442 Résultats
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The intriguing images assembled here by collector and curator Robert Flynn Johnson are all mysterious. By turns poignant, humorous, erotic, and disturbing, their subject is the human condition. Every aspect of human experience—both public and private—is explored. Over 220 photographs showcase the work of photographers whose identities have been lost in time.
$34.95
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Résumé:
The intriguing images assembled here by collector and curator Robert Flynn Johnson are all mysterious. By turns poignant, humorous, erotic, and disturbing, their subject is the human condition. Every aspect of human experience—both public and private—is explored. Over 220 photographs showcase the work of photographers whose identities have been lost in time.
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The face of the lens: Anonymous photographs
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The intriguing images assembled here by collector and curator Robert Flynn Johnson are all mysterious. By turns poignant, humorous, erotic, and disturbing, their subject is the human condition. Every aspect of human experience—both public and private—is explored. Over 220 photographs showcase the work of photographers whose identities have been lost in time.
The face of the lens: Anonymous photographs
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Résumé:
The intriguing images assembled here by collector and curator Robert Flynn Johnson are all mysterious. By turns poignant, humorous, erotic, and disturbing, their subject is the human condition. Every aspect of human experience—both public and private—is explored. Over 220 photographs showcase the work of photographers whose identities have been lost in time.
Classification:
livres
livres
Publication:
avril 2011
avril 2011
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$70.00
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Louis Jacques Mande Daguerre (1787-1851) was a true nineteenth-century visionary - a painter, printmaker, set designer, entrepreneur, inventor, and pioneer of photography. Though he was widely celebrated beyond his own lifetime for his invention of the daguerreotype, it was his origins as a theatrical designer and purveyor of visual entertainment that paved the way for(...)
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Louis Jacques Mande Daguerre (1787-1851) was a true nineteenth-century visionary - a painter, printmaker, set designer, entrepreneur, inventor, and pioneer of photography. Though he was widely celebrated beyond his own lifetime for his invention of the daguerreotype, it was his origins as a theatrical designer and purveyor of visual entertainment that paved the way for(...)
Titre:
Speculating Daguerre : arts & enterprise in the work of L. J. M. Daguerre
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Louis Jacques Mande Daguerre (1787-1851) was a true nineteenth-century visionary - a painter, printmaker, set designer, entrepreneur, inventor, and pioneer of photography. Though he was widely celebrated beyond his own lifetime for his invention of the daguerreotype, it was his origins as a theatrical designer and purveyor of visual entertainment that paved the way for Daguerre's emergence as one of the world's most iconic imagemakers. In "Speculating Daguerre," Stephen C. Pinson reinterprets the story of the man and his time, painting a vivid picture of Daguerre as an innovative artist and savvy impresario whose eventual fame as a photographer eclipsed everything that had come before.
Speculating Daguerre : arts & enterprise in the work of L. J. M. Daguerre
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Louis Jacques Mande Daguerre (1787-1851) was a true nineteenth-century visionary - a painter, printmaker, set designer, entrepreneur, inventor, and pioneer of photography. Though he was widely celebrated beyond his own lifetime for his invention of the daguerreotype, it was his origins as a theatrical designer and purveyor of visual entertainment that paved the way for Daguerre's emergence as one of the world's most iconic imagemakers. In "Speculating Daguerre," Stephen C. Pinson reinterprets the story of the man and his time, painting a vivid picture of Daguerre as an innovative artist and savvy impresario whose eventual fame as a photographer eclipsed everything that had come before.
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livres
livres
Publication:
juin 2011
juin 2011
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livres
livres
Titre:
Photography and death
Photography and death
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The idea of photographing the dead is as old as photography itself. For the most part, early death photographs were commissioned or taken by relatives of the deceased and preserved in the home as part of the family collection. Once thought inappropriate and macabre, today these photographs are considered to have a beneficial role in bereavement therapy. Photography(...)
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The idea of photographing the dead is as old as photography itself. For the most part, early death photographs were commissioned or taken by relatives of the deceased and preserved in the home as part of the family collection. Once thought inappropriate and macabre, today these photographs are considered to have a beneficial role in bereavement therapy. Photography(...)
Titre:
Photography and death
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The idea of photographing the dead is as old as photography itself. For the most part, early death photographs were commissioned or taken by relatives of the deceased and preserved in the home as part of the family collection. Once thought inappropriate and macabre, today these photographs are considered to have a beneficial role in bereavement therapy. Photography and Death reveals the significance of such images, formerly dismissed as disturbing or grotesque, and places them within the context of changing cultural attitudes towards death and loss. Excluding images of death through war, violence, or natural disasters, Audrey Linkman concentrates on photographs of natural deaths within the family. She identifies the range of death-related photographs that have been produced in both Europe and North America since the 1840s and charts changes in their treatment through the decades.
Photography and death
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The idea of photographing the dead is as old as photography itself. For the most part, early death photographs were commissioned or taken by relatives of the deceased and preserved in the home as part of the family collection. Once thought inappropriate and macabre, today these photographs are considered to have a beneficial role in bereavement therapy. Photography and Death reveals the significance of such images, formerly dismissed as disturbing or grotesque, and places them within the context of changing cultural attitudes towards death and loss. Excluding images of death through war, violence, or natural disasters, Audrey Linkman concentrates on photographs of natural deaths within the family. She identifies the range of death-related photographs that have been produced in both Europe and North America since the 1840s and charts changes in their treatment through the decades.
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livres
livres
Publication:
avril 2011
avril 2011
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
Titre:
Photography and anthropology
Photography and anthropology
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In this publication, Christopher Pinney presents an account of the strikingly parallel histories of the two disciplines, as well as a polemical narrative and overview of the use of photography by anthropologists from the 1840s to the present. Through numerous examples from the annals of anthropological photography, this book examines the history of anthropology’s(...)
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In this publication, Christopher Pinney presents an account of the strikingly parallel histories of the two disciplines, as well as a polemical narrative and overview of the use of photography by anthropologists from the 1840s to the present. Through numerous examples from the annals of anthropological photography, this book examines the history of anthropology’s(...)
Titre:
Photography and anthropology
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In this publication, Christopher Pinney presents an account of the strikingly parallel histories of the two disciplines, as well as a polemical narrative and overview of the use of photography by anthropologists from the 1840s to the present. Through numerous examples from the annals of anthropological photography, this book examines the history of anthropology’s enchantment with photography alongside the anthropological theory of photography and documentation.
Photography and anthropology
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In this publication, Christopher Pinney presents an account of the strikingly parallel histories of the two disciplines, as well as a polemical narrative and overview of the use of photography by anthropologists from the 1840s to the present. Through numerous examples from the annals of anthropological photography, this book examines the history of anthropology’s enchantment with photography alongside the anthropological theory of photography and documentation.
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livres
livres
Publication:
avril 2011
avril 2011
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$28.95
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Unmapping the City, the first title in the new Intellect series Critical Photography, features photographs shot between 2004 and 2008 in different cities around the world. The images are linked by their shared attempts to define a two-dimensional approach to a three-dimensional built reality, and to address spatial representation, ritual, and urbanity through art. In(...)
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Unmapping the City, the first title in the new Intellect series Critical Photography, features photographs shot between 2004 and 2008 in different cities around the world. The images are linked by their shared attempts to define a two-dimensional approach to a three-dimensional built reality, and to address spatial representation, ritual, and urbanity through art. In(...)
Titre:
Unmapping the city: Perspectives of flatness
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Unmapping the City, the first title in the new Intellect series Critical Photography, features photographs shot between 2004 and 2008 in different cities around the world. The images are linked by their shared attempts to define a two-dimensional approach to a three-dimensional built reality, and to address spatial representation, ritual, and urbanity through art. In representing the cityscape through a flat texture of lines and bold colors, the reader is drawn into a conversation about the interplay between reality and its representation. This volume challenges and expands the critical discourse on photography and text and will be of interest to artists, curators, photographers, architects, and critical theorists.
Unmapping the city: Perspectives of flatness
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Unmapping the City, the first title in the new Intellect series Critical Photography, features photographs shot between 2004 and 2008 in different cities around the world. The images are linked by their shared attempts to define a two-dimensional approach to a three-dimensional built reality, and to address spatial representation, ritual, and urbanity through art. In representing the cityscape through a flat texture of lines and bold colors, the reader is drawn into a conversation about the interplay between reality and its representation. This volume challenges and expands the critical discourse on photography and text and will be of interest to artists, curators, photographers, architects, and critical theorists.
Classification:
livres
livres
Publication:
juin 2010
juin 2010
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$56.95
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Since the rise of the photographic medium in the late 19th century, people have been fascinated by the camera’s ability to record striking moments both public and private. Photography has long served to capture not only the posed portrait but also the personal, the intimate, the unexpected, and the taboo. This fascinating book examines the ways in which acts of voyeurism(...)
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Résumé:
Since the rise of the photographic medium in the late 19th century, people have been fascinated by the camera’s ability to record striking moments both public and private. Photography has long served to capture not only the posed portrait but also the personal, the intimate, the unexpected, and the taboo. This fascinating book examines the ways in which acts of voyeurism(...)
Titre:
Exposed: voyeurism, surveillance, and the camera since 1870
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Since the rise of the photographic medium in the late 19th century, people have been fascinated by the camera’s ability to record striking moments both public and private. Photography has long served to capture not only the posed portrait but also the personal, the intimate, the unexpected, and the taboo. This fascinating book examines the ways in which acts of voyeurism and surveillance have inspired, challenged, and expanded the medium of photography throughout its evolution. Featuring photography by Sophie Calle, Henri Cartier-Bresson, Walker Evans, Harun Farocki, Nan Goldin, Robert Mapplethorpe, Helmut Newton, Andy Warhol, and Weegee, among others, Exposed chronicles the artistic, political, and even moral dilemmas that underlie some of these artists’ best known works.
Exposed: voyeurism, surveillance, and the camera since 1870
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Since the rise of the photographic medium in the late 19th century, people have been fascinated by the camera’s ability to record striking moments both public and private. Photography has long served to capture not only the posed portrait but also the personal, the intimate, the unexpected, and the taboo. This fascinating book examines the ways in which acts of voyeurism and surveillance have inspired, challenged, and expanded the medium of photography throughout its evolution. Featuring photography by Sophie Calle, Henri Cartier-Bresson, Walker Evans, Harun Farocki, Nan Goldin, Robert Mapplethorpe, Helmut Newton, Andy Warhol, and Weegee, among others, Exposed chronicles the artistic, political, and even moral dilemmas that underlie some of these artists’ best known works.
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livres
livres
Publication:
juin 2010
juin 2010
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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This in-depth look at six postwar photographers, alongwith a selection of their predecessors and contemporaries, captures a unique and pivotal moment in American photographic history. World War II and its aftermath ushered in a new era of artistic expression. Abstract Expressionism, film noir, Beat poetry, and the New Journalism are often considered responses to war's(...)
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This in-depth look at six postwar photographers, alongwith a selection of their predecessors and contemporaries, captures a unique and pivotal moment in American photographic history. World War II and its aftermath ushered in a new era of artistic expression. Abstract Expressionism, film noir, Beat poetry, and the New Journalism are often considered responses to war's(...)
Titre:
Street seen: the psychological gesture in American photography, 1940-1959
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This in-depth look at six postwar photographers, alongwith a selection of their predecessors and contemporaries, captures a unique and pivotal moment in American photographic history. World War II and its aftermath ushered in a new era of artistic expression. Abstract Expressionism, film noir, Beat poetry, and the New Journalism are often considered responses to war's shocking realities. Creative photographers responded to the same situation with images that broke the rules of conventional photographic technique. This publication, a companion volume to an exhibition, highlights six photographers who were prominent during and immediately following the war. Lisette Model's unflinching look at the urban environment; Louis Faurer's portraits of eccentrics in Times Square; Ted Croner's haunting night images; Saul Leiter's evocative glimpses of daily life; William Klein's graphic, confrontational style; and Robert Frank's documentation of American ideals gone awry-these and other beautifully reproduced photographs communicate the emotional resonance of everyday life in postwar America.
Street seen: the psychological gesture in American photography, 1940-1959
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Résumé:
This in-depth look at six postwar photographers, alongwith a selection of their predecessors and contemporaries, captures a unique and pivotal moment in American photographic history. World War II and its aftermath ushered in a new era of artistic expression. Abstract Expressionism, film noir, Beat poetry, and the New Journalism are often considered responses to war's shocking realities. Creative photographers responded to the same situation with images that broke the rules of conventional photographic technique. This publication, a companion volume to an exhibition, highlights six photographers who were prominent during and immediately following the war. Lisette Model's unflinching look at the urban environment; Louis Faurer's portraits of eccentrics in Times Square; Ted Croner's haunting night images; Saul Leiter's evocative glimpses of daily life; William Klein's graphic, confrontational style; and Robert Frank's documentation of American ideals gone awry-these and other beautifully reproduced photographs communicate the emotional resonance of everyday life in postwar America.
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livres
livres
Publication:
février 2010
février 2010
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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Cette somme rassemble un choix de textes parus et inédits, fruit de trente années de recherche sur l'art du dix-neuvième siècle à nos jours. L'art moderne a renouvelé les modes de perception, les définitions et les hiérarchies, le vocabulaire et la syntaxe des formes ; depuis l'invention de la photographie, premier procédé d'enregistrement, il n'a cessé de se réinventer,(...)
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Cette somme rassemble un choix de textes parus et inédits, fruit de trente années de recherche sur l'art du dix-neuvième siècle à nos jours. L'art moderne a renouvelé les modes de perception, les définitions et les hiérarchies, le vocabulaire et la syntaxe des formes ; depuis l'invention de la photographie, premier procédé d'enregistrement, il n'a cessé de se réinventer,(...)
Titre:
Walker Evans dans le temps et dans l'histoire
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Cette somme rassemble un choix de textes parus et inédits, fruit de trente années de recherche sur l'art du dix-neuvième siècle à nos jours. L'art moderne a renouvelé les modes de perception, les définitions et les hiérarchies, le vocabulaire et la syntaxe des formes ; depuis l'invention de la photographie, premier procédé d'enregistrement, il n'a cessé de se réinventer, entre oeuvre et activité.
Walker Evans dans le temps et dans l'histoire
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Cette somme rassemble un choix de textes parus et inédits, fruit de trente années de recherche sur l'art du dix-neuvième siècle à nos jours. L'art moderne a renouvelé les modes de perception, les définitions et les hiérarchies, le vocabulaire et la syntaxe des formes ; depuis l'invention de la photographie, premier procédé d'enregistrement, il n'a cessé de se réinventer, entre oeuvre et activité.
Classification:
livres
livres
Publication:
juin 2010
juin 2010
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Prix:
$39.95
(disponible sur commande)
Résumé:
Cette somme rassemble un choix de textes parus et inédits, fruit de trente années de recherche sur l'art du dix-neuvième siècle à nos jours. L'art moderne a renouvelé les modes de perception, les définitions et les hiérarchies, le vocabulaire et la syntaxe des formes ; depuis l'invention de la photographie, premier procédé d'enregistrement, il n'a cessé de se réinventer,(...)
$39.95
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Résumé:
Cette somme rassemble un choix de textes parus et inédits, fruit de trente années de recherche sur l'art du dix-neuvième siècle à nos jours. L'art moderne a renouvelé les modes de perception, les définitions et les hiérarchies, le vocabulaire et la syntaxe des formes ; depuis l'invention de la photographie, premier procédé d'enregistrement, il n'a cessé de se réinventer,(...)
Titre:
Entre les beaux-arts et les médias: photographie et art moderne
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Cette somme rassemble un choix de textes parus et inédits, fruit de trente années de recherche sur l'art du dix-neuvième siècle à nos jours. L'art moderne a renouvelé les modes de perception, les définitions et les hiérarchies, le vocabulaire et la syntaxe des formes ; depuis l'invention de la photographie, premier procédé d'enregistrement, il n'a cessé de se réinventer, entre oeuvre et activité.
Entre les beaux-arts et les médias: photographie et art moderne
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Cette somme rassemble un choix de textes parus et inédits, fruit de trente années de recherche sur l'art du dix-neuvième siècle à nos jours. L'art moderne a renouvelé les modes de perception, les définitions et les hiérarchies, le vocabulaire et la syntaxe des formes ; depuis l'invention de la photographie, premier procédé d'enregistrement, il n'a cessé de se réinventer, entre oeuvre et activité.
Classification:
livres
livres
Publication:
juin 2010
juin 2010
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Athens, still remains
Athens, still remains
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Athens, Still Remains is an extended commentary on a series of photographs of contemporary Athens by the French photographer Jean-François Bonhomme. First published in French and Greek in 1996, Athens, Still Remains is Derrida’s most sustained analysis of the photographic medium in relationship to the history of philosophy and his most personal reflection on that medium.(...)
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Athens, Still Remains is an extended commentary on a series of photographs of contemporary Athens by the French photographer Jean-François Bonhomme. First published in French and Greek in 1996, Athens, Still Remains is Derrida’s most sustained analysis of the photographic medium in relationship to the history of philosophy and his most personal reflection on that medium.(...)
Titre:
Athens, still remains
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Athens, Still Remains is an extended commentary on a series of photographs of contemporary Athens by the French photographer Jean-François Bonhomme. First published in French and Greek in 1996, Athens, Still Remains is Derrida’s most sustained analysis of the photographic medium in relationship to the history of philosophy and his most personal reflection on that medium. At once photographic analysis, philosophical essay, and autobiographical narrative, this book presents an original theory of photography and throws a fascinating light on Derrida’s life and work.
Athens, still remains
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Athens, Still Remains is an extended commentary on a series of photographs of contemporary Athens by the French photographer Jean-François Bonhomme. First published in French and Greek in 1996, Athens, Still Remains is Derrida’s most sustained analysis of the photographic medium in relationship to the history of philosophy and his most personal reflection on that medium. At once photographic analysis, philosophical essay, and autobiographical narrative, this book presents an original theory of photography and throws a fascinating light on Derrida’s life and work.
Classification:
livres
livres
Publication:
décembre 2009
décembre 2009
Sujet:
Théorie de la photographie
Théorie de la photographie
