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Analysing the winners of this year’s Frame Awards, the May/Jun issue of Frame reports how stores have become destinations, shows are achieving more with less, hospitality experiences bend genre and offices are prioritizing human-centric design.
Frame no. 122, May/ June 2018
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Analysing the winners of this year’s Frame Awards, the May/Jun issue of Frame reports how stores have become destinations, shows are achieving more with less, hospitality experiences bend genre and offices are prioritizing human-centric design.
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The latest issue is now in store!
Detail 6 2018: concrete construction
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Archivio n° 02
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Au sommaire de ce numéro dédié aux archives du crime et du pouvoir : William Friedkin ; les archives de Stasi ; La Notte ; la vie secrète d'Elena Ferrari ; la Première Guerre mondiale, par Giorgio De Chirico ; le massacre de Jonestown ; Marco Malvaldi sur le suicide ; La danse macabre d'Alberto Martini ; Aldo Moro ; le pouvoir policier, par Elio Petri ; Cold Balkan Blood(...)
Archivio n° 02
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Au sommaire de ce numéro dédié aux archives du crime et du pouvoir : William Friedkin ; les archives de Stasi ; La Notte ; la vie secrète d'Elena Ferrari ; la Première Guerre mondiale, par Giorgio De Chirico ; le massacre de Jonestown ; Marco Malvaldi sur le suicide ; La danse macabre d'Alberto Martini ; Aldo Moro ; le pouvoir policier, par Elio Petri ; Cold Balkan Blood d'Ana Blagojevic ; Andrea Pinotti à propos du Suaire de Turin ; la photographie et le sentiment d'anxiété, par Brad Feuerhelm ; le photographe Howard Bingham ; un récit de Michael Salu inspiré d'images du quotidien durant la première guerre du Golfe.
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Featuring recent and in progress urban transformation in San Francisco, this issue of a+u magazine is guest edited by Craig Hartman, senior consulting design partner at the San Francisco-based firm Skidmore, Owings & Merrill. Two major areas are at the root of this citywide enrichment: the Yerba Buena Garden, part of the San Francisco Museum of Modern Art, and the De(...)
A+U 571 2018 : 04 San Francisco, urban transformations
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Featuring recent and in progress urban transformation in San Francisco, this issue of a+u magazine is guest edited by Craig Hartman, senior consulting design partner at the San Francisco-based firm Skidmore, Owings & Merrill. Two major areas are at the root of this citywide enrichment: the Yerba Buena Garden, part of the San Francisco Museum of Modern Art, and the De Young Museum, situated in Golden Gate Park. These burgeoning cultural hotspots are spreading out to fill various urban voids, such as old factories, railyards, piers, and elsewhere. One huge transformation is the Transbay Transit Center, a mixed development project now recognised as a new neighbourhood.
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Established in Toulouse in 2013, Bureau Architectures Sans Titre (BAST) operates through research-led work with an “anonymous approach”. Despite this deliberate lack of attribution, every BAST project has a distinct character. The GENS group, founded in 2009 and currently with offices in Nancy and Paris, defines itself as seeking to exploit what it calls the “economy of(...)
A.Mag 13 : Bast Bureau Architectures Sans Titre
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Established in Toulouse in 2013, Bureau Architectures Sans Titre (BAST) operates through research-led work with an “anonymous approach”. Despite this deliberate lack of attribution, every BAST project has a distinct character. The GENS group, founded in 2009 and currently with offices in Nancy and Paris, defines itself as seeking to exploit what it calls the “economy of the project”. These two offices represent the new generation, and their production reflects how collective work is valued. Through a selection built works, the magazine explores an architecture less marked by the use of any formal language, but rather the methodological approach to solving each project.
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It is commonly understood that school buildings house complex systems. From the kindergarten to the university faculty, the journey through the levels of learning consists of an accumulation of vital experiences arising from the interaction between these systems. The educational function now builds its environments with new paradigms that reflect and respond to an(...)
A+T 50 : complex buildings, learning systems
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It is commonly understood that school buildings house complex systems. From the kindergarten to the university faculty, the journey through the levels of learning consists of an accumulation of vital experiences arising from the interaction between these systems. The educational function now builds its environments with new paradigms that reflect and respond to an increasingly diverse and complex social agenda. Javier Mozas analyses these new educational models in this third instalment of the “Complex Buildings” series, which also includes recent projects by C.F. Møller, NL Architects, Aleph Zero, OMA, Gigon/Guyer, Studio Velocity, and COBE Architects.
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Log 43
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Grey room 71
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Grey room 71
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The 100th issue of OASE takes the journal’s long-standing collaboration with its graphic designer Karel Martens as a starting point to explore the relationship between architecture journals and graphic design. In doing so, it challenges the conventional idea that architecture journals are mere carriers of information, showing instead how these journals play a defining(...)
OASE 100: the architecture of the journal
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The 100th issue of OASE takes the journal’s long-standing collaboration with its graphic designer Karel Martens as a starting point to explore the relationship between architecture journals and graphic design. In doing so, it challenges the conventional idea that architecture journals are mere carriers of information, showing instead how these journals play a defining role in the message they convey. Adhering to Marshall McLuhan’s famous maxim ‘the medium is the message’, it considers the graphic space of the journal, its materiality, its production, and the physical experience of reading.
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Perspecta 51
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Perspecta 51, ''Medium.'' Since the arrival of radio and television in the twentieth century, understandings of space have become visibly intertwined with what is commonly referred to as the media. But what is a medium? Dictionaries define ''medium'' as something in the middle, or, a means of conveyance, and this elemental understanding of medium has nourished early(...)
Perspecta 51
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Perspecta 51, ''Medium.'' Since the arrival of radio and television in the twentieth century, understandings of space have become visibly intertwined with what is commonly referred to as the media. But what is a medium? Dictionaries define ''medium'' as something in the middle, or, a means of conveyance, and this elemental understanding of medium has nourished early conversations of networks and cybernetics, as well as recent media theory. Yet today, midcentury architectural fictions and fantasies are reality—nomadic devices connect people, rooms, buildings, and cities to vast networks of data, capital, and energy; media are palpably enmeshed in the concrete built environment surrounding us. This volume of Perspecta takes a broad view of medium to take stock of and unpack unexpected relationships.
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