World of giving
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The last decade was largely defined by consumption and greed. An untold story, however, is the rise in benevolent giving seen in institutional, public and private sectors. Such characteristics as altruism and duty are now as influential as self-interest. The geography of aid has also broadened; networks of NGOs now supplement philanthropy and the global operations of(...)
World of giving
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The last decade was largely defined by consumption and greed. An untold story, however, is the rise in benevolent giving seen in institutional, public and private sectors. Such characteristics as altruism and duty are now as influential as self-interest. The geography of aid has also broadened; networks of NGOs now supplement philanthropy and the global operations of official channels. It has become a crucial counterpart of authorized programs; agencies that provide vital services rely on contributions to augment official doctrines. Yet, the current recession threatens to limit support, diminishing aid at this critical moment when distress is increasing. A new culture of giving that includes volunteering and action, coupled with accumulated expertise may enable imminent needs to be met. The Gift Economy presents aid's history as an index of past and current relationships, indicating how its future promises a significant global role.
Théorie de l’architecture
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The essays are based on papers given at a symposium in Copenhagen in June 2008 and refer to the following considerations: When spectators confront and designers invent works of art and architecture, vital questions regarding their appearance arise. These are not simply questions about what appears, also what does not, i.e. what withdraws when works are experienced and(...)
Paradoxes of appearing: essays on art, architecture and philosophy
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The essays are based on papers given at a symposium in Copenhagen in June 2008 and refer to the following considerations: When spectators confront and designers invent works of art and architecture, vital questions regarding their appearance arise. These are not simply questions about what appears, also what does not, i.e. what withdraws when works are experienced and created. How do we cope with this withdrawal, with latencies that escape concretization? What are the productive paradoxes associated hereto and how do they influence the processes of making? Based on multiple discourses on these subjects, contemporary positions in art, architecture and philosophy draw up new challenges, especially with regard to the creative practices. Within and between these positions emerge potentials for modes of thinking and doing with a new sensitivity. With contributions by Michael Asgaard Andersen and Henrik Oxvig, Renaud Barbaras, Andrew Benjamin, Olafur Eliasson, Sanford Kwinter, David Leatherbarrow, Martin Seel, David Summers, and Sven-Olov Wallenstein.
Théorie de l’architecture
Communities of sense
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Communities of Sense argues for a new understanding of the relations between politics and aesthetics in today’s globalized and image-saturated world.
Théorie de l’architecture
septembre 2009
Communities of sense
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Communities of Sense argues for a new understanding of the relations between politics and aesthetics in today’s globalized and image-saturated world.
Théorie de l’architecture
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On the premise that words have the power to make worlds, each essay in this book follows a word as it travels around the globe and across time. Scholars from five disciplines address thirteen societies to highlight the social and political life of words in Asia, Europe, and the Middle East, from the mid-nineteenth century to the present. The approach is consciously(...)
Théorie de l’architecture
décembre 2009
Words in motion: toward a global lexicon
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On the premise that words have the power to make worlds, each essay in this book follows a word as it travels around the globe and across time. Scholars from five disciplines address thirteen societies to highlight the social and political life of words in Asia, Europe, and the Middle East, from the mid-nineteenth century to the present. The approach is consciously experimental, in that rigorously tracking a specific word in specific settings frequently leads in unexpected directions and alters conventional depictions of global modernity. Such words as security in Brazil, responsibility in Japan, community in Thailand, and hijb in France changed the societies in which they moved even as they were changed by them. Some words threatened to launch wars, as injury did in imperial Britain's relations with China in the nineteenth century. Others, such as secularism, worked in silence to agitate for political change in twentieth-century Morocco. Words imposed or imported from outside could be transformed by those who wielded them to oppose the very powers that introduced them, as happened in Turkey, Indonesia, and the Philippines. Taken together, this selection of fourteen words reveals commonality as well as distinctiveness in modern societies, making the world look different from the interdisciplinary and transnational perspective of "words in motion."
Théorie de l’architecture
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As architects devise ever more radical gestures with which to wow an increasingly architecture-literate public, the discipline itself has had to engage conceptions of "popular culture." This volume traces the discussions of a group of students, teachers and invited guests from the fields of architecture, landscape architecture and psychology, all of whom worked together(...)
Interrogating pop in architecture
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As architects devise ever more radical gestures with which to wow an increasingly architecture-literate public, the discipline itself has had to engage conceptions of "popular culture." This volume traces the discussions of a group of students, teachers and invited guests from the fields of architecture, landscape architecture and psychology, all of whom worked together at the TU (Technical University) Berlin to discuss this subject.
Théorie de l’architecture
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Reposer la question du sens de l'architecture. Telle est la proposition. Des définitions anciennes nous reviennent, nombreuses. Très longtemps, on a su ce qu'était, ce que devait être l'architecture. À travers le prisme de cet héritage éclaté, la question cependant, demeure. L'énigme de l'architecture n'est sans doute pas séparable de la question que l'humanité se pose à(...)
L'indéfinition de l'architecture
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Reposer la question du sens de l'architecture. Telle est la proposition. Des définitions anciennes nous reviennent, nombreuses. Très longtemps, on a su ce qu'était, ce que devait être l'architecture. À travers le prisme de cet héritage éclaté, la question cependant, demeure. L'énigme de l'architecture n'est sans doute pas séparable de la question que l'humanité se pose à elle-même, au moment où l'ensemble des significations dont elle a fait usage pour assigner un horizon semble épuisé. Comme l'homme lui-même, avec qui elle partage cette condition, l'architecture ne se laisse pas facilement fixer en une formule ou une figure universellement partagée. Quel est donc le lieu de l'architecte ? De quoi l'architecture est-elle en charge ? Il s'agit de relancer les dés et de saisir la chance de l'indéfinition.
Théorie de l’architecture
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This work presents a compilation of materials with which seventeen artists reflect on the gap between architecture as idea, architecture on paper, and its actual use - in other words, the 'afterwards' of construction. The project distinguishes four possible typologies of the afterwards: back, interior, around and demolition. These typologies of the afterwards would in(...)
After architecture: typologies of the afterwards
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This work presents a compilation of materials with which seventeen artists reflect on the gap between architecture as idea, architecture on paper, and its actual use - in other words, the 'afterwards' of construction. The project distinguishes four possible typologies of the afterwards: back, interior, around and demolition. These typologies of the afterwards would in this way come to compose a kind of heterotopia of architecture. It is illustrated with works by Vangelis Vlahos,Terence Gower, Pia Ronicke, Xavier Arenos, Gregor Graf, Mounir Fatmi, Xavier Monteys, Heidrun Holzfeind, Tim Etchells, Laurent Malone/ Dennis Adams, Didier Bay, Jordi Colomer, Alexander Apostol, Chris Mottalini, Lara Almarcegui, Jan Tichy and Clay Ketter.
Théorie de l’architecture
Ruins of modernity
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Images of ruins may represent the raw realities created by bombs, natural disasters, or factory closings, but the way we see and understand ruins is not raw or unmediated. Rather, looking at ruins, writing about them, and representing them, are acts framed by a long tradition. This unique interdisciplinary collection traces discourses about and representations of ruins(...)
Ruins of modernity
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Images of ruins may represent the raw realities created by bombs, natural disasters, or factory closings, but the way we see and understand ruins is not raw or unmediated. Rather, looking at ruins, writing about them, and representing them, are acts framed by a long tradition. This unique interdisciplinary collection traces discourses about and representations of ruins from a richly contextualized perspective. In their introduction, Julia Hell and Andreas Schönle discuss how European modernity emerged partly through a confrontation with the ruins of the premodern past.
Théorie de l’architecture
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Bender delves deeply into the culture and politics of the age of industry. Linking urban slum tourism and imperial science with immigrant better-baby contests and hoboes, American Abyss uncovers the complex interactions of turn-of-the-century ideas about race, class, gender, and ethnicity. Moreover, at a time when immigration again lies at the center of American economy(...)
American abyss: savagery and civilization in the age of industry
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Bender delves deeply into the culture and politics of the age of industry. Linking urban slum tourism and imperial science with immigrant better-baby contests and hoboes, American Abyss uncovers the complex interactions of turn-of-the-century ideas about race, class, gender, and ethnicity. Moreover, at a time when immigration again lies at the center of American economy and society, this book offers an alarming and pointed historical perspective on contemporary fears of immigrant laborers.
Théorie de l’architecture
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Restoration in all its forms is entangled in many contemporary theoretical debates and problems. This book examines together the linked philosophies of the different arts of preserving and uncovering the past: the restoration of buildings, conservation of works of art, and editing of literary works to retrieve their original or intended texts. By investigating a series of(...)
Securing the past: conservation in art, architecture and literature
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Restoration in all its forms is entangled in many contemporary theoretical debates and problems. This book examines together the linked philosophies of the different arts of preserving and uncovering the past: the restoration of buildings, conservation of works of art, and editing of literary works to retrieve their original or intended texts. By investigating a series of recent crises in each of these areas, this publication shows how their underlying justifications relate closely to one another.
Théorie de l’architecture