$55.00
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Featured artists include Akim One Machine, Blu, Brom, Dr. Innocent, JR, Kami & Sasu, Mare 139, Mr. Horse, Nina, Nixfitti, Os Gemeos, Zasd and Zevs. The book contains a DVD with a film documentary by Volker Sattel and Mario Mentrup about the Outsides project initiated by Red Bull.
We come at night: a corporate street art attack
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Featured artists include Akim One Machine, Blu, Brom, Dr. Innocent, JR, Kami & Sasu, Mare 139, Mr. Horse, Nina, Nixfitti, Os Gemeos, Zasd and Zevs. The book contains a DVD with a film documentary by Volker Sattel and Mario Mentrup about the Outsides project initiated by Red Bull.
Espaces Public
$21.95
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This book is the result of over ten years of photographic documentation and research on the variety of modifications and inventions that people make in public, from roadside memorials to makeshift barriers.
Public phenomena by temporary services
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This book is the result of over ten years of photographic documentation and research on the variety of modifications and inventions that people make in public, from roadside memorials to makeshift barriers.
Espaces Public
$33.95
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In City/Art anthropologists, literary and cultural critics, a philosopher, and an architect explore how creative practices continually reconstruct the urban scene in Latin America. The contributors, all Latin Americanists, describe how creativity—broadly conceived to encompass urban design, museums, graffiti, film, music, literature, architecture, performance art, and(...)
City/art: the urban scene in Latin America
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In City/Art anthropologists, literary and cultural critics, a philosopher, and an architect explore how creative practices continually reconstruct the urban scene in Latin America. The contributors, all Latin Americanists, describe how creativity—broadly conceived to encompass urban design, museums, graffiti, film, music, literature, architecture, performance art, and more—combines with nationalist rhetoric and historical discourse to define Latin American cities. Taken together, the essays model different ways of approaching Latin America’s urban centers not only as places that inspire and house creative practices but also as ongoing collective creative endeavors themselves. The essays range from an examination of how differences of scale and point of view affect people’s experience of everyday life in Mexico City to a reflection on the transformation of a prison into a shopping mall in Uruguay, and from an analysis of Buenos Aires’ preoccupation with its own status and cultural identity to a consideration of what Miami means to Cubans in the United States.
Espaces Public
$32.95
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This essay opens up multiple dimensions of the oncept from architectural, political, philosophical, and technological points of view. There is some historical analysis here, but the contributors are more focused on the future of public space under conditions of growing urbanization and democratic confusion. The added interest offered by non-academic work—visual art,(...)
Rites of way : the politics and poetics of public space
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This essay opens up multiple dimensions of the oncept from architectural, political, philosophical, and technological points of view. There is some historical analysis here, but the contributors are more focused on the future of public space under conditions of growing urbanization and democratic confusion. The added interest offered by non-academic work—visual art, fiction, poetry, and drama—is in part an admission that this is a topic too important to be left only to theorists. It also makes an implicit argument for the crucial role that art, not just public art, plays in a thriving public realm.
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Observatorium is a unique consortium of three artists that has developed a philosophy and a working procedure that aims to make the grey areas and interfaces of architecture, urban design, landscape architecture and art more productive. Instead of creating autonomous art in public space, the group uses the media of sculpture and installation to make functional facilities(...)
Observatorium: big pieces of time
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Observatorium is a unique consortium of three artists that has developed a philosophy and a working procedure that aims to make the grey areas and interfaces of architecture, urban design, landscape architecture and art more productive. Instead of creating autonomous art in public space, the group uses the media of sculpture and installation to make functional facilities that are monumental, symbolic and meaningful. This publication is at once an overview and an outcome of their design philosophy, and is accompanied by photographs, drawings and narratives, along with a complete list of their works produced to date.
Espaces Public
$12.00
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Hey Hey Glossolalia is a series of events throughout New York City in May 2008 that will express the infite shades of the voice.
Hey hey glossolalia (after): exhibiting the voice
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Hey Hey Glossolalia is a series of events throughout New York City in May 2008 that will express the infite shades of the voice.
Espaces Public
$81.00
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Approche historique, réflexion sociologique, architecturale et urbanistique, gouvernance de la rue, rues médias... À l'occasion de l'exposition réalisée par l'Institut pour la ville en mouvement, experts et projets empruntés à une cinquantaine de villes du monde dessinent des perspectives pour les rues du XXIe siècle.
La rue est à nous... tous! / The street belongs to all of us!
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Approche historique, réflexion sociologique, architecturale et urbanistique, gouvernance de la rue, rues médias... À l'occasion de l'exposition réalisée par l'Institut pour la ville en mouvement, experts et projets empruntés à une cinquantaine de villes du monde dessinent des perspectives pour les rues du XXIe siècle.
Espaces Public
livres
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This richly illustrated monograph looks at André Volten's stylistic development by examining a large number of works from his sculptural output. The writers also consider Volten's significance to sculpture in the Netherlands and on the international art scene, as well as(...)
septembre 2000, Rotterdam
André Volten : sculpture in private space/sculpture in public space
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This richly illustrated monograph looks at André Volten's stylistic development by examining a large number of works from his sculptural output. The writers also consider Volten's significance to sculpture in the Netherlands and on the international art scene, as well as discussing his development of the Constructivist aesthetic. Since the 1950s, André Volten (b. 1925) has made an exceptional contribution to sculpture in public space, and examples of his prolific output can be seen in the Netherlands and beyond. He has also been an important protagonist in the debate about the need for art within the public domain. The integration of architecture and visual art, as seen in Volten's work, demonstrates how these two disciplines can complement and invigorate each other.
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septembre 2000, Rotterdam
$30.95
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In Space, Site, Intervention, some of today's most prominent art critics, curators, and artists view installation art as a diverse, multifaceted, and international art form that challenges institutional assumptions and narrow conceptual frameworks. Together, the essays in Space, Site, Intervention investigate how installation resonates within modern culture and society,(...)
Space site intervention: situating installation art
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In Space, Site, Intervention, some of today's most prominent art critics, curators, and artists view installation art as a diverse, multifaceted, and international art form that challenges institutional assumptions and narrow conceptual frameworks. Together, the essays in Space, Site, Intervention investigate how installation resonates within modern culture and society, as well as its ongoing influence on contemporary visual culture. Erika Suderburg is professor of art at the University of California, Riverside.
Espaces Public
The Reichstag graffiti
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The walls of the Reichstag are covered with graffiti, written by victorious Soviet soldiers in 1945. Hidden for 30 years, the Reichstag graffiti were rediscovered by Norman Foster and his team when they began work on the building in 1995. They were preserved as part of Foster’s concept of the Reichstag as a ‘living museum’ of German history. Published at a time when the(...)
mars 2003, Berlin
The Reichstag graffiti
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The walls of the Reichstag are covered with graffiti, written by victorious Soviet soldiers in 1945. Hidden for 30 years, the Reichstag graffiti were rediscovered by Norman Foster and his team when they began work on the building in 1995. They were preserved as part of Foster’s concept of the Reichstag as a ‘living museum’ of German history. Published at a time when the graffiti are threatened with eradication, this book offers an important visual and literary record. Deborah Lipstadt considers the arguments for and against the preservation of the graffiti: is the preservation, as some charge, "morally offensive" and "masochistic" or does it indicate a brave determination not to forget the tragedies of the past? And what does it mean and say about Germany today? Frederick Baker considers the graffiti as a monument to the individual and offers an historical account of the Battle of Berlin through the eyes of Red Army soldiers as they approached their ultimate goal, including the soldier who first raised the Red Flag above the Reichstag. This illustrated volume allows the inscriptions to be made accessible and understandable to a wider public for the first time.