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Muséologies : volume 6, numéro 1
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Architects are now taking advantage of the computer in new ways through experimentation with algorithmic and simulation-driven design. Computation Works focuses on this emerging theme in design practice, showcasing built and soon to be built projects and providing a state of the art in computational design. The use of algorithmic and simulation-driven design raises(...)
avril 2013
AD Computation works: the building of algorithmic thought
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Architects are now taking advantage of the computer in new ways through experimentation with algorithmic and simulation-driven design. Computation Works focuses on this emerging theme in design practice, showcasing built and soon to be built projects and providing a state of the art in computational design. The use of algorithmic and simulation-driven design raises important new questions which the book examines including: how is computation changing the way architects design? How can computation create new forms of architecture? Is there an aesthetic to computational architecture? Are the design tools and methods related to the result?
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October 142: Occupy Wall Street
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The plan 063
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The plan 063
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Metropolis, January 2013
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Metropolis, January 2013
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Established in 1998, Afterall is a journal of contemporary art, providing a forum for in-depth analysis of art's context and seeking to inspire artists to see art as an agency for change. Afteralli's academic format differentiates it from popular review magazines. Each issue provides the reader with lengthy, well-researched articles, and includes different writers(...)
Afterall 31, Autumn / Winter 2012
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Established in 1998, Afterall is a journal of contemporary art, providing a forum for in-depth analysis of art's context and seeking to inspire artists to see art as an agency for change. Afteralli's academic format differentiates it from popular review magazines. Each issue provides the reader with lengthy, well-researched articles, and includes different writers discussing the same artist's work from varied perspectives. The print journal itself is visually rich, with numerous accompanying illustrations. Published in editorial and research partnership with Museum van Hedendaagse Kunst Antwerpen (M HKA); Smart Museum of Art and Open Practice Committee, University of Chicago; arteypensamiento, Universidad Internacional de Andalucia (UNIA); and Central Saint Martins College of Art and Design, University of the Arts, London.
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This issue of a+u takes both the London 2012 Olympics and architecture firms from Helsinki as its main features. For the former, special focus is given to the Serpentine Gallery Pavilion by Herzog & de Meuron and Ai Weiwei, the London Aquatics Centre by Zaha Hadid, the Velodrome by Hopkins Architects, and the Basketball Arena by Wilkinson Eyre Architects. Also included(...)
a+u 503: London 2012 olympics
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This issue of a+u takes both the London 2012 Olympics and architecture firms from Helsinki as its main features. For the former, special focus is given to the Serpentine Gallery Pavilion by Herzog & de Meuron and Ai Weiwei, the London Aquatics Centre by Zaha Hadid, the Velodrome by Hopkins Architects, and the Basketball Arena by Wilkinson Eyre Architects. Also included are photo essays on the London Bridge Tower and King’s Cross Redevelopment. Detailed profiles of the Finnish architects are offered as well; the section features JKMM Architects, K2S Architects, LPR-Arkkitehdit, Avanto Architects and Anttinen Oiva Arkkitehdit, among others.
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a+u 504: La Luz Magica
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a+u 504: La Luz Magica
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C3 338
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This edition of C3 centres on two themes: “Genealogical Reasoning” and “Constraints to Blessings”. In the former, the relationship between various generations of architects is explored, especially ways in which architecture can evolve without breaking with the past. Accompanied by an essay by Aldo Vanini, examples include the Heidelberg Castle Visitor Centre by Max Dudler(...)
C3 338
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This edition of C3 centres on two themes: “Genealogical Reasoning” and “Constraints to Blessings”. In the former, the relationship between various generations of architects is explored, especially ways in which architecture can evolve without breaking with the past. Accompanied by an essay by Aldo Vanini, examples include the Heidelberg Castle Visitor Centre by Max Dudler and the Chestnut Tree Twin Houses by Lussi+Halter Partner AG. A text by Silvio Carta introduces the second theme, which espouses the hidden benefits of building within restrictions. Featured projects include the Periscope House by C+ Arquitectos and the Volcano Centre at Capelinhos.
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C3 339
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Recently, the so-called “green question” has influenced many aspects of architecture and design, likewise bringing with it implications about the reconsideration of nature and our relationship to it. This instalment of C3 focuses on green concepts and their varied interpretations in design today. Twelve projects are highlighted, including Singapore’s School of the Arts by(...)
C3 339
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Recently, the so-called “green question” has influenced many aspects of architecture and design, likewise bringing with it implications about the reconsideration of nature and our relationship to it. This instalment of C3 focuses on green concepts and their varied interpretations in design today. Twelve projects are highlighted, including Singapore’s School of the Arts by WOHA, Surazo Hotel by WMR Arquitectos, S.A. Residence in Dhaka by Shatotto Architecture, and Fasano las Piedras Hotel by Isay Weinfeld. Also in this issue, a feature on Belgian practice architecten de vylder vinck taillieu and ‘On Showing Architecture’, by Diego Terna, on the 13th Venice Biennale.
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