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"Inclusive Design" is a documentation of the attitudes, values, and practices of property professionals, including developers, surveyors and architects, in responding to the building needs of disabled people. It looks at the way in which pressure for accessible building design is influencing the policies and practices of property companies and professionals, with a(...)
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"Inclusive Design" is a documentation of the attitudes, values, and practices of property professionals, including developers, surveyors and architects, in responding to the building needs of disabled people. It looks at the way in which pressure for accessible building design is influencing the policies and practices of property companies and professionals, with a(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
juin 2001, London / New York
juin 2001, London / New York
Titre:
Inclusive design : designing and developing accessible environments
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"Inclusive Design" is a documentation of the attitudes, values, and practices of property professionals, including developers, surveyors and architects, in responding to the building needs of disabled people. It looks at the way in which pressure for accessible building design is influencing the policies and practices of property companies and professionals, with a primary focus on commercial developments in the UK. The book also provides comments on, and references to, other countries, particularly the USA, Sweden, and New Zealand.
Inclusive design : designing and developing accessible environments
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"Inclusive Design" is a documentation of the attitudes, values, and practices of property professionals, including developers, surveyors and architects, in responding to the building needs of disabled people. It looks at the way in which pressure for accessible building design is influencing the policies and practices of property companies and professionals, with a primary focus on commercial developments in the UK. The book also provides comments on, and references to, other countries, particularly the USA, Sweden, and New Zealand.
Classification:
livres
livres
Publication:
juin 2001, London / New York
juin 2001, London / New York
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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"Why Architecture Matters" collects the best of Kamin's columns, incuding his acclaimed series advocating the intelligent development of Chicago's lakefront. The columns are organized thematically, providing an accessible and thought-provoking view of architecture in the 1990s, from soaring skyscrapers to vibrant immigrant neighborhoods, troubled public housing projects,(...)
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"Why Architecture Matters" collects the best of Kamin's columns, incuding his acclaimed series advocating the intelligent development of Chicago's lakefront. The columns are organized thematically, providing an accessible and thought-provoking view of architecture in the 1990s, from soaring skyscrapers to vibrant immigrant neighborhoods, troubled public housing projects,(...)
Titre:
Why architecture matters : lessons from Chicago
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"Why Architecture Matters" collects the best of Kamin's columns, incuding his acclaimed series advocating the intelligent development of Chicago's lakefront. The columns are organized thematically, providing an accessible and thought-provoking view of architecture in the 1990s, from soaring skyscrapers to vibrant immigrant neighborhoods, troubled public housing projects, and sprawling suburbs. Because Chicago serves as a barometer of national design trends, these writings shed new light on American architecture and urbanism during a decade that Kamin labels "The Nervous Nineties"--a period of unparalleled affluence and underlying anxiety, of soothing retro buildings and provocative new ones that express the frenzied state of modern life.
Why architecture matters : lessons from Chicago
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"Why Architecture Matters" collects the best of Kamin's columns, incuding his acclaimed series advocating the intelligent development of Chicago's lakefront. The columns are organized thematically, providing an accessible and thought-provoking view of architecture in the 1990s, from soaring skyscrapers to vibrant immigrant neighborhoods, troubled public housing projects, and sprawling suburbs. Because Chicago serves as a barometer of national design trends, these writings shed new light on American architecture and urbanism during a decade that Kamin labels "The Nervous Nineties"--a period of unparalleled affluence and underlying anxiety, of soothing retro buildings and provocative new ones that express the frenzied state of modern life.
Classification:
livres
livres
Publication:
juin 2003, Chicago
juin 2003, Chicago
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$48.00
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This book introduces to an English-language audience the writings of the so-called New Vienna School of art history. In the 1930s Hans Sedlmayr (1896-1984) and Otto Pächt (1902-1988) undertook an ambitious extension of the formalist art historical project of Alois (...)
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This book introduces to an English-language audience the writings of the so-called New Vienna School of art history. In the 1930s Hans Sedlmayr (1896-1984) and Otto Pächt (1902-1988) undertook an ambitious extension of the formalist art historical project of Alois (...)
Titre:
The Vienna School reader : politics and art historical method in the 1930s
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This book introduces to an English-language audience the writings of the so-called New Vienna School of art history. In the 1930s Hans Sedlmayr (1896-1984) and Otto Pächt (1902-1988) undertook an ambitious extension of the formalist art historical project of Alois Riegl (1858-1905). Sedlmayr and Pächt began with an aestheticist conception of the autonomy and irreducibility of the artistic process. At the same time they believed they could read entire cultures and worldviews in the work of art. The key to this contextualist alchemy was the concept of "structure," a kind of deep formal property that the work of art shared with the world. Sedlmayr and Pächt's project immediately caught the attention of thinkers like Walter Benjamin who were similarly impatient with traditional empiricist scholarship. But the new project had its dark side. Sedlmayr used art history as a vehicle for a sweeping critique of modernity that soon escalated into nationalist and outright fascist polemic, even while Pächt, a Jew, was forced into exile. Sedlmayr and the whole scholarly project of Strukturanalyse were sharply repudiated by Meyer Schapiro and later Ernst Gombrich. After an introductory essay, the book opens with two selections from Riegl. The next section includes two essays by Sedlmayr, two by Pächt, and one each by Guido Kaschnitz-Weinberg and Fritz Novotny, all dating from the 1930s. The book closes with the divergent responses of Benjamin (1933) and Schapiro (1936). The difference of opinion between these two key voices raises again the question of the legitimacy and effectiveness of the method, and reveals the analogies between the New Vienna School project and the antiempiricist cultural histories of our own time. The book also contains an extensive bibliography.
The Vienna School reader : politics and art historical method in the 1930s
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$48.00
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Résumé:
This book introduces to an English-language audience the writings of the so-called New Vienna School of art history. In the 1930s Hans Sedlmayr (1896-1984) and Otto Pächt (1902-1988) undertook an ambitious extension of the formalist art historical project of Alois Riegl (1858-1905). Sedlmayr and Pächt began with an aestheticist conception of the autonomy and irreducibility of the artistic process. At the same time they believed they could read entire cultures and worldviews in the work of art. The key to this contextualist alchemy was the concept of "structure," a kind of deep formal property that the work of art shared with the world. Sedlmayr and Pächt's project immediately caught the attention of thinkers like Walter Benjamin who were similarly impatient with traditional empiricist scholarship. But the new project had its dark side. Sedlmayr used art history as a vehicle for a sweeping critique of modernity that soon escalated into nationalist and outright fascist polemic, even while Pächt, a Jew, was forced into exile. Sedlmayr and the whole scholarly project of Strukturanalyse were sharply repudiated by Meyer Schapiro and later Ernst Gombrich. After an introductory essay, the book opens with two selections from Riegl. The next section includes two essays by Sedlmayr, two by Pächt, and one each by Guido Kaschnitz-Weinberg and Fritz Novotny, all dating from the 1930s. The book closes with the divergent responses of Benjamin (1933) and Schapiro (1936). The difference of opinion between these two key voices raises again the question of the legitimacy and effectiveness of the method, and reveals the analogies between the New Vienna School project and the antiempiricist cultural histories of our own time. The book also contains an extensive bibliography.
Classification:
livres
livres
Publication:
janvier 1900, New York
janvier 1900, New York
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$62.00
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When Friedrich Gilly died in 1800 at the age of twenty-eight, his architectural career spanned less than a decade and none of his major designs had been built. Nevertheless, his ideas so influenced Berlin architecture for the next century that today he is widely regarded as the founder of that city's modern architectural tradition. Framed by Fritz Neumeyer's cogent(...)
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When Friedrich Gilly died in 1800 at the age of twenty-eight, his architectural career spanned less than a decade and none of his major designs had been built. Nevertheless, his ideas so influenced Berlin architecture for the next century that today he is widely regarded as the founder of that city's modern architectural tradition. Framed by Fritz Neumeyer's cogent(...)
Titre:
Friedrich Gilly: Essays on architecture 1796-1799
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When Friedrich Gilly died in 1800 at the age of twenty-eight, his architectural career spanned less than a decade and none of his major designs had been built. Nevertheless, his ideas so influenced Berlin architecture for the next century that today he is widely regarded as the founder of that city's modern architectural tradition. Framed by Fritz Neumeyer's cogent introductory analysis, these new translations of five of Gilly's essays are accompanied by previously unpublished archival records and an illuminating catalog of his personal library. The result is a provocative and novel historical perspective of an artistically vibrant epoch.
Friedrich Gilly: Essays on architecture 1796-1799
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When Friedrich Gilly died in 1800 at the age of twenty-eight, his architectural career spanned less than a decade and none of his major designs had been built. Nevertheless, his ideas so influenced Berlin architecture for the next century that today he is widely regarded as the founder of that city's modern architectural tradition. Framed by Fritz Neumeyer's cogent introductory analysis, these new translations of five of Gilly's essays are accompanied by previously unpublished archival records and an illuminating catalog of his personal library. The result is a provocative and novel historical perspective of an artistically vibrant epoch.
Classification:
livres
livres
Publication:
janvier 1994
janvier 1994
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$79.00
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Résumé:
In the discussion of architecture, the prevailing sentiment of the past three decades has been that cultural production can no longer be understood to arise spontaneously, as a matter of social course, but is constructed through ever more self-conscious theoretical procedures. The (...)
$79.00
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In the discussion of architecture, the prevailing sentiment of the past three decades has been that cultural production can no longer be understood to arise spontaneously, as a matter of social course, but is constructed through ever more self-conscious theoretical procedures. The (...)
Titre:
Architecture theory since 1968
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In the discussion of architecture, the prevailing sentiment of the past three decades has been that cultural production can no longer be understood to arise spontaneously, as a matter of social course, but is constructed through ever more self-conscious theoretical procedures. The development of interpretive modes of various stripes--poststructuralist, Marxian, phenomenological, psychoanalytic, as well as others dissenting or eccentric--has given scholars a range of tools for rethinking architecture in relation to other fields and for reasserting architecture's general importance in intellectual discourse. This long-awaited anthology is in some sense a sequel to Joan Ockman's "Architecture Culture 1943-1968, A Documentary Anthology" (1993). It presents forty-seven of the primary texts of contemporary architecture theory, introducing each by detailing the concepts and categories necessary for its understanding and evaluation. It also presents twelve documents of projects or events that had major theoretical repercussions for the period. Several of the essays appear here in English for the first time.
Architecture theory since 1968
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In the discussion of architecture, the prevailing sentiment of the past three decades has been that cultural production can no longer be understood to arise spontaneously, as a matter of social course, but is constructed through ever more self-conscious theoretical procedures. The development of interpretive modes of various stripes--poststructuralist, Marxian, phenomenological, psychoanalytic, as well as others dissenting or eccentric--has given scholars a range of tools for rethinking architecture in relation to other fields and for reasserting architecture's general importance in intellectual discourse. This long-awaited anthology is in some sense a sequel to Joan Ockman's "Architecture Culture 1943-1968, A Documentary Anthology" (1993). It presents forty-seven of the primary texts of contemporary architecture theory, introducing each by detailing the concepts and categories necessary for its understanding and evaluation. It also presents twelve documents of projects or events that had major theoretical repercussions for the period. Several of the essays appear here in English for the first time.
Classification:
livres
livres
Publication:
avril 2000, Cambridge, Mass.
avril 2000, Cambridge, Mass.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$35.50
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Résumé:
Critical theories such as those of the Frankfurt School of the twenties and thirties gave rise to a complex and sophisticated critique of modernity and modernism. The history and theory of twentieth-century architecture, which developed rather independently of (...)
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Critical theories such as those of the Frankfurt School of the twenties and thirties gave rise to a complex and sophisticated critique of modernity and modernism. The history and theory of twentieth-century architecture, which developed rather independently of (...)
Titre:
Architecture and modernity : a critique
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Critical theories such as those of the Frankfurt School of the twenties and thirties gave rise to a complex and sophisticated critique of modernity and modernism. The history and theory of twentieth-century architecture, which developed rather independently of this rich tradition, appear naive and unbalanced in comparison. In this exploration of the relationship between modernity, dwelling, and architecture, Hilde Heynen attempts to bridge this gap between the discourse of the modern movement and cultural theories of modernity. On one hand, she discusses architecture from the perspective of critical theory, and on the other she modifies positions within critical theory by linking them with architecture. She assesses architecture as a cultural field that structures daily life and that embodies major contradictions inherent in modernity, arguing that architecture nonetheless has a certain capacity to adopt a critical stance vis-à-vis modernity. The book provides architectural students with an introduction to the discourse of critical theory. The subchapters on Walter Benjamin, Ernst Bloch, Theodor Adorno, and the Venice School (Tafuri, Dal Co, Cacciari) can be studied independently.
Architecture and modernity : a critique
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Critical theories such as those of the Frankfurt School of the twenties and thirties gave rise to a complex and sophisticated critique of modernity and modernism. The history and theory of twentieth-century architecture, which developed rather independently of this rich tradition, appear naive and unbalanced in comparison. In this exploration of the relationship between modernity, dwelling, and architecture, Hilde Heynen attempts to bridge this gap between the discourse of the modern movement and cultural theories of modernity. On one hand, she discusses architecture from the perspective of critical theory, and on the other she modifies positions within critical theory by linking them with architecture. She assesses architecture as a cultural field that structures daily life and that embodies major contradictions inherent in modernity, arguing that architecture nonetheless has a certain capacity to adopt a critical stance vis-à-vis modernity. The book provides architectural students with an introduction to the discourse of critical theory. The subchapters on Walter Benjamin, Ernst Bloch, Theodor Adorno, and the Venice School (Tafuri, Dal Co, Cacciari) can be studied independently.
Classification:
livres
livres
Publication:
avril 2000, Cambridge, Mass.
avril 2000, Cambridge, Mass.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
A landscape of events
A landscape of events
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In "A Landscape of Events", the celebrated French architect, urban planner, and philosopher Paul Virilio focuses on the cultural chaos of the 1980s and 1990s. It was a time, he writes, that reflected the "cruelty of an epoch, the hills and dales of daily life, the usual clumps of habits and commonplaces." Urban disorientation, the machines of war, and the acceleration(...)
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In "A Landscape of Events", the celebrated French architect, urban planner, and philosopher Paul Virilio focuses on the cultural chaos of the 1980s and 1990s. It was a time, he writes, that reflected the "cruelty of an epoch, the hills and dales of daily life, the usual clumps of habits and commonplaces." Urban disorientation, the machines of war, and the acceleration(...)
Titre:
A landscape of events
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In "A Landscape of Events", the celebrated French architect, urban planner, and philosopher Paul Virilio focuses on the cultural chaos of the 1980s and 1990s. It was a time, he writes, that reflected the "cruelty of an epoch, the hills and dales of daily life, the usual clumps of habits and commonplaces." Urban disorientation, the machines of war, and the acceleration of events in contemporary life are Virilio's ongoing concerns. He explores them in events ranging from media coverage of the Gulf War to urban rioting and lawlessness. Some will see Virilio as a pessimist discouraged by "the acceleration of the reality of time," while others will find his recording of "atypical events" to be clairvoyant.
A landscape of events
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In "A Landscape of Events", the celebrated French architect, urban planner, and philosopher Paul Virilio focuses on the cultural chaos of the 1980s and 1990s. It was a time, he writes, that reflected the "cruelty of an epoch, the hills and dales of daily life, the usual clumps of habits and commonplaces." Urban disorientation, the machines of war, and the acceleration of events in contemporary life are Virilio's ongoing concerns. He explores them in events ranging from media coverage of the Gulf War to urban rioting and lawlessness. Some will see Virilio as a pessimist discouraged by "the acceleration of the reality of time," while others will find his recording of "atypical events" to be clairvoyant.
Classification:
livres
livres
Publication:
novembre 2000, Boston
novembre 2000, Boston
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
Le centre, image du monde
Le centre, image du monde
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Dans toute civilisation, le «centre» est le fondement du sanctuaire. Tout plan a certes pour base la géométrie. Toutefois, l'image du monde n'est pas dans ce point idéal tracé au compas. S'il séduit ceux qui tiennent à donner une expression graphique aux nombres, les rêveurs cherchent ailleurs un coeur. Analysant de nombreux édifices sacrés à travers le monde(...)
$31.75
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Résumé:
Dans toute civilisation, le «centre» est le fondement du sanctuaire. Tout plan a certes pour base la géométrie. Toutefois, l'image du monde n'est pas dans ce point idéal tracé au compas. S'il séduit ceux qui tiennent à donner une expression graphique aux nombres, les rêveurs cherchent ailleurs un coeur. Analysant de nombreux édifices sacrés à travers le monde(...)
Titre:
Le centre, image du monde
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$31.75
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Résumé:
Dans toute civilisation, le «centre» est le fondement du sanctuaire. Tout plan a certes pour base la géométrie. Toutefois, l'image du monde n'est pas dans ce point idéal tracé au compas. S'il séduit ceux qui tiennent à donner une expression graphique aux nombres, les rêveurs cherchent ailleurs un coeur. Analysant de nombreux édifices sacrés à travers le monde (pyramides, temples, églises médiévales), Myriam Philibert montre que le cercle suppose des extensions, un sommet comme axe vertical et la magie du plan comme développement horizontal.
Le centre, image du monde
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$31.75
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Résumé:
Dans toute civilisation, le «centre» est le fondement du sanctuaire. Tout plan a certes pour base la géométrie. Toutefois, l'image du monde n'est pas dans ce point idéal tracé au compas. S'il séduit ceux qui tiennent à donner une expression graphique aux nombres, les rêveurs cherchent ailleurs un coeur. Analysant de nombreux édifices sacrés à travers le monde (pyramides, temples, églises médiévales), Myriam Philibert montre que le cercle suppose des extensions, un sommet comme axe vertical et la magie du plan comme développement horizontal.
Classification:
livres
livres
Publication:
mai 2004, Monaco
mai 2004, Monaco
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
Anymore
Anymore
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$13.00
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Résumé:
At the turn of the millennium--the end of a calibrated period of time--it seems necessary to ask certain questions, foremost among them: Anymore? Anymore history and theory? Anymore architecture? Of particular concern are the last two hundred years, a self-conscious (...)
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Résumé:
At the turn of the millennium--the end of a calibrated period of time--it seems necessary to ask certain questions, foremost among them: Anymore? Anymore history and theory? Anymore architecture? Of particular concern are the last two hundred years, a self-conscious (...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
septembre 2000, Cambridge, Mass.
septembre 2000, Cambridge, Mass.
Titre:
Anymore
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Résumé:
At the turn of the millennium--the end of a calibrated period of time--it seems necessary to ask certain questions, foremost among them: Anymore? Anymore history and theory? Anymore architecture? Of particular concern are the last two hundred years, a self-conscious period known as modernism. Can we assume that a simple calendar change signals an end or a time of end? Is there anymore? The contributions in "Anymore" are by architects, critics, historians, philosophers, sociologists, urbanists, and others. They include Akira Asada, Hubert Damisch, Peter Eisenman, Arata Isozki, Rem Koolhaas, Rosalind Krauss, Ignasi de Solà-Morales, Mark C. Taylor, Bernard Tschumi, and Anthony Vidler, as well as young architects from France whose work many American readers will encounter here for the first time. Anymore is the ninth book in the ongoing series that began in 1991 with "Anyone" and was followed by "Anywhere", "Anyway", "Anyplace", "Anywise", "Anybody", "Anyhow", and "Anytime". Each volume is based on a conference at which architects and leaders in other fields come together to present papers and discuss a particular idea in architecture from a cross-cultural and multidisciplinary perspective. The conference upon which "Anymore" is based took place in Paris in June 1999 and will be followed by "Anything".
Anymore
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Résumé:
At the turn of the millennium--the end of a calibrated period of time--it seems necessary to ask certain questions, foremost among them: Anymore? Anymore history and theory? Anymore architecture? Of particular concern are the last two hundred years, a self-conscious period known as modernism. Can we assume that a simple calendar change signals an end or a time of end? Is there anymore? The contributions in "Anymore" are by architects, critics, historians, philosophers, sociologists, urbanists, and others. They include Akira Asada, Hubert Damisch, Peter Eisenman, Arata Isozki, Rem Koolhaas, Rosalind Krauss, Ignasi de Solà-Morales, Mark C. Taylor, Bernard Tschumi, and Anthony Vidler, as well as young architects from France whose work many American readers will encounter here for the first time. Anymore is the ninth book in the ongoing series that began in 1991 with "Anyone" and was followed by "Anywhere", "Anyway", "Anyplace", "Anywise", "Anybody", "Anyhow", and "Anytime". Each volume is based on a conference at which architects and leaders in other fields come together to present papers and discuss a particular idea in architecture from a cross-cultural and multidisciplinary perspective. The conference upon which "Anymore" is based took place in Paris in June 1999 and will be followed by "Anything".
Classification:
livres
livres
Publication:
septembre 2000, Cambridge, Mass.
septembre 2000, Cambridge, Mass.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
Un amateur d'architecture
Un amateur d'architecture
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$25.95
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Ce livre revêt une forme autobiographique explorant les origines d'un goût constant pour l'architecture. Histoire d'un chemin que conduit l'amateur vers son point de vue pour tenir une parole critique, dans la Ville devenue destin, horizon dominant.
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Résumé:
Ce livre revêt une forme autobiographique explorant les origines d'un goût constant pour l'architecture. Histoire d'un chemin que conduit l'amateur vers son point de vue pour tenir une parole critique, dans la Ville devenue destin, horizon dominant.
Titre:
Un amateur d'architecture
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Ce livre revêt une forme autobiographique explorant les origines d'un goût constant pour l'architecture. Histoire d'un chemin que conduit l'amateur vers son point de vue pour tenir une parole critique, dans la Ville devenue destin, horizon dominant.
Un amateur d'architecture
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Résumé:
Ce livre revêt une forme autobiographique explorant les origines d'un goût constant pour l'architecture. Histoire d'un chemin que conduit l'amateur vers son point de vue pour tenir une parole critique, dans la Ville devenue destin, horizon dominant.
Classification:
livres
livres
Publication:
mai 2001, Paris
mai 2001, Paris
Sujet:
Théorie de l’architecture
Théorie de l’architecture
