452 Résultats
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Getting the picture, constructing (and deconstructing) the picture, finding the picture, viewing the picture, being in the picture , changing the pictures --these are all phrases that apply to the fascinating world of 'putting people in the picture' in visual research within the Social Sciences. Putting People in the Picture: Visual Methodologies for Social Change focuses(...)
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Getting the picture, constructing (and deconstructing) the picture, finding the picture, viewing the picture, being in the picture , changing the pictures --these are all phrases that apply to the fascinating world of 'putting people in the picture' in visual research within the Social Sciences. Putting People in the Picture: Visual Methodologies for Social Change focuses(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
mai 2008, Rotterdam
mai 2008, Rotterdam
Titre:
Putting people in the picture: visual methodologies for social change
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Getting the picture, constructing (and deconstructing) the picture, finding the picture, viewing the picture, being in the picture , changing the pictures --these are all phrases that apply to the fascinating world of 'putting people in the picture' in visual research within the Social Sciences. Putting People in the Picture: Visual Methodologies for Social Change focuses on the ways in which researchers, practitioners and activists are using such techniques as photo voice, collaborative video, drawings and other visual and arts-based tools as modes of inquiry, as modes of representation and as modes of disseminating findings in social research. The various chapters address methodological, analytical, interpretive, aesthetic, technical and ethical concerns in using visual methodologies in work with young people, teachers, community health care workers -- and even the self-as-researcher. The range of issues addressed in the work is broad, and includes work in the areas of HIV & AIDS, schooling, poverty, gender violence, race, and children's visions for the future. While the studies are situated within a variety of social contexts, the focus is primarily on work in Southern Africa. The book takes up some of the theoretical and practical challenges offered by Visual Sociology, Image- based Research, Media Studies, Rural Development, and Community-based and Participatory Research, and in so doing offers audiences an array of visual approaches to studying and bringing about social change.
Putting people in the picture: visual methodologies for social change
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Getting the picture, constructing (and deconstructing) the picture, finding the picture, viewing the picture, being in the picture , changing the pictures --these are all phrases that apply to the fascinating world of 'putting people in the picture' in visual research within the Social Sciences. Putting People in the Picture: Visual Methodologies for Social Change focuses on the ways in which researchers, practitioners and activists are using such techniques as photo voice, collaborative video, drawings and other visual and arts-based tools as modes of inquiry, as modes of representation and as modes of disseminating findings in social research. The various chapters address methodological, analytical, interpretive, aesthetic, technical and ethical concerns in using visual methodologies in work with young people, teachers, community health care workers -- and even the self-as-researcher. The range of issues addressed in the work is broad, and includes work in the areas of HIV & AIDS, schooling, poverty, gender violence, race, and children's visions for the future. While the studies are situated within a variety of social contexts, the focus is primarily on work in Southern Africa. The book takes up some of the theoretical and practical challenges offered by Visual Sociology, Image- based Research, Media Studies, Rural Development, and Community-based and Participatory Research, and in so doing offers audiences an array of visual approaches to studying and bringing about social change.
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livres
livres
Publication:
mai 2008, Rotterdam
mai 2008, Rotterdam
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$62.50
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Typical architectural photography freezes buildings in an ideal moment and rarely captures what photographer Berenice Abbott called the medium's power to depict "how the past jostled the present." In Beyond the Architect's Eye, Mary N. Woods expands on this range of images through a rich analysis that commingles art, amateur, and documentary photography, genres usually(...)
$62.50
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Typical architectural photography freezes buildings in an ideal moment and rarely captures what photographer Berenice Abbott called the medium's power to depict "how the past jostled the present." In Beyond the Architect's Eye, Mary N. Woods expands on this range of images through a rich analysis that commingles art, amateur, and documentary photography, genres usually(...)
Titre:
Beyond the architect's eye: photographs and the american built environment
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Typical architectural photography freezes buildings in an ideal moment and rarely captures what photographer Berenice Abbott called the medium's power to depict "how the past jostled the present." In Beyond the Architect's Eye, Mary N. Woods expands on this range of images through a rich analysis that commingles art, amateur, and documentary photography, genres usually not considered architectural but that often take the built environment as their subject. Mary N. Woods is Professor of the History of Architecture and Urbanism at Cornell University. She is the author of From Craft to Profession: The Practice of Architecture in Nineteenth-Century America.
Beyond the architect's eye: photographs and the american built environment
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Typical architectural photography freezes buildings in an ideal moment and rarely captures what photographer Berenice Abbott called the medium's power to depict "how the past jostled the present." In Beyond the Architect's Eye, Mary N. Woods expands on this range of images through a rich analysis that commingles art, amateur, and documentary photography, genres usually not considered architectural but that often take the built environment as their subject. Mary N. Woods is Professor of the History of Architecture and Urbanism at Cornell University. She is the author of From Craft to Profession: The Practice of Architecture in Nineteenth-Century America.
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livres
livres
Publication:
septembre 2008, Philadelphia
septembre 2008, Philadelphia
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$25.95
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This publication features the photographic work of 5 New York-based artists : Thomas Holton, Bettina Johae, Reiner leist, Zoe leonard and Ethan Levitas. As a counterpoint to these works, Glenn Ligon offers the literal narrative of his own housing.
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This publication features the photographic work of 5 New York-based artists : Thomas Holton, Bettina Johae, Reiner leist, Zoe leonard and Ethan Levitas. As a counterpoint to these works, Glenn Ligon offers the literal narrative of his own housing.
Titre:
Eminent domain : contemporary photography and the city
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$25.95
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This publication features the photographic work of 5 New York-based artists : Thomas Holton, Bettina Johae, Reiner leist, Zoe leonard and Ethan Levitas. As a counterpoint to these works, Glenn Ligon offers the literal narrative of his own housing.
Eminent domain : contemporary photography and the city
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$25.95
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Résumé:
This publication features the photographic work of 5 New York-based artists : Thomas Holton, Bettina Johae, Reiner leist, Zoe leonard and Ethan Levitas. As a counterpoint to these works, Glenn Ligon offers the literal narrative of his own housing.
Classification:
livres
livres
Publication:
mai 2008
mai 2008
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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$13.00
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"This is a great book-flawed, impossible, infuriating, and moving . . . but he has accomplished in this extraordinary book something finer than mere polemic. En route to his last painful discovery, Barthes takes the reader on an exquisitely rendered, lyrical journey into the heart of his own life and the medium he came to love, a medium that flirts constantly with the(...)
$13.00
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"This is a great book-flawed, impossible, infuriating, and moving . . . but he has accomplished in this extraordinary book something finer than mere polemic. En route to his last painful discovery, Barthes takes the reader on an exquisitely rendered, lyrical journey into the heart of his own life and the medium he came to love, a medium that flirts constantly with the(...)
Titre:
Roland Barthes Camera Lucida Reflections on Photography
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"This is a great book-flawed, impossible, infuriating, and moving . . . but he has accomplished in this extraordinary book something finer than mere polemic. En route to his last painful discovery, Barthes takes the reader on an exquisitely rendered, lyrical journey into the heart of his own life and the medium he came to love, a medium that flirts constantly with the 'intractable reality' of the human condition." Douglas Davis, Newsweek
Roland Barthes Camera Lucida Reflections on Photography
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"This is a great book-flawed, impossible, infuriating, and moving . . . but he has accomplished in this extraordinary book something finer than mere polemic. En route to his last painful discovery, Barthes takes the reader on an exquisitely rendered, lyrical journey into the heart of his own life and the medium he came to love, a medium that flirts constantly with the 'intractable reality' of the human condition." Douglas Davis, Newsweek
Classification:
livres
livres
Publication:
octobre 1980, New York
octobre 1980, New York
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$34.95
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In "Suspended Conversations" Martha Langford shows how photographic albums tell intimate and revealing stories about individuals and families. Unlike those who isolate the individual photograph, treat albums as texts, or argue that photography has supplanted memory, she shows that the photographic album must be taken as a whole and interpreted as a visual and verbal(...)
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Résumé:
In "Suspended Conversations" Martha Langford shows how photographic albums tell intimate and revealing stories about individuals and families. Unlike those who isolate the individual photograph, treat albums as texts, or argue that photography has supplanted memory, she shows that the photographic album must be taken as a whole and interpreted as a visual and verbal(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
avril 2008, Montréal, Kingston, London, Ithaca
avril 2008, Montréal, Kingston, London, Ithaca
Titre:
Suspended conversations : the afterlife of memory in photographic albums
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In "Suspended Conversations" Martha Langford shows how photographic albums tell intimate and revealing stories about individuals and families. Unlike those who isolate the individual photograph, treat albums as texts, or argue that photography has supplanted memory, she shows that the photographic album must be taken as a whole and interpreted as a visual and verbal performance that extends oral consciousness. Albums are treasured by families, collected as illustrations of the past by museums of social history, and examined by scholars for what they can reveal about attitudes and sensibilities. Most agree that albums are stories that come to life in the retelling - but when no one is left to tell the tale, the intrigue of the album becomes a puzzle, a suspended conversation. Langford argues that oral consciousness provides the missing key. By correlating photography and orality she shows how albums were designed to work as performances and how we can unlock their mysteries. "Suspended Conversations" brings to light a collection of photographic travelogues, memoirs, thematic collections, and family sagas compiled between 1860 and 1960 and held by the McCord Museum of Canadian History. Langford not only provides a fascinating glimpse of the preoccupations of previous centuries but brings photography into the great conversation of how we remember and how we send our stories into the future.
Suspended conversations : the afterlife of memory in photographic albums
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Résumé:
In "Suspended Conversations" Martha Langford shows how photographic albums tell intimate and revealing stories about individuals and families. Unlike those who isolate the individual photograph, treat albums as texts, or argue that photography has supplanted memory, she shows that the photographic album must be taken as a whole and interpreted as a visual and verbal performance that extends oral consciousness. Albums are treasured by families, collected as illustrations of the past by museums of social history, and examined by scholars for what they can reveal about attitudes and sensibilities. Most agree that albums are stories that come to life in the retelling - but when no one is left to tell the tale, the intrigue of the album becomes a puzzle, a suspended conversation. Langford argues that oral consciousness provides the missing key. By correlating photography and orality she shows how albums were designed to work as performances and how we can unlock their mysteries. "Suspended Conversations" brings to light a collection of photographic travelogues, memoirs, thematic collections, and family sagas compiled between 1860 and 1960 and held by the McCord Museum of Canadian History. Langford not only provides a fascinating glimpse of the preoccupations of previous centuries but brings photography into the great conversation of how we remember and how we send our stories into the future.
Classification:
livres
livres
Publication:
avril 2008, Montréal, Kingston, London, Ithaca
avril 2008, Montréal, Kingston, London, Ithaca
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$99.95
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This volume includes over 200 publications carefully selected by Martin Parr and the critic and curator Gerry Badger. All the books are accompanied by extensive commentaries by Badger and are illustrated as three-dimensional objects, providing a true sense of them as art works in their own right.
$99.95
(disponible sur commande)
Résumé:
This volume includes over 200 publications carefully selected by Martin Parr and the critic and curator Gerry Badger. All the books are accompanied by extensive commentaries by Badger and are illustrated as three-dimensional objects, providing a true sense of them as art works in their own right.
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
octobre 2006, London
octobre 2006, London
Titre:
The photobook : a history, volume II
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$99.95
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This volume includes over 200 publications carefully selected by Martin Parr and the critic and curator Gerry Badger. All the books are accompanied by extensive commentaries by Badger and are illustrated as three-dimensional objects, providing a true sense of them as art works in their own right.
The photobook : a history, volume II
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$99.95
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Résumé:
This volume includes over 200 publications carefully selected by Martin Parr and the critic and curator Gerry Badger. All the books are accompanied by extensive commentaries by Badger and are illustrated as three-dimensional objects, providing a true sense of them as art works in their own right.
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livres
livres
Publication:
octobre 2006, London
octobre 2006, London
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$39.95
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" Image and inscription " answers the question “ What is photography becoming? ” Through essays and artists’ projects, this edition explores the innovation, drift, rupture and revelation of emerging photo-based art-making.
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" Image and inscription " answers the question “ What is photography becoming? ” Through essays and artists’ projects, this edition explores the innovation, drift, rupture and revelation of emerging photo-based art-making.
Titre:
Image and inscription : an anthology of contemporary Canadian photography
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$39.95
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" Image and inscription " answers the question “ What is photography becoming? ” Through essays and artists’ projects, this edition explores the innovation, drift, rupture and revelation of emerging photo-based art-making.
Image and inscription : an anthology of contemporary Canadian photography
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$39.95
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" Image and inscription " answers the question “ What is photography becoming? ” Through essays and artists’ projects, this edition explores the innovation, drift, rupture and revelation of emerging photo-based art-making.
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livres
livres
Publication:
janvier 1900, Toronto
janvier 1900, Toronto
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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$67.95
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In 'staged' photography the artist takes on the role of a director, creating or staging an image. He or she uses models, props, costumes or lighting, often creating a theatrical quality. This book traces the history of the staged photograph, focusing on such key themes as the artist as actor, art historical imagery, and narratives and allegories. It includes engaging(...)
$67.95
(disponible sur commande)
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In 'staged' photography the artist takes on the role of a director, creating or staging an image. He or she uses models, props, costumes or lighting, often creating a theatrical quality. This book traces the history of the staged photograph, focusing on such key themes as the artist as actor, art historical imagery, and narratives and allegories. It includes engaging(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
mai 2006, Ottawa / London / New York
mai 2006, Ottawa / London / New York
Titre:
Acting the part : photography as theatre
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$67.95
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In 'staged' photography the artist takes on the role of a director, creating or staging an image. He or she uses models, props, costumes or lighting, often creating a theatrical quality. This book traces the history of the staged photograph, focusing on such key themes as the artist as actor, art historical imagery, and narratives and allegories. It includes engaging essays on Victorian tableaux vivants, Surrealism, and iconic photographs from the 1930s and 1940s previously thought to be documentary images but that were in fact staged.
Acting the part : photography as theatre
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$67.95
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Résumé:
In 'staged' photography the artist takes on the role of a director, creating or staging an image. He or she uses models, props, costumes or lighting, often creating a theatrical quality. This book traces the history of the staged photograph, focusing on such key themes as the artist as actor, art historical imagery, and narratives and allegories. It includes engaging essays on Victorian tableaux vivants, Surrealism, and iconic photographs from the 1930s and 1940s previously thought to be documentary images but that were in fact staged.
Classification:
livres
livres
Publication:
mai 2006, Ottawa / London / New York
mai 2006, Ottawa / London / New York
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
The ongoing moment
The ongoing moment
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$35.95
(disponible en magasin)
Résumé:
Seeking to identify their signature styles, Dyer looks at the ways in which such canonical figures as Alfred Stieglitz, Paul Strand, Walker Evans, André Kertész, Edward Weston, Dorothea Lange, Diane Arbus, and William Eggleston, among others, have photographed the same things (barber shops, benches, hands, roads, and signs, for example). In doing so, he constructs a(...)
$35.95
(disponible en magasin)
Résumé:
Seeking to identify their signature styles, Dyer looks at the ways in which such canonical figures as Alfred Stieglitz, Paul Strand, Walker Evans, André Kertész, Edward Weston, Dorothea Lange, Diane Arbus, and William Eggleston, among others, have photographed the same things (barber shops, benches, hands, roads, and signs, for example). In doing so, he constructs a(...)
Titre:
The ongoing moment
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$35.95
(disponible en magasin)
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Seeking to identify their signature styles, Dyer looks at the ways in which such canonical figures as Alfred Stieglitz, Paul Strand, Walker Evans, André Kertész, Edward Weston, Dorothea Lange, Diane Arbus, and William Eggleston, among others, have photographed the same things (barber shops, benches, hands, roads, and signs, for example). In doing so, he constructs a narrative in which these photographers—many of whom never met—constantly encounter one another.
The ongoing moment
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$35.95
(disponible en magasin)
Résumé:
Seeking to identify their signature styles, Dyer looks at the ways in which such canonical figures as Alfred Stieglitz, Paul Strand, Walker Evans, André Kertész, Edward Weston, Dorothea Lange, Diane Arbus, and William Eggleston, among others, have photographed the same things (barber shops, benches, hands, roads, and signs, for example). In doing so, he constructs a narrative in which these photographers—many of whom never met—constantly encounter one another.
Classification:
livres
livres
Publication:
octobre 2005, New York
octobre 2005, New York
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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$100.00
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A truly ambitious, twice yearly photographic magazine featuring a broad range of contributions, which is published with the ambition of promoting discussion and creation of photography, without cultural, geographical or thematic boundaries. This first issue features among 22 contributions: previously unpublished photographs from the archive of Isamu Noguchi; a portfolio(...)
$100.00
(disponible sur commande)
Résumé:
A truly ambitious, twice yearly photographic magazine featuring a broad range of contributions, which is published with the ambition of promoting discussion and creation of photography, without cultural, geographical or thematic boundaries. This first issue features among 22 contributions: previously unpublished photographs from the archive of Isamu Noguchi; a portfolio(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
janvier 2006, London
janvier 2006, London
Titre:
C international photo magazine, number one
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$100.00
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A truly ambitious, twice yearly photographic magazine featuring a broad range of contributions, which is published with the ambition of promoting discussion and creation of photography, without cultural, geographical or thematic boundaries. This first issue features among 22 contributions: previously unpublished photographs from the archive of Isamu Noguchi; a portfolio including works from Ellen Kooi, Wang Qingsong, Kahn + Selesnick, Yasuma Morimura and Marcos López; vintage photographs from Dmitri Baltermants; and fresh images from Wim Wenders.
C international photo magazine, number one
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$100.00
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Résumé:
A truly ambitious, twice yearly photographic magazine featuring a broad range of contributions, which is published with the ambition of promoting discussion and creation of photography, without cultural, geographical or thematic boundaries. This first issue features among 22 contributions: previously unpublished photographs from the archive of Isamu Noguchi; a portfolio including works from Ellen Kooi, Wang Qingsong, Kahn + Selesnick, Yasuma Morimura and Marcos López; vintage photographs from Dmitri Baltermants; and fresh images from Wim Wenders.
Classification:
livres
livres
Publication:
janvier 2006, London
janvier 2006, London
Sujet:
Théorie de la photographie
Théorie de la photographie
