166 Résultats
Classification:
livres
livres
Titre:
Luigi Ghirri - Aldo Rossi : things which are only themselves / des choses qui ne sont qu'elles-mêmes
Luigi Ghirri - Aldo Rossi : things which are only themselves / des choses qui ne sont qu'elles-mêmes
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$29.95
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Ce catalogue de l'exposition examine la présence et le rôle de la photographie dans le processus de la conception architecturale, et la fonction de la photographie en tant qu'instrument d'investigation de la conscience comme de l'inconscient de l'architecte. / This exhibition catalogue examines the presence and role of photography in the process of design(...)
$29.95
(disponible en magasin)
Résumé:
Ce catalogue de l'exposition examine la présence et le rôle de la photographie dans le processus de la conception architecturale, et la fonction de la photographie en tant qu'instrument d'investigation de la conscience comme de l'inconscient de l'architecte. / This exhibition catalogue examines the presence and role of photography in the process of design(...)
Titre:
Luigi Ghirri - Aldo Rossi : things which are only themselves / des choses qui ne sont qu'elles-mêmes
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$29.95
(disponible en magasin)
Résumé:
Ce catalogue de l'exposition examine la présence et le rôle de la photographie dans le processus de la conception architecturale, et la fonction de la photographie en tant qu'instrument d'investigation de la conscience comme de l'inconscient de l'architecte. / This exhibition catalogue examines the presence and role of photography in the process of design and also the uses of photography as a personal effect of the architect's consciousness and subconscious. Textes de/texts by Paolo Costantini, Aldo Rossi, Luigi Ghirri.
Luigi Ghirri - Aldo Rossi : things which are only themselves / des choses qui ne sont qu'elles-mêmes
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Résumé:
Ce catalogue de l'exposition examine la présence et le rôle de la photographie dans le processus de la conception architecturale, et la fonction de la photographie en tant qu'instrument d'investigation de la conscience comme de l'inconscient de l'architecte. / This exhibition catalogue examines the presence and role of photography in the process of design and also the uses of photography as a personal effect of the architect's consciousness and subconscious. Textes de/texts by Paolo Costantini, Aldo Rossi, Luigi Ghirri.
Classification:
livres
livres
Publication:
septembre 1996, Montréal / Milan
septembre 1996, Montréal / Milan
Sujet:
Publications du CCA
Publications du CCA
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livres
livres
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$19.95
(disponible en magasin)
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Ce Dictionnaire de l’artiste architecte et urbaniste Melvin Charney se pre´sente comme une collection de de´coupages d’articles de presse illustre´s d’une photographie, classe´s par se´ries the´matiques. Ces de´coupages, ou` compte surtout l’image, sont partiellement couverts de le´gers traits de peinture qui accentuent la valeur d’exposition de l’ensemble; le(...)
$19.95
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Résumé:
Ce Dictionnaire de l’artiste architecte et urbaniste Melvin Charney se pre´sente comme une collection de de´coupages d’articles de presse illustre´s d’une photographie, classe´s par se´ries the´matiques. Ces de´coupages, ou` compte surtout l’image, sont partiellement couverts de le´gers traits de peinture qui accentuent la valeur d’exposition de l’ensemble; le(...)
Sujet:
Publications du CCA
Publications du CCA
Publication:
juin 2000, Montréal
juin 2000, Montréal
Titre:
Tracking images : Melvin Charney, un dictionnaire...
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$19.95
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Résumé:
Ce Dictionnaire de l’artiste architecte et urbaniste Melvin Charney se pre´sente comme une collection de de´coupages d’articles de presse illustre´s d’une photographie, classe´s par se´ries the´matiques. Ces de´coupages, ou` compte surtout l’image, sont partiellement couverts de le´gers traits de peinture qui accentuent la valeur d’exposition de l’ensemble; le de´placement de la page imprime´e a` l’espace de la galerie ou du muse´e. Ce dictionnaire est une forme composite qui re´sulte d’une activite´ a` re´sonances multiples dans l’histoire des relations entre art et information, dans l’histoire de la critique architec- turale et dans celle de l’architecture critique. Les e´ve´nements fortuits que transmettent ces images collige´es par Charney nous forcent a` voir l’architecture dans un cadre qui n’est plus celui de sa repre´sentation comme construction monumentale isole´e. Cette publication accompagnait la participation canadienne a` la 7e Exposition internationale d’architecture de la Biennale de Venise, dont le the`me e´tait « La ville : moins d’esthe´tique, plus d’e´thique ». The Montre´al-based Canadian artist and architect Melvin Charney describes the history of modern architecture as a series of significant monuments that have been reproduced and documented. Here, the unexpected events transmitted by wire-service news photographs—selected, classified into various thematic areas, and collated by Charney—confront us with the shock or recognition that allows us to see architecture from outside its presentation as an isolated monument. The choices made by Charney from the ideas enclosed in the pre-packaged “news” images order them into a “dictionary,” and show the built and inhabited world as it appears through journalistic information. This publication accompanied the Canadian entry to the Venice Biennale’s 7th International Architecture Exhibition, whose theme was “The City: Less Aesthetics, More Ethics.”
Tracking images : Melvin Charney, un dictionnaire...
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Résumé:
Ce Dictionnaire de l’artiste architecte et urbaniste Melvin Charney se pre´sente comme une collection de de´coupages d’articles de presse illustre´s d’une photographie, classe´s par se´ries the´matiques. Ces de´coupages, ou` compte surtout l’image, sont partiellement couverts de le´gers traits de peinture qui accentuent la valeur d’exposition de l’ensemble; le de´placement de la page imprime´e a` l’espace de la galerie ou du muse´e. Ce dictionnaire est une forme composite qui re´sulte d’une activite´ a` re´sonances multiples dans l’histoire des relations entre art et information, dans l’histoire de la critique architec- turale et dans celle de l’architecture critique. Les e´ve´nements fortuits que transmettent ces images collige´es par Charney nous forcent a` voir l’architecture dans un cadre qui n’est plus celui de sa repre´sentation comme construction monumentale isole´e. Cette publication accompagnait la participation canadienne a` la 7e Exposition internationale d’architecture de la Biennale de Venise, dont le the`me e´tait « La ville : moins d’esthe´tique, plus d’e´thique ». The Montre´al-based Canadian artist and architect Melvin Charney describes the history of modern architecture as a series of significant monuments that have been reproduced and documented. Here, the unexpected events transmitted by wire-service news photographs—selected, classified into various thematic areas, and collated by Charney—confront us with the shock or recognition that allows us to see architecture from outside its presentation as an isolated monument. The choices made by Charney from the ideas enclosed in the pre-packaged “news” images order them into a “dictionary,” and show the built and inhabited world as it appears through journalistic information. This publication accompanied the Canadian entry to the Venice Biennale’s 7th International Architecture Exhibition, whose theme was “The City: Less Aesthetics, More Ethics.”
Classification:
livres
livres
Publication:
juin 2000, Montréal
juin 2000, Montréal
Sujet:
Publications du CCA
Publications du CCA
Classification:
livres
livres
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$95.00
(disponible en magasin)
Résumé:
Shaping the Great City looks at modern architecture and the city in a vast geographical area over nearly fifty years of tumultuous social and political change, bringing to light architectural developments that are only now emerging as subjects for international inquiry. How did modern architecture construct “meaning” in relation to the complex cultural traditions,(...)
$95.00
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Shaping the Great City looks at modern architecture and the city in a vast geographical area over nearly fifty years of tumultuous social and political change, bringing to light architectural developments that are only now emerging as subjects for international inquiry. How did modern architecture construct “meaning” in relation to the complex cultural traditions,(...)
Titre:
Shaping the great city: modern architecture in central Europe, 1890-1937
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Shaping the Great City looks at modern architecture and the city in a vast geographical area over nearly fifty years of tumultuous social and political change, bringing to light architectural developments that are only now emerging as subjects for international inquiry. How did modern architecture construct “meaning” in relation to the complex cultural traditions, conflicting political agendas, and historical narratives of modernizing urban society in the cities of central Europe? What role did the cities themselves—as the principal arenas of public culture in the multinational, polyethnic, and pluricultural Hapsburg Empire, then in the successor republics—play in the evolution of modern architectural culture? These questions remain pertinent to the current relationship between cities and the increasingly diverse cultures within them, and to the role of the great city today in the age of globalization.
Shaping the great city: modern architecture in central Europe, 1890-1937
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Shaping the Great City looks at modern architecture and the city in a vast geographical area over nearly fifty years of tumultuous social and political change, bringing to light architectural developments that are only now emerging as subjects for international inquiry. How did modern architecture construct “meaning” in relation to the complex cultural traditions, conflicting political agendas, and historical narratives of modernizing urban society in the cities of central Europe? What role did the cities themselves—as the principal arenas of public culture in the multinational, polyethnic, and pluricultural Hapsburg Empire, then in the successor republics—play in the evolution of modern architectural culture? These questions remain pertinent to the current relationship between cities and the increasingly diverse cultures within them, and to the role of the great city today in the age of globalization.
Classification:
livres
livres
Publication:
janvier 2000
janvier 2000
Sujet:
Publications du CCA
Publications du CCA
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livres
livres
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$19.95
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Marking the 10th anniversary of the CCA’s public opening, the exhibition spotlights and juxtaposes acquisitions from its first decade. Over 350 prints, drawings, photographs, rare books, manuscripts, toys, and models spanning five centuries of architectural history reflect how the built world has been imagined, conceived, and reflected upon. L’exposition, qui marque(...)
$19.95
(disponible en magasin)
Résumé:
Marking the 10th anniversary of the CCA’s public opening, the exhibition spotlights and juxtaposes acquisitions from its first decade. Over 350 prints, drawings, photographs, rare books, manuscripts, toys, and models spanning five centuries of architectural history reflect how the built world has been imagined, conceived, and reflected upon. L’exposition, qui marque(...)
Sujet:
Publications du CCA
Publications du CCA
Publication:
novembre 1999, Montréal
novembre 1999, Montréal
Titre:
En chantier : les collections du CCA, 1989-1999 / En chantier : the collections of the CCA, 1989-1999
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$19.95
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Marking the 10th anniversary of the CCA’s public opening, the exhibition spotlights and juxtaposes acquisitions from its first decade. Over 350 prints, drawings, photographs, rare books, manuscripts, toys, and models spanning five centuries of architectural history reflect how the built world has been imagined, conceived, and reflected upon. L’exposition, qui marque le 10e anniversaire de l’inauguration du CCA au public, met en valeur et en interaction les acquisitions dans ses dix premières années. En chantier propose plus de 350 estampes, dessins, photographies, livres rares, manuscrits, jouets et maquettes qui démontrent comment l’architecture a été imaginée, conçue, observée et perçue pendant cinq siècles d’histoire de l’architecture.
En chantier : les collections du CCA, 1989-1999 / En chantier : the collections of the CCA, 1989-1999
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$19.95
(disponible en magasin)
Résumé:
Marking the 10th anniversary of the CCA’s public opening, the exhibition spotlights and juxtaposes acquisitions from its first decade. Over 350 prints, drawings, photographs, rare books, manuscripts, toys, and models spanning five centuries of architectural history reflect how the built world has been imagined, conceived, and reflected upon. L’exposition, qui marque le 10e anniversaire de l’inauguration du CCA au public, met en valeur et en interaction les acquisitions dans ses dix premières années. En chantier propose plus de 350 estampes, dessins, photographies, livres rares, manuscrits, jouets et maquettes qui démontrent comment l’architecture a été imaginée, conçue, observée et perçue pendant cinq siècles d’histoire de l’architecture.
Classification:
livres
livres
Publication:
novembre 1999, Montréal
novembre 1999, Montréal
Sujet:
Publications du CCA
Publications du CCA
Classification:
livres
livres
Prix:
$395.00
(disponible sur commande)
Résumé:
Cedric Price Works 1952-2003: A Forward-Minded Retrospective by Samantha Hardingham is a two-volume anthology, co-published by the Architectural Association (AA) and the Canadian Centre for Architecture (CCA), and is supported by the Graham Foundation and the Cedric Price Estate. The books bring together for the first time all of the projects, articles and talks of(...)
$395.00
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Résumé:
Cedric Price Works 1952-2003: A Forward-Minded Retrospective by Samantha Hardingham is a two-volume anthology, co-published by the Architectural Association (AA) and the Canadian Centre for Architecture (CCA), and is supported by the Graham Foundation and the Cedric Price Estate. The books bring together for the first time all of the projects, articles and talks of(...)
Publication:
janvier 2017
janvier 2017
Titre:
Cedric Price Works, 1952-2003: A forward-minded retrospective
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$395.00
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Cedric Price Works 1952-2003: A Forward-Minded Retrospective by Samantha Hardingham is a two-volume anthology, co-published by the Architectural Association (AA) and the Canadian Centre for Architecture (CCA), and is supported by the Graham Foundation and the Cedric Price Estate. The books bring together for the first time all of the projects, articles and talks of British architect Cedric Price, aiming to present his munificence as thinker, philosopher and designer. A student at the AA in the 1950s, Price established his office in London in 1960 and went on to produce some of architecture's most intensely imaginative and experimental projects of the latter half of the 20th century. His work is central in defining architectural discourse around the emerging postwar themes of mobility and indeterminacy in design. 2 Volumes in a custom-made slipcase, 912 pages and 512 pages respectively. 1,255 colour and b illustrations.
Cedric Price Works, 1952-2003: A forward-minded retrospective
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$395.00
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Cedric Price Works 1952-2003: A Forward-Minded Retrospective by Samantha Hardingham is a two-volume anthology, co-published by the Architectural Association (AA) and the Canadian Centre for Architecture (CCA), and is supported by the Graham Foundation and the Cedric Price Estate. The books bring together for the first time all of the projects, articles and talks of British architect Cedric Price, aiming to present his munificence as thinker, philosopher and designer. A student at the AA in the 1950s, Price established his office in London in 1960 and went on to produce some of architecture's most intensely imaginative and experimental projects of the latter half of the 20th century. His work is central in defining architectural discourse around the emerging postwar themes of mobility and indeterminacy in design. 2 Volumes in a custom-made slipcase, 912 pages and 512 pages respectively. 1,255 colour and b illustrations.
Classification:
livres
livres
Publication:
janvier 2017
janvier 2017
Classification:
livres
livres
Prix:
$52.50
(disponible sur commande)
Résumé:
This book pursues the legendary but elusive 1974 exhibition, Anarchitecture. Conceived of as an anonymous, photographic statement about the intersection of art and building by the research collective Anarchitecture Group, the exhibition is a constant reference point in discussion, regardless of the almost complete lack of evidence about it. Contrasting the(...)
$52.50
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Résumé:
This book pursues the legendary but elusive 1974 exhibition, Anarchitecture. Conceived of as an anonymous, photographic statement about the intersection of art and building by the research collective Anarchitecture Group, the exhibition is a constant reference point in discussion, regardless of the almost complete lack of evidence about it. Contrasting the(...)
Titre:
Cutting Matta-Clark: the anarchitecture investigation
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$52.50
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This book pursues the legendary but elusive 1974 exhibition, Anarchitecture. Conceived of as an anonymous, photographic statement about the intersection of art and building by the research collective Anarchitecture Group, the exhibition is a constant reference point in discussion, regardless of the almost complete lack of evidence about it. Contrasting the hyper-visibility of Anarchitecture Group’s leader, Gordon Matta-Clark, and his canonical work, SPLITTING, with the near invisibility of Anarchitecture, this book takes various Matta-Clark archives, including the CCA’s holdings, as its point of departure and follows the traces of the exhibition. Formulated as a detective story, Cutting Matta-Clark: The Anarchitecture Investigation assembles a comprehensive dossier of previously unpublished evidence including photographs, loose-leaf documents, and notecards, as well as interviews with protagonists of the Anarchitecture Group.
Cutting Matta-Clark: the anarchitecture investigation
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$52.50
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Résumé:
This book pursues the legendary but elusive 1974 exhibition, Anarchitecture. Conceived of as an anonymous, photographic statement about the intersection of art and building by the research collective Anarchitecture Group, the exhibition is a constant reference point in discussion, regardless of the almost complete lack of evidence about it. Contrasting the hyper-visibility of Anarchitecture Group’s leader, Gordon Matta-Clark, and his canonical work, SPLITTING, with the near invisibility of Anarchitecture, this book takes various Matta-Clark archives, including the CCA’s holdings, as its point of departure and follows the traces of the exhibition. Formulated as a detective story, Cutting Matta-Clark: The Anarchitecture Investigation assembles a comprehensive dossier of previously unpublished evidence including photographs, loose-leaf documents, and notecards, as well as interviews with protagonists of the Anarchitecture Group.
Classification:
livres
livres
Publication:
juin 2018
juin 2018
Sujet:
Publications du CCA
Publications du CCA
Classification:
livres
livres
Prix:
$65.00
(disponible en magasin)
Résumé:
Born out of the Portuguese revolution of 1974, the Serviço Ambulatório de Apoio Local (SAAL) was one of the most compelling processes in 20th-century architecture. A pioneering experiment in Europe, it set up technical teams led by architects who, in collaboration with the local population, tried to address the urgent housing needs of communities across the nation. The(...)
$65.00
(disponible en magasin)
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Born out of the Portuguese revolution of 1974, the Serviço Ambulatório de Apoio Local (SAAL) was one of the most compelling processes in 20th-century architecture. A pioneering experiment in Europe, it set up technical teams led by architects who, in collaboration with the local population, tried to address the urgent housing needs of communities across the nation. The(...)
Titre:
The SAAL process: Architecture and participation 1974-1976
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$65.00
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Born out of the Portuguese revolution of 1974, the Serviço Ambulatório de Apoio Local (SAAL) was one of the most compelling processes in 20th-century architecture. A pioneering experiment in Europe, it set up technical teams led by architects who, in collaboration with the local population, tried to address the urgent housing needs of communities across the nation. The teams were reinventing architectural practice, from surveying living conditions to monitoring land expropriation, designing projects with the residents directly. This volume includes new essays along with historic texts, an interview with some of the major figures involved, and extensive project documentation. An exhibition by the Museu de Arte Contemporânea de Serralves, The SAAL Process will be presented at the CCA in Spring 2015.
The SAAL process: Architecture and participation 1974-1976
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$65.00
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Born out of the Portuguese revolution of 1974, the Serviço Ambulatório de Apoio Local (SAAL) was one of the most compelling processes in 20th-century architecture. A pioneering experiment in Europe, it set up technical teams led by architects who, in collaboration with the local population, tried to address the urgent housing needs of communities across the nation. The teams were reinventing architectural practice, from surveying living conditions to monitoring land expropriation, designing projects with the residents directly. This volume includes new essays along with historic texts, an interview with some of the major figures involved, and extensive project documentation. An exhibition by the Museu de Arte Contemporânea de Serralves, The SAAL Process will be presented at the CCA in Spring 2015.
Classification:
livres
livres
Publication:
janvier 2015
janvier 2015
Sujet:
Publications du CCA
Publications du CCA
Classification:
livres
livres
Prix:
$39.95
(disponible en magasin)
Résumé:
This publication results from a conference intended to reopen the debate on the development of architectural discourse in America from 1923 to 1949. Contributors include: Bernard Tschumi, Terence Riley, Robert E. Somol, Phyllis Lambert, Philip Johnson and Jeffrey Kipnis, Colin Rowe, Peter Eisenman, Joan Ockman, Paulette Singley, Sylvia Lavin, Francesco(...)
$39.95
(disponible en magasin)
Résumé:
This publication results from a conference intended to reopen the debate on the development of architectural discourse in America from 1923 to 1949. Contributors include: Bernard Tschumi, Terence Riley, Robert E. Somol, Phyllis Lambert, Philip Johnson and Jeffrey Kipnis, Colin Rowe, Peter Eisenman, Joan Ockman, Paulette Singley, Sylvia Lavin, Francesco(...)
Titre:
Autonomy and ideology: positioning an avant-garde in America
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$39.95
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This publication results from a conference intended to reopen the debate on the development of architectural discourse in America from 1923 to 1949. Contributors include: Bernard Tschumi, Terence Riley, Robert E. Somol, Phyllis Lambert, Philip Johnson and Jeffrey Kipnis, Colin Rowe, Peter Eisenman, Joan Ockman, Paulette Singley, Sylvia Lavin, Francesco Dal Co, Detlef Mertins, Mitchell Schwarzer, Sanford Kwinter, Rem Koolhaas, and Beatriz Colomina.
Autonomy and ideology: positioning an avant-garde in America
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$39.95
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Résumé:
This publication results from a conference intended to reopen the debate on the development of architectural discourse in America from 1923 to 1949. Contributors include: Bernard Tschumi, Terence Riley, Robert E. Somol, Phyllis Lambert, Philip Johnson and Jeffrey Kipnis, Colin Rowe, Peter Eisenman, Joan Ockman, Paulette Singley, Sylvia Lavin, Francesco Dal Co, Detlef Mertins, Mitchell Schwarzer, Sanford Kwinter, Rem Koolhaas, and Beatriz Colomina.
Classification:
livres
livres
Publication:
novembre 1997, New York
novembre 1997, New York
Sujet:
Publications du CCA
Publications du CCA
Classification:
livres
livres
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$45.00
(disponible en magasin)
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Iñaki Ábalos and Juan Herreros established the renowned architectural firm Ábalos & Herreros in Madrid in 1984. At the time, following the end of the Franco regime, architects were valued more for their technical ability than for their contributions to theoretical research. In this context, Ábalos and Herreros’s melding of design with a range of publications and(...)
$45.00
(disponible en magasin)
Résumé:
Iñaki Ábalos and Juan Herreros established the renowned architectural firm Ábalos & Herreros in Madrid in 1984. At the time, following the end of the Franco regime, architects were valued more for their technical ability than for their contributions to theoretical research. In this context, Ábalos and Herreros’s melding of design with a range of publications and(...)
Titre:
AP164: Ábalos & Herreros. Selected by OFFICE, Juan José Castellon and SO-IL
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Iñaki Ábalos and Juan Herreros established the renowned architectural firm Ábalos & Herreros in Madrid in 1984. At the time, following the end of the Franco regime, architects were valued more for their technical ability than for their contributions to theoretical research. In this context, Ábalos and Herreros’s melding of design with a range of publications and curatorial projects presented a remarkable challenge to assumptions about the role of an architect. In 2012, the Canadian Centre for Architecture obtained the Ábalos & Herreros archive, which contains documents related to more than 160 projects. The material comprises sketches, slides, models, collages, and drawings. The archive presents a compelling opportunity to reconstruct Ábalos and Herreros’s planning and design process. Each of the book’s three contributors—two of whom worked with Ábalos and Herreros—approaches the archive with specific questions, and their essays explore topics including the architects’ fascination with industrial architecture, their capacity to construct a hybrid materiality without recourse to building technology as language, and their innovative visions for landscape architecture.
AP164: Ábalos & Herreros. Selected by OFFICE, Juan José Castellon and SO-IL
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$45.00
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Iñaki Ábalos and Juan Herreros established the renowned architectural firm Ábalos & Herreros in Madrid in 1984. At the time, following the end of the Franco regime, architects were valued more for their technical ability than for their contributions to theoretical research. In this context, Ábalos and Herreros’s melding of design with a range of publications and curatorial projects presented a remarkable challenge to assumptions about the role of an architect. In 2012, the Canadian Centre for Architecture obtained the Ábalos & Herreros archive, which contains documents related to more than 160 projects. The material comprises sketches, slides, models, collages, and drawings. The archive presents a compelling opportunity to reconstruct Ábalos and Herreros’s planning and design process. Each of the book’s three contributors—two of whom worked with Ábalos and Herreros—approaches the archive with specific questions, and their essays explore topics including the architects’ fascination with industrial architecture, their capacity to construct a hybrid materiality without recourse to building technology as language, and their innovative visions for landscape architecture.
Classification:
livres
livres
Publication:
mai 2016
mai 2016
Sujet:
Publications du CCA
Publications du CCA
Classification:
livres
livres
Titre:
The evidence room
The evidence room
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$40.95
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Résumé:
Internationally renowned and award-winning historian Dr. Robert Jan van Pelt's 'The Evidence Room' is a chilling exploration of the role architecture played in constructing Auschwitz-arguably the Nazis' most horrifying facility. 'The Evidence Room' is both a companion piece to, and an elaboration of, the upcoming exhibit at the 2016 Venice Architecture Biennale and at the(...)
$40.95
(disponible en magasin)
Résumé:
Internationally renowned and award-winning historian Dr. Robert Jan van Pelt's 'The Evidence Room' is a chilling exploration of the role architecture played in constructing Auschwitz-arguably the Nazis' most horrifying facility. 'The Evidence Room' is both a companion piece to, and an elaboration of, the upcoming exhibit at the 2016 Venice Architecture Biennale and at the(...)
Publication:
juin 2016
juin 2016
Titre:
The evidence room
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$40.95
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Résumé:
Internationally renowned and award-winning historian Dr. Robert Jan van Pelt's 'The Evidence Room' is a chilling exploration of the role architecture played in constructing Auschwitz-arguably the Nazis' most horrifying facility. 'The Evidence Room' is both a companion piece to, and an elaboration of, the upcoming exhibit at the 2016 Venice Architecture Biennale and at the Canadian Center for Architecture, based on van Pelt's authoritative testimony against Holocaust denial in a 2000 libel suit argued before the Royal Courts of Justice in London.
The evidence room
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$40.95
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Résumé:
Internationally renowned and award-winning historian Dr. Robert Jan van Pelt's 'The Evidence Room' is a chilling exploration of the role architecture played in constructing Auschwitz-arguably the Nazis' most horrifying facility. 'The Evidence Room' is both a companion piece to, and an elaboration of, the upcoming exhibit at the 2016 Venice Architecture Biennale and at the Canadian Center for Architecture, based on van Pelt's authoritative testimony against Holocaust denial in a 2000 libel suit argued before the Royal Courts of Justice in London.
Classification:
livres
livres
Publication:
juin 2016
juin 2016
