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"Verb - conditioning" investigates the potential of architectural signification. As our ability to control the production of form and the creation of environments parallels that of natural processes, architecture is not only conceived as a platform for the development of human activity, but more and more as its generator and possibly also as its limiting framework. As(...)
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août 2005, Barcelona
Verb - conditioning : the design of new atmospheres, effects and experiences
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"Verb - conditioning" investigates the potential of architectural signification. As our ability to control the production of form and the creation of environments parallels that of natural processes, architecture is not only conceived as a platform for the development of human activity, but more and more as its generator and possibly also as its limiting framework. As in other industries ranging from computer applications to car manufacturing, mass-customized theming impregnates the way buildings are conceived and used. If this trend is inevitably linked to commercial success, what are the potentials for the discipline?
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CityLab est une revue de culture urbaine. Ce premier numéro est consacré à la formation et à l'actualité de l'agglomération de Cergy-Pontoise, ainsi qu'à Tokyo, Shanghai et Doï Tung, trois exemples parmi les mégapoles asiatiques auxquelles se confrontent chaque année les Ateliers internationaux de Maîtrise d'oeuvre urbaine.
CityLab numéro 1 - hiver / winter 2004 / 2005 : Paris extra-muros
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CityLab est une revue de culture urbaine. Ce premier numéro est consacré à la formation et à l'actualité de l'agglomération de Cergy-Pontoise, ainsi qu'à Tokyo, Shanghai et Doï Tung, trois exemples parmi les mégapoles asiatiques auxquelles se confrontent chaque année les Ateliers internationaux de Maîtrise d'oeuvre urbaine.
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"GAM 02" is devoted to the special topic “Design Science in Architecture”. Research in architecture as well as architecture's scientific nature are explored. The approach is interdisciplinary, incorporating cultural, spatial, technical and information science perspectives. With contributions by John An, Hans-Jürgen Burkard, Brian Cody, Christian Gänshirt, Suzanne Hauser,(...)
GAM - Graz architecture magazine 02 : design science in architecture
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"GAM 02" is devoted to the special topic “Design Science in Architecture”. Research in architecture as well as architecture's scientific nature are explored. The approach is interdisciplinary, incorporating cultural, spatial, technical and information science perspectives. With contributions by John An, Hans-Jürgen Burkard, Brian Cody, Christian Gänshirt, Suzanne Hauser, Christian Holl, Nico Kienzl, Ulrih Königs, Lu Merx, Bert de Muynck, Jörg Rainer Noennig, Bas Princen, Hendrik Schomburg, Adolf Max Vogt, Gernot Weckherlin, Brooke D. Wortham.
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dot dot dot 11
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The eleventh issue of this design magazine containing contributions from : Frances Stark, Gerry Beegan, Simon Critchley, Werner Herzog, Ryan Holmberg, Steve Rushton, Katrine Herian, Ryan Gander, Robert Garnett, Michael Bracewell, Jon Wilde, Maxine Kopsa, Ben Watson, Esther Leslie and Stuart Bailey.
janvier 2006, The Hague
dot dot dot 11
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The eleventh issue of this design magazine containing contributions from : Frances Stark, Gerry Beegan, Simon Critchley, Werner Herzog, Ryan Holmberg, Steve Rushton, Katrine Herian, Ryan Gander, Robert Garnett, Michael Bracewell, Jon Wilde, Maxine Kopsa, Ben Watson, Esther Leslie and Stuart Bailey.
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Featuring Zaha Hadid's Wolfsburg Science Center; the Dutch This issue includes the Embassy in Warsaw by Erick van Egeraat; Bergognone 53 in Milan by MCA Architects and the Perimeter Institute in Ontario by Saucier and Perrotte. The Kaleidescope section features an interview with designer Ron Arad.
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mai 2005, Bologna
The plan 009 : architecture and technologies in detail
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Featuring Zaha Hadid's Wolfsburg Science Center; the Dutch This issue includes the Embassy in Warsaw by Erick van Egeraat; Bergognone 53 in Milan by MCA Architects and the Perimeter Institute in Ontario by Saucier and Perrotte. The Kaleidescope section features an interview with designer Ron Arad.
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The 1970s was marked by a seismic change that occurred in the representation of ideas in architecture as they appeared monthly on the pages of AD. The magazine bears out the energetic, experimental, environmentally-conscious and ultimately pluralist culture that prevailed throughout the 1960s, carrying it through to the emergence of Post-Modernism in the late 1970s. This(...)
AD : the 1970s is here and now
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The 1970s was marked by a seismic change that occurred in the representation of ideas in architecture as they appeared monthly on the pages of AD. The magazine bears out the energetic, experimental, environmentally-conscious and ultimately pluralist culture that prevailed throughout the 1960s, carrying it through to the emergence of Post-Modernism in the late 1970s. This issue of AD presents a 'Cosmorama of Now', looking at such subjects as housing, schools, health, urban design and planning. Contributors include: Jon Goodbun, David Cunningham, Nick Lister, James Madge, Tim Jachna, Liza Fior, Katherine Clarke, Sophie Handler, Marie-Ange Brayer, Craig Kellogg, Valentina Croci, Jeremy Melvin, Bruce Stewart, André Chaszar, Howard Watson, Sheila Kirk, Nic Clear, Robert Webb, John Frazer, Will McLean, Chris Moller, and Samantha Hardingham.
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Asymptote firmly is in its third phase of development as a building based practice. The pedigree and experience Asymptote brings to the profession and art of architecture is based on this methodically layered situation of acquiring expertise and knowledge towards a 'radical' practice folding all of these interests into the development of new forms, designs, architectures(...)
DD 9 : Scape_Asymptote Architecture / USA
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Asymptote firmly is in its third phase of development as a building based practice. The pedigree and experience Asymptote brings to the profession and art of architecture is based on this methodically layered situation of acquiring expertise and knowledge towards a 'radical' practice folding all of these interests into the development of new forms, designs, architectures and spacialities. Asymptote having evolved from a foundation of ideas and speculation has, through implementation and experimentation, arrived for the moment at construction based works.
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périodiques
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Featuring, amongst others, in this issue: the ING Headoffices in Budapest by EEA, the Utrecht University Library by Wiel Arets, the Berlin Fire and Police Station by Sauerbruch Hutton Architects, an interview with Jan Kaplicky from Future Systems and a material survey of the Galléria Department Store in Seoul by UN Studio.
The plan 008 : architecture and technologies in detail
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Featuring, amongst others, in this issue: the ING Headoffices in Budapest by EEA, the Utrecht University Library by Wiel Arets, the Berlin Fire and Police Station by Sauerbruch Hutton Architects, an interview with Jan Kaplicky from Future Systems and a material survey of the Galléria Department Store in Seoul by UN Studio.
périodiques
février 2005, Bologna
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Matières 7
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Qu'est-ce qui préside à la définition de la forme d'un bâtiment, selon quelles modalités est-elle conçue, quels principes engage-t-elle, quelles régles convoque ou produit-elles? Ces questions sont posées par toute investigation théorique concernant l'architecture. Et, une nouvelle fois, elles sont celles auxquelles les contributions de cette septième livraison de(...)
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mars 2005, Lausanne
Matières 7
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Qu'est-ce qui préside à la définition de la forme d'un bâtiment, selon quelles modalités est-elle conçue, quels principes engage-t-elle, quelles régles convoque ou produit-elles? Ces questions sont posées par toute investigation théorique concernant l'architecture. Et, une nouvelle fois, elles sont celles auxquelles les contributions de cette septième livraison de "Matières" tentent de répondre, ou plutôt tentent d'apporter plusieurs réponses car les problématiques des auteurs sont différentes les unes des autres, tout comme sont divers les bâtiments, les projets ou les thèmes auxquels ils s'intéressent. Les réponses se rejoignent cependant sur de nombreux points, à partir desquels il est possible de dessiner la trame de réflexions communes.
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périodiques
Future anterior
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Historic preservation is at an important moment of rethinking. The field has grown exponentially in America since its first academic program was founded at Columbia University in 1965. Although initially concerned only with buildings, preservation has recently expanded to include the protection and creative interpretation of entire urban environments, landscapes,(...)
Future anterior
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Historic preservation is at an important moment of rethinking. The field has grown exponentially in America since its first academic program was founded at Columbia University in 1965. Although initially concerned only with buildings, preservation has recently expanded to include the protection and creative interpretation of entire urban environments, landscapes, highways, cultural traditions, artistic practices, and even specific “experiences” such as historic view sheds. Most importantly, historic preservation is beginning a significant re-clarification of its purposes, sharpening and deepening its focus on the contributions old architecture and artifacts make to our understanding of the human condition and how we should address and live in it. Future Anterior is the first and only journal in American academia to be devoted to the study and advancement of preservation, which brings together the interests of scholars and professionals in multiple disciplines such as architecture, art, history, philosophy, law, planning, materials science, cultural anthropology, conservation, and others. Future Anterior establishes an important and much needed forum for the critical examination of this expanding discipline, to spur challenges of its motives, goals, forms of practice and results. The appearance of Future Anterior signals the maturation of the field of preservation and a shift away from nostalgic antiquarianism towards an active involvement in the understanding and creative transformation of human environments. This turn in preservation is reflected in an increased interest in historic architecture and artifacts as expressive resources of great public importance. The destruction of patrimony, from the colossal Buddhas in Afghanistan to New York’s World Trade Center, is seen not just as barbarism but as sources of understanding about where we are going wrong and what we need to do next. In response, architects, planners, urban designers, and artists have been producing works which engage the public in new ways of reflecting and taking on the past not as constraint but as provocation.
périodiques
octobre 2004, New York
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