A history of Brooklyn Bridge Park: how a community reclaimed and transformed NYC's waterfront
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By the 1970s, the Brooklyn piers had become a wasteland on the New York City waterfront. Today, they have been transformed into a stunning park that is enjoyed by countless Brooklynites and visitors from across New York City and around the world. ''A History of Brooklyn Bridge Park'' recounts the grassroots, multivoiced, and contentious effort, beginning in the 1980s, to(...)
A history of Brooklyn Bridge Park: how a community reclaimed and transformed NYC's waterfront
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$34.95
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By the 1970s, the Brooklyn piers had become a wasteland on the New York City waterfront. Today, they have been transformed into a stunning park that is enjoyed by countless Brooklynites and visitors from across New York City and around the world. ''A History of Brooklyn Bridge Park'' recounts the grassroots, multivoiced, and contentious effort, beginning in the 1980s, to transform Brooklyn's defunct piers into a beautiful, urban oasis. The movement to resist commercial development on the piers reveals how concerned citizens came together to shape the future of their community.
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Jenny Holzer works
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Catalogue of the exhibition Jenny Holzer Protect Protect co-organized by the Museum of Contemporary Art, Chicago, and the Fondation Beyeler, Riehen, Basel.
Jenny Holzer works
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Catalogue of the exhibition Jenny Holzer Protect Protect co-organized by the Museum of Contemporary Art, Chicago, and the Fondation Beyeler, Riehen, Basel.
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Blue Republic, a collaborative entity composed of artists Anna Passakas and Radoslaw Kudlinski, produces installations that combine humour, wit and metaphor to stimulate discourse on political ideas and economic issues. This publication documents new artworks assembled from discarded industrial materials and re-fashioned into ready-mades. The intention is to invite(...)
Blue Republic: Nostalgia for the Present
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Blue Republic, a collaborative entity composed of artists Anna Passakas and Radoslaw Kudlinski, produces installations that combine humour, wit and metaphor to stimulate discourse on political ideas and economic issues. This publication documents new artworks assembled from discarded industrial materials and re-fashioned into ready-mades. The intention is to invite reflection on the meta-city and on the notions of utopia and dystopia through a fictional, futuristic lens in order to reveal the desires and fantasies and that drive contemporary society.
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livres
Art in a city revisited
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Building on the book "Art in a City" by John Willett, which surveyed the history of the visual arts in Liverpool, this collection of essays explores art in contemporary Liverpool and engages with the view from outside the City and outside Britain. It examines the often made but rarely challenged claim that Liverpool is ‘the most significant UK centre for art outside(...)
Art in a city revisited
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Building on the book "Art in a City" by John Willett, which surveyed the history of the visual arts in Liverpool, this collection of essays explores art in contemporary Liverpool and engages with the view from outside the City and outside Britain. It examines the often made but rarely challenged claim that Liverpool is ‘the most significant UK centre for art outside London’, and looks at the key institutional players, such as the Bluecoat and the Walker Art Gallery as well as all those that post-date Willett, including Tate Liverpool, Open Eye, FACT (Foundation for Art and Creative Technology), and the Liverpool Biennial. There are discussions of the role of Liverpool as an arts city from the perspective of key artists who have worked in the city; of public vs private patronage in the arts, including the extent and role of public funding; of the changing nature of public art; of the social role of the arts; and of community participation in the arts. The book has a major consideration of the role of the arts in city regeneration and of the concept of ‘the creative industries’.
livres
novembre 2008
Espaces Public
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"Snyder doesn't just celebrate urban street art and its rising stars, but takes a thorough look at its history and future, the language of public art and the idea of the graffiti artist as crimina... Snyder’s “the kids are alright” assessment, buttressed by many examples of thrill-seeking taggers finding successful careers in art, design, publishing, and (commissioned)(...)
Graffiti lives: beyond the tag in New York's urban underground
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"Snyder doesn't just celebrate urban street art and its rising stars, but takes a thorough look at its history and future, the language of public art and the idea of the graffiti artist as crimina... Snyder’s “the kids are alright” assessment, buttressed by many examples of thrill-seeking taggers finding successful careers in art, design, publishing, and (commissioned) mural-painting, is well-articulated, convincing, and quite possibly reassuring."—Publisher’s Weekly Starred Review
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Parallel strokes
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Parallel strokes is a collection of interviews with 19 contemporary typeface designers, graffiti writers, and lettering artists around the world (Akira Kobayashi, Barry McGee, Daim and Seak, Ed Fella, among others). The book is introduced with a comprehensive essay charting the history of graffiti, its relation to type design, and how the two practices relate in the wider(...)
Parallel strokes
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Parallel strokes is a collection of interviews with 19 contemporary typeface designers, graffiti writers, and lettering artists around the world (Akira Kobayashi, Barry McGee, Daim and Seak, Ed Fella, among others). The book is introduced with a comprehensive essay charting the history of graffiti, its relation to type design, and how the two practices relate in the wider context of lettering.
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This book accompanies the exhibition Street Art, Street Life: From 1950s to Now, on view at the Bronx Museum of the Arts, September 14, 2008 to January 25, 2009. Street Art, Street Life examines the street as subject matter, venue, and source of inspiration for nearly forty international artists and photographers from 1950s to the present.
septembre 2008, New York, London
Street art street life: from 1950s to now
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This book accompanies the exhibition Street Art, Street Life: From 1950s to Now, on view at the Bronx Museum of the Arts, September 14, 2008 to January 25, 2009. Street Art, Street Life examines the street as subject matter, venue, and source of inspiration for nearly forty international artists and photographers from 1950s to the present.
Barcelona: 1000 graffiti
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Barcelona 1000 Graffiti is a photo-essay by Rosa Puig about graffiti in Barcelona, a city that's become a meeting place and 'concrete canvas' for graffitists from all over the world. The wide range of graffiti documented in this work is scattered throughout the city, a cause of astonishment and admiration for some, of concern for the authorities, and of despair for the(...)
Barcelona: 1000 graffiti
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Barcelona 1000 Graffiti is a photo-essay by Rosa Puig about graffiti in Barcelona, a city that's become a meeting place and 'concrete canvas' for graffitists from all over the world. The wide range of graffiti documented in this work is scattered throughout the city, a cause of astonishment and admiration for some, of concern for the authorities, and of despair for the owners of facades irreverently invaded under cover of darkness. The graffiti collected in this book are found in different areas of Barcelona - from the very central to the most far-flung - and offer very diverse topics and tones - by turns poetic, socially aware, dissenting - while competing with the customary visual pollution of the city and helping to enrich its landscape. The photographs reflect the surprised gaze of their author, at once captivated by 'graphic pieces' that, as she says, she 'would rip off the walls and hang in my house.'
Espaces Public
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La vie et l’oeuvre d’une des figures les plus appréciées et influentes du monde vibrant de l’art de la rue de ces vingt dernières années. Ce livre offre un regard d’un genre unique sur la vie et l’oeuvre de l’une des figures les plus appréciées et influentes de la scène vibrante de l’art de la rue : Blek le Rat. Célèbres dans le monde entier, les oeuvres de ce pochoiriste(...)
Blek le rat en traversant les murs
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La vie et l’oeuvre d’une des figures les plus appréciées et influentes du monde vibrant de l’art de la rue de ces vingt dernières années. Ce livre offre un regard d’un genre unique sur la vie et l’oeuvre de l’une des figures les plus appréciées et influentes de la scène vibrante de l’art de la rue : Blek le Rat. Célèbres dans le monde entier, les oeuvres de ce pochoiriste parisien ont profondément marqué d’innombrables street artists et n’ont de cesse d’inspirer designers graphiques et publicitaires, notamment dans le domaine de la musique. Des premiers pochoirs représentant des rats bombés sur les murs de Paris aux affiches de la journaliste Florence Aubenas en passant par les portraits de Lady Di ou de Serge Gainsbourg, c’est tout l’art révolutionnaire de Blek le Rat qui est ici montré pour la première fois - soit vingt années de création dans la rue et pour la rue. L’ouvrage présente plus de 300 oeuvres in situ magnifiquement photographiées et propose non seulement la description des techniques utilisées par Blek mais aussi une analyse de la signification de ses créations au pochoir. Acteur omniprésent de la scène de l’art urbain dans des villes aussi cosmopolites que Paris, New York, Barcelone, Buenos Aires, Londres, Taipei, Naples et Berlin, Blek le Rat, à travers ce livre, laisse enfin une trace durable de son travail qui continuera longtemps d’inspirer les amoureux de l’art de la rue.
Espaces Public
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Inclus chaque un chapitre sur SYN- et ATSA de Montréal. "Nous proposons des tactiques urbaines pour accompagner les micro-processus locaux dans les milieux urbains où les décisions sont prises au nom d'intérêts économiques privés et de mécanismes politiques centralisés inadaptés aux mobilités territoriales actuelles: globales, informelles, multiculturelles… Nous(...)
Urban Act, A handbook for alternative practice
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Inclus chaque un chapitre sur SYN- et ATSA de Montréal. "Nous proposons des tactiques urbaines pour accompagner les micro-processus locaux dans les milieux urbains où les décisions sont prises au nom d'intérêts économiques privés et de mécanismes politiques centralisés inadaptés aux mobilités territoriales actuelles: globales, informelles, multiculturelles… Nous explorons la réappropriation des espaces urbains délaissés et la création de nouvelles formes d'urbanité par des aménagements réversibles, des pratiques du quotidien, par l'implication des habitants et des usagers en tant que porteurs de différents savoirs faire. Plus accessibles, ces espaces constituent un potentiel d'expérimentation urbaine et d'exploration à rebours de l'accroissement de la densité et du contrôle. Notre démarche consiste à critiquer pour libérer le désir d'agir mais aussi à rassembler des compétences partagées et des dynamiques collaboratives pour aller plus loin. En valorisant la position d'habitant et d'usager comme condition politique nous développons ensemble des outils d'appropriation symbolique des espaces de proximité et nous renforçons le pouvoir de décision et d'action des acteurs de terrain dans la ville. Ces outils incluent des réseaux trans-locaux, processus catalyseurs, architectures nomades, espaces autogérés, plates-formes de production culturelle…" Atelier d'Architecture Autogérée
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