437 Résultats
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Maurice Scheltens has built up a photographic oeuvre based on still life photography. His work is playful and highly personalised, with work ranging from unique pieces, to applied projects and editorial commissions. Rearranged and re-edited for this publication that reproduces each work on full-gloss paper, the photographs here represent a survey of Scheltens’ work(...)
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Maurice Scheltens has built up a photographic oeuvre based on still life photography. His work is playful and highly personalised, with work ranging from unique pieces, to applied projects and editorial commissions. Rearranged and re-edited for this publication that reproduces each work on full-gloss paper, the photographs here represent a survey of Scheltens’ work(...)
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Maurice Scheltens: on display
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Maurice Scheltens has built up a photographic oeuvre based on still life photography. His work is playful and highly personalised, with work ranging from unique pieces, to applied projects and editorial commissions. Rearranged and re-edited for this publication that reproduces each work on full-gloss paper, the photographs here represent a survey of Scheltens’ work produced over the last ten years. Commissions for Vitra, Nike, Fantastic Man and Wallpaper are presented alongside pieces produced for galleries and museums, and accompanied by a short essay.
Maurice Scheltens: on display
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Maurice Scheltens has built up a photographic oeuvre based on still life photography. His work is playful and highly personalised, with work ranging from unique pieces, to applied projects and editorial commissions. Rearranged and re-edited for this publication that reproduces each work on full-gloss paper, the photographs here represent a survey of Scheltens’ work produced over the last ten years. Commissions for Vitra, Nike, Fantastic Man and Wallpaper are presented alongside pieces produced for galleries and museums, and accompanied by a short essay.
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livres
livres
Publication:
juillet 2009
juillet 2009
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
Titre:
Inside out
Inside out
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This publication presents the fruits of a ten year long investigation into the windows found in various psychiatric institutions, hospitals, sanatoriums, first aid camps, concentration camps and juvenile prisons. In so doing, Hiroki Inoue focuses at the same time on the memories of the scenes where tragic events occurred and the physical spaces where people currently(...)
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This publication presents the fruits of a ten year long investigation into the windows found in various psychiatric institutions, hospitals, sanatoriums, first aid camps, concentration camps and juvenile prisons. In so doing, Hiroki Inoue focuses at the same time on the memories of the scenes where tragic events occurred and the physical spaces where people currently(...)
Titre:
Inside out
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This publication presents the fruits of a ten year long investigation into the windows found in various psychiatric institutions, hospitals, sanatoriums, first aid camps, concentration camps and juvenile prisons. In so doing, Hiroki Inoue focuses at the same time on the memories of the scenes where tragic events occurred and the physical spaces where people currently live. The viewer is charmed by the melodious beauty of the monochrome contrast of light and shade that is framed and filtered by the windows while being constantly reminded of the painful confines of institutional space. A total of 60, thought-provoking, colour photographs are presented one to a page or over double spreads and accompanied by a short essay by Reiko Kokatsu.
Inside out
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This publication presents the fruits of a ten year long investigation into the windows found in various psychiatric institutions, hospitals, sanatoriums, first aid camps, concentration camps and juvenile prisons. In so doing, Hiroki Inoue focuses at the same time on the memories of the scenes where tragic events occurred and the physical spaces where people currently live. The viewer is charmed by the melodious beauty of the monochrome contrast of light and shade that is framed and filtered by the windows while being constantly reminded of the painful confines of institutional space. A total of 60, thought-provoking, colour photographs are presented one to a page or over double spreads and accompanied by a short essay by Reiko Kokatsu.
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livres
livres
Publication:
juillet 2009
juillet 2009
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
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Roland Barthes's 1980 book Camera Lucida is perhaps the most influential book ever published on photography. The terms studium and punctum, coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for discussions of photography; Barthes's understanding of photographic time and the relationship he forges between photography(...)
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Roland Barthes's 1980 book Camera Lucida is perhaps the most influential book ever published on photography. The terms studium and punctum, coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for discussions of photography; Barthes's understanding of photographic time and the relationship he forges between photography(...)
Titre:
Photography degree zero, reflections on Roland Barthes's camera lucida
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Roland Barthes's 1980 book Camera Lucida is perhaps the most influential book ever published on photography. The terms studium and punctum, coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for discussions of photography; Barthes's understanding of photographic time and the relationship he forges between photography and death have been invoked countless times in photographic discourse; and the current interest in vernacular photographs and the ubiquity of subjective, even novelistic, ways of writing about photography both owe something to Barthes.
Photography degree zero, reflections on Roland Barthes's camera lucida
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Roland Barthes's 1980 book Camera Lucida is perhaps the most influential book ever published on photography. The terms studium and punctum, coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for discussions of photography; Barthes's understanding of photographic time and the relationship he forges between photography and death have been invoked countless times in photographic discourse; and the current interest in vernacular photographs and the ubiquity of subjective, even novelistic, ways of writing about photography both owe something to Barthes.
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livres
livres
Publication:
octobre 2009
octobre 2009
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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Résumé:
Photography Degree Zero is the first anthology of writings on Roland Barthe's Camera Lucida. It includes essays written soon after Barthes’s book appeared as well as more recent rereadings of it, some previously unpublished. The variety of perspectives included in this publication, and the focus on Camera Lucida in the context of photography rather than literature or(...)
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Résumé:
Photography Degree Zero is the first anthology of writings on Roland Barthe's Camera Lucida. It includes essays written soon after Barthes’s book appeared as well as more recent rereadings of it, some previously unpublished. The variety of perspectives included in this publication, and the focus on Camera Lucida in the context of photography rather than literature or(...)
Titre:
Photography degree zero: reflection on Roland Barthe's Camera Lucida
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Photography Degree Zero is the first anthology of writings on Roland Barthe's Camera Lucida. It includes essays written soon after Barthes’s book appeared as well as more recent rereadings of it, some previously unpublished. The variety of perspectives included in this publication, and the focus on Camera Lucida in the context of photography rather than literature or philosophy, servetoreopen a vital conversation on Barthes’s influential work.
Photography degree zero: reflection on Roland Barthe's Camera Lucida
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Résumé:
Photography Degree Zero is the first anthology of writings on Roland Barthe's Camera Lucida. It includes essays written soon after Barthes’s book appeared as well as more recent rereadings of it, some previously unpublished. The variety of perspectives included in this publication, and the focus on Camera Lucida in the context of photography rather than literature or philosophy, servetoreopen a vital conversation on Barthes’s influential work.
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livres
livres
Publication:
octobre 2011
octobre 2011
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
Titre:
Touching photographs
Touching photographs
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Olin investigates the publication of photographs in mass media and literature, the hanging of exhibitions, the posting of photocopied photographs of lost loved ones in public spaces, and the intense photographic activity of tourists at their destinations. She moves from intimate relationships between viewers and photographs to interactions around larger communities,(...)
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Olin investigates the publication of photographs in mass media and literature, the hanging of exhibitions, the posting of photocopied photographs of lost loved ones in public spaces, and the intense photographic activity of tourists at their destinations. She moves from intimate relationships between viewers and photographs to interactions around larger communities,(...)
Titre:
Touching photographs
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Olin investigates the publication of photographs in mass media and literature, the hanging of exhibitions, the posting of photocopied photographs of lost loved ones in public spaces, and the intense photographic activity of tourists at their destinations. She moves from intimate relationships between viewers and photographs to interactions around larger communities, analyzing how photography affects the way people handle cataclysmic events like 9/11. Along the way, she shows us James VanDerZee’s Harlem funeral portraits, dusts off Roland Barthes’s family album, takes us into Walker Evans and James Agee’s photo-text Let Us Now Praise Famous Men, and logs onto online photo albums. With over one hundred illustrations, Touching Photographs is an insightful contribution to the theory of photography, visual studies, and art history.
Touching photographs
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Olin investigates the publication of photographs in mass media and literature, the hanging of exhibitions, the posting of photocopied photographs of lost loved ones in public spaces, and the intense photographic activity of tourists at their destinations. She moves from intimate relationships between viewers and photographs to interactions around larger communities, analyzing how photography affects the way people handle cataclysmic events like 9/11. Along the way, she shows us James VanDerZee’s Harlem funeral portraits, dusts off Roland Barthes’s family album, takes us into Walker Evans and James Agee’s photo-text Let Us Now Praise Famous Men, and logs onto online photo albums. With over one hundred illustrations, Touching Photographs is an insightful contribution to the theory of photography, visual studies, and art history.
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livres
livres
Publication:
février 2012
février 2012
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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Ever since the landmark publication of Susan Sontag’s On Photography, it has been impossible to look at photographs, particularly those of violence and suffering, without questioning our role as photographic voyeur. Are we desensitized by the proliferation of these images, and does this make it easier to be passive and uninvolved? Or do the images immediately stir our own(...)
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Ever since the landmark publication of Susan Sontag’s On Photography, it has been impossible to look at photographs, particularly those of violence and suffering, without questioning our role as photographic voyeur. Are we desensitized by the proliferation of these images, and does this make it easier to be passive and uninvolved? Or do the images immediately stir our own(...)
Titre:
Picturing atrocity: photography in crisis
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Ever since the landmark publication of Susan Sontag’s On Photography, it has been impossible to look at photographs, particularly those of violence and suffering, without questioning our role as photographic voyeur. Are we desensitized by the proliferation of these images, and does this make it easier to be passive and uninvolved? Or do the images immediately stir our own sense of justice and act as a call to arms? Are we consuming the suffering of others as a form of intrigue? Or is it an act of empathy? To answer these questions, Picturing Atrocity brings together writers and critics on photography today to offer close readings of images that reveal the realities behind the photographs, the subjects, and the photographers. From the massacre of the Sioux Indians at Wounded Knee to the torture of prisoners at Abu Ghraib, from famine in China to apartheid in South Africa, Picturing Atrocity examines a broad spectrum of photographs. Each of the essays focuses specifically on an iconic image, offering a distinct approach and context, in order to enable us to look again—and this time more closely—at the picture. In addition, four photo-essays showcase the work of photographers involved in the making of photographs of brutality as well as the artists’ own reflections on these images.
Picturing atrocity: photography in crisis
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Résumé:
Ever since the landmark publication of Susan Sontag’s On Photography, it has been impossible to look at photographs, particularly those of violence and suffering, without questioning our role as photographic voyeur. Are we desensitized by the proliferation of these images, and does this make it easier to be passive and uninvolved? Or do the images immediately stir our own sense of justice and act as a call to arms? Are we consuming the suffering of others as a form of intrigue? Or is it an act of empathy? To answer these questions, Picturing Atrocity brings together writers and critics on photography today to offer close readings of images that reveal the realities behind the photographs, the subjects, and the photographers. From the massacre of the Sioux Indians at Wounded Knee to the torture of prisoners at Abu Ghraib, from famine in China to apartheid in South Africa, Picturing Atrocity examines a broad spectrum of photographs. Each of the essays focuses specifically on an iconic image, offering a distinct approach and context, in order to enable us to look again—and this time more closely—at the picture. In addition, four photo-essays showcase the work of photographers involved in the making of photographs of brutality as well as the artists’ own reflections on these images.
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livres
livres
Publication:
novembre 2011
novembre 2011
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Photography and Ireland
Photography and Ireland
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Outside of Ireland, ideas of Irish photography center around picturesque tourist views of the emerald green of the Irish landscape and photojournalistic representations of The Troubles. Justin Carville sets out in this publication to change this perception, to give attention instead to depictions of its social transformations, political upheavals, and geographical(...)
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Résumé:
Outside of Ireland, ideas of Irish photography center around picturesque tourist views of the emerald green of the Irish landscape and photojournalistic representations of The Troubles. Justin Carville sets out in this publication to change this perception, to give attention instead to depictions of its social transformations, political upheavals, and geographical(...)
Publication:
novembre 2011
novembre 2011
Titre:
Photography and Ireland
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Outside of Ireland, ideas of Irish photography center around picturesque tourist views of the emerald green of the Irish landscape and photojournalistic representations of The Troubles. Justin Carville sets out in this publication to change this perception, to give attention instead to depictions of its social transformations, political upheavals, and geographical reimaginings as a colony, nation, province, and sovereign state. Photography and Ireland explores the role of the photographic image in the colonial and postcolonial visual cultures of Ireland from the nineteenth century to the present day, and it emphasizes the transnational dimension of photography in Ireland, including foreign photographers who have contributed their images to the cultural imagination.
Photography and Ireland
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Outside of Ireland, ideas of Irish photography center around picturesque tourist views of the emerald green of the Irish landscape and photojournalistic representations of The Troubles. Justin Carville sets out in this publication to change this perception, to give attention instead to depictions of its social transformations, political upheavals, and geographical reimaginings as a colony, nation, province, and sovereign state. Photography and Ireland explores the role of the photographic image in the colonial and postcolonial visual cultures of Ireland from the nineteenth century to the present day, and it emphasizes the transnational dimension of photography in Ireland, including foreign photographers who have contributed their images to the cultural imagination.
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livres
livres
Publication:
novembre 2011
novembre 2011
Classification:
livres
livres
Titre:
Photography and archaelogy
Photography and archaelogy
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Photographs preserve the past, while archaeology unearths what has been preserved. Put together, photography and archaeology bring the past into the present, making its image available for a wide audience. In Photography and Archaeology, Frederick Bohrer examines some of history’s most famous archaeological excavations, as well as lesser-known finds, from the(...)
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Photographs preserve the past, while archaeology unearths what has been preserved. Put together, photography and archaeology bring the past into the present, making its image available for a wide audience. In Photography and Archaeology, Frederick Bohrer examines some of history’s most famous archaeological excavations, as well as lesser-known finds, from the(...)
Titre:
Photography and archaelogy
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Photographs preserve the past, while archaeology unearths what has been preserved. Put together, photography and archaeology bring the past into the present, making its image available for a wide audience. In Photography and Archaeology, Frederick Bohrer examines some of history’s most famous archaeological excavations, as well as lesser-known finds, from the Mediterranean, Middle East, Asia, Europe, and the Americas. Bohrer examines the ways these sites have been represented in photographs and shows how the development of photography in the nineteenth century brought archaeology to the attention of the public.
Photography and archaelogy
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Photographs preserve the past, while archaeology unearths what has been preserved. Put together, photography and archaeology bring the past into the present, making its image available for a wide audience. In Photography and Archaeology, Frederick Bohrer examines some of history’s most famous archaeological excavations, as well as lesser-known finds, from the Mediterranean, Middle East, Asia, Europe, and the Americas. Bohrer examines the ways these sites have been represented in photographs and shows how the development of photography in the nineteenth century brought archaeology to the attention of the public.
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livres
livres
Publication:
novembre 2011
novembre 2011
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
La Tour Eiffel
La Tour Eiffel
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La Tour Eiffel est un livre double qui réunit le texte de Roland Barthes et les photographies d’'André Martin. Symbole de Paris pour le monde entier, ce monument que l’'on voit de partout, nous propose lui-même en retour un regard panoramique pour contempler la ville et en faire la conquête. Édifice longtemps décrié, pleinement et ouvertement inutile, il est d'’abord un(...)
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La Tour Eiffel est un livre double qui réunit le texte de Roland Barthes et les photographies d’'André Martin. Symbole de Paris pour le monde entier, ce monument que l’'on voit de partout, nous propose lui-même en retour un regard panoramique pour contempler la ville et en faire la conquête. Édifice longtemps décrié, pleinement et ouvertement inutile, il est d'’abord un(...)
Publication:
décembre 2011
décembre 2011
Titre:
La Tour Eiffel
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La Tour Eiffel est un livre double qui réunit le texte de Roland Barthes et les photographies d’'André Martin. Symbole de Paris pour le monde entier, ce monument que l’'on voit de partout, nous propose lui-même en retour un regard panoramique pour contempler la ville et en faire la conquête. Édifice longtemps décrié, pleinement et ouvertement inutile, il est d'’abord un objet d’une grande prouesse technique, un signe d'’audace et de modernité qui est devenu au fil du temps une oeuvre artistique, une dentelle de fer, signe de légèreté et, par sa verticalité, de l'’impossible tentative de l'’homme pour atteindre le ciel.
La Tour Eiffel
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La Tour Eiffel est un livre double qui réunit le texte de Roland Barthes et les photographies d’'André Martin. Symbole de Paris pour le monde entier, ce monument que l’'on voit de partout, nous propose lui-même en retour un regard panoramique pour contempler la ville et en faire la conquête. Édifice longtemps décrié, pleinement et ouvertement inutile, il est d'’abord un objet d’une grande prouesse technique, un signe d'’audace et de modernité qui est devenu au fil du temps une oeuvre artistique, une dentelle de fer, signe de légèreté et, par sa verticalité, de l'’impossible tentative de l'’homme pour atteindre le ciel.
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livres
livres
Publication:
décembre 2011
décembre 2011
Classification:
livres
livres
Titre:
Lewis Baltz : texts
Lewis Baltz : texts
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This is the long-awaited compendium of Lewis Baltz's writings from 1975 until 2007, drawn from his critical writing for magazines such as Art in America, the Times Literary Supplement, L'Architecture d'Aujourd'hui, and Purple. The book includes Baltz's texts on Edward Weston, Walker Evans, Robert Adams, Michael Schmidt, Allan Sekuka, Chris Burden, Thomas Ruff, Barry Le(...)
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This is the long-awaited compendium of Lewis Baltz's writings from 1975 until 2007, drawn from his critical writing for magazines such as Art in America, the Times Literary Supplement, L'Architecture d'Aujourd'hui, and Purple. The book includes Baltz's texts on Edward Weston, Walker Evans, Robert Adams, Michael Schmidt, Allan Sekuka, Chris Burden, Thomas Ruff, Barry Le(...)
Titre:
Lewis Baltz : texts
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This is the long-awaited compendium of Lewis Baltz's writings from 1975 until 2007, drawn from his critical writing for magazines such as Art in America, the Times Literary Supplement, L'Architecture d'Aujourd'hui, and Purple. The book includes Baltz's texts on Edward Weston, Walker Evans, Robert Adams, Michael Schmidt, Allan Sekuka, Chris Burden, Thomas Ruff, Barry Le Va, Jeff Wall, Félix González-Torres, John McLaughlin, Slavica Perkovic and Krzysztof Wodiczko, among others. This important publication gives Baltz's literary output the standing it deserves and offers a unique insight into some of history's leading photographers.
Lewis Baltz : texts
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This is the long-awaited compendium of Lewis Baltz's writings from 1975 until 2007, drawn from his critical writing for magazines such as Art in America, the Times Literary Supplement, L'Architecture d'Aujourd'hui, and Purple. The book includes Baltz's texts on Edward Weston, Walker Evans, Robert Adams, Michael Schmidt, Allan Sekuka, Chris Burden, Thomas Ruff, Barry Le Va, Jeff Wall, Félix González-Torres, John McLaughlin, Slavica Perkovic and Krzysztof Wodiczko, among others. This important publication gives Baltz's literary output the standing it deserves and offers a unique insight into some of history's leading photographers.
Classification:
livres
livres
Publication:
mars 2012
mars 2012
Sujet:
Théorie de la photographie
Théorie de la photographie
