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BorderLine
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"BorderLine" highlights a particularly troubled site in Europe, the town and harbor of Kraljevica, just south of Rijeka, Croatia, where the failing ship-building industry and pollution from a large oil refinery threaten both the ecology and the prospects (...)
Théorie de l’architecture
septembre 1998, Vienna
BorderLine
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"BorderLine" highlights a particularly troubled site in Europe, the town and harbor of Kraljevica, just south of Rijeka, Croatia, where the failing ship-building industry and pollution from a large oil refinery threaten both the ecology and the prospects of tourism. Drawing on the results of a workshop organized, funded and conducted by the Research Institute for Experimental Architecture (RIEA) in the Frankopan Castle in Kraljevica, "BorderLine" presents essays and projects by leading thinkers and architects addressing the contemporary problems such regions have within rapidly evolving European and global landscapes. "BorderLine" includes essays by Lebbeus Woods, Gabriela Seifert, Manuel Delanda, Aleksandra Wagner, Heinz Foerster, and Ekkehard Rehfeld; it also includes architectural projects and conceptual proposals by Lebbeus Woods, Peter Cook, Will Alsop, Per Kartredt, Masihiko Yendo, and Guy Lafranchi . This title is the first in the RIEAconcepts series, edited by Lebbeus Woods. These books will present innovative research and experimental projects initiated and implemented by both RIEA and individual architects.
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septembre 1998, Vienna
Théorie de l’architecture
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À travers l'oeuvre de deux figures majeures du mouvement moderne, Adolf Loos et Le Corbusier, Béatriz Colomina analyse cette architecture qui ne devient moderne que dans sa confrontation avec les mass médias. Au lieu d'aborder l'architecture moderne comme une pratique artistique en opposition à la culture de masse, Colomina considère les systèmes émergents(...)
La publicité du privé : de Loos à Le Corbusier
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À travers l'oeuvre de deux figures majeures du mouvement moderne, Adolf Loos et Le Corbusier, Béatriz Colomina analyse cette architecture qui ne devient moderne que dans sa confrontation avec les mass médias. Au lieu d'aborder l'architecture moderne comme une pratique artistique en opposition à la culture de masse, Colomina considère les systèmes émergents de communication, qui définiront la culture du XXe siècle, comme le lieu véritable de production de l'architecture moderne. Elle déplace ainsi le discours architectural vers l'intersection de nombreux systèmes de représention (dessin, maquette, photographie, livre, publicité). Avec la modernité, le lieu de la production architecturale s'est littéralement transféré de la rue vers les photographies, les films, les publications ou les expositions - déplacement qui présuppose un nouveau sens de l'espace, défini par des images plutôt que par des murs. Colomina nous retrace ces modifications radicales dans l'expérience de l'espace à travers les incarnations modernes de l'archive, de la ville, de la mode, du tourisme, de la guerre, de la sexualité.
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avril 1998, Orléans
Théorie de l’architecture
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Content is a bi-annual publication that explores the formal, cultural and technical issues of architecture through detailed drawings, photographs, and where appropriate, elucidating texts. With an emphasis on clear and direct presentation, architecture is examined as the formal transformation of site, material and construction in the search for social and(...)
Content form technique 3 : wall
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Content is a bi-annual publication that explores the formal, cultural and technical issues of architecture through detailed drawings, photographs, and where appropriate, elucidating texts. With an emphasis on clear and direct presentation, architecture is examined as the formal transformation of site, material and construction in the search for social and ethical content.
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mars 1997, Sydney
Théorie de l’architecture
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Design and analysis
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An interdisciplinary exploration of the methods used by architects, designers, urban planners, and landscape architects to understand the structure and principles of the built environment.
Théorie de l’architecture
septembre 1997, Rotterdam
Design and analysis
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An interdisciplinary exploration of the methods used by architects, designers, urban planners, and landscape architects to understand the structure and principles of the built environment.
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septembre 1997, Rotterdam
Théorie de l’architecture
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A newly revised and enlarged edition of Jencks' bestseller brings the reader up to date with new projects by some of today's most prominent architects including Peter Eisenman, Frank Gehry, Daniel Libesking and Greg Lynn.
The architecture of the jumping universe, a polemic : how complexity science is changing architecture and culture
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A newly revised and enlarged edition of Jencks' bestseller brings the reader up to date with new projects by some of today's most prominent architects including Peter Eisenman, Frank Gehry, Daniel Libesking and Greg Lynn.
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janvier 1900, London
Théorie de l’architecture
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Peter Collins's classic study surveys two hundred years of architectural theories and ideas. It explains what Revivalism, Rationalism, Eclecticism, and Functionalism meant to those who practised them, examining the influence of the other arts and sciences on architectural theory, and analysing notions that are commonly used in discussions about modern architecture but(...)
Théorie de l’architecture
février 1998, Montréal, Kingston, Ithaca, London
Changing ideals in Modern architecture
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Peter Collins's classic study surveys two hundred years of architectural theories and ideas. It explains what Revivalism, Rationalism, Eclecticism, and Functionalism meant to those who practised them, examining the influence of the other arts and sciences on architectural theory, and analysing notions that are commonly used in discussions about modern architecture but have implications frequently unsuspected or overlooked.
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février 1998, Montréal, Kingston, Ithaca, London
Théorie de l’architecture
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German artist Kurt Schwitters' Hannover Merzbau, a combination of collage, sculpture, and architecture, began, according to Schwitters, in 1923 with a small construction in a corner of the artist's studio, a room contained within the apartment he shared with (...)
Kurt Schwitters' Merzbau : the cathedral of erotic misery
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German artist Kurt Schwitters' Hannover Merzbau, a combination of collage, sculpture, and architecture, began, according to Schwitters, in 1923 with a small construction in a corner of the artist's studio, a room contained within the apartment he shared with members of his family. Also called "The Cathedral of Erotic Misery" or KdeE, the project eventually took over many of the spaces of his living quarters, filling the rooms with grottoes and caves dedicated to friends, artists, and cultural events. Left unfinished when Schwitters fled Hannover in early 1938, the Merzbau was completely destroyed during an Allied bombing raid over Hannover in 1943. While the project is usually listed as a marginal episode in the annals of Modern art and architecture, the Merzbau is of seminal importance in understanding the complex relationships between several European Avant-garde movements, including Expressionism, Dada, Constructivism, and Merz, the one-man movement Schwitters insisted was available to anyone. The project also provides information supporting the belief that artists such as Joseph Beuys and Robert Rauschenberg consciously extend the project of Merz. In delving into Schwitters' creative 'principles,' as well as the influences of prominent artists and architects on the Merzbau and vice versa, Elizabeth Burns Gamard discusses the project's physical evolution, its hidden meanings, and its significance within the artist's entire oeuvre. She also focusses on the relationship between Schwitters' ideas and those of German nature mysticism and German Romanticism, thus providing an extensive genealogy of the project as well.
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janvier 1960, New York
Théorie de l’architecture
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This volume documents the 1992, 1994 and 1996 sessions of the Jerusalem Seminar in Architecture, a forum where the world's most distinguished architects and critics gather to present their work and to discuss pressing issues in architectural practice today. Each section includes the architects' edited presentations illustrated with photographs, plans, and(...)
Technology, place & architecture : the Jerusalem seminar in architecture
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This volume documents the 1992, 1994 and 1996 sessions of the Jerusalem Seminar in Architecture, a forum where the world's most distinguished architects and critics gather to present their work and to discuss pressing issues in architectural practice today. Each section includes the architects' edited presentations illustrated with photographs, plans, and drawings. This book also features essays by critics and biographies of the participants.
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mai 1998, New York
Théorie de l’architecture
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This collection of essays focuses on the importance of the user in architecture. It emphasizes the the cross-currents between design, theory and use, and the need for a wider cross-cultural approach to architecture.
Occupying architecture : between the architect and the user
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This collection of essays focuses on the importance of the user in architecture. It emphasizes the the cross-currents between design, theory and use, and the need for a wider cross-cultural approach to architecture.
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juin 1998, New York
Théorie de l’architecture
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Places through the body
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In this book geographers, architects, anthropologists, artists, film, cultural studies and psycho-analysis theorists, among others, work alongside each other to show how places through the body take shape at a variety of scales.
Places through the body
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In this book geographers, architects, anthropologists, artists, film, cultural studies and psycho-analysis theorists, among others, work alongside each other to show how places through the body take shape at a variety of scales.
livres
juin 1998, London
Théorie de l’architecture