Uchronia: designing time
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This book critically investigates our contemporary time crisis. The transformation of society from an agrarian to an industrial, and finally an urbanized way of living and working has created a fundamental change in our understanding of time: a 24/7 mentality. The move from natural time to the digital age leads to a fragmentation of time that deeply affects our daily(...)
Uchronia: designing time
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This book critically investigates our contemporary time crisis. The transformation of society from an agrarian to an industrial, and finally an urbanized way of living and working has created a fundamental change in our understanding of time: a 24/7 mentality. The move from natural time to the digital age leads to a fragmentation of time that deeply affects our daily biological and social rhythm. We need a new approach to time to overcome our temporal system of clocks and calendars. This book investigates a new perception of time by exploring the concept of uchronia, a term derived from the Greek u-topos and meaning 'no time' or 'non-time'. Uchronia is a way of questioning, speculating on and designing new kinds of temporal systems that are more about being in tune than on time.
Théorie du design
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In "Design by accident," Alexandra Midal declares the autonomy of design, in and on its own terms. This meticulously researched work proposes not only a counterhistory but a new historiography of design, shedding light on overlooked historical landmarks and figures while reevaluating the legacies of design's established luminaries from the nineteenth century to the(...)
Design by accident: for a new history of design
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In "Design by accident," Alexandra Midal declares the autonomy of design, in and on its own terms. This meticulously researched work proposes not only a counterhistory but a new historiography of design, shedding light on overlooked historical landmarks and figures while reevaluating the legacies of design's established luminaries from the nineteenth century to the present. Midal rejects both linear narratives of progress and the long-held perception of design as a footnote to the histories of fine art and architecture. By weaving critical analysis of the canon of design history and theory together, with special attention to the writings of designers themselves, she draws out the nuances and radical potentials of the discipline—from William Morris's ambivalence toward industry, to Catharine Beecher's proto-feminist household appliances, to the Bauhaus's Expressionist origins, and the influence of Herbert Marcuse on Joe Colombo.
Théorie du design
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The daily lives of ordinary people are replete with objects, common things used in commonplace settings. These objects are our constant companions in life. As such, writes Soetsu Yanagi, they should be made with care and built to last, treated with respect and even affection. They should be natural and simple, sturdy and safe - the aesthetic result of wholeheartedly(...)
The beauty of everyday things
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The daily lives of ordinary people are replete with objects, common things used in commonplace settings. These objects are our constant companions in life. As such, writes Soetsu Yanagi, they should be made with care and built to last, treated with respect and even affection. They should be natural and simple, sturdy and safe - the aesthetic result of wholeheartedly fulfilling utilitarian needs. They should, in short, be things of beauty.
Théorie du design
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'Wabi-sabi : pour aller plus loin' est le complément de 'Wabi-sabi à l’usage des artistes, designers, poètes & philosophes'. L’ouvrage cherche à clarifier comment le wabi-sabi est apparu, notamment en lien avec la cérémonie du thé, et à mettre en lumière sa nature. Il traite également de la place du wabi-sabi dans le monde contemporain.
Wabi-sabi : pour aller plus loin
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'Wabi-sabi : pour aller plus loin' est le complément de 'Wabi-sabi à l’usage des artistes, designers, poètes & philosophes'. L’ouvrage cherche à clarifier comment le wabi-sabi est apparu, notamment en lien avec la cérémonie du thé, et à mettre en lumière sa nature. Il traite également de la place du wabi-sabi dans le monde contemporain.
Théorie du design
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Fifty years after the first exhibition by the Exhibition Design group, Michele Galluzzo recounts the first experiments of the collective in Pre design 1969: Research on plastic laminate by the Exhibition Design group. Made up of leading Italian graphic designers such as Giulio Confalonieri, Silvio Coppola, Franco Grignani, Bruno Munari and Pino Tovaglia, the ED group was(...)
Pre design 1969: plastic laminate
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Fifty years after the first exhibition by the Exhibition Design group, Michele Galluzzo recounts the first experiments of the collective in Pre design 1969: Research on plastic laminate by the Exhibition Design group. Made up of leading Italian graphic designers such as Giulio Confalonieri, Silvio Coppola, Franco Grignani, Bruno Munari and Pino Tovaglia, the ED group was formed in the late 1960s in Milan and in less than a decade gave rise to an extremely interesting experience, which until now has only been partially investigated.
Théorie du design
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The book is dedicated to the practice of design. It investigates experimentally the encounter between architecture and other related creative practices, between applied arts and sciences. Carefully selected unpublished materials from different fields are combined in such a way as to incite the maximum amount of questions. Each of the nine issues of SAFT contained in this(...)
SAFT: modular book on architecture, art and culture
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The book is dedicated to the practice of design. It investigates experimentally the encounter between architecture and other related creative practices, between applied arts and sciences. Carefully selected unpublished materials from different fields are combined in such a way as to incite the maximum amount of questions. Each of the nine issues of SAFT contained in this collection is dedicated to a different topic or phenomenon, combining different materials; it is dense in feedback and feedforward, in juxtapositions and casual encounters. Printed on a large sheet of coloured paper it multiplies in your hands growing in an exponential manner
Théorie du design
Blanket (object lessons)
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We are born into blankets. They keep us alive and they cover us in death. We pull and tug on blankets to see us through the night or an illness. They shield us in mourning and witness our most intimate pleasures. Curious, fearless, vulnerable, and critical, "Blanket" interweaves cultural critique with memoir to cast new light on a ubiquitous object. Kara Thompson reveals(...)
Blanket (object lessons)
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We are born into blankets. They keep us alive and they cover us in death. We pull and tug on blankets to see us through the night or an illness. They shield us in mourning and witness our most intimate pleasures. Curious, fearless, vulnerable, and critical, "Blanket" interweaves cultural critique with memoir to cast new light on a ubiquitous object. Kara Thompson reveals blankets everywhere--film, art, geology, disasters, battlefields, resistance, home--and transforms an ordinary thing into a vibrant and vital carrier of stories and secrets, an object of inheritance and belonging, a companion to uncover. "Object Lessons" is published in partnership with an essay series in the The Atlantic.
Théorie du design
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What good is design? In a world facing social unrest, political tribalism, and impending ecological doom, Tomás Maldonado poses philosophical inquiries into the role design plays during a moment of crisis and analyzes what “design” might mean as an ever-enlarging compass beyond stylization of specific objects. He discusses how design is both influenced by and central to(...)
Design, nature and revolution: towards a critical ecology
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What good is design? In a world facing social unrest, political tribalism, and impending ecological doom, Tomás Maldonado poses philosophical inquiries into the role design plays during a moment of crisis and analyzes what “design” might mean as an ever-enlarging compass beyond stylization of specific objects. He discusses how design is both influenced by and central to ecological crisis. Written as a kind of obituary to the Modern movement’s wave of failed “concrete utopias,” Maldonado combines philosophy, sociology, radical countercultural thought, and the ecological sciences into a polemic that recenters design in the human environment.
Théorie du design
Other things
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From the pencil to the puppet to the drone—the humanities and the social sciences continue to ride a wave of interest in material culture and the world of things. How should we understand the force and figure of that wave as it shapes different disciplines? ''Other Things'' explores this question by considering a wide assortment of objects—from beach glass to cell phones,(...)
Other things
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From the pencil to the puppet to the drone—the humanities and the social sciences continue to ride a wave of interest in material culture and the world of things. How should we understand the force and figure of that wave as it shapes different disciplines? ''Other Things'' explores this question by considering a wide assortment of objects—from beach glass to cell phones, sneakers to skyscrapers—that have fascinated a range of writers and artists, including Virginia Woolf, Man Ray, Spike Lee, and Don DeLillo.
Théorie du design
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Failure is an inevitable part of any creative practice. As game designers, John Sharp and Colleen Macklin have grappled with crises of creativity, false starts, and bad outcomes. Their tool for coping with the many varieties of failure: "iteration", the cyclical process of conceptualizing, prototyping, testing, and evaluating. Sharp and Macklin have found that(...)
Iterate: ten lessons in design and failure
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Failure is an inevitable part of any creative practice. As game designers, John Sharp and Colleen Macklin have grappled with crises of creativity, false starts, and bad outcomes. Their tool for coping with the many varieties of failure: "iteration", the cyclical process of conceptualizing, prototyping, testing, and evaluating. Sharp and Macklin have found that failure—often hidden, covered up, a source of embarrassment—is the secret ingredient of iterative creative process. In "Iterate", they explain how to fail better.
Théorie du design