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"306090 06 : Shifting Infrastructures" focuses on the influence of communication systems, data and material distribution, and other new technologies on existing physical and cultural infrastructures.
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mai 2004, New York
306090 06 : shifting infrastructures
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"306090 06 : Shifting Infrastructures" focuses on the influence of communication systems, data and material distribution, and other new technologies on existing physical and cultural infrastructures.
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Verb - matters
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Ce numéro traite essentiellement des réseaux et de la matière.
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janvier 2004, Barcelone
Verb - matters
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Ce numéro traite essentiellement des réseaux et de la matière.
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2G 31 : Riegler Riewe
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Associates since 1987, the Austrian architects Florian Riegler and Roger Riewe, with their professional practice in Graz and Cologne, tackle their projects in a subtle and practical way, renouncing formal authorship as the motor of the design process. Their buildings respond to the environment and to the cultural baggage of society without wishing to offer the spectator(...)
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septembre 2004, Barcelona
2G 31 : Riegler Riewe
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Associates since 1987, the Austrian architects Florian Riegler and Roger Riewe, with their professional practice in Graz and Cologne, tackle their projects in a subtle and practical way, renouncing formal authorship as the motor of the design process. Their buildings respond to the environment and to the cultural baggage of society without wishing to offer the spectator a stunning form with pre-existing symbolic meanings. Quite the opposite, in fact: Riegler Riewe’s buildings reveal themselves to be places in which the user has a highly active role in the definition and perception of the spaces. This number of the magazine 2G demonstrates how their planning strategies enable them to readily tackle buildings of an ever-increasing size and complexity, from transport infrastructures such as the rail stations in Innsbruck and Vienna or the airports in Graz and Hamburg, taking in educational buildings like the Computer and Electronics Institutes of the University of Graz, complex residential projects and the football stadium in Cologne.
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périodiques
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Ce numéro des Cahiers thématiques propose une ouverture théorique autour des « pratiques du langage » dans leurs relations à la création, au sens large. Bien qu’essentiellement axée sur l’architecture, cette question est abordée de façon transversale, et suscite une approche interdisciplinaire (arts / littérature / philosophie, notamment). Il est conçu autour de dix-huit(...)
Cahiers thématiques no. 3 : pratiques du langage - arts, architecture, littérature
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Ce numéro des Cahiers thématiques propose une ouverture théorique autour des « pratiques du langage » dans leurs relations à la création, au sens large. Bien qu’essentiellement axée sur l’architecture, cette question est abordée de façon transversale, et suscite une approche interdisciplinaire (arts / littérature / philosophie, notamment). Il est conçu autour de dix-huit essais. Ceux-ci entrecroisent écrits d’architectes (de J.N.L. Durand et J.Guadet à Le Corbusier, A. Rossi, R. Koolhaas et Ant Farm), d’ingénieur (H. Hossdorf) de musiciens (A.Schönberg, L. Nono), d’artiste (D. Graham), de linguiste (Hjemslev), de philosophes (L.Wittgenstein, Th.W. Adorno, M. Cacciari, S. Toulmin), et d’écrivains-essayistes (de W.H. Pater à Th. Mann, M. Blanchot et J. L. Borges). Les auteurs : Guillemette Morel-Journel, Sylvain Malfroy, Françoise Bradfer, Gérard Engrand, Daniel Treiber, Guy Rumé, Frédéric Yvan, Joëlle Prugnaud, Philippe Boudon, Caroline Maniaque, Christian Hauer, Jean Attali, Joëlle Caullier, Séverine Bridoux, Frank Vermandel, Antonia Soulez, Jean-Claude Vigato, et Marie-Céline Masson.
périodiques
janvier 2004, Lille
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périodiques
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périodiques
avril 2004, Cambridge, Mass
Revues
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Interroger l’émergence de nouvelles pratiques professionnelles et de nouveaux enEurope est l’objectif de ce troisième fascicule des Cahiers RAMAU. Le partage des rôles entre maîtres d’ouvrage, maîtres d’oeuvre et entreprises, entre secteurs publics et privés, entre décideurs, techniciens et usagers, dans la production architecturale et urbaine actuelle connaît de(...)
Cahiers Ramau 3 : activités d'architectes en Europe, nouvelles pratiques
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Interroger l’émergence de nouvelles pratiques professionnelles et de nouveaux enEurope est l’objectif de ce troisième fascicule des Cahiers RAMAU. Le partage des rôles entre maîtres d’ouvrage, maîtres d’oeuvre et entreprises, entre secteurs publics et privés, entre décideurs, techniciens et usagers, dans la production architecturale et urbaine actuelle connaît de profondes mutations. Comment les architectes se positionnent-ils dans ce nouveau contexte ? Les analyses et expériences rassemblées rendent compte de l’éventail des pratiques qui se développent aussi bien en Autriche, au Danemark, en Grande-Bretagne, France et Portugal, de la conception de composants de construction à la gestion des projets urbains négociés avec les habitants. Le cas de la Grande-Bretagne qui fait référence en matière de partenariat public-privé et d’évolution des relations entre les architectes et leurs partenaires est très largement exposé. Ce numéro propose un regard croisé entre des praticiens relatant leurs expériences et positions professionnelles et des chercheurs tentant d’interpréter les changements structurels contemporains.
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Known until recently for such public facilities as the Zamora Municipal Museum, the Castellón Fine Arts Museum and the León Auditorium, over the last few years Mansilla + Tuñón have developed a number of projects in which urban scale and the problems of inhabiting in the contemporary city assume more and more importance. In this issue of 2G we present the (almost)(...)
2G 27 : Mansilla+Tunon, recent work
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Known until recently for such public facilities as the Zamora Municipal Museum, the Castellón Fine Arts Museum and the León Auditorium, over the last few years Mansilla + Tuñón have developed a number of projects in which urban scale and the problems of inhabiting in the contemporary city assume more and more importance. In this issue of 2G we present the (almost) complete works of these Madrid architects, works grouped around the basic ideas which define their projects, namely memory and the city, system and restrictions, sameness and difference, and lastly trace and landscape. These concepts are not watertight entities, however, but are present in each and every one of their designs as intersecting references, and they enable us to dissect the architects' way of thinking and influencing reality. Similarly, the articles accompanying the presentation of their buildings scrutinise in kaleidoscopic form the modus operandi of their work.
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Quaderns 238 : hyperurban
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The previous issue of "Quaderns" dealt with urban dysfunction or, rather, with the dysfunctionality of the suburban model and of the elements attendant on this dysfunctionality: the increase in mobility based on private transport, the appearance of shopping and leisure centres linked to road networks, the development of a mortgage system geared towards the purchase of(...)
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janvier 1900, Barcelona
Quaderns 238 : hyperurban
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The previous issue of "Quaderns" dealt with urban dysfunction or, rather, with the dysfunctionality of the suburban model and of the elements attendant on this dysfunctionality: the increase in mobility based on private transport, the appearance of shopping and leisure centres linked to road networks, the development of a mortgage system geared towards the purchase of the family home, and the social and environmental consequences of the extension across the territory of low-density urban sprawl. This issue sets out to address the opposite pole of dysfunctionality. On the basis of the paradox established by the images of scenes one and two, it aims to draw out an itinerary that takes in various places where the urban phenomenon approaches a degree of paroxysm. It explores situations that are brought about in very specific contexts of the city and that respond to the idea of the hyperurban, of the urban taken to the extreme of its spatial and signic saturation: city-centre districts, busy markets, plots so tiny as to be almost non-existent, the marginal occupation of residual spaces in the centre which are too small to be of any interest to the speculators... In short, a whole series of situations with conditions of density, concentration and intensity of use that are well in excess of the levels usually found in the urban fabric. It is between the suburban unconscious and hyperurban over-reality that the most plausible forms of a possible city are likely to be found.
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Oase 63 : countryside
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The development of the countryside has generally been conceived of from an urban perspective: the country as producer of food for the urban population, as development area, or as recreational area. Even the development and protection of nature in the countryside are undertaken in service of city dwellers, so that they can experience scenic beauty as a compensation for the(...)
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décembre 2003, Rotterdam
Oase 63 : countryside
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The development of the countryside has generally been conceived of from an urban perspective: the country as producer of food for the urban population, as development area, or as recreational area. Even the development and protection of nature in the countryside are undertaken in service of city dwellers, so that they can experience scenic beauty as a compensation for the pernicious urban life. Oase #63 questions existing approaches which view the countryside as the empty or "negative" part of the contemporary urban condition, and consequently reduce the countryside to what remains after the positive urban shape has been thought or carved out. Here the perspective is reversed: neither the city nor urbanization but rather the countryside and the agrarian industry constitute the starting point of this study. Thus "Oase #63" asks: Is it be possible to consider an alternative future for the countryside based on its intrinsic qualities? To what degree is the countryside capable of absorbing contemporary practices and processes? Does the countryside count at all as a bearer of political economy?
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Recent works by a Portuguese and an international architect are shown side by side in an extensive coverage of the studios' production. Contributors in this issue are Gerrit Confurius, David Chipperfield, Promontorio, Leeser architecture, Reiser + Umemoto, Zaha Hadid, and Juliao Sarmento.
Prototypo 008 : gravity & grace
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Recent works by a Portuguese and an international architect are shown side by side in an extensive coverage of the studios' production. Contributors in this issue are Gerrit Confurius, David Chipperfield, Promontorio, Leeser architecture, Reiser + Umemoto, Zaha Hadid, and Juliao Sarmento.
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