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Around 1800, one of the most influential architectural concepts of the last 250 years emerged—that of built spaces as technical devices. Climate, morality, and comfort are the three main themes of this study, and each is vividly examined in separate chapters through synchronous comparison and with the help of examples. The emergence of corresponding metaphors, knowledge,(...)
Inhabited machines: Geneaology of an architectural concept
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Around 1800, one of the most influential architectural concepts of the last 250 years emerged—that of built spaces as technical devices. Climate, morality, and comfort are the three main themes of this study, and each is vividly examined in separate chapters through synchronous comparison and with the help of examples. The emergence of corresponding metaphors, knowledge, and construction forms is traced over a period of about 70 years. The author focuses particularly on the operative dimension of architecture. Thus, the book provides a historical perspective on a key topic for the future of architecture. The book is aimed at readers interested in architecture, technology or the cultural history of building and living.
Théorie de l’architecture
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This volume overturns the perception of Brutalist buildings as the penny-pinching, utilitarian products of dutiful social concern. Instead it looks a little closer, uncovering the luxuriously skilled craft and daring engineering with which the best buildings of the 1960s came into being: magnificent architectural visions serving clients rich and poor, radical and(...)
Raw concrete: the beauty of brutalism
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This volume overturns the perception of Brutalist buildings as the penny-pinching, utilitarian products of dutiful social concern. Instead it looks a little closer, uncovering the luxuriously skilled craft and daring engineering with which the best buildings of the 1960s came into being: magnificent architectural visions serving clients rich and poor, radical and conservative. Beginning in a tiny hermitage on the remote north Scottish coast, and ending up backstage at the National Theatre, this book embarks on a wide-ranging journey through Britain over the past sixty years, stopping to examine how eight extraordinary buildings were made - from commission to construction - why they have been so vilified, and why they are beginning to be loved.
Théorie de l’architecture
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For too long a time spatial design has been seen as an action that could be performed by people and for people only. And today, even though some of the most meaningful projects of our times seem to challenge this concept, qualitative researches still struggle to emerge. This is why this book collects, reconstructs, and discusses archetypal models of posthuman(...)
Posthuman architecture: a catalogue of archetypes
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For too long a time spatial design has been seen as an action that could be performed by people and for people only. And today, even though some of the most meaningful projects of our times seem to challenge this concept, qualitative researches still struggle to emerge. This is why this book collects, reconstructs, and discusses archetypal models of posthuman architecture, from the cabin of Henry David Thoreau to the Svalbard Global Seed Vault. To show how architectural, landscape, and industrial designers, whether professional practitioner or not, have redefined their tools in order to meet the functional and symbolic needs of new and different kinds of subjects.
Théorie de l’architecture
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Philosophy exercises a massive influence on contemporary architectural culture and the understanding of the built environment. Discussions of architects and architectural academics are heavily loaded with theoretical ideas, concepts and views imported from the works of philosophers. At the same time this architectural employment of philosophy rarely goes beyond the(...)
Architectural principles in the age of fraud
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Philosophy exercises a massive influence on contemporary architectural culture and the understanding of the built environment. Discussions of architects and architectural academics are heavily loaded with theoretical ideas, concepts and views imported from the works of philosophers. At the same time this architectural employment of philosophy rarely goes beyond the tendency to mine philosophical works for ideas, words and phrases and use them, often without much understanding, in order to promote architectural agendas and embellish theoretical claims made by architects and academics. The book presents the history of this phenomenon for the past hundred years. It describes and analyzes numerous examples of false intellectual pretense across prominent architectural influences of the era and their efforts to bamboozle readers, colleagues and the general public.
Théorie de l’architecture
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This volume showcases decolonizing projects which work to destable and disquiet colonial built environments. The land, towns, and cities on which we live have always been Indigenous places yet, for the most part our Indigenous value sets and identities have been disregarded or appropriated. Indigenous people continue to be gentrified out of the places to which they belong(...)
juin 2021
Our voices II: The de-colonial project
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This volume showcases decolonizing projects which work to destable and disquiet colonial built environments. The land, towns, and cities on which we live have always been Indigenous places yet, for the most part our Indigenous value sets and identities have been disregarded or appropriated. Indigenous people continue to be gentrified out of the places to which they belong and neo-liberal systems work to continuously subjugate Indigenous involvement in decision-making processes in subtle, but potent ways. However, we are not, and have never been cultural dopes. Rather, we have, and continue to subvert the colonial value sets that overlay our places in important ways.
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This series invites an eclectic constellation of architectural practices from across the globe to tell the story of one of their significant built works. Each volume brings together three edited project stories accompanied by individual conversations with the architects. Every story chronicles how an idea comes into being, making visible the diverse approaches and the(...)
Project stories volume 01 : Atelier Tomas Dirrix, Studio Muoto, Erika Nakagawa Office
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This series invites an eclectic constellation of architectural practices from across the globe to tell the story of one of their significant built works. Each volume brings together three edited project stories accompanied by individual conversations with the architects. Every story chronicles how an idea comes into being, making visible the diverse approaches and the merging together of various fields that go into constructing a work of architecture. Part essay, part picture book, the series takes the form of a visual reader as a way to ‘see the thinking’ behind the works and practices.
Théorie de l’architecture
Architecture positive
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En France, des projets C2C voient peu à peu le jour grâce à des professionnels engagés et animés par cette nouvelle philosophie. Roberto D’Arienzo est parti à la rencontre de ces architectes et urbanistes afin de saisir leurs motivations, d’apprécier les résultats de leurs projets et d’évaluer les limites et les perspectives de cette dynamique. Cet ouvrage, dont(...)
Architecture positive
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En France, des projets C2C voient peu à peu le jour grâce à des professionnels engagés et animés par cette nouvelle philosophie. Roberto D’Arienzo est parti à la rencontre de ces architectes et urbanistes afin de saisir leurs motivations, d’apprécier les résultats de leurs projets et d’évaluer les limites et les perspectives de cette dynamique. Cet ouvrage, dont l’objectif est à la fois scientifique, pédagogique et opérationnel, nous propose onze entretiens qui témoignent de l’émergence d’un nouveau mouvement et d’une architecture qui se veut «positive».
Théorie de l’architecture
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Comprising a set of essays for and about architectural workers in Europe, this book takes stock of the many people and attitudes involved in the production of architecture. It is for workers who are appalled and disillusioned but who are still part of the architectural industry. For those who are trying to reconcile their dismay with the need to make a living, but who(...)
''Can this be? Surely this cannot be?'' Architectural workers organizing in Europe
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Comprising a set of essays for and about architectural workers in Europe, this book takes stock of the many people and attitudes involved in the production of architecture. It is for workers who are appalled and disillusioned but who are still part of the architectural industry. For those who are trying to reconcile their dismay with the need to make a living, but who also hold onto a cautious sense of optimism that things will change. Marisa Cortright’s critique of architectural work draws from the direct experiences of architectural workers in Europe, including her own, to address the ideological truths that keep the embattled industry afloat.
Théorie de l’architecture
World of variation
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In "World of variation" (1970), American architects Mary Otis Stevens (born 1928) and Thomas McNulty (1919–84) outlined a radical reenvisioning of socio-spatial relationships, informed by their background in philosophy and commitment to decentralizing hierarchies. Writing in the context of the Cold War and the political activism of 1960s America, they identified possible(...)
World of variation
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In "World of variation" (1970), American architects Mary Otis Stevens (born 1928) and Thomas McNulty (1919–84) outlined a radical reenvisioning of socio-spatial relationships, informed by their background in philosophy and commitment to decentralizing hierarchies. Writing in the context of the Cold War and the political activism of 1960s America, they identified possible design solutions to then-current social issues. In striking abstract drawings, Stevens visualized aspects of the urban environment, proposing a design philosophy she termed “free flow.” These diagrams give expression to both the “flow” of movement and points of “hesitations.” This volume is a facsimile of World of Variation, accompanying the MIT Museum’s exhibition on the work of Mary Otis Stevens.
Théorie de l’architecture
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In this book, curator and historian Penelope Curtis traces the ways sculp¬ture infiltrated architectural thought over the post-war period. Her study identifies the wall as a particular locus of creative thinking – a surface which produces both continuity and separation, and which similarly unites and distinguishes the two disciplines. Surveying a series of walls – carved,(...)
The pliable plane: The wall as surface in sculpture and architecture, 1945-1975
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In this book, curator and historian Penelope Curtis traces the ways sculp¬ture infiltrated architectural thought over the post-war period. Her study identifies the wall as a particular locus of creative thinking – a surface which produces both continuity and separation, and which similarly unites and distinguishes the two disciplines. Surveying a series of walls – carved, cast, applied, imagined, and even conceptual – in such places as bomb shelters, caves, war memorials, and public buildings, Curtis introduces a cast of renowned and lesser-known practitioners who defined the three-dimensional conception of the years 1945 to 1975. With close readings of the work and lives of Henry Moore, Anni Albers, Frederick Kiesler, Jorge Oteiza, and Mary Martin, among others, Curtis’s lucid history encom¬passes the developments of wartime production, the discovery of the Lascaux Caves, and the rise of relief art.
Théorie de l’architecture