452 Résultats
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This book collects writer-photographer Nicholas Muellner’s textual and visual essays created between 2009 and 2019. Intertwining memoir, reportage, fiction and theory, he asks: what is existentially at stake today in the making and viewing of photographs? In a time when nearly everyone has become a photographer, Muellner explores how images have become a means through(...)
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This book collects writer-photographer Nicholas Muellner’s textual and visual essays created between 2009 and 2019. Intertwining memoir, reportage, fiction and theory, he asks: what is existentially at stake today in the making and viewing of photographs? In a time when nearly everyone has become a photographer, Muellner explores how images have become a means through(...)
Titre:
Lacuna Park: Essays and other adventures in photography by Nicholas Muellner
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This book collects writer-photographer Nicholas Muellner’s textual and visual essays created between 2009 and 2019. Intertwining memoir, reportage, fiction and theory, he asks: what is existentially at stake today in the making and viewing of photographs? In a time when nearly everyone has become a photographer, Muellner explores how images have become a means through which we control and care and lose and desire, and most of all, adapt and compensate, forget, remember, and keep going.
Lacuna Park: Essays and other adventures in photography by Nicholas Muellner
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This book collects writer-photographer Nicholas Muellner’s textual and visual essays created between 2009 and 2019. Intertwining memoir, reportage, fiction and theory, he asks: what is existentially at stake today in the making and viewing of photographs? In a time when nearly everyone has become a photographer, Muellner explores how images have become a means through which we control and care and lose and desire, and most of all, adapt and compensate, forget, remember, and keep going.
Classification:
livres
livres
Publication:
septembre 2019
septembre 2019
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
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$66.95
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Maurice Scheltens has built up a photographic oeuvre based on still life photography. His work is playful and highly personalised, with work ranging from unique pieces, to applied projects and editorial commissions. Rearranged and re-edited for this publication that reproduces each work on full-gloss paper, the photographs here represent a survey of Scheltens’ work(...)
$66.95
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Maurice Scheltens has built up a photographic oeuvre based on still life photography. His work is playful and highly personalised, with work ranging from unique pieces, to applied projects and editorial commissions. Rearranged and re-edited for this publication that reproduces each work on full-gloss paper, the photographs here represent a survey of Scheltens’ work(...)
Titre:
Maurice Scheltens: on display
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Maurice Scheltens has built up a photographic oeuvre based on still life photography. His work is playful and highly personalised, with work ranging from unique pieces, to applied projects and editorial commissions. Rearranged and re-edited for this publication that reproduces each work on full-gloss paper, the photographs here represent a survey of Scheltens’ work produced over the last ten years. Commissions for Vitra, Nike, Fantastic Man and Wallpaper are presented alongside pieces produced for galleries and museums, and accompanied by a short essay.
Maurice Scheltens: on display
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Maurice Scheltens has built up a photographic oeuvre based on still life photography. His work is playful and highly personalised, with work ranging from unique pieces, to applied projects and editorial commissions. Rearranged and re-edited for this publication that reproduces each work on full-gloss paper, the photographs here represent a survey of Scheltens’ work produced over the last ten years. Commissions for Vitra, Nike, Fantastic Man and Wallpaper are presented alongside pieces produced for galleries and museums, and accompanied by a short essay.
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livres
livres
Publication:
juillet 2009
juillet 2009
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
Titre:
Inside out
Inside out
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This publication presents the fruits of a ten year long investigation into the windows found in various psychiatric institutions, hospitals, sanatoriums, first aid camps, concentration camps and juvenile prisons. In so doing, Hiroki Inoue focuses at the same time on the memories of the scenes where tragic events occurred and the physical spaces where people currently(...)
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This publication presents the fruits of a ten year long investigation into the windows found in various psychiatric institutions, hospitals, sanatoriums, first aid camps, concentration camps and juvenile prisons. In so doing, Hiroki Inoue focuses at the same time on the memories of the scenes where tragic events occurred and the physical spaces where people currently(...)
Titre:
Inside out
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This publication presents the fruits of a ten year long investigation into the windows found in various psychiatric institutions, hospitals, sanatoriums, first aid camps, concentration camps and juvenile prisons. In so doing, Hiroki Inoue focuses at the same time on the memories of the scenes where tragic events occurred and the physical spaces where people currently live. The viewer is charmed by the melodious beauty of the monochrome contrast of light and shade that is framed and filtered by the windows while being constantly reminded of the painful confines of institutional space. A total of 60, thought-provoking, colour photographs are presented one to a page or over double spreads and accompanied by a short essay by Reiko Kokatsu.
Inside out
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This publication presents the fruits of a ten year long investigation into the windows found in various psychiatric institutions, hospitals, sanatoriums, first aid camps, concentration camps and juvenile prisons. In so doing, Hiroki Inoue focuses at the same time on the memories of the scenes where tragic events occurred and the physical spaces where people currently live. The viewer is charmed by the melodious beauty of the monochrome contrast of light and shade that is framed and filtered by the windows while being constantly reminded of the painful confines of institutional space. A total of 60, thought-provoking, colour photographs are presented one to a page or over double spreads and accompanied by a short essay by Reiko Kokatsu.
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livres
livres
Publication:
juillet 2009
juillet 2009
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
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Roland Barthes's 1980 book Camera Lucida is perhaps the most influential book ever published on photography. The terms studium and punctum, coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for discussions of photography; Barthes's understanding of photographic time and the relationship he forges between photography(...)
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Résumé:
Roland Barthes's 1980 book Camera Lucida is perhaps the most influential book ever published on photography. The terms studium and punctum, coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for discussions of photography; Barthes's understanding of photographic time and the relationship he forges between photography(...)
Titre:
Photography degree zero, reflections on Roland Barthes's camera lucida
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Roland Barthes's 1980 book Camera Lucida is perhaps the most influential book ever published on photography. The terms studium and punctum, coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for discussions of photography; Barthes's understanding of photographic time and the relationship he forges between photography and death have been invoked countless times in photographic discourse; and the current interest in vernacular photographs and the ubiquity of subjective, even novelistic, ways of writing about photography both owe something to Barthes.
Photography degree zero, reflections on Roland Barthes's camera lucida
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Roland Barthes's 1980 book Camera Lucida is perhaps the most influential book ever published on photography. The terms studium and punctum, coined by Barthes for two different ways of responding to photographs, are part of the standard lexicon for discussions of photography; Barthes's understanding of photographic time and the relationship he forges between photography and death have been invoked countless times in photographic discourse; and the current interest in vernacular photographs and the ubiquity of subjective, even novelistic, ways of writing about photography both owe something to Barthes.
Classification:
livres
livres
Publication:
octobre 2009
octobre 2009
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$10.00
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Sous la direction de Gaëlle Morel, la publication du Mois de la Photo à Montréal 2009, intitulée Les Espaces de l’image, regroupera les contributions inédites d’historiens de l’art et de critiques intéressés par la question des enjeux scénographiques. Seront ainsi abordées l’histoire de la projection comme procédé installatif et l’histoire des expositions de photographie(...)
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Sous la direction de Gaëlle Morel, la publication du Mois de la Photo à Montréal 2009, intitulée Les Espaces de l’image, regroupera les contributions inédites d’historiens de l’art et de critiques intéressés par la question des enjeux scénographiques. Seront ainsi abordées l’histoire de la projection comme procédé installatif et l’histoire des expositions de photographie(...)
Publication:
août 2009
août 2009
Titre:
Les espaces de l'image, Mois de la photo à Montréal 2009,
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Sous la direction de Gaëlle Morel, la publication du Mois de la Photo à Montréal 2009, intitulée Les Espaces de l’image, regroupera les contributions inédites d’historiens de l’art et de critiques intéressés par la question des enjeux scénographiques. Seront ainsi abordées l’histoire de la projection comme procédé installatif et l’histoire des expositions de photographie montrant la richesse des solutions spatiales envisagées au XXe siècle.
Les espaces de l'image, Mois de la photo à Montréal 2009,
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Résumé:
Sous la direction de Gaëlle Morel, la publication du Mois de la Photo à Montréal 2009, intitulée Les Espaces de l’image, regroupera les contributions inédites d’historiens de l’art et de critiques intéressés par la question des enjeux scénographiques. Seront ainsi abordées l’histoire de la projection comme procédé installatif et l’histoire des expositions de photographie montrant la richesse des solutions spatiales envisagées au XXe siècle.
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livres
livres
Publication:
août 2009
août 2009
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livres
livres
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Spanning from the 1970s until today, this monograph traces the development of the Chilean-born, New York-based conceptualist--from his earliest public interventions to his latest installations. Working with public interventions, installations, photography and video, Jaar examines the nature of images and their viewers' relationships to them. His work tackles the very(...)
$54.00
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Résumé:
Spanning from the 1970s until today, this monograph traces the development of the Chilean-born, New York-based conceptualist--from his earliest public interventions to his latest installations. Working with public interventions, installations, photography and video, Jaar examines the nature of images and their viewers' relationships to them. His work tackles the very(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
septembre 2009
septembre 2009
Titre:
Alfredo Jaar: la politique des images
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Spanning from the 1970s until today, this monograph traces the development of the Chilean-born, New York-based conceptualist--from his earliest public interventions to his latest installations. Working with public interventions, installations, photography and video, Jaar examines the nature of images and their viewers' relationships to them. His work tackles the very possibility of producing art based on events that we would prefer to ignore, and of creating images in a context characterized both by their over-abundance and, paradoxically, by their invisibility.
Alfredo Jaar: la politique des images
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Spanning from the 1970s until today, this monograph traces the development of the Chilean-born, New York-based conceptualist--from his earliest public interventions to his latest installations. Working with public interventions, installations, photography and video, Jaar examines the nature of images and their viewers' relationships to them. His work tackles the very possibility of producing art based on events that we would prefer to ignore, and of creating images in a context characterized both by their over-abundance and, paradoxically, by their invisibility.
Classification:
livres
livres
Publication:
septembre 2009
septembre 2009
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
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$28.95
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Un recueil d'articles consacrés aux rapports entre photographie, art, vie et perception modernes. Marc-Emmanuel Mélon : Baudelaire, la photographie, la modernité : discordances paradoxales. Stephanie Diekmann : A Modern Apparition ? Some Notes on Spirit Photography. Carl Havelange : Une entrée dans la modernité. Portrait photographique et expérience de soi(...)
$28.95
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Un recueil d'articles consacrés aux rapports entre photographie, art, vie et perception modernes. Marc-Emmanuel Mélon : Baudelaire, la photographie, la modernité : discordances paradoxales. Stephanie Diekmann : A Modern Apparition ? Some Notes on Spirit Photography. Carl Havelange : Une entrée dans la modernité. Portrait photographique et expérience de soi(...)
Titre:
Photographie moderne / modernité photographique
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Un recueil d'articles consacrés aux rapports entre photographie, art, vie et perception modernes. Marc-Emmanuel Mélon : Baudelaire, la photographie, la modernité : discordances paradoxales. Stephanie Diekmann : A Modern Apparition ? Some Notes on Spirit Photography. Carl Havelange : Une entrée dans la modernité. Portrait photographique et expérience de soi au XIXe siècle. Michel Poivert : Pictorialisme et antimodernité. Danielle Leenaerts, Laszlo Moholy-Nagy, « Peinture, photographie, film » (1925) : la valorisation de la technique comme déclencheur de l’exigence moderniste et sa mise en perspective avec la pensée de Bernard Stiegler. Nathalie Boulouch : La photographie couleur est-elle moderne ? Hilde van Gelder : Photography after Modernism. Victor Burgin : Modernism in the work of art.
Photographie moderne / modernité photographique
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Un recueil d'articles consacrés aux rapports entre photographie, art, vie et perception modernes. Marc-Emmanuel Mélon : Baudelaire, la photographie, la modernité : discordances paradoxales. Stephanie Diekmann : A Modern Apparition ? Some Notes on Spirit Photography. Carl Havelange : Une entrée dans la modernité. Portrait photographique et expérience de soi au XIXe siècle. Michel Poivert : Pictorialisme et antimodernité. Danielle Leenaerts, Laszlo Moholy-Nagy, « Peinture, photographie, film » (1925) : la valorisation de la technique comme déclencheur de l’exigence moderniste et sa mise en perspective avec la pensée de Bernard Stiegler. Nathalie Boulouch : La photographie couleur est-elle moderne ? Hilde van Gelder : Photography after Modernism. Victor Burgin : Modernism in the work of art.
Classification:
livres
livres
Publication:
octobre 2009
octobre 2009
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
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$90.00
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Dyer takes the viewer/reader on a wildly original journey through both iconic and unseen images from the archive, including eighteen previously unpublished color photographs. The book encompasses most of Winogrand’s themes and subjects and remains broadly faithful to the chronological and geographical facts of his life, but Dyer’s responses to the photographs are(...)
$90.00
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Dyer takes the viewer/reader on a wildly original journey through both iconic and unseen images from the archive, including eighteen previously unpublished color photographs. The book encompasses most of Winogrand’s themes and subjects and remains broadly faithful to the chronological and geographical facts of his life, but Dyer’s responses to the photographs are(...)
Titre:
The street philosophy of Garry Winogrand
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Dyer takes the viewer/reader on a wildly original journey through both iconic and unseen images from the archive, including eighteen previously unpublished color photographs. The book encompasses most of Winogrand’s themes and subjects and remains broadly faithful to the chronological and geographical facts of his life, but Dyer’s responses to the photographs are unorthodox, eye-opening, and often hilarious. This inimitable combination of photographer and writer, images and text, itself offers what Dyer claims for Winogrand’s photography—an education in seeing.
The street philosophy of Garry Winogrand
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Dyer takes the viewer/reader on a wildly original journey through both iconic and unseen images from the archive, including eighteen previously unpublished color photographs. The book encompasses most of Winogrand’s themes and subjects and remains broadly faithful to the chronological and geographical facts of his life, but Dyer’s responses to the photographs are unorthodox, eye-opening, and often hilarious. This inimitable combination of photographer and writer, images and text, itself offers what Dyer claims for Winogrand’s photography—an education in seeing.
Classification:
livres
livres
Publication:
mars 2018
mars 2018
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
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$32.50
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Victor Burgin is one of the most influential artists and writers working today. He came to prominence as a key ?gure in the Conceptual Art of the late 1960s. After turning to photography in his artistic practice he produced a series of groundbreaking theoretical essays that drew on semiotics, psychoanalysis and feminism in order to think through the ideological role of(...)
$32.50
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Victor Burgin is one of the most influential artists and writers working today. He came to prominence as a key ?gure in the Conceptual Art of the late 1960s. After turning to photography in his artistic practice he produced a series of groundbreaking theoretical essays that drew on semiotics, psychoanalysis and feminism in order to think through the ideological role of(...)
Titre:
The Camera: essence and apparatus
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Victor Burgin is one of the most influential artists and writers working today. He came to prominence as a key ?gure in the Conceptual Art of the late 1960s. After turning to photography in his artistic practice he produced a series of groundbreaking theoretical essays that drew on semiotics, psychoanalysis and feminism in order to think through the ideological role of photographs in the production of beliefs and values, and in the understanding of memory, history, subjectivity and space. This collection brings together for the ?rst time Victor Burgin’s writings related speci?cally to the camera, following the shifts and nuances in his thinking over nearly ?ve decades. Moreover, it allows us to chart the evolution of what the camera was and is, and how its affects are to be understood.
The Camera: essence and apparatus
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Victor Burgin is one of the most influential artists and writers working today. He came to prominence as a key ?gure in the Conceptual Art of the late 1960s. After turning to photography in his artistic practice he produced a series of groundbreaking theoretical essays that drew on semiotics, psychoanalysis and feminism in order to think through the ideological role of photographs in the production of beliefs and values, and in the understanding of memory, history, subjectivity and space. This collection brings together for the ?rst time Victor Burgin’s writings related speci?cally to the camera, following the shifts and nuances in his thinking over nearly ?ve decades. Moreover, it allows us to chart the evolution of what the camera was and is, and how its affects are to be understood.
Classification:
livres
livres
Publication:
mai 2018
mai 2018
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
livres
livres
Titre:
Augmented Photography
Augmented Photography
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$42.95
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Résumé:
"Augmented Photography" is a research project by the Master Photography at ECAL/University of Art and Design Lausanne, examining recent changes in photography. It aims to explore creative potential that has emerged with the digitisation of photographic procedures. It pays particular attention to the ways of producing, modifying, diffusing and teaching photography. The(...)
$42.95
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Résumé:
"Augmented Photography" is a research project by the Master Photography at ECAL/University of Art and Design Lausanne, examining recent changes in photography. It aims to explore creative potential that has emerged with the digitisation of photographic procedures. It pays particular attention to the ways of producing, modifying, diffusing and teaching photography. The(...)
Sujet:
Théorie de la photographie
Théorie de la photographie
Publication:
octobre 2017
octobre 2017
Titre:
Augmented Photography
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"Augmented Photography" is a research project by the Master Photography at ECAL/University of Art and Design Lausanne, examining recent changes in photography. It aims to explore creative potential that has emerged with the digitisation of photographic procedures. It pays particular attention to the ways of producing, modifying, diffusing and teaching photography. The publication presents also productions done by the Master’s students during practical exercises throughout the 2016-2017 academic year, together with a selection of representative works.
Augmented Photography
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"Augmented Photography" is a research project by the Master Photography at ECAL/University of Art and Design Lausanne, examining recent changes in photography. It aims to explore creative potential that has emerged with the digitisation of photographic procedures. It pays particular attention to the ways of producing, modifying, diffusing and teaching photography. The publication presents also productions done by the Master’s students during practical exercises throughout the 2016-2017 academic year, together with a selection of representative works.
Classification:
livres
livres
Publication:
octobre 2017
octobre 2017
Sujet:
Théorie de la photographie
Théorie de la photographie
