452 Résultats
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This publication gathers for the first time a selection of Vicki Goldberg's essays and criticism, culled from her writings published over the past 25 years. Goldberg's subjects range from pop imagery to war journalism, from photo-booth portraits to manipulated digital imagery, from the “boredom” of voyeurism to the great preponderance of tragic photographs in the news.(...)
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This publication gathers for the first time a selection of Vicki Goldberg's essays and criticism, culled from her writings published over the past 25 years. Goldberg's subjects range from pop imagery to war journalism, from photo-booth portraits to manipulated digital imagery, from the “boredom” of voyeurism to the great preponderance of tragic photographs in the news.(...)
Titre:
Light matters : writings on photography
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This publication gathers for the first time a selection of Vicki Goldberg's essays and criticism, culled from her writings published over the past 25 years. Goldberg's subjects range from pop imagery to war journalism, from photo-booth portraits to manipulated digital imagery, from the “boredom” of voyeurism to the great preponderance of tragic photographs in the news. She brings new light to the work of the medium's “old masters,” among them Walker Evans, Lotte Jacobi and Lartigue, writing with equal acuity about contemporary trailblazers such as Bill Viola, Daido Moriyama and Bastienne Schmidt. Goldberg also tackles provocative larger issues facing the medium, such as the potentially “transgressive” nature of photographs, and the camera's powerful role in a culture of commodification. Dismissing clichés and deftly negotiating the many diverging paths photography now follows, Goldberg demonstrates how to consider not just photographic images themselves, but their impact, and the meaning of that impact.
Light matters : writings on photography
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This publication gathers for the first time a selection of Vicki Goldberg's essays and criticism, culled from her writings published over the past 25 years. Goldberg's subjects range from pop imagery to war journalism, from photo-booth portraits to manipulated digital imagery, from the “boredom” of voyeurism to the great preponderance of tragic photographs in the news. She brings new light to the work of the medium's “old masters,” among them Walker Evans, Lotte Jacobi and Lartigue, writing with equal acuity about contemporary trailblazers such as Bill Viola, Daido Moriyama and Bastienne Schmidt. Goldberg also tackles provocative larger issues facing the medium, such as the potentially “transgressive” nature of photographs, and the camera's powerful role in a culture of commodification. Dismissing clichés and deftly negotiating the many diverging paths photography now follows, Goldberg demonstrates how to consider not just photographic images themselves, but their impact, and the meaning of that impact.
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livres
livres
Publication:
novembre 2010
novembre 2010
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
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Using the work of Lewis Baltz, a leading photographer of the 1975 New Topographics movement , as a jumping-off point, this book documents Mario Pfeifer's multi-faceted work, Reconsidering The New Industrial Parks Near Irvine, California by Lewis Baltz, 1974.
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Using the work of Lewis Baltz, a leading photographer of the 1975 New Topographics movement , as a jumping-off point, this book documents Mario Pfeifer's multi-faceted work, Reconsidering The New Industrial Parks Near Irvine, California by Lewis Baltz, 1974.
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Reconsidering the new industrial parks near Irvine, California by Lewis Baltz, 1974
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Using the work of Lewis Baltz, a leading photographer of the 1975 New Topographics movement , as a jumping-off point, this book documents Mario Pfeifer's multi-faceted work, Reconsidering The New Industrial Parks Near Irvine, California by Lewis Baltz, 1974.
Reconsidering the new industrial parks near Irvine, California by Lewis Baltz, 1974
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Using the work of Lewis Baltz, a leading photographer of the 1975 New Topographics movement , as a jumping-off point, this book documents Mario Pfeifer's multi-faceted work, Reconsidering The New Industrial Parks Near Irvine, California by Lewis Baltz, 1974.
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livres
livres
Publication:
mai 2011
mai 2011
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
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Photographic images can, apart from their capacity to show, convey an experience, a quality that has seldom been recognized. In this book, the artist and photographer Maarten Vanvolsem explains how the strip technique can tell a different story of time and space in photographic images, a story that leads to new expressions and experiences of time and movement. The strip(...)
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Photographic images can, apart from their capacity to show, convey an experience, a quality that has seldom been recognized. In this book, the artist and photographer Maarten Vanvolsem explains how the strip technique can tell a different story of time and space in photographic images, a story that leads to new expressions and experiences of time and movement. The strip(...)
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The art of strip photography : making still images with a moving camera
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Photographic images can, apart from their capacity to show, convey an experience, a quality that has seldom been recognized. In this book, the artist and photographer Maarten Vanvolsem explains how the strip technique can tell a different story of time and space in photographic images, a story that leads to new expressions and experiences of time and movement. The strip technique itself seems to be neglected in the debate on time and photography, although it has a long history — from Muybridge to the photo booth. Its use is widespread and, especially in recent years, more and more artists have rediscovered the technique. Based on an historical overview, a knowledge and understanding of the technique, and experiments with the building of cameras, this book will propose a new use of this forgotten art: a use in which the temporal terms "speed," “rhythm,” and “pace” are of more value than terms so often associated with photography such as “freeze,” “split second,” or “capture.” Within the book one can find more than thirty artists using the strip technique for their artistic practice. Vanvolsem shows how the technique may be used to rediscover the time-based possibilities of the photographic image.
The art of strip photography : making still images with a moving camera
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Photographic images can, apart from their capacity to show, convey an experience, a quality that has seldom been recognized. In this book, the artist and photographer Maarten Vanvolsem explains how the strip technique can tell a different story of time and space in photographic images, a story that leads to new expressions and experiences of time and movement. The strip technique itself seems to be neglected in the debate on time and photography, although it has a long history — from Muybridge to the photo booth. Its use is widespread and, especially in recent years, more and more artists have rediscovered the technique. Based on an historical overview, a knowledge and understanding of the technique, and experiments with the building of cameras, this book will propose a new use of this forgotten art: a use in which the temporal terms "speed," “rhythm,” and “pace” are of more value than terms so often associated with photography such as “freeze,” “split second,” or “capture.” Within the book one can find more than thirty artists using the strip technique for their artistic practice. Vanvolsem shows how the technique may be used to rediscover the time-based possibilities of the photographic image.
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livres
livres
Publication:
février 2011
février 2011
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
Titre:
Gerhard Richter: landscapes
Gerhard Richter: landscapes
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No genre has fascinated Gerhard Richter so consistently throughout his career as that of landscape. Ever since his softly overpainted Views of Corsica series of 1968-69, the artist has revisited and reprised its possibilities, creating black-and-white townscapes based on newspaper picture and amateur photographs, mountain and park scenes with heavy impasto, illusionistic(...)
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No genre has fascinated Gerhard Richter so consistently throughout his career as that of landscape. Ever since his softly overpainted Views of Corsica series of 1968-69, the artist has revisited and reprised its possibilities, creating black-and-white townscapes based on newspaper picture and amateur photographs, mountain and park scenes with heavy impasto, illusionistic(...)
Publication:
mai 2011
mai 2011
Titre:
Gerhard Richter: landscapes
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No genre has fascinated Gerhard Richter so consistently throughout his career as that of landscape. Ever since his softly overpainted Views of Corsica series of 1968-69, the artist has revisited and reprised its possibilities, creating black-and-white townscapes based on newspaper picture and amateur photographs, mountain and park scenes with heavy impasto, illusionistic seascapes in subtly gradated tones and paintings worked with abstract overpainting. Frequently these paintings interrupt or quietly sabotage the transcendent horizon of the Romantic landscape, but the image presented is not exactly ironized as in other paintings of Richter's. This new edition brings us up to date with Richter's enduring fondness for this subject.
Gerhard Richter: landscapes
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No genre has fascinated Gerhard Richter so consistently throughout his career as that of landscape. Ever since his softly overpainted Views of Corsica series of 1968-69, the artist has revisited and reprised its possibilities, creating black-and-white townscapes based on newspaper picture and amateur photographs, mountain and park scenes with heavy impasto, illusionistic seascapes in subtly gradated tones and paintings worked with abstract overpainting. Frequently these paintings interrupt or quietly sabotage the transcendent horizon of the Romantic landscape, but the image presented is not exactly ironized as in other paintings of Richter's. This new edition brings us up to date with Richter's enduring fondness for this subject.
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livres
livres
Publication:
mai 2011
mai 2011
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This publication is the long-awaited collection of essays, reviews and lectures by Tod Papageorge, one of the most influential voices in photography today. As a photographer and the Walker Evans Professor of Photography at the Yale University School of Art, Papageorge has shaped the work and thought of generations of artist-photographers, and, through his critical(...)
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This publication is the long-awaited collection of essays, reviews and lectures by Tod Papageorge, one of the most influential voices in photography today. As a photographer and the Walker Evans Professor of Photography at the Yale University School of Art, Papageorge has shaped the work and thought of generations of artist-photographers, and, through his critical(...)
Titre:
Core curriculum : writings on photography
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This publication is the long-awaited collection of essays, reviews and lectures by Tod Papageorge, one of the most influential voices in photography today. As a photographer and the Walker Evans Professor of Photography at the Yale University School of Art, Papageorge has shaped the work and thought of generations of artist-photographers, and, through his critical writings - some of which have gained a cult following through online postings - he has earned a reputation as an unusually eloquent and illuminating guide to the work of many of the most important figures in twentieth-century photography. Among the artists Papageorge discusses in this volume are Eugène Atget, Brassaï, Robert Frank (with Walker Evans), Robert Adams and his close friend Garry Winogrand. The book also includes texts that examine the more general questions of photography's relationship to poetry, and how the evolution of the medium's early technologies led to the twentieth-century creation of the artist-photographer. Among the previously unpublished pieces are an unfinished poem written in response to Susan Sontag's On Photography, a profile of Josef Koudelka and a commencement speech delivered at the Yale School of Art in 2004. The book also includes a number of interviews given by Papageorge, ranging in topic from his own photographic work and background in poetry to his energetic observations on the art of photography.
Core curriculum : writings on photography
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This publication is the long-awaited collection of essays, reviews and lectures by Tod Papageorge, one of the most influential voices in photography today. As a photographer and the Walker Evans Professor of Photography at the Yale University School of Art, Papageorge has shaped the work and thought of generations of artist-photographers, and, through his critical writings - some of which have gained a cult following through online postings - he has earned a reputation as an unusually eloquent and illuminating guide to the work of many of the most important figures in twentieth-century photography. Among the artists Papageorge discusses in this volume are Eugène Atget, Brassaï, Robert Frank (with Walker Evans), Robert Adams and his close friend Garry Winogrand. The book also includes texts that examine the more general questions of photography's relationship to poetry, and how the evolution of the medium's early technologies led to the twentieth-century creation of the artist-photographer. Among the previously unpublished pieces are an unfinished poem written in response to Susan Sontag's On Photography, a profile of Josef Koudelka and a commencement speech delivered at the Yale School of Art in 2004. The book also includes a number of interviews given by Papageorge, ranging in topic from his own photographic work and background in poetry to his energetic observations on the art of photography.
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livres
livres
Publication:
juin 2011
juin 2011
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
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In 2006, Italian photographer Armin Linke was given a commission by the Ministry of Cultural Heritage and Activities, and proposed a photographic mapping of all the institutions now housed in various historical buildings in Rome. The result is a portrait of the Italian State through its architecture, revealing rarely-seen interiors and clandestine functions. With text by(...)
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In 2006, Italian photographer Armin Linke was given a commission by the Ministry of Cultural Heritage and Activities, and proposed a photographic mapping of all the institutions now housed in various historical buildings in Rome. The result is a portrait of the Italian State through its architecture, revealing rarely-seen interiors and clandestine functions. With text by(...)
Titre:
Armin Linke: The body of the state
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In 2006, Italian photographer Armin Linke was given a commission by the Ministry of Cultural Heritage and Activities, and proposed a photographic mapping of all the institutions now housed in various historical buildings in Rome. The result is a portrait of the Italian State through its architecture, revealing rarely-seen interiors and clandestine functions. With text by Giorgio Agamben.
Armin Linke: The body of the state
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In 2006, Italian photographer Armin Linke was given a commission by the Ministry of Cultural Heritage and Activities, and proposed a photographic mapping of all the institutions now housed in various historical buildings in Rome. The result is a portrait of the Italian State through its architecture, revealing rarely-seen interiors and clandestine functions. With text by Giorgio Agamben.
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livres
livres
Publication:
janvier 2011
janvier 2011
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
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The intriguing images assembled here by collector and curator Robert Flynn Johnson are all mysterious. By turns poignant, humorous, erotic, and disturbing, their subject is the human condition. Every aspect of human experience—both public and private—is explored. Over 220 photographs showcase the work of photographers whose identities have been lost in time.
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The intriguing images assembled here by collector and curator Robert Flynn Johnson are all mysterious. By turns poignant, humorous, erotic, and disturbing, their subject is the human condition. Every aspect of human experience—both public and private—is explored. Over 220 photographs showcase the work of photographers whose identities have been lost in time.
Titre:
The face of the lens: Anonymous photographs
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The intriguing images assembled here by collector and curator Robert Flynn Johnson are all mysterious. By turns poignant, humorous, erotic, and disturbing, their subject is the human condition. Every aspect of human experience—both public and private—is explored. Over 220 photographs showcase the work of photographers whose identities have been lost in time.
The face of the lens: Anonymous photographs
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$34.95
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The intriguing images assembled here by collector and curator Robert Flynn Johnson are all mysterious. By turns poignant, humorous, erotic, and disturbing, their subject is the human condition. Every aspect of human experience—both public and private—is explored. Over 220 photographs showcase the work of photographers whose identities have been lost in time.
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livres
livres
Publication:
avril 2011
avril 2011
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$70.00
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Louis Jacques Mande Daguerre (1787-1851) was a true nineteenth-century visionary - a painter, printmaker, set designer, entrepreneur, inventor, and pioneer of photography. Though he was widely celebrated beyond his own lifetime for his invention of the daguerreotype, it was his origins as a theatrical designer and purveyor of visual entertainment that paved the way for(...)
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Louis Jacques Mande Daguerre (1787-1851) was a true nineteenth-century visionary - a painter, printmaker, set designer, entrepreneur, inventor, and pioneer of photography. Though he was widely celebrated beyond his own lifetime for his invention of the daguerreotype, it was his origins as a theatrical designer and purveyor of visual entertainment that paved the way for(...)
Titre:
Speculating Daguerre : arts & enterprise in the work of L. J. M. Daguerre
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Louis Jacques Mande Daguerre (1787-1851) was a true nineteenth-century visionary - a painter, printmaker, set designer, entrepreneur, inventor, and pioneer of photography. Though he was widely celebrated beyond his own lifetime for his invention of the daguerreotype, it was his origins as a theatrical designer and purveyor of visual entertainment that paved the way for Daguerre's emergence as one of the world's most iconic imagemakers. In "Speculating Daguerre," Stephen C. Pinson reinterprets the story of the man and his time, painting a vivid picture of Daguerre as an innovative artist and savvy impresario whose eventual fame as a photographer eclipsed everything that had come before.
Speculating Daguerre : arts & enterprise in the work of L. J. M. Daguerre
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Louis Jacques Mande Daguerre (1787-1851) was a true nineteenth-century visionary - a painter, printmaker, set designer, entrepreneur, inventor, and pioneer of photography. Though he was widely celebrated beyond his own lifetime for his invention of the daguerreotype, it was his origins as a theatrical designer and purveyor of visual entertainment that paved the way for Daguerre's emergence as one of the world's most iconic imagemakers. In "Speculating Daguerre," Stephen C. Pinson reinterprets the story of the man and his time, painting a vivid picture of Daguerre as an innovative artist and savvy impresario whose eventual fame as a photographer eclipsed everything that had come before.
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livres
livres
Publication:
juin 2011
juin 2011
Classification:
livres
livres
Titre:
Photography and death
Photography and death
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The idea of photographing the dead is as old as photography itself. For the most part, early death photographs were commissioned or taken by relatives of the deceased and preserved in the home as part of the family collection. Once thought inappropriate and macabre, today these photographs are considered to have a beneficial role in bereavement therapy. Photography(...)
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The idea of photographing the dead is as old as photography itself. For the most part, early death photographs were commissioned or taken by relatives of the deceased and preserved in the home as part of the family collection. Once thought inappropriate and macabre, today these photographs are considered to have a beneficial role in bereavement therapy. Photography(...)
Titre:
Photography and death
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$35.95
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The idea of photographing the dead is as old as photography itself. For the most part, early death photographs were commissioned or taken by relatives of the deceased and preserved in the home as part of the family collection. Once thought inappropriate and macabre, today these photographs are considered to have a beneficial role in bereavement therapy. Photography and Death reveals the significance of such images, formerly dismissed as disturbing or grotesque, and places them within the context of changing cultural attitudes towards death and loss. Excluding images of death through war, violence, or natural disasters, Audrey Linkman concentrates on photographs of natural deaths within the family. She identifies the range of death-related photographs that have been produced in both Europe and North America since the 1840s and charts changes in their treatment through the decades.
Photography and death
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The idea of photographing the dead is as old as photography itself. For the most part, early death photographs were commissioned or taken by relatives of the deceased and preserved in the home as part of the family collection. Once thought inappropriate and macabre, today these photographs are considered to have a beneficial role in bereavement therapy. Photography and Death reveals the significance of such images, formerly dismissed as disturbing or grotesque, and places them within the context of changing cultural attitudes towards death and loss. Excluding images of death through war, violence, or natural disasters, Audrey Linkman concentrates on photographs of natural deaths within the family. She identifies the range of death-related photographs that have been produced in both Europe and North America since the 1840s and charts changes in their treatment through the decades.
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livres
livres
Publication:
avril 2011
avril 2011
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Photography and anthropology
Photography and anthropology
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In this publication, Christopher Pinney presents an account of the strikingly parallel histories of the two disciplines, as well as a polemical narrative and overview of the use of photography by anthropologists from the 1840s to the present. Through numerous examples from the annals of anthropological photography, this book examines the history of anthropology’s(...)
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In this publication, Christopher Pinney presents an account of the strikingly parallel histories of the two disciplines, as well as a polemical narrative and overview of the use of photography by anthropologists from the 1840s to the present. Through numerous examples from the annals of anthropological photography, this book examines the history of anthropology’s(...)
Titre:
Photography and anthropology
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In this publication, Christopher Pinney presents an account of the strikingly parallel histories of the two disciplines, as well as a polemical narrative and overview of the use of photography by anthropologists from the 1840s to the present. Through numerous examples from the annals of anthropological photography, this book examines the history of anthropology’s enchantment with photography alongside the anthropological theory of photography and documentation.
Photography and anthropology
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$43.95
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In this publication, Christopher Pinney presents an account of the strikingly parallel histories of the two disciplines, as well as a polemical narrative and overview of the use of photography by anthropologists from the 1840s to the present. Through numerous examples from the annals of anthropological photography, this book examines the history of anthropology’s enchantment with photography alongside the anthropological theory of photography and documentation.
Classification:
livres
livres
Publication:
avril 2011
avril 2011
Sujet:
Théorie de la photographie
Théorie de la photographie
