examined countless times, but never from the perspective of postcards. This book is an extraordinary visual record of the tumultuous events of the 1905, the Menshevik, and Bolshevik Revolutions. The postcards capture the imperial splendour of the royal family in their final years, the mood of revolution as the crowds took to the streets,(...)
Postcards from the Russian revolution
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The Russian Revolution has been examined countless times, but never from the perspective of postcards. This book is an extraordinary visual record of the tumultuous events of the 1905, the Menshevik, and Bolshevik Revolutions. The postcards capture the imperial splendour of the royal family in their final years, the mood of revolution as the crowds took to the streets, and the sens of optimism that greeted the new regime. They also reveal a very personal quality: in a cart sent by the Grand Duchess Olga from the house where the royal family was imprisoned shortly before their murder in Ekaterinburg, and a snapshot of Lenin chatting informally with the author H.G. Wells. This book is a unique contribution to the visual history of the Russian Revolution and brings to life one of the defining events of the twentieth century.
Arts graphiques imprimés
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This book focuses on the printed work of avant-garde artistic movement such as Cubism, Expressionism, Futurism, Dadaism, Constructivism and Surrealism. Avant-garde artists and writers published their own manifestos, poetry, magazines and books, and created new genres such as the artist's book and the photo-book. Printed works were easy to distribute and helped to(...)
février 2008, London
Breaking the rules: The printed Face of the European Avant Garde 1900-1937
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This book focuses on the printed work of avant-garde artistic movement such as Cubism, Expressionism, Futurism, Dadaism, Constructivism and Surrealism. Avant-garde artists and writers published their own manifestos, poetry, magazines and books, and created new genres such as the artist's book and the photo-book. Printed works were easy to distribute and helped to disseminate avant-garde ideas internationally. Around 30 cities of particular importance to the avant-garde are featured, and their artists and contributions are described in depth. Around 100 illustrations show the range of avant-garde printed works.
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In Miniature Messages, Jack Child analyzes Latin American postage stamps, revealing the messages about history, culture, and politics encoded in their design and disseminated throughout the world. While postage stamps are a sanctioned product of official government agencies, Child argues that they accumulate popular cultural value and take on new meanings as they(...)
Miniature messages: the semiotics and politics of latin american postage stamps
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In Miniature Messages, Jack Child analyzes Latin American postage stamps, revealing the messages about history, culture, and politics encoded in their design and disseminated throughout the world. While postage stamps are a sanctioned product of official government agencies, Child argues that they accumulate popular cultural value and take on new meanings as they circulate in the public sphere. As he demonstrates in this richly illustrated study, the postage stamp conveys many of the contestations and triumphs of Latin American history. Child combines history and political science with philatelic research of nearly forty thousand Latin American stamps. He focuses on Argentina and the Southern Cone, highlighting stamps representing the consolidation of the Argentine republic and those produced under its Peronist regime. He compares Chilean stamps issued by the leftist government of Salvador Allende and by Augusto Pinochet’s dictatorship. Considering postage stamps produced under other dictatorial regimes, he examines stamps from the Dominican Republic, Guatemala, Nicaragua, and Paraguay. Child studies how international conflicts have been depicted on the stamps of Argentina, Chile, and Peru, and he pays particular attention to the role of South American and British stamps in establishing claims to the Malvinas/Falkland Islands and to Antarctica. He also covers the cultural and political history of stamps in Bolivia, Brazil, Colombia, Cuba, Grenada, Mexico, Uruguay, Venezuela and elsewhere. In Miniature Messages, Child finds the political history of modern Latin America in its “tiny posters.” Jack Child is a professor in the Department of Language and Foreign Studies at American University in Washington. He is the author of many books and articles on Latin American culture, translation, and geopolitics.
Arts graphiques imprimés