AA files 71
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AA Files 71 features essays on Brunelleschi, by Pier Vittorio Aureli, on the Museum Insel Hombroich, by William Firebrace, on Louis Bonnier, possibly the most boring architect in nineteenth-century France, by Andri Gerber, on the relationship between the artist Joseph Beuys, the architect Hans Hollein and the curator Johannes Cladders, by Eva Branscome, and two(...)
AA files 71
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AA Files 71 features essays on Brunelleschi, by Pier Vittorio Aureli, on the Museum Insel Hombroich, by William Firebrace, on Louis Bonnier, possibly the most boring architect in nineteenth-century France, by Andri Gerber, on the relationship between the artist Joseph Beuys, the architect Hans Hollein and the curator Johannes Cladders, by Eva Branscome, and two conversations, the first with Irish-American architect Kevin Roche, and the second with the Japanese architect Hiroshi Hara.
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Grey room 62
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Grey Room 62
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October 155
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Issue 155 of October
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AV 182: O'Donnell + Tuomey
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Over almost thirty years, the Irish O’Donnell + Tuomey have forged a career specializing in public projects that pay special attention to the civic role of architecture. After coinciding at the office of James Stirling in London, Sheila O’Donnell (1953) and John Tuomey (1954) set up their own studio in 1988 in Dublin, where they started working on projects to renew the(...)
AV 182: O'Donnell + Tuomey
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Over almost thirty years, the Irish O’Donnell + Tuomey have forged a career specializing in public projects that pay special attention to the civic role of architecture. After coinciding at the office of James Stirling in London, Sheila O’Donnell (1953) and John Tuomey (1954) set up their own studio in 1988 in Dublin, where they started working on projects to renew the city’s urban center and from where they now design large cultural buildings in London or Budapest. Their work has expanded in scale and scope, furthering their commitment with material quality and formal coherence, and has been distinguished with the prestigious RIBA Gold Medal in 2015.
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In recent years, former industrial buildings are increasingly becoming repurposed into modern venues for cultural expression. Factories, production halls, and even mining facilities are transformed into exhibition spaces, theatres, museums, and artist’s studios. In this issue, discover the Buda Art Centre in Kortrijk by 51N4E, OMA’s Prada Foundation Art Museum, the(...)
C3 375: art as the new industry
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In recent years, former industrial buildings are increasingly becoming repurposed into modern venues for cultural expression. Factories, production halls, and even mining facilities are transformed into exhibition spaces, theatres, museums, and artist’s studios. In this issue, discover the Buda Art Centre in Kortrijk by 51N4E, OMA’s Prada Foundation Art Museum, the Silesian Museum in Katowice, and more. Also in this edition, a feature that explores three ways of designing the landscape in the context of residential architecture. Highlights include houses by Alberto Campo Baeza, Kidosaki Architects Studio, Fougeron Architecture, and Cadaval & Solà-Morales.
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“Regionalism and Global Diversity” is the main theme of this issue, showing new regional approaches to architecture that reveal contemporary, globally relevant spatial and anthropological conceptions closely related to the richness of local cultures. Among the diverse examples are Pani Community Centre in Bengal by SchilderScholte Architects, Thread Artist Residency and(...)
C3 376: regionalism and global diversity
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“Regionalism and Global Diversity” is the main theme of this issue, showing new regional approaches to architecture that reveal contemporary, globally relevant spatial and anthropological conceptions closely related to the richness of local cultures. Among the diverse examples are Pani Community Centre in Bengal by SchilderScholte Architects, Thread Artist Residency and Cultural Centre in Senegal by Toshiko Mori, Kikuma Watanabe’s school for orphans in Thailand, a compact stone house in Slovenia by Dekleva Gregoric Arhitekti, and more. Also in this issue, “Dwelling in Memory” investigates five projects in redundant spaces, situated between rehabilitation and reuse.
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The Rotterdam-based design and research studio of Casanova + Hernandez was founded in 2001, and works with an interdisciplinary team in its focus on rethinking and designing our urban habitat in order to create vibrant cities while promoting environmental and social sustainability. With experience in developing projects in very different cultural contexts in Europe, South(...)
DD 42: building knowledge in interdisciplinary design
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The Rotterdam-based design and research studio of Casanova + Hernandez was founded in 2001, and works with an interdisciplinary team in its focus on rethinking and designing our urban habitat in order to create vibrant cities while promoting environmental and social sustainability. With experience in developing projects in very different cultural contexts in Europe, South America, and Asia, the office is structured in two complementary platforms: C+H Projects and C+H Think Tank. Besides a critical essay on the practice, this richly illustrated volume features more than 30 projects covering the fields of collective housing, public space and buildings, and hybrid urbanism.
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The Avery Review: Chicago
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The Avery Review, a digital journal about books, buildings, and other architectural media, makes its print debut with a thematic broadsheet edition about the city of Chicago. Coinciding with the inaugural Chicago Architectural Biennial, this issue addresses the historic imagination of the city (including figures of myth like Frank Lloyd Wright, Mies van der Rohe, and even(...)
The Avery Review: Chicago
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The Avery Review, a digital journal about books, buildings, and other architectural media, makes its print debut with a thematic broadsheet edition about the city of Chicago. Coinciding with the inaugural Chicago Architectural Biennial, this issue addresses the historic imagination of the city (including figures of myth like Frank Lloyd Wright, Mies van der Rohe, and even John Dillinger) and possibilities for the contemporary urban landscape (including discussions of placemaking, contemporary cultural monuments, and infrastructural parks). Selected pieces from the Avery Review's first year are republished alongside these commissioned essays on Chicago. Together these texts claim the critical essay as a space in which to test one's own intellectual commitments, to enter into and advance a conversation about the pasts and futures of urban architectural thought.
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Log 36
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Guest edited by architect Greg Lynn, Log 36: ROBOLOG explores the challenges and potentials posed to architecture by the rapidly accelerating field of robotics. Tossing aside the usual fabrication-focused discourse around robots, the 23 contributors to ROBOLOG investigate topics ranging from hyperrealistic robotic drag queens to machine vision to buildings that move.
Log 36
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Guest edited by architect Greg Lynn, Log 36: ROBOLOG explores the challenges and potentials posed to architecture by the rapidly accelerating field of robotics. Tossing aside the usual fabrication-focused discourse around robots, the 23 contributors to ROBOLOG investigate topics ranging from hyperrealistic robotic drag queens to machine vision to buildings that move.
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Issue 101 of Texte zur Kunst takes “Polarities” as its theme—a term that in the first degree we associate with what’s unfolding around us right now: ideological polarization, from Pegida to Donald Trump. In turn, this issue looks to the macro conditions in which art critical and art historical discourses are currently being formed, and within which they will need to(...)
Texte zur Kunst 101: Polarities
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Issue 101 of Texte zur Kunst takes “Polarities” as its theme—a term that in the first degree we associate with what’s unfolding around us right now: ideological polarization, from Pegida to Donald Trump. In turn, this issue looks to the macro conditions in which art critical and art historical discourses are currently being formed, and within which they will need to position themselves. What’s particularly striking, we argue, is that this trend toward polarization is happening despite the popular tendency, in recent decades, to speak of increased unification. How, then, can such polarization be reconciled with the dominant, and inherently continuous, neoliberal system—one characterized by the global economy’s promise of inclusiveness; utopian visions of peace (if not survival) via the “singularity” of screen, mind, and body; and a European Union as project of post-Soviet unification, striving to push all conflict to its periphery? What do we make of this growing difference between the ideals of technological/smooth space (where the art world often resides, swiftly neutralizing any resistance as “content”) and the broadening expanses of material unrest? Could the image of polarization be something not to avoid but to engage, at least as a potentially generative model, for understanding true opposition within a continuous system—for times that are anything but free from ideological division?
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