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In "Faking Death", Penny Cousineau-Levine presents Canadian art photography since 1952 as a coherent body of work and articulates a provocative framework for its interpretation. Contrasting Canadian photography with American and European traditions, she shows that Canadian photographers are often preoccupied with a place that is "elsewhere," a doubling and a duality that(...)
Théorie de la photographie
janvier 1900, Montreal and Kingston
Faking death : Canadian art photography and the Canadian imagination
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In "Faking Death", Penny Cousineau-Levine presents Canadian art photography since 1952 as a coherent body of work and articulates a provocative framework for its interpretation. Contrasting Canadian photography with American and European traditions, she shows that Canadian photographers are often preoccupied with a place that is "elsewhere," a doubling and a duality that also occur in Canadian literature, film, and political life. Exploring the ambivalent preoccupations Canadian photographers have with death and dying, bondage and entrapment, she argues that the forms of death depicted in the works are 'faked' and express a collective Canadian wish for a symbolic passage to national maturity. Penny Cousineau-Levine discusses the works of over 120 artists. The book includes 16 colour reproductions and 150 duotones of photographs by artists such as Raymonde April, Geneviève Cadieux, Lynne Cohen, Donigan Cumming, Evergon, Janieta Eyre, Charles Gagnon, Thaddeus Holownia, Geoffrey James, Michel Lambeth, Ken Lum, Shelley Niro, Gabor Szilasi, Diana Thorneycroft, Jeff Wall, Ian Wallace, and Jin-me Yoon.
Théorie de la photographie
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L'auteur vous invite à explorer les limites et les avancées des cinquante premières années en photographie et montre aussi comment certains des plus grands photographes de l'époque entendentla faire reconnaître comme un art.
L'image révélée : l'invention de la photographie
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L'auteur vous invite à explorer les limites et les avancées des cinquante premières années en photographie et montre aussi comment certains des plus grands photographes de l'époque entendentla faire reconnaître comme un art.
Théorie de la photographie
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Based on decades of research, this book chronicles Baker and Burke's early days in Peshawar and their move to Muree, the Himalayan hill station on the border of Kashmir. It follows their documenting of the Afghan Wars, some of the earliest war photography, and their return to the plains of Lahore, where they continued to photograph the region’s people and landscape.
From Kashmir to Kabul : the photographs of John Burke and William Baker 1860-1900
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Based on decades of research, this book chronicles Baker and Burke's early days in Peshawar and their move to Muree, the Himalayan hill station on the border of Kashmir. It follows their documenting of the Afghan Wars, some of the earliest war photography, and their return to the plains of Lahore, where they continued to photograph the region’s people and landscape.
Théorie de la photographie
livres
Sur l'art et la photographie
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Trois essais du célèbre philosophe sont regroupés dans ce livre : L'oeuvre d'art à l'époque de sa reproductibilité technique (1936), "Du nouveau sur les fleurs" (1928) ainsi que "Peinture et photographie" (1936).
Sur l'art et la photographie
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Trois essais du célèbre philosophe sont regroupés dans ce livre : L'oeuvre d'art à l'époque de sa reproductibilité technique (1936), "Du nouveau sur les fleurs" (1928) ainsi que "Peinture et photographie" (1936).
livres
mai 1997, Paris
Théorie de la photographie
livres
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Second edition, revised and expanded. Introduction by Shelley Rice.
Light readings : a photography critic's writings, 1968-1978
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Second edition, revised and expanded. Introduction by Shelley Rice.
livres
septembre 1998, Albuquerque
Théorie de la photographie
livres
Beauty in photography
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The eight essays in Beauty in Photography provide a critical appreciation of photography by one of its foremost proponents. The result is a rare book of criticism, alive to the pleasure and mysteries of true exploration.
Beauty in photography
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The eight essays in Beauty in Photography provide a critical appreciation of photography by one of its foremost proponents. The result is a rare book of criticism, alive to the pleasure and mysteries of true exploration.
livres
avril 1996
Théorie de la photographie
livres
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Catalogue from the exhibition at the RIBA, London.
Photography takes command : the camera and British architecture 1890-1939
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Catalogue from the exhibition at the RIBA, London.
livres
janvier 1994, London
Théorie de la photographie
livres
$36.50
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In this book, Geoffrey Batchen analyzes the desire to photograph as it emerged within the philosophical and scientific milieus that preceded the actual invention of photography.
Burning with desire : the conception of photography
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In this book, Geoffrey Batchen analyzes the desire to photograph as it emerged within the philosophical and scientific milieus that preceded the actual invention of photography.
livres
mars 1999, Cambridge, Mass.
Théorie de la photographie
livres
$50.00
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Originally published in 1973, this 1999 reissue, with new duotone separations using the latest technology, brings this remarkable book back to a new generation.
Looking at photographs : 100 pictures from the collection of the Museum of Modern Art
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Originally published in 1973, this 1999 reissue, with new duotone separations using the latest technology, brings this remarkable book back to a new generation.
livres
septembre 1999, New York
Théorie de la photographie
livres
Parisian views
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In "Parisian Views" Shelley Rice explores both the literal and methaphorical connections between photography and the transformation of Paris by Baron Haussman during the Second Empire (1852-1870). The book presents a series of essays revolving around a central theme: the creation of modern urban space. It is illustrated with photographs from the period by Charles(...)
Parisian views
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In "Parisian Views" Shelley Rice explores both the literal and methaphorical connections between photography and the transformation of Paris by Baron Haussman during the Second Empire (1852-1870). The book presents a series of essays revolving around a central theme: the creation of modern urban space. It is illustrated with photographs from the period by Charles Marville, Henri Le Secq, Edouard-Denis Baldus, and Gustave Le Gray. Also available in pb.
livres
novembre 1997, Cambridge, Mass.
Théorie de la photographie