Grey room 99
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In this issue: Korean writing in the age of multilingual word processing: A history of the non-linear alphabet; How to see a paradigm: The "Natural Order in Science" and the origins of the impact factor; Realizing our ecologization? On ecosystems aesthetics and contemporary art beyond institutional critique.
Grey room 99
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In this issue: Korean writing in the age of multilingual word processing: A history of the non-linear alphabet; How to see a paradigm: The "Natural Order in Science" and the origins of the impact factor; Realizing our ecologization? On ecosystems aesthetics and contemporary art beyond institutional critique.
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October 191
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In this issue: Six propositions: After Trump's second victory; Imitate Baldessari: Artists, teachers, and the making of conceptual art; Women on walls: Projection, anonymity, envy, and Eileen Gray; Plastic flesh and the biological oeuvre; The spectacular drone: Contesting pandemic lockdowns from above and below; Surface, materia bodies, and the avant-garde in philosophy(...)
October 191
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In this issue: Six propositions: After Trump's second victory; Imitate Baldessari: Artists, teachers, and the making of conceptual art; Women on walls: Projection, anonymity, envy, and Eileen Gray; Plastic flesh and the biological oeuvre; The spectacular drone: Contesting pandemic lockdowns from above and below; Surface, materia bodies, and the avant-garde in philosophy and film; On "The Painted World".
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Archivio opens its third editorial cycle: four thematic issues, each curated by a Guest Editor with deep expertise, offering access to worlds where past, present, and future converge. The third issue, Archivio N°11, focuses on technology and is curated by Massimo Banzi, co-founder of Arduino, together with Cecilia Botta, technology historian and Head of Memories at(...)
Archivio n.11 : The Tech Issue
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Archivio opens its third editorial cycle: four thematic issues, each curated by a Guest Editor with deep expertise, offering access to worlds where past, present, and future converge. The third issue, Archivio N°11, focuses on technology and is curated by Massimo Banzi, co-founder of Arduino, together with Cecilia Botta, technology historian and Head of Memories at Promemoria Group, the magazine's publisher. Daniela Hamaui oversees editorial direction, while Alessandro Gori shapes the art direction. The cover, designed by artist Ailadi, pays tribute to the early aesthetics of the digital age. Created using PETSCII, the character set of Commodore 8-bit computers, it evokes the visual language of technology in its formative years. Archivio N°11 maps the international landscape of technology archives, tracing the roots of the digital revolution and exploring the places where our technological past is preserved, along with the collectors and institutions that recognized its cultural value.
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The December 2024 issue of a+u magazine features the work of Nikken Sekkei. Founded 125 years ago in 1900, the Nikkei Sekkei group is an organizational design firm with about 3,000 employees. Nikken Sekkei’s designers have worked on numerous building and urban design projects in Japan. When pursuing their work, what do they rely on? And what have they inherited from their(...)
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décembre 2024
A+U 651 24:12 Nikken 2000-2024
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The December 2024 issue of a+u magazine features the work of Nikken Sekkei. Founded 125 years ago in 1900, the Nikkei Sekkei group is an organizational design firm with about 3,000 employees. Nikken Sekkei’s designers have worked on numerous building and urban design projects in Japan. When pursuing their work, what do they rely on? And what have they inherited from their predecessors? As we edited and prepared this issue for publication, we became increasingly interested in Nikken Sekkei’s floor plans and layout plans. Many of the designers who appear in this issue stressed the importance of floor plans and layout plans as a tool that anyone working hard on a project design can use to explore the needs of society and the client. This attitude toward design may be something that they feel they must pass on from one generation to the next as they grow in influence. Every project profile in this issue includes a 1/750 scale floor and layout plan.
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More than six decades and one hundred works built on four continents attest to the extensive and prolific career of Renzo Piano at the helm of his "Building Workshop." The fourth monograph devoted to the oeuvre of Renzo Piano Building Workshop contains a selection of fifteen works and projects presented in a circular itinerary around the globe that begins and ends in(...)
AV Monographs 273: Renzo Piano
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More than six decades and one hundred works built on four continents attest to the extensive and prolific career of Renzo Piano at the helm of his "Building Workshop." The fourth monograph devoted to the oeuvre of Renzo Piano Building Workshop contains a selection of fifteen works and projects presented in a circular itinerary around the globe that begins and ends in Paris, the city that made the Genoese architect known worldwide.
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Ce nouveau numéro d’AA ouvre un nouveau chapitre pour la revue, dont les atours et les perspectives éditoriales évoluent pour mieux la situer au point de rencontre entre société et savoirs – car, nul·le n’étant censé·e ignorer la loi, « l’architecture est une expression de la culture ». // This 464th issue represents the beginning of a new chapter for the magazine, with a(...)
A'A' 464 : guerre et paix / war and peace
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Ce nouveau numéro d’AA ouvre un nouveau chapitre pour la revue, dont les atours et les perspectives éditoriales évoluent pour mieux la situer au point de rencontre entre société et savoirs – car, nul·le n’étant censé·e ignorer la loi, « l’architecture est une expression de la culture ». // This 464th issue represents the beginning of a new chapter for the magazine, with a new look and a new editorial approach that places it at the crossroads of society and knowledge, because, as it is said in the French law since 1977, "architecture is an expression of culture".
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This edition of Bookforum features Lidija Haas on Shulamith Firestone’s portrayal of life with mental illness; Moira Donegan on Peter Hujar’s photobook Portraits in Life and Death; and Jane Hu on Audition, the final novel in Katie Kitamura’s translation trilogy. Also in the issue: David Velasco talks with Sarah Schulman about her new book on solidarity and resistance,(...)
Bookforum vol.31 n. 4 : Spring 2025
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This edition of Bookforum features Lidija Haas on Shulamith Firestone’s portrayal of life with mental illness; Moira Donegan on Peter Hujar’s photobook Portraits in Life and Death; and Jane Hu on Audition, the final novel in Katie Kitamura’s translation trilogy. Also in the issue: David Velasco talks with Sarah Schulman about her new book on solidarity and resistance, Harmony Holiday considers Nettie Jones’s 1983 novel Fish Tales, Audrey Wollen writes about Ariana Reines’s Wave of Blood, Kay Gabriel and Patrick DeDauw review the complete three-volume set of Peter Weiss’s The Aesthetics of Resistance, and so much more.
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"With every step forward we leave a backward trace. A footprint in wet sand is ephemeral but photographs fill a drawer and linger and haunt us; letters and journals call out to be read. We don’t really want our lives and the activities and objects that filled them to be lost and forgotten. Not really. It is our sop against oblivion, and out of our desire to be in the(...)
Bordercrossings 167: the archive
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"With every step forward we leave a backward trace. A footprint in wet sand is ephemeral but photographs fill a drawer and linger and haunt us; letters and journals call out to be read. We don’t really want our lives and the activities and objects that filled them to be lost and forgotten. Not really. It is our sop against oblivion, and out of our desire to be in the company of others that we store and sort and arrange the material evidence of our having been here. The ordering of these artifacts brings sense and coherence to lives that seem fleeting and without conclusive purpose. Our collections—whatever it is that composes them—take an almost imitative corporeal form that we feel may represent us as we are and have been. I am here; this is what I have done; my accomplishments have been assembled and are shown. An Archive."
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Intitulé D’un continent à l’autre, le dossier thématique met en lumière les livres de trois artistes — Mallory Lowe Mpoka, Fatine-Violette Sabiri et Ed Pien — dont les projets photographiques explorent la question identitaire à travers le portrait et l’autoportrait, dans une traversée intime entre continents, cultures et histoires personnelles.
CV Ciel Variable 129 : d'un continent à l'autre / from continent to continent
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Intitulé D’un continent à l’autre, le dossier thématique met en lumière les livres de trois artistes — Mallory Lowe Mpoka, Fatine-Violette Sabiri et Ed Pien — dont les projets photographiques explorent la question identitaire à travers le portrait et l’autoportrait, dans une traversée intime entre continents, cultures et histoires personnelles.
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Avec l’accélération de la crise climatique, nous vivons une époque à la fois angoissante et stimulante. C’est un moment clé dans l’histoire de la biosphère (c’est-à-dire la partie de la planète où la vie est possible), parce que l’« intelligens » – qu’elle soit humaine, naturelle ou artificielle – n’a encore jamais été aussi vaste, et peut être combinée pour trouver des(...)
A+ 312 : Natural intelligence FR
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Avec l’accélération de la crise climatique, nous vivons une époque à la fois angoissante et stimulante. C’est un moment clé dans l’histoire de la biosphère (c’est-à-dire la partie de la planète où la vie est possible), parce que l’« intelligens » – qu’elle soit humaine, naturelle ou artificielle – n’a encore jamais été aussi vaste, et peut être combinée pour trouver des solutions. Les projets du Bureau Bas Smets partent de l’idée d’un « urbanisme biosphérique » : la ville est considérée comme une concaténation de différents microclimats artificiels, avec une topographie, une géographie, une géologie et une météorologie qui leur sont propres. L’étude d’un microclimat naturel comparable peut aider à l’introduction de la végétation dans la variante artificielle. Ce faisant, chaque ville deviendra une seconde nature. Il s’agit d’une constellation de solutions réalisables localement pour résoudre un macroproblème, ce qui est effectivement optimiste.
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